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High Spirits (1988)

  • 0:53 - 0:54
    Mr. Brogan...
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    I assume you've called in regard
    to the mortgage payment...
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    on Castle Plunkett,
    unfortunately still delayed...
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    by what seems to be
    our endless postal strike.
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    Dear sir, I must
    once again remind you...
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    my first name is not "Dick,"
    nor is my last name "Face."
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    It is simply Peter.
    Peter Plunkett.
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    No, I was not given
    a middle name...
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    but had I been,
    I feel certain...
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    my mother
    would not have chosen...
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    '"Low-life Shit-for-brains
    Peckerhead."
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    You obviously know
    a side of Mother...
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    I have been happily
    sheltered from.
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    Nevertheless, I marvel
    at your colorfully creative...
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    ever-so-American
    colloquialisms...
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    which flow so grippingly
    from your razor like tongue.
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    The hotel is in
    tiptop condition...
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    the renovations
    are proceeding at a...
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    What? Why shouldn't I bother?
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    Peter, who are you calling?
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    Oh, Mother! Will you please
    get off the line?
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    Turning the castle
    into a theme park?
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    '"Irish World"?
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    Gee, what an interesting notion.
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    In where? In Malibu?
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    What is Malibu?
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    I see. You want to move
    the castle to Malibu...
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    which, I am to presume,
    lies on the western corner...
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    of those United States.
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    Mr. Brogan, if I cannot
    send your payment...
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    how on earth do you expect...
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    to transport an entire castle
    across the sea?
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    The number of stamps alone
    is mind-boggling!
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    But I can assure you,
    Mr. Brogan...
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    that if it goes on
    much longer...
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    I will take this check
    which I am holding in my hand...
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    and personally ferry it
    across the water to England...
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    and mail it to you myself.
    That's how much I care.
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    What postal strike?
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    Shut up, Mother!
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    I don't think
    that kind of language...
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    is necessary, Mr. Brogan.
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    Understandable, but...
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    So, what you're saying...
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    is that if I don't come up with
    the money in three weeks...
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    you will foreclose
    and take over Castle Plunkett.
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    I see.
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    Have you heard of the quality
    of mercy, Mr. Brogan?
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    You haven't read
    your Shakespeare, Mr. Brogan.
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    Good-bye.
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    There you are!
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    Taking the easy way out.
    You naughty boy!
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    Mother, this is not easy.
    It is very, very difficult.
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    Just because you haven't got
    a guest in the place...
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    you're in hock
    to that fellow Brogan.
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    Your father's so worried,
    he's tearing his hair out!
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    Mother, father has been dead
    for a decade.
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    And what about
    your grandmother?
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    How do you think she feels?
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    Mother,
    grandmother is dead, too.
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    She's still upset.
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    Very well.
    I apologize profoundly...
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    to the ghosts of my ancestors...
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    for making a mess
    of their ancestral home.
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    Hold that.
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    I'm not gonna help you.
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    How many ghosts are there here?
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    There's Great Auntie Nana
    and Uncle Toby...
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    and that nice
    Elizabethan lady...
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    and the nun who was walled
    into the closet...
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    and Oliver's bastard, who never
    came out of the library.
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    Mother.
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    - What, darling?
    - What a wonderful idea.
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    - What, darling?
    - Ghosts.
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    Ghosts?
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    Ghosts.
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    A wonderful tourist attraction.
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    Katie!
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    Katie, take this down.
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    Castle Plunkett...
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    the superbly-restored edifice
    in the heart...
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    of the incomparably beautiful
    Irish countryside.
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    Also known to be
    the most haunted place...
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    on the Emerald Isle!
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    Here, the dead
    outnumber the living!
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    This castle contains
    more ghouls, ghosties...
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    long-leggedy beasties...
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    and things
    that go bump in the night...
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    than on any other place
    in this revolving, revolting...
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    maggot-spinning earth!
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    We can promise you
    banshees, pookas...
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    ghouls of all descriptions.
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    The one thing we won't promise
    is a good night's sleep.
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    There are no bloody ghosts here.
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    I know, but there will be.
    We'll invent them.
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    Yes, Mr. Wilson...
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    the accommodations
    are strictly modern...
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    and so far, the renovations
    have been consistent...
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    with maintaining
    the ectoplasmic ambience...
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    of Castle Plunkett and environs.
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    Illusion.
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    You, Katie, for instance.
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    You high on a wire would be
    magnificent as a flying banshee.
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    A little dry rot,
    selective damp...
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    some fungus here and there.
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    Ghosts need
    such things to exist.
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    Thank you.
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    Patricia, you could be...
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    a mermaid!
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    Or Lady Godiva.
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    Anybody dead down there?
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    Only the corpse, Eamon.
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    What the shaggin' hell
    are you doin' up there?
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    Genius. Pure genius.
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    Just you wait till they see it.
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    The bloody hand to the front...
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    And the bloody feet at the rear.
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    Look, what in the name of God
    is that?
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    We're not doin'
    the "African Queen."
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    Will you get me the shaggin'
    fish I asked you for?
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    Smile, Katie!
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    You have to smile!
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    The Americans
    are coming tomorrow.
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    Now, Eamon, you little genius,
    one more time.
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    Ready, steady, go!
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    Jack, what are you doing?
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    It's a little champagne.
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    To us, to Ireland...
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    your homeland.
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    Loch Ness Monster,
    guys in skirts.
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    That's Scotland, Jack.
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    I knew that.
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    Oh, Christ!
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    Oh, Jack.
    I've just taken two Valium...
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    and now you're trying
    to drown me in champagne.
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    God. Next thing you know,
    you'll want to have sex.
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    Ma'am?
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    A little champagne?
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    I suppose sex
    is out of the question?
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    I think I should be
    the tart on the horse...
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    and you should be
    the hag in the tree.
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    I think I should go home.
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    Just give me that hair back!
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    Bon voyage!
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    On our left,
    we have the Houghlin Bog...
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    home to more grisly
    and gruesome murders...
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    than any comparable spot
    in the universe.
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    The fierce,
    fighting O'Flahertys...
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    would pile down from
    the Knockmealdown Mountains...
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    and pillage and rape
    women and children.
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    We have children here.
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    Even Christian brothers
    were known to berserk...
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    the occasional sheep or goat.
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    Here, within the confines
    of Castle Plunkett itself...
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    we come to the infamous
    Wailing Willow...
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    from which the Brogan Banshee...
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    is reported to wail and howl
    from time to time.
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    They're comin', Katie!
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    Get ready to show them
    all you have!
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    Scare the Jesus out of 'em.
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    Howl, Katie, howl!
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    Howl like a banshee!
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    Wave the life out of 'em!
    Wave your arms!
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    Oh, Jesus!
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    Stop the bus!
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    Help me!
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    Driver!
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    Help me!
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    There's a lady
    on the luggage rack!
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    I'm not a lady!
    I'm a banshee!
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    There's a banshee
    on the luggage rack!
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    And the banshee's howling
    brings forth...
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    the restless spirit
    of Lady Amelia...
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    risen from her grave, riding
    naked on her magical mount!
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    Hands and heels now, Patricia!
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    I can't stop it!
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    Help!
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    Awesome!
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    Oh, mummy!
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    The things I do for you.
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    Deeply appreciated.
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    Oh, dear.
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    Don't panic!
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    What do you mean,
    "don't panic"?
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    Listen to me!
    Don't panic!
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    Shut up!
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    She's amphibious,
    or so I'm told.
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    Jesus Christ.
    This is the end of the world.
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    Best foot forward, Katie.
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    Welcome to Castle Plunkett!
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    You are most heartily welcomed.
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    Ladies, gentlemen, children...
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    you appear to be a trifle moist.
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    May I?
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    Good evening, boys,
    young lady...
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    Mr. Crawford,
    Mrs. Crawford, Mrs. Clay.
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    Mr. Plunkett, what is
    this whiting in a glaze?
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    Oh, that would be a lovely
    whiting with bread crumbs.
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    And the whiting au nature?
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    Boiled whiting.
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    So, what's
    the whiting vapor stuff?
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    That, my dear young one, would
    be whiting, steamed.
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    And what is this?
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    Whiting bordeaux?
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    Very witty, Mr. Clay.
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    OK, Mom. You've got us here.
    Now where are these ghosts?
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    Come on! I wanna see one now!
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    Boys!
