Ararêtama is a Tupi-Guarani indian word meaning land of light the place from where light is born and in this case it is consciousness it is light as consciousness as awareness so this awakened consciousness that has the capacity to choose its destiny because destiny comes from design so as humanity we have the capacity to design our destiny our future from conscious choices and Ararêtama is a system that brings interfaces and instruments so that we can make conscious choices for the common good The first 7 years happened as this dive into nature and in starting to comprehend the gestalt of this research From the second block of 7 years I started to design a therapeutic system grouping together the researched plants inside of this mandala, Ararêtama Mandala that was created starting in 1997 as a process that each one could do as a journey of self-discovery to work on conditionings So this issue of conditionings is very important to be understood because it is vital in the comprehension of the Ararêtama system and of the therapeutic and educational system that Ararêtama proposes to be It is important to understand these blocks in the process of the construction of the Ararêtama system because these blocks opened ways in the foundation of the process in a very clear way So the first 7 years were years of a dive into nature absolutely guided by the consiousness of this magnificent forest and I always feel an eternal apprentice of the mastering of this biodiversity teaching me every day to become a better human being or at least to look to this path and the second block from 7 to 14 years of the existence of the system I dedicated myself to design this Mandala and to position the researched plants in a way that made it a journey of self-knowledge and to apply this method that started to be applied in an effective way in Brazil, Czech Republic and Slovakia so we have effective results of how much this process can transform one And the third block of 7 years that ends now there was all of the search to bring diverse conceptions that enriched the system and grounded this trajectory and these different instruments that were utilized So the work on the body for example I created a whole meditation work called Emotional Fitness for the body, this 7-minute meditation where the bodily affirmations of each one of the virtues of the essences bringing the body to participate in this journey because the body needs to be present in a learning process it is very important the process becomes more complete The production and creation of a whole cosmetic line for the body too Because, what happens? Our mind is quantic by itself so when I am here telling the story of the system while I am here present I am also present in my house for instance I can also go to my house and come back in 3 seconds What does this mean? It means that the mind does not need to be only present, it can also displace itself in time and space this is what a quantic mind means it does not depend upon being here sitting in the chair In order for my emotional body to go to my house and come back it takes a little more because it is more synesthesic it comes through sensations My physical body depends upon going home and coming back Because my mind is quantic and my physical body does not accompany this process at the same time there is a lag and with the cosmetics that were created the proposal of the system is to bring a knowledge as close to the quantic as possible so that we can go to the new in a more integrated manner because sometimes the mind is too accelerated and the body gets too tired with this process From 14 to 21 years there as a dedication to the creation of products a deepening of all the conceptual side the development of a whole theoretical and practical side so that it could be followed with very assertive exercises too In this search as educator I brought a series of elements to constitute the emotional fitness bringing a gym academy for behaviour for the emotional body because we understand really well in the physical body the need for movement Because what happens if I remain seated in this chair for 20 years? At the moment when I get up I will move my leg and everything will be paralyzed atrophied and I will have lots of pain when I move What happens with our behaviour? When we are born we have in our neuroplasticity a determined quantity of neurons and neurotransmitters because we are neurochemical beings we respond neurochemically to life this functioning is very important neuroscience is a very important dimension of science for us to comprehend behaviour We have available a certain amount of neurotransmitters and what happens? it happens that during the first 2 years we sculpt this neuroplasticity in such a manner that we leave out a potential of connections and consequently future perceptions of reality that are not driven due to our conditionings that come from family, culture, where we are born, live It is not that this is bad this is a a necessary process but this does not mean that we cannot work on this so this sculpture, this sculpted design in our neuroplasticity makes us look at life from determined points of view they end up generating conditionings in our perception and we already know that as humans we utilize a mean of 5% of our cerebral and neurochemical capacity It is incontestable that we have a potential of 95% to be explored I want at least 6%, from 5 to 6% and as