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Ararêtama is a Tupi-Guarani indian word
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meaning land of light
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the place from where light is born
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and in this case it is consciousness
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it is light as consciousness
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as awareness
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so this awakened consciousness
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that has the capacity to choose its destiny
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because destiny comes from design
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so as humanity we have the capacity to design our destiny
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our future from conscious choices
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and Ararêtama is a system that brings
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interfaces and instruments so that
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we can make conscious choices for the common good
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The first 7 years happened as this dive into nature
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and in starting to comprehend the gestalt of this research
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From the second block of 7 years
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I started to design a therapeutic system
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grouping together the researched plants
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inside of this mandala, Ararêtama Mandala
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that was created starting in 1997
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as a process that each one could do
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as a journey of self-discovery
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to work on conditionings
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So this issue of conditionings is very important
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to be understood because
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it is vital in the comprehension of the Ararêtama system
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and of the therapeutic and educational system
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that Ararêtama proposes to be
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It is important to understand these blocks
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in the process of the construction of the Ararêtama system
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because these blocks opened ways in the foundation
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of the process in a very clear way
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So the first 7 years
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were years of a dive into nature
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absolutely guided by the consiousness
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of this magnificent forest
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and I always feel an eternal apprentice of
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the mastering of this biodiversity
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teaching me every day to become
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a better human being or at least to look to this path
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and the second block from 7 to 14 years
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of the existence of the system
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I dedicated myself to design this Mandala
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and to position the researched plants
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in a way that made it a journey of self-knowledge
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and to apply this method
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that started to be applied in an effective way
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in Brazil, Czech Republic and Slovakia
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so we have effective results of how much
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this process can transform one
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And the third block of 7 years that ends now
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there was all of the search to bring diverse conceptions
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that enriched the system and
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grounded this trajectory and
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these different instruments that were utilized
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So the work on the body for example
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I created a whole meditation work called Emotional Fitness
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for the body, this 7-minute meditation
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where the bodily affirmations of each one of the virtues
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of the essences
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bringing the body to participate in this journey
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because the body needs to be present in a learning process
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it is very important
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the process becomes more complete
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The production and creation of a whole
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cosmetic line for the body too
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Because, what happens?
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Our mind is quantic by itself
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so when I am here telling the story of the system
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while I am here present I am also present
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in my house for instance
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I can also go to my house and come back in 3 seconds
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What does this mean?
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It means that the mind does not need to be
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only present, it can also displace itself
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in time and space
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this is what a quantic mind means
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it does not depend upon being here sitting in the chair
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In order for my emotional body to go
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to my house and come back
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it takes a little more
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because it is more synesthesic
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it comes through sensations
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My physical body depends upon going home and coming back
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Because my mind is quantic and my physical body
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does not accompany this process at the same time
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there is a lag
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and with the cosmetics that were created
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the proposal of the system is to bring
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a knowledge as close to the quantic as possible
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so that we can go to the new in a more integrated manner
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because sometimes the mind is too accelerated
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and the body gets too tired with this process
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From 14 to 21 years
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there as a dedication to the creation of products
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a deepening of all the conceptual side
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the development of a whole theoretical and practical side
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so that it could be followed with very assertive
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exercises too
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In this search as educator
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I brought a series of elements to constitute
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the emotional fitness
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bringing a gym academy for behaviour
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for the emotional body
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because we understand really well
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in the physical body the need for movement
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Because what happens if I remain seated
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in this chair for 20 years?
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At the moment when I get up
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I will move my leg and everything will be paralyzed
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atrophied and I will have lots of pain
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when I move
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What happens with our behaviour?
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When we are born we have in our neuroplasticity
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a determined quantity of neurons and neurotransmitters
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because we are neurochemical beings
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we respond neurochemically to life
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this functioning is very important
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neuroscience is a very important dimension of science
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for us to comprehend behaviour
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We have available a certain amount of neurotransmitters
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and what happens?