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    I'm afraid there are
    no ghosts here.
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    A cynic, Mr. Clay.
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    No, a parapsychologist...
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    Mr. Plunkett.
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    Duke University.
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    A para-what?
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    A parapsychologist.
    An expert in ghosts.
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    Give the parapsychologist
    a drink, Katie.
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    Whiting bisque, madame?
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    Thank you.
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    And for you, father?
    The whiting bisque?
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    So, I was seeing this guy, and
    he's a devil worshipper, right?
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    Well, he's a hairdresser,
    really...
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    but he devil worships
    on the side.
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    We booked this dumb tour
    'cause he likes ghosts...
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    corpses, dead gerbils,
    that kind of thing...
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    and he ran off
    with this Buddhist monk.
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    I mean, how was I supposed
    to know he was gay?
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    So, what about you?
    Are you gay, too?
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    No, I'm not, but I'm chaste.
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    Just kidding.
    Trick question.
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    So, what are you doing here?
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    Well, I thought
    I'd take a vacation here...
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    in the Isle of Saints...
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    before I take my final vows
    as a sort of spiritual treat.
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    Retreat.
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    Yeah. Well, I've kind of
    taken a vow myself.
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    I've sworn off men
    for a while, at least.
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    But you're not a priest yet?
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    No. Not yet.
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    Well, here's to keeping
    our vows.
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    Mr. Plunkett.
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    Who's that?
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    Mary Plunkett.
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    My great-great-great-great-
    great-great-grandcousin.
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    She died right here in
    Castle Plunkett 200 years ago.
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    She couldn't take
    the whiting, either?
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    Levity is out of place,
    Mrs. Crawford.
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    She was murdered
    on her wedding night...
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    by the hand of her
    newly wedded husband.
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    When I remember
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    All friends linked together
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    I've seen around me
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    Fall like leaves in wintry snow
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    Why don't I just
    give you both here?
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    I can get the change later.
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    Lovely music.
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    Shut up!
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    Some banquet-hall
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    Deserted
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    Whose lights are fled
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    Whose garlands dead
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    And all but he departed
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    Thus in the stilly night
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    Ere slumber's chain
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    Has bound me
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    Fond memory brings the light
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    Honey, everybody's singing.
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    It's beautiful.
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    It's beautiful.
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    A full moon has risen
    above Houghlin Bog.
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    Those of you
    with nervous dispositions...
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    would do well
    to protect yourselves.
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    Lock your windows,
    bolt your doors...
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    say your prayers...
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    for tonight,
    they may be walking abroad...
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    the cluricanes,
    the banshees, and the pookas.
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    Good night.
    Sleep well, if you can.
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    If you dare!
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    Bugs.
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    Where did they all go?
  • 17:51 - 17:53
    Don't ask.
    They might come back.
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    Well, if there are
    any ghosts in this castle...
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    I hope to God they put on
    a better show than this one.
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    It was pretty scary, huh, kids?
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    Didn't you see
    '"Nightmare on Elm Street"?
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    Give me a break.
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    Scared the shit out of me.
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    Right. Phase Two.
  • 18:15 - 18:16
    Katie, banshee time.
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    Julia, where's me bandages?
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    Because it's hard to get
    a significant C.R. Reading...
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    when there is no observed
    deviation to be measured.
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    I'm afraid that this is going
    to be the most pitiful scam...
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    There is not even
    a dress hanger in the dump.
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    Malky.
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    Get me the nightie
    you bought me at the duty-free.
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    Honey?
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    Thanks, Bugbear.
    Oh, take this, would you?
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    Unexpected random fluctuations
    of the standard deviation...
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    would need to exceed 2.33 for it
    to be conceived as significant.
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    Here we have
    a very impressive sight indeed.
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    It's the winning Hereford bull
    owned by Mr. Lynch...
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    and he's won the competition
    for the third year in a row.
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    Mind you,
    the competition we saw today...
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    was of a very
    high quality indeed...
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    and the judges
    had a very difficult task.
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    Of course, these days,
    the judges emphasize grooming...
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    Oh, my God.
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    Major jet lag.
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    Excuse me.
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    I don't believe in ghosts.
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    Oh, wait.
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    Calm down, Miranda.
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    You can stop it now,
    because really, I'm not scared.
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    One more time, my Katie, and
    give the window a little tap.
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    Tap it yourself.
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    Away, Little John.
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    Damn it!
    Look at me, you bastard!
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    OK, you guys.
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    If you aren't in bed in three
    seconds, you are grounded.
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    But we haven't seen a ghost yet.
  • 20:45 - 20:47
    And I'm not whistlin' Dixie.
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    Help me!
  • 21:07 - 21:08
    Help!
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    Please, somebody help me!
  • 21:11 - 21:13
    Where's he goin'?
  • 21:13 - 21:15
    Help me!
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    All right. I'm coming.
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    - Brother Tony, help me!
    - I will!
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    - You have to make it stop!
    - All right!
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    I don't like it at all!
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    Come on, Brother Tony! Jump!
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    I'm coming!
  • 21:29 - 21:30
    Oh, Tony!
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    Brother Tony!
    Do something!
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    Don't just lay there,
    do something!
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    Like what?
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    Exorcise it!
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    You're a priest, aren't you?
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    How about a little something
    from "Revelations"?
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    - "Revelations"?
    - "Revelations."
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    '"And I saw an angel..."
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    I'm gonna be sick!
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    Don't leave me!
    We're going to die!
  • 21:53 - 21:55
    They're going to kill us!
  • 22:00 - 22:04
    A change in the humidity
    and you will turn blue.
  • 22:09 - 22:11
    Come to me, Bugbear.
  • 22:11 - 22:13
    Make me a woman.
  • 22:15 - 22:17
    My love.
  • 22:19 - 22:24
    Oh, that's the most pathetic
    display that I've ever seen.
  • 22:24 - 22:25
    Malcolm!
  • 22:25 - 22:28
    What is that?
    A 45-degree semisilver mirror?
  • 22:34 - 22:36
    Now, Eamon.
  • 22:36 - 22:38
    The sword!
  • 22:39 - 22:41
    Jack, what are you doing?
  • 22:43 - 22:45
    I smell something burning, Jack.
  • 22:51 - 22:54
    Sharon!
  • 22:54 - 22:56
    How many times
    do I have to tell you "no"?
  • 22:56 - 22:59
    I'm exhausted.
    We are not making love tonight.
  • 22:59 - 23:01
    I just saw a ghost!
  • 23:01 - 23:04
    That is the most pathetic excuse
    for sex I have ever heard!
  • 23:04 - 23:06
    If I say I'm too tired,
    then I'm too tired.
  • 23:06 - 23:08
    Thank you very much, Jack.
  • 23:08 - 23:09
    Now I need to take
    two more Valium.
  • 23:14 - 23:16
    My God, he's got my underwear!
  • 23:16 - 23:18
    Oh, very nice!
    A pervert ghost!
  • 23:18 - 23:19
    Malcolm, the children!
  • 23:19 - 23:20
    Don't worry, Marge.
    I'll handle this.
  • 23:21 - 23:23
    Get away from the children!
  • 23:23 - 23:25
    Yeah, Dad!
  • 23:25 - 23:26
    Supernatural, huh?
  • 23:26 - 23:28
    Sounds pretty solid to me.
  • 23:28 - 23:29
    Behind me, children!
  • 23:29 - 23:31
    How dare you threaten
    my family?
  • 23:44 - 23:45
    I think it's real, Dad.
  • 23:45 - 23:47
    I'll show you real!
  • 23:51 - 23:52
    Mother of God!
  • 23:55 - 23:58
    You could've shaggin' killed me.
  • 24:01 - 24:03
    Maybe if we made love
    more often...
  • 24:03 - 24:04
    you wouldn't need
    your stupid pills.
  • 24:10 - 24:12
    Do not take that Valium.
  • 24:12 - 24:14
    Sharon,
    do not take that Valium.
  • 24:14 - 24:16
    Would you listen to me
    for once in your life?
  • 24:16 - 24:18
    Sharon, please!
  • 24:26 - 24:28
    It's not working!
    We have to stop!
  • 24:28 - 24:31
    We have to try something else!
  • 24:55 - 24:57
    What are you doing...
  • 24:58 - 25:00
    to that poor ghost?
  • 25:01 - 25:03
    Wait a minute!