an educator I feel an impulse to create possibilites so that we extend from 5 to 5.1, 5.2, 5.3% So the contribution of the Ararêtama system is like a little ant that carries a little leaf of the forest and contributes to a bouquet of methodologies of all of the fields so that the human being can evolve using potentials that are here to be used but dut to the conditionings are not So the Ararêtama Mandala is a method to exercise this potential As the essences are arranged in a certain way it is like a gym academy when we are to do a circuit when we enter a gym circuit we don't do one movement only 50 times and then go home and return the next day to do the same movement we rather do a chain fo 10 exercises here another there and then do a chain with the trunk one with the legs and foot So it is by guiding a chain of movements of perception of reality where during 7 days we are guided by one essence, one virtue, one worldview so that then we are guided by another perception another worldview and another chain of movements of percpetion of reality This makes us tone this sculpture that I said is designed by our conditionings and that we can flexibilize this line Because flexibility is one of the keys to evolution without flexibility we have no way to experiment our life potential in its diverse properties forms and functions If we don't have flexibility there is no way to acquire another key to evolution which is life repertoire When we are born we come with a "little bag" and in this bag there are series of virtues inherent to each one of us This bag, we have a way to bring new instruments to it new forms of interaction with life so that we can bring and fill this bag with new experiences we need to be flexible otherwise we will always have one type of experience only So the Mandala proposes to be a field of experiences so that we can flexibilize and from flexibility fill our field of repertoire with possibilities that make us leave from 5% and can evolve and make good use of all our potential that is here to be used The issue of flexibility is very important because we have a tendency to stagnate in our internal victims so because my father did this, my mother did that because I did not get food at the right time so there is a tendency to justify our difficulties through events of our childhood and without doubt our phisiology is formed by larger or smaller traumas so we are not diminishing profound trauma the issue is that we will never be able to dissolve the trauma of our biography that is an illusion they are there, they are even part of our richness what we are able to do is to integrate this trauma to understand this trauma in the light of a new perception without having to always come back to the same issue but to have the capacity to recognise rapidly and to integrate to the present and react adequately to events In the process of the Mandala and one of the proposals of this journey is the capacity to get in touch with certain deep pains but not to remain in this process for too long to get in touch and have the capacity to come out and to face life in a new moment when entering again, to have diverse tools because teh emotional fitness runs 31 essences 31 different ways to face and relate to life so tehy are 31 new ways and tools inside our "little bag" when we end this journey so rapidly we exercise entering an issue and coming out diving and coming out through these different ways So we have the Mandala with 8 different levels which are Origin and this one has to do with our identity who we are, honoring who we are having space to flow and through our innocence without needing to resort to social masks all the time The second level, Vital Strength is to have strength so we can wake up in the morning and interact with life Movement, the third level is to perceive life as a platform of experiences where all that is stagnated is an illusion movement is a principle of life the movement of our unconscious to the conscious as much as from inside ourselves in an interaction with life Relationship, the fourth level because we are social beings this occupies our thought sphere either because we are in a relationship or because we don't, or our relationship is complex so we are all the time in this inner dicussion about relations the fifth level is Life Experience it is to perceive that life is an opportunity and that many times we through away years of our existence because we don't perceive opportunities and are always playing victim or giving attention to what we don't have instead of giving attention to what we have and amplifying our possibilities so coming back to that issue of the 5% and reaching 6% And then we have the Cleansing level which is the capacity we have to discard what has no use and to focus on what is indispensable to exercise and go from the microcosmos to macrocosmos and from macro to micro again they are exercises that make us clean the field of priorities so we can have Grounding, the next level to bring our life projects in a way that makes us happy in our work so we can't suffer with our choices and then going to the eigth level which is Wisdom and the concept fo wisdom of the system is the dance, it is to bring to the heart the paradox between the intellect and the instinctual and at the Center of the Mandala we have a complex, an essence which is Rudá, which brings the need to metabolize our life experiences so we can get the best