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it happens that during the first 2 years we
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sculpt this neuroplasticity in such a manner
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that we leave out a potential of connections
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and consequently future perceptions of reality
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that are not driven due to our conditionings
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that come from family, culture, where we are born, live
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It is not that this is bad
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this is a a necessary process
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but this does not mean that we cannot work on this
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so this sculpture, this sculpted design
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in our neuroplasticity
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makes us look at life from determined points of view
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they end up generating conditionings in our perception
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and we already know that as humans we
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utilize a mean of 5% of our cerebral and neurochemical capacity
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It is incontestable that we have a potential of 95%
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to be explored
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I want at least 6%, from 5 to 6%
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and as an educator I feel an impulse to create
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possibilites so that we extend from 5 to 5.1, 5.2, 5.3%
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So the contribution of the Ararêtama system
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is like a little ant that carries a little leaf of the forest
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and contributes to a bouquet of methodologies
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of all of the fields
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so that the human being can evolve using potentials
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that are here to be used but
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dut to the conditionings are not
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So the Ararêtama Mandala is
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a method to exercise this potential
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As the essences are arranged in a certain way
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it is like a gym academy when we are to do a circuit
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when we enter a gym circuit we don't do one movement only
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50 times and then go home
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and return the next day to do the same movement
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we rather do a chain fo 10 exercises here
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another there
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and then do a chain with the trunk
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one with the legs and foot
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So it is by guiding a chain of movements of
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perception of reality where during 7 days
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we are guided by one essence, one virtue, one worldview
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so that then we are guided by another perception
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another worldview and another chain of movements
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of percpetion of reality
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This makes us tone this sculpture
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that I said is designed by our conditionings
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and that we can flexibilize this line
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Because flexibility is one of the keys to evolution
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without flexibility we have no way to experiment
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our life potential in its diverse properties
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forms and functions
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If we don't have flexibility there is no way to
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acquire another key to evolution which is life repertoire
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When we are born we come with a "little bag"
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and in this bag there are series of virtues
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inherent to each one of us
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This bag, we have a way to bring new instruments to it
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new forms of interaction with life
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so that we can bring and fill this bag with new experiences
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we need to be flexible
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otherwise we will always have one type of experience only
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So the Mandala proposes to be a field of experiences
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so that we can flexibilize and from flexibility
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fill our field of repertoire
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with possibilities that make us leave from 5%
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and can evolve and make good use of
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all our potential that is here to be used
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The issue of flexibility is very important
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because we have a tendency to stagnate
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in our internal victims
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so because my father did this, my mother did that
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because I did not get food at the right time
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so there is a tendency to justify our difficulties
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through events of our childhood
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and without doubt our phisiology
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is formed by larger or smaller traumas
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so we are not diminishing profound trauma
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the issue is that we will never be able to
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dissolve the trauma of our biography
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that is an illusion
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they are there, they are even part of our richness
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what we are able to do is to integrate this trauma
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to understand this trauma in the light of
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a new perception
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without having to always come back to the same issue
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but to have the capacity to recognise rapidly
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and to integrate to the present and react adequately to events
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In the process of the Mandala
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and one of the proposals of this journey
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is the capacity to get in touch with certain deep pains
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but not to remain in this process for too long
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to get in touch and have the capacity to come out
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and to face life in a new moment
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when entering again, to have diverse tools
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because teh emotional fitness runs 31 essences
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31 different ways to face and relate to life
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so tehy are 31 new ways and tools inside
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our "little bag" when we end this journey
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so rapidly we exercise entering an issue and coming out
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diving and coming out
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through these different ways
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So we have the Mandala
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with 8 different levels which are
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Origin and this one has to do with our identity
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who we are, honoring who we are
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having space to flow and through our innocence
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without needing to resort to social masks all the time
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The second level, Vital Strength
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is to have strength so we can wake up in the morning
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and interact with life
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Movement, the third level
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is to perceive life as a platform of experiences
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where all that is stagnated is an illusion
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movement is a principle of life
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the movement of our unconscious to the conscious
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as much as from inside ourselves in an interaction with life
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Relationship, the fourth level
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because we are social beings
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this occupies our thought sphere
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either because we are in a relationship
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or because we don't, or our relationship is complex
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so we are all the time in this inner dicussion about relations
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the fifth level is Life Experience
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it is to perceive that life is an opportunity and that
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many times we through away years of
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our existence because we don't perceive
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opportunities and are always playing victim
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or giving attention to what we don't have
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instead of giving attention to what we have
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and amplifying our possibilities
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so coming back to that issue
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of the 5% and reaching 6%
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And then we have the Cleansing level
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which is the capacity we have to discard what has no use
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and to focus on what is indispensable
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to exercise and go from the microcosmos to macrocosmos