  • 25:03 - 25:07
    Plunkett! You phony! You fake!
  • 25:11 - 25:14
    Julia! Oh, how's my poor...
  • 25:14 - 25:17
    Little demon children!
  • 25:17 - 25:19
    Calm yourselves!
  • 25:20 - 25:22
    As the brochure says,
    it's the unpredictability...
  • 25:22 - 25:23
    of spirits that causes problems.
  • 25:23 - 25:27
    So I would like to apologize
    for any minor inconvenience.
  • 25:27 - 25:29
    This is the most pitiful
    supernatural sham...
  • 25:29 - 25:31
    that I've ever encountered!
  • 25:31 - 25:32
    It will get better,
    I assure you.
  • 25:44 - 25:46
    That's it!
  • 25:46 - 25:49
    We are leaving
    tomorrow morning, Jack.
  • 25:49 - 25:53
    Oh, no, my dear woman.
  • 25:53 - 25:54
    Am I intruding?
  • 25:54 - 25:57
    Just give the poor ghosts
    a little time.
  • 25:57 - 25:59
    We're history, dude.
  • 25:59 - 26:02
    Couldn't we look on tonight
    as a kind of dress rehearsal?
  • 26:02 - 26:04
    You're finished, Plunkett!
  • 26:04 - 26:08
    I am going to personally expose
    this pathetic fraud!
  • 26:08 - 26:11
    There are laws, sir,
    against people like you.
  • 26:11 - 26:13
    Marge, children, we're leaving.
  • 26:15 - 26:17
    Maybe Jim Brogan'll
    give us another chance?
  • 26:17 - 26:20
    Jim Brogan? What's Jim Brogan
    got to do with this?
  • 26:20 - 26:22
    He has the mortgage
    on the place...
  • 26:22 - 26:24
    and we've only got
    two weeks left...
  • 26:24 - 26:26
    and then he's gonna
    throw us out.
  • 26:26 - 26:28
    Jack, I'm very tired.
    I'd like to go to bed now.
  • 26:28 - 26:29
    - Now!
    - Just wait a minute!
  • 26:29 - 26:33
    What's going on here,
    Mr. Plunkett?
  • 26:33 - 26:36
    So we told a lie.
  • 26:36 - 26:39
    Everyone lies once in a while.
  • 26:39 - 26:41
    So Katie isn't a ghost...
  • 26:41 - 26:43
    and Julia still
    has her head on...
  • 26:44 - 26:46
    and Eamon isn't a mummy...
  • 26:46 - 26:49
    and the castle isn't haunted,
    but what of that?
  • 26:49 - 26:52
    What you have
    to ask yourselves is...
  • 26:52 - 26:56
    why did we do it?
  • 26:56 - 26:59
    We did it because
    we love this place.
  • 27:01 - 27:05
    Every little
    worm-eaten brick...
  • 27:05 - 27:08
    every little rotting
    nook and cranny.
  • 27:08 - 27:14
    Why should you Americans care
    if I lose my home?
  • 27:14 - 27:16
    Castle Plunkett.
  • 27:16 - 27:21
    And the villagers lose
    their only means of employment?
  • 27:21 - 27:22
    Thank you, Katie.
  • 27:24 - 27:28
    Jack, let's go to bed.
  • 27:28 - 27:30
    - I care, Mr. Plunkett.
    - What?
  • 27:30 - 27:32
    I care.
  • 27:32 - 27:36
    Jim Brogan is my father-in-law,
    so I'm involved in this.
  • 27:36 - 27:40
    You're Jim Brogan's daughter?
  • 27:42 - 27:48
    Yes, my name's Brogan.
  • 27:48 - 27:49
    I might as well tell you...
  • 27:49 - 27:51
    that there won't be any
    extensions on your mortgage.
  • 27:51 - 27:52
    I mean, not after
    tonight's performance.
  • 27:53 - 27:54
    I don't believe this.
  • 27:54 - 27:55
    Daddy asked me
    to check it out.
  • 27:55 - 27:58
    I mean, this ghost business
    was too ridiculous.
  • 27:59 - 28:02
    So you came to sabotage us?
  • 28:02 - 28:04
    You did perfectly all right
    all by yourself.
  • 28:04 - 28:07
    I didn't have to lift a finger.
  • 28:10 - 28:14
    Jack, are you coming?
  • 28:23 - 28:26
    Look, I don't know what to say.
  • 28:28 - 28:31
    I didn't know.
  • 28:31 - 28:34
    I didn't.
  • 28:34 - 28:37
    For what it's worth,
    I think this place is great.
  • 28:40 - 28:41
    You're the ghost in the bedroom.
  • 28:44 - 28:47
    You were the banshee
    on the luggage rack.
  • 28:56 - 28:59
    Sharon, hey, wait a minute!
  • 28:59 - 29:01
    Daddy wants this place.
    He's always wanted it.
  • 29:01 - 29:03
    He was born here.
    He hates the Plunketts.
  • 29:03 - 29:04
    Why?
  • 29:04 - 29:06
    Why not?
    Daddy hates most people.
  • 29:06 - 29:08
    So you lied to me.
  • 29:08 - 29:10
    You used our second honeymoon
    for Daddy.
  • 29:10 - 29:12
    Jack, it's business.
  • 29:12 - 29:15
    It's business?
  • 29:15 - 29:17
    Obviously, a word
    you're not familiar with.
  • 29:33 - 29:34
    Where are you going?
  • 29:34 - 29:36
    To get drunk.
  • 29:36 - 29:40
    I don't want you
    to lose your castle.
  • 29:40 - 29:43
    Not to my father-in-law,
    he's a son of a bitch.
  • 29:43 - 29:45
    Oh, my dear fellow,
    you're too kind.
  • 29:45 - 29:48
    He's an unlovely combination...
  • 29:48 - 29:52
    of a son of a bitch
    and a rat's knackers.
  • 29:52 - 29:54
    What's a rat's knackers?
  • 29:54 - 30:00
    It's an unholy trinity
    of a muckraker, a gobshite...
  • 30:00 - 30:02
    and a hoor's melt.
  • 30:04 - 30:07
    The guy's a dick.
  • 30:07 - 30:08
    In a word.
  • 30:08 - 30:11
    Would you like a drink?
  • 30:11 - 30:12
    I thought I had one.
  • 30:12 - 30:15
    I mean a real drink.
  • 30:40 - 30:42
    Upsy-daisy.
  • 30:53 - 30:57
    My father's brew.
  • 31:14 - 31:16
    Oh, perfect.
  • 31:16 - 31:18
    Look at the bad side...
  • 31:18 - 31:20
    gotta look at the good side.
  • 31:20 - 31:21
    There's constantly...
  • 31:21 - 31:24
    There's two sides
    to every story.
  • 31:30 - 31:33
    The milk of human kindness,
    Sharon.
  • 31:33 - 31:36
    Three little words,
    every once in a while.
  • 31:36 - 31:38
    Doesn't cost anything.
  • 31:38 - 31:41
    '"I love you."
  • 31:43 - 31:46
    Oh, shit. Wrong room.
  • 31:48 - 31:51
    Our room's not this nice.
  • 32:16 - 32:18
    - No, Martin!
    - It's not what you think.
  • 32:18 - 32:20
    Oh, no, Martin. No!
  • 32:20 - 32:22
    I know you.
  • 32:22 - 32:24
    You're the girl in the painting!
  • 32:24 - 32:27
    - So, you wee harlot.
    - No, Martin!
  • 32:27 - 32:29
    You're the one in the painting.
  • 32:29 - 32:31
    You'll tup with no one!
    Come here, lovey!
  • 32:31 - 32:32
    Who's this guy?
  • 32:32 - 32:35
    You're a great act.
    Real bruises, too, huh?
  • 32:35 - 32:36
    Wow, that's great.
  • 32:36 - 32:38
    Hey, pal, you should've
    done this earlier.
  • 32:39 - 32:40
    I think you could've
    saved the place.
  • 32:40 - 32:41
    Where is he?
  • 32:42 - 32:44
    Martin, there's no one!
  • 32:44 - 32:46
    Great outfits.
  • 32:46 - 32:47
    Martin, there's no one!
  • 32:48 - 32:50
    Looks real!
  • 32:50 - 32:52
    Martin, there's no one!
  • 32:52 - 32:53
    Looks a little rough, but real.