out of each event we have a physical metabolic system which is fundamental in relation to what we ingest, our food because we are not only what we eat we also depend on a metabolic system that works We have our lives but we are part of a species of the human species and it is very important to understand how habits are incorporated in a species because from there we can also understand how much we are responsible for our development, the quality of our relations and the quality of this species that we are part of so we have a choice to make we can participate passively because we participate anyway even if we are doing nothing or to actively participate in a process of evolution So let us understand how a habit is incorporated by a species Let us imagine that I am a mother monkey in the forest with my monkey puppies and suddenly when strolling in the forest one fruit falls, a new fruit that I had never seen before and I pick up this fruit, scratch my teeth on it I hit the fruit on a rock and I start to interact with this fruit and my puppies jump over me and by instinct I realize it is not venom and I start to chew it and this repeats itself for a day, a week, a year, 5 years until all of the monkeys from nearby groups start to also know that this fruit is eatable there is a certain number reached of monkeys that when they know this fruit is eatable this information is passed on to all of the species in all of the places in the world through an invisible field of information which is invisible to our field of perception but we must understand that our field of perception is a field of 5% so in this invisible filed of information the information is passed to the species and this is called Morphogenetic FIeld and one of the great researchers of the Morphogenetic Fields is Rupert Sheldrake an academic of Cambridge University who I had the honor of knowing and accompanying in a certain moment of his research and today through research he brings the foundations of this Morphogenetic Field of this field of invisible lines where the information transits All of what we don't like in the human being and that we easily hear in a circle of friends "this is absurd! when I read the papers I hear this absurd news" etc. But all of this absurd is part of a human species where we are co-producers of this construction of knowledge As educator and human being, mother, friend, companion I start to research the ways that can make the human a better human being I start by bringing the issue that was very well explored by the Sufis First of all of the 3 centers of the formation of personalities which is the Instinctive, the Emotional and the Intellectual So there are many issues that intellectually we can ground ina a brilliant way and that we can feel in our emotional center but the great problem is when we get to the instinctual center because instinctively we are beings that separate ourselves from one another by the issue of sameness we separate by clans and culture you don't see white cows and black cows separated in the field by colour but you see human beings separating based on colour This is in the instinct of the human being The only way we can work on the instinctual and I don't know another I am not closed to other ways I am only saying that the system brings this contribution is through a conscious way, a daily choice of what one wants from life and from this conscious choice Ararêtama system proposes a work on the 3 Ecologies How can I work on myself becoming a better being at every moment? This is the 1st Ecology How can I deal with my relations making them qualitatively better through choice, too? This is the 2nd Ecology How can I bring to the community where I live the society I am part of a reflection of my actions and thinking of the community in a positive way? This is the 3rd Ecology How can I contribute? If I become a better human being I am already contributing to the 3rd Ecology If I make my relations better I am already contributing to the 3rd Ecology and if I do something for this society I also contribute to the 3rd Eoclogy So this is a model where by incorporating the vibrational and floral essences when I bring the essences I bring an interface of the intelligence of this biodiversity inside our neurochemical field so that it can be a help to our evolutionary process If this forest was able to solve a serious problem of survival on an infertile soil, constructing a complex web of life where 75% of the active life on this forest rests on the tree crowns that comes from this social and biological intelligence so when I bring this intelligence inside of my physiology I learn with it also the way to solve this relation with my inner complexity with my shadows, my dichotomies, my paradoxes which is a difficulty it is our richness but at the same time our paradoxes can be obstacles to growth so when I propose diverse mandalas as ways to exercise perception and behaviour I propose an exercise of life to a process of evolution that is personal, social and planetary The first Mandala, the original one of the Ararêtama system is the heart of this methodology and that gives origin to the Basic Course and is a program made as a process of rebirth it has the duration of approximately 10 months where the essences are incorporated in the process and it can be made in 2 ways One as a passive mode where you simply take the essences and observe the results and the