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and from macro to micro again
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they are exercises that make us clean the field of priorities
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so we can have Grounding, the next level
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to bring our life projects in a way
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that makes us happy in our work
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so we can't suffer with our choices
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and then going to the eigth level
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which is Wisdom
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and the concept fo wisdom of the system
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is the dance, it is to bring to the heart
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the paradox between the intellect and the instinctual
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and at the Center of the Mandala
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we have a complex, an essence
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which is Rudá, which brings the need to metabolize
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our life experiences so we can get the best out of each event
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we have a physical metabolic system which is fundamental
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in relation to what we ingest, our food
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because we are not only what we eat
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we also depend on a metabolic system that works
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We have our lives but we are part of a species
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of the human species
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and it is very important to understand how habits are
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incorporated in a species
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because from there we can also understand
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how much we are responsible
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for our development, the quality of our relations
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and the quality of this species that we are part of
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so we have a choice to make
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we can participate passively because we participate anyway
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even if we are doing nothing
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or to actively participate in a process of evolution
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So let us understand how a habit is incorporated by a species
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Let us imagine that I am a mother monkey in the forest
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with my monkey puppies
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and suddenly when strolling in the forest
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one fruit falls, a new fruit that I had never seen before
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and I pick up this fruit, scratch my teeth on it
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I hit the fruit on a rock
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and I start to interact with this fruit
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and my puppies jump over me
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and by instinct I realize it is not venom
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and I start to chew it
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and this repeats itself for a day, a week, a year, 5 years
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until all of the monkeys from nearby groups
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start to also know that this fruit is eatable
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there is a certain number reached of monkeys that
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when they know this fruit is eatable
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this information is passed on to all of the species
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in all of the places in the world
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through an invisible field of information
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which is invisible to our field of perception
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but we must understand that our field of perception
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is a field of 5%
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so in this invisible filed of information
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the information is passed to the species
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and this is called Morphogenetic FIeld
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and one of the great researchers of the
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Morphogenetic Fields is Rupert Sheldrake
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an academic of Cambridge University
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who I had the honor of knowing and accompanying
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in a certain moment of his research
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and today through research he brings the foundations
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of this Morphogenetic Field
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of this field of invisible lines where the information transits
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All of what we don't like in the human being
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and that we easily hear in a circle of friends
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"this is absurd! when I read the papers I hear this
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absurd news" etc.
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But all of this absurd is part of a human species
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where we are co-producers of this construction of knowledge
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As educator and human being, mother, friend, companion
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I start to research the ways that can make the human
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a better human being
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I start by bringing the issue that was very well
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explored by the Sufis
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First of all of the 3 centers of the formation of personalities
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which is the Instinctive, the Emotional and the Intellectual
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So there are many issues that intellectually
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we can ground ina a brilliant way and that we can feel
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in our emotional center
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but the great problem is when we get to the instinctual center
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because instinctively we are beings that separate
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ourselves from one another
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by the issue of sameness
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we separate by clans and culture
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you don't see white cows and black cows
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separated in the field by colour
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but you see human beings separating based on colour
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This is in the instinct of the human being
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The only way we can work on the instinctual
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and I don't know another
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I am not closed to other ways
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I am only saying that the system brings this contribution
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is through a conscious way, a daily choice
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of what one wants from life
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and from this conscious choice
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Ararêtama system proposes a work on the 3 Ecologies
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How can I work on myself
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becoming a better being at every moment?
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This is the 1st Ecology
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How can I deal with my relations making them
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qualitatively better through choice, too?
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This is the 2nd Ecology
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How can I bring to the community where I live
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the society I am part of
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a reflection of my actions and thinking
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of the community in a positive way?
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This is the 3rd Ecology
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How can I contribute?
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If I become a better human being I am already contributing
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to the 3rd Ecology
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If I make my relations better I am already contributing
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to the 3rd Ecology
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and if I do something for this society
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I also contribute to the 3rd Eoclogy
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So this is a model where by incorporating
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the vibrational and floral essences
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when I bring the essences
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I bring an interface of the intelligence of this biodiversity
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inside our neurochemical field
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so that it can be a help to our evolutionary process
-
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If this forest was able to solve a serious problem of survival
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on an infertile soil, constructing a complex web of life
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where 75% of the active life on this forest
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rests on the tree crowns that comes from this
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social and biological intelligence
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so when I bring this intelligence inside of my physiology
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I learn with it
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also the way to solve this relation with my inner complexity
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with my shadows, my dichotomies, my paradoxes
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which is a difficulty
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it is our richness but at the same time
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our paradoxes can be obstacles to growth
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so when I propose diverse mandalas
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as ways to exercise perception and behaviour
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I propose an exercise of life to a process of evolution