  • 32:53 - 32:55
    Why don't I believe ya?
  • 33:03 - 33:05
    This is so disgusting.
  • 33:13 - 33:17
    Oh, Lord, she wouldn't die,
    not with a lie on her lips.
  • 33:17 - 33:20
    Oh, God, what have I done?
  • 33:20 - 33:21
    You killed her.
  • 33:21 - 33:23
    Oh, Lord, what have I done?
  • 33:23 - 33:24
    I told you, you killed her.
  • 33:24 - 33:26
    Mary.
  • 33:26 - 33:27
    Oh, Lord, what have I done?
  • 33:27 - 33:30
    What did you do?
    She's a mess!
  • 33:48 - 33:51
    There's a trap door down here.
  • 34:01 - 34:02
    Oh, no, Martin!
  • 34:06 - 34:08
    So, you wee harlot.
  • 34:08 - 34:10
    No, Martin. No!
  • 34:10 - 34:11
    Duck!
  • 34:11 - 34:13
    You won't tup with me, huh?
  • 34:13 - 34:15
    Please, no!
  • 34:15 - 34:17
    The party's over, all right?
  • 34:17 - 34:19
    Take your hands off the girl...
  • 34:19 - 34:22
    or you're gonna be...
    OK, pal!
  • 34:22 - 34:24
    Where is he?
  • 34:24 - 34:26
    All right! Where is he?
  • 34:26 - 34:28
    Martin, there's no one.
  • 34:28 - 34:30
    Wait a minute, wait.
  • 34:30 - 34:32
    What are you doing?
    She's a beautiful woman.
  • 34:32 - 34:34
    That's a beautiful woman!
  • 34:34 - 34:35
    Martin, there's no one!
  • 34:35 - 34:36
    Then, why don't I believe ya?
  • 34:42 - 34:44
    I'm hit.
  • 34:46 - 34:48
    Oh, God.
  • 34:50 - 34:52
    You dirty rotten...
  • 34:52 - 34:55
    Mary?
  • 34:55 - 34:57
    No, he missed me.
  • 34:57 - 35:03
    Oh, Lord, she wouldn't die,
    not with a lie on her lips.
  • 35:03 - 35:05
    Oh, Lord, what have I done?
  • 35:05 - 35:07
    Oh, God, what have I done?
  • 35:12 - 35:13
    Who are you guys?
  • 35:15 - 35:17
    I'm Mary Plunkett.
  • 35:18 - 35:20
    Wait a minute.
  • 35:20 - 35:23
    This is an act.
  • 35:26 - 35:29
    This is an act. Right?
  • 35:32 - 35:34
    How can I thank you?
  • 35:34 - 35:35
    For what?
  • 35:35 - 35:37
    For your selflessness.
  • 35:38 - 35:44
    I didn't do... I don't...
  • 35:44 - 35:45
    How can I thank you?
  • 35:45 - 35:50
    You're so beautiful.
  • 35:50 - 35:52
    How can I thank you?
  • 35:52 - 35:55
    Thank you.
  • 35:55 - 35:56
    Don't go.
  • 35:56 - 35:58
    Why do you have to go?
  • 36:12 - 36:14
    I don't feel good.
  • 36:39 - 36:43
    Sharon, I think I'm going crazy.
  • 36:43 - 36:46
    I gotta know. Did you...
  • 36:50 - 36:52
    Did you ever love me?
  • 37:02 - 37:05
    Let's see if those pills
    really work.
  • 37:11 - 37:14
    You've had a good life.
  • 37:33 - 37:36
    Oh, God.
  • 37:50 - 37:52
    You.
  • 37:52 - 37:55
    You are...
  • 38:16 - 38:18
    Good morning, darling.
  • 38:18 - 38:20
    Good morning, Lavinia.
  • 38:20 - 38:23
    Well, our son is an idiot.
  • 38:23 - 38:25
    We've known that for years.
  • 38:25 - 38:28
    Haven't we, darling?
  • 38:28 - 38:31
    Well, this time,
    he has surpassed himself.
  • 38:31 - 38:33
    The ghosts are furious.
  • 38:33 - 38:34
    Why?
  • 38:34 - 38:36
    Well, they've heard that
    that Jim Brogan fellow...
  • 38:36 - 38:38
    is going to move the castle
    to Malibu.
  • 38:38 - 38:40
    How nice.
  • 38:40 - 38:46
    All that sunshine,
    and all those movies stars.
  • 38:46 - 38:49
    No respectable ghost
    would live in California.
  • 38:49 - 38:52
    Besides, they're Irish.
    What would they do there?
  • 38:52 - 38:54
    Oh, if only I hadn't died.
  • 38:54 - 38:55
    None of this
    would ever have happened.
  • 38:55 - 38:58
    Well, you did die,
    didn't you, darling?
  • 38:58 - 38:59
    So, what are
    we gonna do about it?
  • 38:59 - 39:03
    Out of my hands.
    They won't listen to me.
  • 39:03 - 39:05
    They're going
    to give those Americans...
  • 39:05 - 39:06
    exactly what they came here for.
  • 39:06 - 39:09
    Serve 'em right.
  • 39:14 - 39:15
    I'm dead.
  • 39:18 - 39:20
    So, this is what it feels like.
  • 39:25 - 39:27
    Like a hangover.
  • 39:30 - 39:31
    Peter?
  • 39:31 - 39:33
    Peter, wake up.
  • 39:35 - 39:37
    The Yanks are leaving.
  • 39:37 - 39:38
    Really?
  • 39:49 - 39:53
    As long as I'm dead,
    I might as well tell you.
  • 39:53 - 39:57
    You've got all the warmth
    of a penguin on an iceberg.
  • 40:01 - 40:02
    You're a dwarf.
  • 40:03 - 40:06
    You'd better clean
    those choppers real good...
  • 40:06 - 40:09
    so you can chew up
    the next jerk who comes along.
  • 40:11 - 40:12
    I'm not dead?
  • 40:12 - 40:13
    No, but if I were you...
  • 40:13 - 40:15
    I wouldn't make
    any long-range plans.
  • 40:15 - 40:18
    Great, Jack. Now I've got
    a massive migraine coming on.
  • 40:19 - 40:21
    My B-complex level
    is rock bottom.
  • 40:21 - 40:23
    Sharon, look...
  • 40:23 - 40:25
    Let me see that.
  • 40:25 - 40:28
    Sharon, I think...
  • 40:28 - 40:30
    Get packed, Jack.
  • 40:30 - 40:33
    Sharon, you took a Valium.
  • 40:35 - 40:36
    Wrong pills.
  • 40:39 - 40:41
    What did you have
    for your breakfast, little boy?
  • 40:41 - 40:43
    Some tan fish.
  • 40:43 - 40:45
    That was a nice change.
  • 40:45 - 40:50
    I said this place
    is a nightmare, Daddy!
  • 40:50 - 40:53
    Of course, I sound strange.
    I'm depressed.
  • 40:53 - 40:55
    Everybody hates me.
  • 40:55 - 40:57
    And, last night,
    Jack slept on the floor...
  • 40:57 - 40:59
    and when he woke up,
    he said he was dead...
  • 40:59 - 41:02
    and that I was a dwarf
    and that I had buck teeth...
  • 41:02 - 41:03
    and you know
    how self-conscious I am...
  • 41:03 - 41:05
    about those things,
    this is all your fault!
  • 41:05 - 41:08
    I hate you!
  • 41:08 - 41:12
    Miss Crawford?
    Are you all right?
  • 41:12 - 41:16
    Do you think that I'm colder
    than a penguin on an iceberg?
  • 41:16 - 41:18
    Oh. Well, no.
  • 41:18 - 41:21
    No, you see, actually,
    penguins are a lot warmer...
  • 41:21 - 41:23
    than people
    give them credit for.
  • 41:27 - 41:29
    How dare you!
  • 41:32 - 41:35
    I didn't... don't tell my wife.
  • 41:37 - 41:40
    I mean, not that I did anything.
  • 41:40 - 41:44
    Do you hear me, Sharon?
    Sharon, get on this phone!
  • 41:46 - 41:49
    Will you talk to me, Sharon?
  • 42:26 - 42:29
    You're real.
    I mean, you're not.
  • 42:29 - 42:33
    You're a real ghost.
  • 42:48 - 42:50
    I have to thank you
    for what you did last night.