second way which I find more complete is that when taking the essences you are at the same time paying attention and exercising to become the virtue of the essence This is a work in the formation of this methodology that comes from the research on transpersonal psychology of Stan Grof which has foundations in the dramaturgy coming from shamanism because dramaturgy ha as initial source, shamanism the performance and dances in relation to the humours of the Earth, are perfomratic processes in ancestral and more primitive cultures they give birth to the dramaturgy and theatre so this is also an aspect that can and I recommend it to be incorporated in the journey of the Mandala in the sense of becoming that virtue for 7 days so it is a conscious exercise where you teach your reaction meachanism to life to have new ways to deal with the events of life It is a known fact that all that is alive communicates communicates between themselves so the human being has an arrogance of thinking that it possesses the most sophisticated forms of communication or sometimes even that only humans communicate Nature communicates all the time and all of the research and production fo the floral and vibrational essences take into account the communication of virtues the messages that are brought by this nature When we reasearch and produce an essence we collect messages coming through these plants that are intelligences of the ecosystems In The Secret Life of Plants, a book published a few decades ago researches were reported to be made in an university in India whith scientists putting electrodes on plants and these plants communicating through sound So it is very important to understand that the floral and vibrational essences can also be understood through mathematics So when I report that at the beginning of my experience the portal that is opened through a liana that communicates or through a mushroom that speaks I consciously choose to bring to the world this speech a as if it were a child reporting an experience because when I bring the child I bring the portal of innocence when I connect to the portal of innocence I reach the language of the heart The Mandala can be travelled many times during a lifetime so it is not a process we run through once and that is it it is a method that can be worked on innumerous times I have facilitators of the system that have travelled the Mandala 10 or 12 times because at each moment, new content emerges And when I cite the transpersonal influence in teh process of the construction of the Mandala it is related to rebirth and gestation we have issues that are absorbed during gestation especially fusion phases with the mother that end up being printed in the physiology of our behaviour and that emerge during the process of taking the essence I have a case of a person whose mother suffered a possibility of aborting during her 3rd month of gestation and when this person reached the 3rd month of the Mandala, some impulses came and wishes to abort the work and to stop doing the Mandala of wanting to change work and end relationships so it is very interesting how it arises processes that are printed from a long time So teh Mandala is a filed of possibilities of transformation and self-knowledge that is very multiple It is important to understand the difference among the fields of allopathy, homeopathy and floral and vibrational essences In allopathy we have the presence of 100% biochemical elements so when we buy a tablet and analyse it we have 100% of inserted products in the tablet In homeopathy we have biochemical presence but in more elevated potencies we have the presence of information through waves because we study in quantum physics life in the form of matter or wave in quantic bioogy which is the study in loco in nature and not in the lab as it is in quantum physics we have the presence of matter AND energy they are different states of a same manifestation of life So in allopathy we have 100% biochemical presence in homeopathy we have half biochemical and half with potentializations, the presence of information through wave it si also where phytotherapy fits, with the presence of organic material and in vibrational and floral essences we only have the information the virtue of the plant in an imprint on water which is an excellent conductor of information but it is through waves Waves of knowledge that are absorbed by water So they are waves of information printed on water and we can understand this mathematically In allopathy, phytotherapy and part of homeopathy we have the presence of 1.0, an integral presence in vibrational and floral therapy we enter into fractions waves are 0.0001 of biochemical presence and this is the mathematical reproduction of the waves imprinted on water and water becomes the matrix of this source of knowledge and wisdom that then is transformed into bottles and products So when I choose to speak about the experience in the forest in a pure way it is like voices that talk to me like when children spontaneously interact in the diverse dimensions of expression of life it is not because one can't speak in another way I can say that the information arrived through some signs coming from the nature of a plant because communication happens and this is a study of decades in universities all over the world the fact that the human being thinks this is magic or sorcery is absolute ignorance of the researches made for several