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that is personal, social and planetary
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The first Mandala, the original one
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of the Ararêtama system
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is the heart of this methodology
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and that gives origin to the Basic Course
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and is a program made as a process of rebirth
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it has the duration of approximately 10 months
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where the essences are incorporated in the process
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and it can be made in 2 ways
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One as a passive mode where you simply take the essences
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and observe the results
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and the second way which I find more complete
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is that when taking the essences you are
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at the same time paying attention and
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exercising to become the virtue of the essence
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This is a work in the formation of this
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methodology that comes from the research
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on transpersonal psychology of Stan Grof
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which has foundations in the dramaturgy coming
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from shamanism because dramaturgy
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ha as initial source, shamanism
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the performance and dances in relation to the humours
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of the Earth, are perfomratic processes in ancestral
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and more primitive cultures
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they give birth to the dramaturgy and theatre
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so this is also an aspect that can and I recommend it to
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be incorporated in the journey of the Mandala
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in the sense of becoming that virtue for 7 days
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so it is a conscious exercise
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where you teach your reaction meachanism to life
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to have new ways to deal with the events of life
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It is a known fact that all that is alive communicates
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communicates between themselves
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so the human being has an arrogance of thinking that
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it possesses the most sophisticated forms of communication
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or sometimes even that only humans communicate
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Nature communicates all the time
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and all of the research and production fo the floral
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and vibrational essences take into account
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the communication of virtues
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the messages that are brought by this nature
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When we reasearch and produce an essence
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we collect messages coming through these plants
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that are intelligences of the ecosystems
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In The Secret Life of Plants, a book published
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a few decades ago
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researches were reported to be made in an university in India
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whith scientists putting electrodes on plants
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and these plants communicating through sound
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So it is very important to understand that the floral
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and vibrational essences can also be understood
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through mathematics
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So when I report that at the beginning of my experience
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the portal that is opened through a liana that communicates
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or through a mushroom that speaks
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I consciously choose to bring to the world
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this speech a as if it were a child reporting an experience
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because when I bring the child I bring the portal of innocence
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when I connect to the portal of innocence
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I reach the language of the heart
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The Mandala can be travelled
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many times during a lifetime
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so it is not a process we run through once and that is it
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it is a method that can be worked on innumerous times
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I have facilitators of the system that have
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travelled the Mandala 10 or 12 times
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because at each moment, new content emerges
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And when I cite the transpersonal influence
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in teh process of the construction of the Mandala
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it is related to rebirth and gestation
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we have issues that are absorbed during gestation
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especially fusion phases with the mother
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that end up being printed in the physiology of our behaviour
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and that emerge during the process of taking the essence
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I have a case of a person whose mother suffered
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a possibility of aborting during her 3rd month of gestation
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and when this person reached the 3rd month of the
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Mandala, some impulses came and wishes to abort
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the work and to stop doing the Mandala
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of wanting to change work and end relationships
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so it is very interesting how it arises processes
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that are printed from a long time
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So teh Mandala is a filed of possibilities of
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transformation and self-knowledge that is very multiple
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It is important to understand the difference
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among the fields of allopathy, homeopathy
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and floral and vibrational essences
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In allopathy we have the presence of 100%
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biochemical elements
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so when we buy a tablet and analyse it
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we have 100% of inserted products in the tablet
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In homeopathy we have biochemical presence
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but in more elevated potencies
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we have the presence of information through waves
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because we study in quantum physics life in
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the form of matter or wave
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in quantic bioogy which is the study in loco
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in nature and not in the lab
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as it is in quantum physics
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we have the presence of matter AND energy
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they are different states of a same manifestation of life
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So in allopathy we have 100% biochemical presence
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in homeopathy we have half biochemical and half
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with potentializations, the presence of information through wave
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it si also where phytotherapy fits, with the presence
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of organic material
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and in vibrational and floral essences
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we only have the information
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the virtue of the plant
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in an imprint on water which is an excellent conductor
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of information
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but it is through waves
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Waves of knowledge that are absorbed by water
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So they are waves of information printed on water
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and we can understand this mathematically
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In allopathy, phytotherapy and part of homeopathy
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we have the presence of 1.0, an integral presence
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in vibrational and floral therapy
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we enter into fractions
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waves are 0.0001 of biochemical presence
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and this is the mathematical reproduction
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of the waves imprinted on water
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and water becomes the matrix of this source
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of knowledge and wisdom
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that then is transformed into bottles and products
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So when I choose to speak about the experience
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in the forest in a pure way
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it is like voices that talk to me
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like when children spontaneously interact
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in the diverse dimensions of expression of life
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it is not because one can't speak in another way
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I can say that the information arrived through
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some signs coming from the nature of a plant
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because communication happens and this is a study