  • 42:50 - 42:53
    It was nothing.
  • 42:53 - 42:54
    What did I do?
  • 42:54 - 42:58
    You gave me my first moment
    of peace in near 200 years.
  • 42:58 - 43:00
    I'll be in your debt
    for eternity, sir.
  • 43:00 - 43:02
    It was nothing, and you
    don't have to call me sir.
  • 43:03 - 43:04
    What can I call ya?
  • 43:09 - 43:11
    Thank you, Sir Jack.
  • 43:11 - 43:12
    It's on me.
  • 43:17 - 43:19
    - Lovely dress.
    - My wedding dress.
  • 43:19 - 43:22
    Today is my wedding day.
  • 43:22 - 43:24
    Tonight, he'll murder me.
  • 43:24 - 43:26
    You get murdered every night?
  • 43:26 - 43:29
    Every night until last night.
  • 43:29 - 43:31
    What about tonight?
  • 43:31 - 43:33
    That depends on you.
  • 43:33 - 43:35
    Why me?
  • 43:35 - 43:38
    Your love broke the chain,
    crossed the boundaries...
  • 43:38 - 43:41
    Oh, my God, hold on!
    You can't depend on me!
  • 43:41 - 43:43
    Nobody can depend on me.
    My wife would never understand...
  • 43:43 - 43:45
    Ah, twasn't love, then.
  • 43:45 - 43:47
    Mary, we hardly know each other.
  • 43:52 - 43:54
    Look, I gotta go!
  • 43:54 - 43:56
    - Don't go, Jack!
    - I gotta, I just... look...
  • 43:57 - 43:58
    You want to forget me.
  • 43:58 - 44:00
    I don't know what I want!
  • 44:00 - 44:01
    I just don't...
  • 44:21 - 44:24
    What the heck?
  • 44:49 - 44:51
    He's flying!
    Look at him!
  • 44:53 - 44:54
    Me roof!
  • 45:05 - 45:06
    Jesus Christ!
  • 45:08 - 45:13
    So all the snakes
    weren't driven out of Ireland.
  • 45:13 - 45:15
    - What?
    - The snakes!
  • 45:46 - 45:52
    "To die; to sleep no more;
    and by a sleep to say we end..."
  • 45:52 - 45:54
    Peter! They changed their minds!
    They're staying!
  • 46:00 - 46:02
    There is a God.
  • 46:08 - 46:14
    Hey, would your name
    conceivably be Jack?
  • 46:28 - 46:31
    Welcome back, dear guests!
  • 46:31 - 46:33
    Let me be the first
    to apologize...
  • 46:33 - 46:35
    for our temperamental
    Irish weather.
  • 46:35 - 46:37
    Shut up, Plunkett.
    Call us a cab.
  • 46:37 - 46:39
    Certainly, Mr. Clay.
    Immediately.
  • 46:43 - 46:47
    Deepest regrets,
    the phones are dead.
  • 46:47 - 46:49
    The storm
    must've knocked them out.
  • 46:55 - 46:58
    So, we're all together
    for one more night.
  • 46:58 - 47:02
    It seems that we're becoming
    one big, happy family.
  • 47:03 - 47:05
    Sorry, Mr. P.
  • 47:08 - 47:09
    Plunkett!
  • 47:09 - 47:11
    I'd rather walk into town
    in this suit of armor...
  • 47:11 - 47:13
    and spend a night in a stable...
  • 47:13 - 47:15
    than to spend one more second
    in this hell hole!
  • 47:15 - 47:19
    Marge! Children!
    We're leaving!
  • 47:22 - 47:24
    Malcolm!
  • 47:31 - 47:33
    Oh, my God!
  • 47:33 - 47:36
    Malcolm!
  • 47:38 - 47:40
    Oh, God!
  • 47:40 - 47:42
    Malcolm, can you hear me?
  • 47:45 - 47:47
    Oh, please,
    let him be all right.
  • 47:47 - 47:49
    Oh, dear God.
  • 47:52 - 47:55
    Plunkett, this is your doing!
  • 47:56 - 47:57
    Darling?
  • 47:57 - 48:00
    Yes, I think we could stay
    one more night.
  • 48:00 - 48:02
    Sweet Mother Mary...
  • 48:02 - 48:04
    Saint Brigid...
  • 48:04 - 48:05
    please don't let me marry him.
  • 48:06 - 48:07
    Please release me.
  • 48:07 - 48:11
    I don't love Martin,
    and I never will.
  • 48:11 - 48:14
    Sweet Mother Mary,
    Saint Brigid...
  • 48:14 - 48:16
    please don't let me marry him.
  • 48:16 - 48:18
    Please release me.
  • 48:18 - 48:19
    I don't love Martin.
  • 48:23 - 48:25
    Sweet Mother Mary,
    Saint Brigid...
  • 48:26 - 48:27
    please don't let me marry him.
  • 48:27 - 48:29
    Please release me.
  • 48:31 - 48:32
    Sweet Mother Mary...
  • 48:35 - 48:37
    Sweet Jesus,
    what happened to you?
  • 48:37 - 48:39
    I ran into a little wind.
  • 48:39 - 48:40
    Oh, dear.
  • 48:40 - 48:43
    That would be the spirits
    in the castle.
  • 48:43 - 48:45
    Sorry.
  • 48:45 - 48:47
    What are you doing?
  • 48:47 - 48:49
    I'm praying to Saint Brigid...
  • 48:49 - 48:51
    to release me
    from me marriage vows.
  • 48:51 - 48:54
    Look, this is
    too psychotic for me.
  • 48:54 - 48:56
    - I mean, look...
    - Saint Brigid...
  • 48:56 - 48:58
    I mean, I'm as up for
    a good nervous breakdown...
  • 48:58 - 49:00
    as anybody, really,
    but this is too much.
  • 49:00 - 49:02
    I mean, I get here yesterday...
  • 49:02 - 49:03
    my marriage collapses,
    then I save a ghost...
  • 49:04 - 49:05
    from being murdered
    by another ghost.
  • 49:05 - 49:08
    Now, if you think about it,
    that makes no sense at all.
  • 49:08 - 49:10
    Then I fly through the air,
    hit a tree...
  • 49:10 - 49:14
    and Renaldo the talking horse
    here...
  • 49:14 - 49:18
    leads me to... -
  • 49:18 - 49:21
    to the most beautiful...
  • 49:21 - 49:23
    ghost that I've ever seen
    in my...
  • 49:27 - 49:31
    Last night, when you took
    Martin's sword in my stead...
  • 49:31 - 49:36
    you broke the cursed chain
    that has bound me for 200 years.
  • 49:36 - 49:38
    What cursed chain?
  • 49:38 - 49:43
    Me marriage to Martin Brogan
    was arranged by me father.
  • 49:43 - 49:44
    I did not love him.
  • 49:44 - 49:49
    He had warts,
    and his feet stank.
  • 49:49 - 49:54
    On my wedding night,
    I refused to be tupped by him.
  • 49:54 - 49:58
    - Tupped?
    - Tupped.
  • 50:00 - 50:02
    I get it.
  • 50:02 - 50:03
    Go on.
  • 50:03 - 50:08
    He thought I loved another...
    though I did not.
  • 50:08 - 50:14
    And in a jealous fury,
    he did me to death!
  • 50:14 - 50:18
    Now, every day for me
    is the same.
  • 50:20 - 50:24
    If I get murdered
    one more time, I'll scream.
  • 50:24 - 50:25
    Who'd want to be a ghost?
  • 50:26 - 50:28
    We are what we are.
  • 50:29 - 50:32
    So... this Marty stank?
  • 50:33 - 50:36
    Aye, and he squished.
  • 50:36 - 50:37
    He squished?
  • 50:37 - 50:39
    Squished.
  • 50:39 - 50:41
    Oh, he squished!
  • 50:41 - 50:42
    God...
  • 50:45 - 50:49
    Could you love a man
    who belched but didn't squish?
  • 50:51 - 50:53
    I could love you,
    Sir Jack.
  • 50:53 - 50:56
    If you loved me,
    the miracle could happen.
  • 51:00 - 51:02
    I can't.
  • 51:02 - 51:03
    I cannot do this.
    I am married.
  • 51:03 - 51:06
    Then you don't love me.
  • 51:06 - 51:09
    - I didn't say that.
    - Then I am doomed forever.