years already So in quantum physics labs in quantum biology labs Bruce Lipton, Rupert Sheldrake and various researches bring this knowledge the issue is that there is a discrepancy between what exists as research and what is taught in didactic books at schools in biology, and the quantity of information that teachers have nowadays in relation to research that is done I consider Ararêtama and the contribution it has in society and that which moves me when I receive testimonies that sometimes come from inner Brazil or from cities of the Czech Republic or from places in England with gratitude for having made use of the essences and of the system for having surpassed very difficult things I owe my trajectory and my contribution to society to my group of friends with whom I coexist for more than 30 years I am certain that this style fo life this choice made at the beginning of post-adolescence this wonderful partnership of life that I have with Susana Maiani, an architect, a wizard jeweller a Nagual, a person that brings such an uncommom existential love this partnership with her and Mauro Liberali who today goes with me many times to the forest a very important presence after Zac passed Ricardo Airoza, Daisy, Irene, Michel so all of this pool of friends thati I have and that I can bring a deep thanks to for having had the opportunity to choose to live with a group of friends that today is on the 3rd generation in this coexistence and it is a great challenge but I believe it is the contribution of this intelligence of the forest together with the coexistence in community is a small contribution to society but I think that if each person brings their little leaf it is possible for us to produce incredible things in the planet so I feel very awarded by this choice and friends I have How did I get to the Czech Republic? Well, in 1997 I will tell a little about my trajectory in foreign countries so I started the process of getting in touch and deepening myself in the forest starting at the beginning of the 1990's and launched the system from 1992 to 1993 in Holland and Belgium and later in England From there the system spread and in 1997 I went to represent Brazil at the Findhorn Conference in Scotland and when I got there I decided to do a ludic game I got a pendulum and the conference catalog and I asked the catalog "Catalog, catalog of mine who of the people present here is related to my life destiny?" I got the pendulum and managed it And to all of my friends and representatives at the time the pendulum said No It made big No's They were really present people in my life This way I went with the pendulum running No until it made a big Yes on the name of a person Cale Carson, a producer of essences from Hawai'i and lived at the island of Kaua'i and I had never heard of him and he was also not part of the main conference presenters So I thought, I will look for this person I put the catalog under my arm and asked many people in teh following days hey do you know this person? and noboby knew then on one of the days there was a presentation of the people that were not main presenters at the conference and I entered the room and sat on a vacant chair and asked the person to my side with the catalog "Do you know this person by any chance?" And he showed his hand and said "It's me." And there we established relations and contact for a year and he invited me a yearlater to give a workshop in Kaua'i at his house and when I was arriving at the island at his house an email came from an email from Prague asking him if he recommended another system beyong his and he said Sandra from Brazil is arriving at my house so I will put you in touch with her This way for a year I was in touch with this therapist until he invited me to teach the first course at the Czech Republic and this way my trajectory started there and he was a therapist that later tried to steal my brands and register them in his name but after a juridical process Sirkova like a little warrior got the system in her hand together with Veronika Sablova in the Czech Republic and Slovakia and with this a work vortex was created that is very efficient in Eastern Europe It was there too that I met Bea Benkova and Jan Polak who are 2 work partners Bea came to a workshop and at the time she worked at a bank and she never imagined her trajectory of creating a whole work for extraordinary women and later giving origin to Diphil Institute whose main nucleus and conception brings all of the virtue of the atantic forest in the contruction of a new planetary culture The conception of the Institute and the idea of the issue of the metaphor of the star that constructs the constellations, bringing this as a model of leadership The 3 Ecologies as a focus of work on the personal, social and planetary improvement weas incorporated by the Institute but has its origin in the methodology of the Araretama system Today, Araretama is present in diverse institutions and NGOs, helping these communities to work on traumas and to transform the biographies of children, giving them possibilities for concentration, study, and an emotional dignity making them more apt to deal with the current world. We are developing a methodology for childrenm based on the Atlantic Forest. We work on leadership for the 21st century, with leaders working from this model of the forest, tranforming teams into a community of biodiversities of talents of co-management.