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of decades in universities all over the world
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the fact that the human being thinks
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this is magic or sorcery
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is absolute ignorance of the researches made
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for several years already
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So in quantum physics labs
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in quantum biology labs
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Bruce Lipton, Rupert Sheldrake
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and various researches bring this knowledge
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the issue is that there is a discrepancy
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between what exists as research and
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what is taught in didactic books at schools
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in biology, and the quantity of information
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that teachers have nowadays in relation
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to research that is done
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I consider Ararêtama and the contribution
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it has in society
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and that which moves me when I receive testimonies
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that sometimes come from inner Brazil
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or from cities of the Czech Republic
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or from places in England
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with gratitude for having made use of the essences
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and of the system
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for having surpassed very difficult things
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I owe my trajectory and my contribution to society
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to my group of friends with whom I coexist
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for more than 30 years
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I am certain that this style fo life
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this choice made at the beginning of post-adolescence
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this wonderful partnership of life that I have with
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Susana Maiani, an architect, a wizard jeweller
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a Nagual, a person that brings such
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an uncommom existential love
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this partnership with her and Mauro Liberali
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who today goes with me many times to the forest
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a very important presence after Zac passed
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Ricardo Airoza, Daisy, Irene, Michel
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so all of this pool of friends thati I have
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and that I can bring a deep thanks to
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for having had the opportunity to choose
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to live with a group of friends that today
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is on the 3rd generation in this coexistence
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and it is a great challenge
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but I believe it is the contribution of this
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intelligence of the forest together
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with the coexistence in community
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is a small contribution to society
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but I think that if each person brings their little leaf
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it is possible for us to produce incredible things in the planet
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so I feel very awarded by this choice and friends I have
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How did I get to the Czech Republic?
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Well, in 1997
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I will tell a little about my trajectory in foreign countries
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so I started the process of getting in touch
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and deepening myself in the forest
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starting at the beginning of the 1990's
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and launched the system from 1992 to 1993 in Holland
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and Belgium and later in England
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From there the system spread
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and in 1997 I went to represent Brazil
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at the Findhorn Conference in Scotland
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and when I got there I decided to do
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a ludic game
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I got a pendulum and the conference catalog
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and I asked the catalog
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"Catalog, catalog of mine
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who of the people present here
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is related to my life destiny?"
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I got the pendulum and managed it
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And to all of my friends and representatives at the time
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the pendulum said No
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It made big No's
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They were really present people in my life
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This way I went with the pendulum running No
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until it made a big Yes on the name of a person
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Cale Carson, a producer of essences from Hawai'i
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and lived at the island of Kaua'i
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and I had never heard of him
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and he was also not part of the main conference presenters
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So I thought, I will look for this person
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I put the catalog under my arm
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and asked many people in teh following days
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hey do you know this person? and noboby knew
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then on one of the days there was a presentation
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of the people that were not main presenters at the conference
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and I entered the room and sat on a vacant chair
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and asked the person to my side with the catalog
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"Do you know this person by any chance?"
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And he showed his hand and said "It's me."
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And there we established relations and contact for a year
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and he invited me a yearlater to give a workshop in Kaua'i
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at his house
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and when I was arriving at the island at his house
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an email came from an email from Prague
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asking him if he recommended another system beyong his
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and he said Sandra from Brazil is arriving at my house
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so I will put you in touch with her
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This way for a year I was in touch with this therapist
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until he invited me to teach the first course
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at the Czech Republic
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and this way my trajectory started there
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and he was a therapist that later
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tried to steal my brands and register them in his name
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but after a juridical process
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Sirkova like a little warrior got the system in her hand
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together with Veronika Sablova in the Czech Republic
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and Slovakia
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and with this a work vortex was created that
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is very efficient in Eastern Europe
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It was there too that I met Bea Benkova and Jan Polak
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who are 2 work partners
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Bea came to a workshop and at the time she worked at a bank
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and she never imagined her trajectory
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of creating a whole work for extraordinary women
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and later giving origin to Diphil Institute
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whose main nucleus and conception brings
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all of the virtue of the atantic forest
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in the contruction of a new planetary culture
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The conception of the Institute and the idea
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of the issue of the metaphor of the star that constructs
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the constellations, bringing this as a model of leadership
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The 3 Ecologies as a focus of work on
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the personal, social and planetary improvement
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weas incorporated by the Institute but has its origin
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in the methodology of the Araretama system
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Today, Araretama is present in diverse institutions
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and NGOs, helping these communities to work on traumas
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and to transform the biographies of children,
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giving them possibilities for concentration, study,
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and an emotional dignity making them more apt
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to deal with the current world.
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We are developing a methodology for childrenm based on
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the Atlantic Forest.
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We work on leadership for the 21st century,
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with leaders working from this model of the forest,
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tranforming teams into a community of
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biodiversities of talents of co-management.