  • 51:10 - 51:14
    Even now Martin dons his
    garments, sharpens his knife.
  • 51:14 - 51:16
    Good-bye, Sir Jack.
  • 51:16 - 51:19
    Look, you're a ghost.
    I'm an American.
  • 51:19 - 51:20
    It would never work out.
  • 51:20 - 51:23
    Sweet Mother Mary.
    Saint Colum...
  • 51:23 - 51:26
    Mary, look, I don't want you
    to get murdered again.
  • 51:26 - 51:29
    It's just that my wife... if she
    found out, she'd murder me!
  • 51:39 - 51:41
    Jack, is that you?
  • 51:43 - 51:46
    God, I don't know what happened
    to me, but I feel zonked.
  • 51:47 - 51:51
    I've got pains all over my body.
    Could you rub my back?
  • 51:51 - 51:53
    Well, go on, Jack.
    I won't bite.
  • 51:59 - 52:02
    Jack, you never did it
    like that before.
  • 52:03 - 52:05
    Saint Patrick.
  • 52:07 - 52:09
    Saint Jude.
  • 52:11 - 52:12
    Saint Columcille.
  • 52:14 - 52:16
    Saint Hocks McGorrick.
  • 52:21 - 52:23
    Honey! What...
  • 52:24 - 52:26
    Honey, what is it?
  • 52:26 - 52:29
    Where have you been?
    There was a man in my bathtub!
  • 52:29 - 52:31
    A big giant man, gigantic...
  • 52:31 - 52:33
    and he's scrubbing my back,
    and it felt good!
  • 52:33 - 52:34
    I should've known it wasn't you!
  • 52:34 - 52:36
    He had warts all over his hands!
  • 52:36 - 52:37
    Yeah, with warts.
    Yeah, that's Martin.
  • 52:38 - 52:39
    - Who's Martin?
    - He's a ghost.
  • 52:39 - 52:41
    - He's a what?
    - He's a ghost.
  • 52:41 - 52:43
    He murders his wife every night.
    Other than that...
  • 52:43 - 52:44
    I think he's pretty harmless,
    sweetheart.
  • 52:44 - 52:45
    - Get out!
    - Honey, l...
  • 52:45 - 52:46
    Sweetheart, look...
  • 52:46 - 52:48
    Honey, you're...
    Honey, really...
  • 52:48 - 52:51
    You don't understand.
  • 52:51 - 52:52
    Honey, we've gotta talk.
  • 52:58 - 53:00
    Are you OK, honey?
  • 53:00 - 53:02
    Do I look OK?
  • 53:02 - 53:05
    Not really.
  • 53:19 - 53:20
    What are you doing?
  • 53:22 - 53:24
    I have to check this place out.
  • 53:26 - 53:29
    Something smells
    very wrong here.
  • 53:29 - 53:30
    Yes, it does.
  • 53:31 - 53:34
    It smells like... burnt rubber.
  • 53:34 - 53:36
    No, that's me.
  • 53:40 - 53:42
    To right, right.
    To left, left.
  • 53:42 - 53:43
    Do you believe this?
  • 53:43 - 53:45
    Only four channels!
  • 53:45 - 53:46
    Cables must be unplugged.
  • 53:47 - 53:48
    There's no cable.
    This is it.
  • 53:48 - 53:50
    I tell ya.
    This place sucks the big one.
  • 53:51 - 53:53
    Fingers together...
  • 53:57 - 53:59
    Wendy!
  • 54:00 - 54:01
    Mom!
  • 54:04 - 54:05
    Woody!
  • 54:13 - 54:14
    Look at the TV, guys.
  • 54:23 - 54:25
    You horrible little children!
  • 54:25 - 54:29
    Eternity's a big commitment.
    You know, it's a long time.
  • 54:29 - 54:31
    You gotta take things one step
    at a time. That's the key.
  • 54:35 - 54:38
    You do love her, don't you?
  • 54:38 - 54:41
    Yeah, I guess I do.
    I don't know.
  • 54:41 - 54:43
    What's the problem then?
  • 54:43 - 54:44
    She's a ghost!
  • 54:44 - 54:48
    She's dead. I'm alive.
  • 54:48 - 54:49
    How do you know all this?
  • 54:49 - 54:51
    I'm married to one.
  • 54:55 - 55:00
    Won't you join us...
    for a drink?
  • 55:00 - 55:03
    Yeah, I could use a drink.
    Yeah, sure.
  • 55:07 - 55:10
    Oh, dear Lord.
  • 55:10 - 55:13
    I do beseech thee
    to help me in this...
  • 55:13 - 55:15
    my hour of need.
  • 55:15 - 55:19
    Oh, cleanse me of these
    impure thoughts I have...
  • 55:19 - 55:22
    for this woman... Miranda.
  • 55:39 - 55:41
    Come on!
  • 55:48 - 55:49
    Oh, Lord!
  • 55:50 - 55:51
    I get the message!
  • 55:56 - 55:58
    Brother Tony.
  • 56:08 - 56:09
    Brother Tony,
    are you all right?
  • 57:12 - 57:16
    Brother Tony,
    what are you doing in the pool?
  • 57:16 - 57:20
    The Lord works
    in mysterious ways.
  • 57:20 - 57:25
    True love can move mountains.
  • 57:25 - 57:28
    Yeah, but it can't
    bring the dead back to life.
  • 57:28 - 57:32
    Yes, it can,
    on All Hallows' Eve.
  • 57:32 - 57:34
    Halloween.
    That's tomorrow night.
  • 57:34 - 57:38
    When the spirit moves,
    and the flesh is willing...
  • 57:38 - 57:44
    and the juices flow,
    and the skelping is mighty.
  • 57:44 - 57:46
    What's skelping?
  • 57:46 - 57:48
    It's a ghost term.
  • 57:50 - 57:52
    But it's dangerous.
  • 57:52 - 57:54
    You mustn't go too far.
  • 57:54 - 57:56
    What do you mean?
  • 58:29 - 58:32
    - Oh, it's you!
    - Whom were you expecting?
  • 58:32 - 58:34
    Plunkett, those fake ghosts
    were one thing...
  • 58:34 - 58:35
    This is entirely different,
    isn't it?
  • 58:35 - 58:37
    Is there something wrong
    with your room?
  • 58:37 - 58:38
    Something wrong with my room?
  • 58:38 - 58:40
    What are you talking
    about, ghosts?
  • 58:40 - 58:42
    - The brochure...
    - Damn the brochure!
  • 58:42 - 58:44
    We're talking
    real, live spirits here!
  • 58:44 - 58:46
    - How can you explain this?
    - The weather.
  • 58:46 - 58:49
    Oh, come off it, will you?
  • 58:49 - 58:52
    Don't you understand?
    He wants us here.
  • 58:52 - 58:55
    He knows it's the only way
    he can keep this dump.
  • 58:55 - 58:56
    I don't know about
    the rest of you...
  • 58:56 - 59:00
    but, Plunkett,
    you haven't fooled me at all.
  • 59:00 - 59:02
    I've been fooled.
  • 59:02 - 59:04
    - Me, too.
    - I've been very fooled.
  • 59:04 - 59:05
    Explain this to me.
  • 59:07 - 59:09
    '"A ghost may not tup
    with a human."
  • 59:09 - 59:12
    So this means a ghost cannot
    make love with a human being.
  • 59:12 - 59:14
    Oh, my God!
  • 59:17 - 59:18
    Who's Mary?
  • 59:19 - 59:21
    Who's this Mary?
  • 59:21 - 59:22
    She's a woman.
    She's a ghost.
  • 59:22 - 59:25
    Don't start
    this ghost stuff again.
  • 59:25 - 59:27
    - She's someone I care about.
    - What?
  • 59:27 - 59:29
    It's funny how you can care.
    I think I'm falling...
  • 59:29 - 59:30
    Jack, don't stand there
    and tell me...
  • 59:30 - 59:32
    that you're having an affair
    with a goddamn ghost.
  • 59:32 - 59:33
    Well, I am!
  • 59:33 - 59:35
    That's it.
    Your lawyer, my lawyer...
  • 59:35 - 59:36
    and I hope the ghost
    has a lawyer...
  • 59:36 - 59:37
    because I want to meet him.
  • 59:38 - 59:39
    Here she is!
    This is Mary.
  • 59:39 - 59:42
    - No, Martin!
    - Mary the ghost.
  • 59:42 - 59:44
    So you wee harlot!
  • 59:44 - 59:45
    No, Martin!
  • 59:45 - 59:47
    That's Martin the ghost!
  • 59:47 - 59:49
    That's the man
    that was in my bathtub!
  • 59:49 - 59:51
    See, he's gonna come over here
    and throw her on the bed.
  • 59:51 - 59:53
    - He's gigantic.
    - That's Martin the ghost.
  • 59:53 - 59:55
    They're having problems
    in their relationship.
  • 59:55 - 59:56
    No, Jack, we're having problems
    in our relationship.
  • 59:57 - 59:58
    - Come here!
    - Honey...
  • 59:58 - 60:00
    You gotta see this.
    Come on.
  • 60:00 - 60:04
    He's gonna run after her
    and throw her against the wall.
  • 60:04 - 60:06
    There's no one!
  • 60:06 - 60:07
    Oh, yes, there is.
    My husband!
  • 60:07 - 60:09
    Now he throws her over there.
    This is the bad part here.
  • 60:10 - 60:11
    - Martin, there's no one!
    - Why don't I believe ya?
  • 60:11 - 60:13
    - Please, don't!
    - Honey.
  • 60:14 - 60:15
    - You can't just kick a ghost.
    - Did you see that?
  • 60:15 - 60:16
    Now look what you did.
  • 60:19 - 60:22
    Wait, Mary!
  • 60:24 - 60:26
    I love you.
  • 60:26 - 60:28
    I know that.
  • 60:28 - 60:30
    You do?
  • 60:30 - 60:32
    When did you know that?
  • 60:32 - 60:34
    The minute I saw ya.
  • 60:34 - 60:38
    The minute I knew I loved you...
  • 60:38 - 60:40
    but your love must be true.
  • 60:40 - 60:42
    It is.
  • 60:42 - 60:45
    It must withstand all obstacles.
  • 60:45 - 60:46
    It will.
  • 60:47 - 60:50
    Oh, Mary, my darlin'.
    What have I done to ya?
  • 60:50 - 60:52
    What have I done?
  • 60:54 - 60:55
    That was a dirty trick,
    wasn't it?
  • 60:55 - 60:58
    Hey?
  • 60:58 - 61:00
    Kicking me
    right in the bahoggies.
  • 61:00 - 61:02
    But you were gonna stab your
    wife with a sword, you pig.
  • 61:02 - 61:04
    Shoot, that's no big thing.
    I do it every night.
  • 61:04 - 61:05
    And I suppose watching
    other men's wives...
  • 61:06 - 61:08
    in the bathtub
    is no big deal, either.
  • 61:08 - 61:11
    I'm sure it's a grand thing
    if the wife happens to be you.
  • 61:13 - 61:15
    You dirty peeping tom.
  • 61:15 - 61:17
    Me name is not Thomas.
    It's Martin.
  • 61:17 - 61:21
    Oh, Mary.
    I'm sorry, darlin'.
  • 61:21 - 61:23
    What have I done to ya?
  • 61:26 - 61:28
    Oh, God.
  • 61:28 - 61:29
    Here, give us
    a wee scub before...
  • 61:29 - 61:30
    No, not again.
  • 61:31 - 61:33
    You're a wily vixen,
    aren't ya?
  • 61:33 - 61:36
    Oh, Lord, what have I done?
  • 61:36 - 61:38
    Oh, God, what have I done?
  • 61:38 - 61:43
    Oh, God, what a woman.
  • 61:43 - 61:47
    You're not so bad yourself.
  • 61:50 - 61:51
    What's skelping?
  • 61:51 - 61:53
    Skelping.
  • 61:55 - 61:57
    This is skelping.
  • 62:29 - 62:31
    That's nasty.
  • 62:31 - 62:32
    It wasn't nice?
  • 62:34 - 62:35
    It was nice.
  • 62:35 - 62:38
    It was very, very nice.
  • 62:40 - 62:43
    Hold on, Mary.
    Wait a minute.
  • 62:43 - 62:46
    You can't just skelp me
    and leave me.
  • 62:46 - 62:48
    Can't help it.
  • 62:48 - 62:50
    Skelping takes
    a lot out of you.
  • 62:50 - 62:52
    Look, Mary, l...
  • 62:52 - 62:56
    I'll be in the chamber
    midnight tomorrow.
  • 63:04 - 63:09
    So what's wrong
    with the Americans?
  • 63:09 - 63:13
    What's wrong
    with these Americans?
  • 63:13 - 63:15
    One night
    they're desperate to leave...
  • 63:15 - 63:19
    the next night
    you can't get rid of them.
  • 63:19 - 63:21
    One day they hate the whiting...
  • 63:21 - 63:25
    the next day, they have
    to have all five courses.
  • 63:25 - 63:26
    When you break your back...
  • 63:26 - 63:29
    to give them the ghosts
    you thought they wanted...
  • 63:29 - 63:31
    they scream at you, and when
    you throw the towel in...
  • 63:31 - 63:33
    they scream even louder.
  • 63:33 - 63:36
    They see spooks everywhere...
  • 63:36 - 63:40
    spooks in the bathroom,
    spooks under the bed.
  • 63:41 - 63:43
    Don't they know
    when the joke is over?
  • 63:45 - 63:47
    They cower well enough.
  • 63:51 - 63:53
    What is going on here?
  • 63:53 - 63:59
    Eamon, why are chunks
    of masonry floating about?
  • 64:22 - 64:23
    Mr. Plunkett...
  • 64:24 - 64:27
    I think there's some people
    want to have a word with you.
  • 64:27 - 64:28
    Who?
  • 64:29 - 64:32
    Grand Uncle Peter.
    Grand Aunt Nan.
  • 64:34 - 64:36
    Granny Joyce and her sister.
  • 64:38 - 64:39
    Her half-sister.
  • 64:39 - 64:41
    Not to mention...
  • 64:43 - 64:45
    your daddy.
  • 64:45 - 64:46
    But he's dead!
  • 64:46 - 64:48
    I know.
  • 64:48 - 64:51
    He looks terrible angry, too.
  • 64:51 - 64:53
    I have a perfect right to be...
  • 64:53 - 64:55
    considering what you have done
    to our ancestral home.
  • 64:55 - 64:56
    Father!
  • 64:59 - 65:02
    Let us in!
  • 65:04 - 65:06
    Do you really think
    you could get away from me?
  • 65:06 - 65:08
    Leave me alone.
    You're dead.
  • 65:08 - 65:11
    Not so dead I can't see
    what a numbskull you are.
  • 65:11 - 65:13
    Oh, fine!
  • 65:13 - 65:15
    Call me names!
  • 65:15 - 65:17
    That's so easy.
  • 65:17 - 65:19
    Well, for God's sake,
    look at you.
  • 65:19 - 65:21
    What did you ever
    give me this place for?
  • 65:21 - 65:23
    You knew I was an incompetent.
  • 65:23 - 65:25
    All I wanted to be
    was happily useless.
  • 65:25 - 65:28
    You made me miserably useless
    giving me this place...
  • 65:28 - 65:32
    baths to run,
    bills to be paid...
  • 65:32 - 65:35
    and then dying on me
    just like that!
  • 65:37 - 65:38
    Most people
    give some warning, you know...
  • 65:38 - 65:41
    premature senility,
    angina, gout...
  • 65:41 - 65:44
    bed-ridden for years...
    but not you, oh, no.
  • 65:44 - 65:47
    Healthy as an old goat, you pop
    off one day in the orchard...
  • 65:47 - 65:49
    and what then?
  • 65:49 - 65:53
    Not a goddamn word,
    not a whisper.
  • 65:55 - 66:01
    Did it never occur to you
    that I might need some advice?
  • 66:01 - 66:05
    That I might miss you?
  • 66:05 - 66:08
    Peter, I never thought...
  • 66:08 - 66:12
    It's true... you old goat.
  • 66:12 - 66:14
    I missed you, Daddy.
  • 66:14 - 66:19
    Give your daddy a hug.
  • 66:28 - 66:30
    Sorry, Peter.
  • 66:35 - 66:36
    They will be back tonight.
  • 66:36 - 66:38
    It is All Hallows' Eve.
  • 66:38 - 66:42
    If you see anything,
    just ignore it completely.
  • 66:42 - 66:43
    Just pretend
    that it didn't happen.
  • 66:43 - 66:46
    Have you got that?
  • 66:55 - 66:56
    I don't hear anything, do you?
  • 67:00 - 67:03
    Don't you just love whiting?
  • 67:22 - 67:24
    Madam.
  • 67:26 - 67:28
    For you I missed my wedding
    for the first time in years...
  • 67:28 - 67:29
    that's how much I want you.
  • 67:29 - 67:31
    And sure, I know I'm a ghost...
  • 67:31 - 67:34
    and a murderer,
    but forget about all that.
  • 67:34 - 67:37
    Listen.
    Tonight's All Hallows' Eve...
  • 67:37 - 67:40
    the one night in the year
    that I turn to flesh...
  • 67:40 - 67:43
    so what do you say
    to a wee bit of skelping?
  • 67:47 - 67:49
    Come on.
  • 67:49 - 67:51
    At least tell me your name.
  • 68:04 - 68:05
    Lady, I've got
    the best bahoggies...
  • 68:06 - 68:08
    from here to Ballinderry.
  • 68:08 - 68:12
    Come on. What do you say?
    Let's give it a twirl.
  • 68:12 - 68:13
    Drop dead.
  • 68:13 - 68:16
    Oh, God. What a woman.
  • 68:43 - 68:48
    '"He who tups with the spirit
    finds only the grave...
  • 68:48 - 68:52
    '"but the virtuous heart
    true love will save."
  • 68:53 - 68:58
    '"He who tups with the spirt
    finds only the grave...
  • 68:58 - 69:02
    '"but the virtuous heart
    true love will save."
  • 69:26 - 69:28
    Some whiskey over here, please.
  • 69:28 - 69:29
    Aye, the whiskey.
  • 69:29 - 69:31
    Relax, everybody.
  • 69:31 - 69:32
    Take it easy.
  • 69:32 - 69:35
    They won't come into a bar,
    would they?
  • 69:35 - 69:36
    They don't drink whiskey.
  • 69:36 - 69:37
    - Who?
    - Spirits.
  • 69:37 - 69:40
    - How the hell would I know?
    - The Irish ones do.
  • 69:40 - 69:42
    - He says the Irish ones do.
    - Don't.
  • 69:42 - 69:45
    Do they or don't they?
    You don't shaggin' know, do you?
  • 69:45 - 69:48
    It may be no more
    than a local disturbance
  • 69:48 - 69:49
    in the extraplaner ether.
  • 69:49 - 69:50
    Ether, me bollocks.
  • 69:50 - 69:52
    A supernatural belch,
    you know what I'm talking about?
  • 69:55 - 69:57
    Hey! Drinks all around!
  • 69:57 - 70:00
    - What's that?
    - It's none of it! No!
  • 70:00 - 70:02
    Where's your ectoplasm now?
  • 70:08 - 70:09
    Did you...
  • 70:09 - 70:11
    It took the hurricane.
  • 70:47 - 70:48
    What in the name of God is that?
  • 70:49 - 70:51
    Dad, it's a submarine!
  • 70:52 - 70:56
    Well, what's that
    shaggin' thing on top of it?
  • 70:56 - 70:58
    It's a giant squid!
  • 70:59 - 71:00
    Get off me!
  • 71:00 - 71:04
    Yea, though I walk
    through the valley of death...
  • 71:04 - 71:07
    I shall fear no evil
    for thou art with me.
  • 71:07 - 71:08
    Mom!
  • 71:16 - 71:18
    Thy rod and thy staff
    they will comfort me!
  • 71:23 - 71:24
    Save the child!
  • 71:37 - 71:38
    Heave!
  • 71:38 - 71:40
    Mom!
  • 71:41 - 71:43
    Heave!
  • 71:45 - 71:47
    Tug and heave!
  • 71:48 - 71:51
    - Heave!
    - Let's get him!
  • 71:57 - 71:59
    Mom!
  • 72:03 - 72:05
    Look!
  • 72:06 - 72:07
    She's movin' on.
  • 72:07 - 72:09
    She's movin' on
  • 72:10 - 72:12
    Thank goodness.
  • 72:12 - 72:15
    It's a bloody good thing
    we ignored it, huh?
  • 72:52 - 72:53
    Hello.
  • 72:55 - 72:56
    Hello.
  • 73:00 - 73:03
    Oh, God, you're real.
  • 73:08 - 73:10
    Having fun?
  • 73:10 - 73:12
    It's gotten totally
    out of control here.
  • 73:12 - 73:14
    I'm afraid I've been
    with my family.
  • 73:14 - 73:16
    Is the roof leaking?
  • 73:16 - 73:19
    You have no idea
    what it was like here.
  • 73:20 - 73:22
    Did we just tup?
  • 73:22 - 73:23
    No, but it's not too far off.
  • 73:23 - 73:25
    Right.
  • 73:25 - 73:27
    Hey, how about some champagne?
  • 73:28 - 73:31
    A little champagne to get our
    mind off the old you-know-what.
  • 73:31 - 73:33
    All right?
  • 73:33 - 73:35
    I usually mess this up.
  • 73:42 - 73:44
    Drink to me, only,
    with thine eyes...
  • 73:44 - 73:47
    and I will pledge with mine;
  • 73:47 - 73:49
    or leave a kiss
    within the cup...
  • 73:49 - 73:51
    and I'll not ask for wine.
  • 73:51 - 73:54
    That was so beautiful.
    Who wrote it?
  • 73:54 - 73:56
    Ben Johnson.
  • 73:56 - 73:59
    Ben Johnson.
  • 74:01 - 74:05
    You know, whenever I hear
    Ben's material...
  • 74:05 - 74:08
    it just makes me think
    about you-know-what.
  • 74:08 - 74:12
    I'm sorry.
    I'm really sorry.
  • 74:12 - 74:14
    - Quote me something.
    - Quote?
  • 74:14 - 74:15
    Anything to keep
    our minds off...
  • 74:15 - 74:18
    You-know-what.
    Right, a quote.
  • 74:22 - 74:25
    There ain't nothin' in the world
    like a big-eyed girl...
  • 74:25 - 74:29
    to make me act so funny,
    make me spend my money.
  • 74:29 - 74:33
    Makes me feel real loose,
    like a long-necked goose.
  • 74:35 - 74:37
    Oh, baby, that's what I like.
  • 74:39 - 74:41
    That's so...
  • 74:41 - 74:42
    Who wrote that?
  • 74:42 - 74:44
    The Big Bopper.
  • 74:44 - 74:45
    Maybe you know him.
    He's dead, too.
  • 74:47 - 74:49
    Are you sure they're gone?
  • 74:49 - 74:52
    - Everyone, stay behind me.
    - Stay behind him.
  • 74:52 - 74:54
    I have to check this place out.
  • 74:54 - 74:56
    Every inch of it...
    castle, grounds.
  • 74:56 - 74:59
    - It's kind of scary...
    - Quiet!
  • 74:59 - 75:01
    The Plunkett ancestors...
  • 75:01 - 75:03
    - Check outside.
    - They're rather unapproachable.
  • 75:14 - 75:16
    Sir Jack, I'm in me cups.
  • 75:17 - 75:19
    No, it's nothing.
  • 75:19 - 75:21
    I'm really drunk.
  • 75:22 - 75:24
    - No, we mustn't.
    - Right.
  • 75:24 - 75:25
    We should just be friends.
  • 75:38 - 75:39
    Go!
  • 75:43 - 75:45
    Halt!
  • 75:45 - 75:46
    Go!
  • 75:47 - 75:48
    How beautiful the night looks.
  • 75:48 - 75:50
    I'm having the time of my life.
  • 76:03 - 76:06
    Isn't it beautiful?
  • 76:06 - 76:08
    Not as beautiful as you.
  • 76:12 - 76:14
    Will ya hold on.
  • 76:14 - 76:16
    Listen to the paracyclist!
  • 76:17 - 76:21
    I formally declare this
    a spirit-free zone!
  • 76:26 - 76:31
    If you ever go
    across the sea to Ireland
  • 76:31 - 76:37
    Then maybe at
    the closing of the day
  • 76:46 - 76:48
    Oh, God.
  • 76:48 - 76:50
    I'm not tupping.
  • 76:51 - 76:53
    I'm not tupping, right?
  • 76:53 - 76:55
    This is somewhere...
  • 76:55 - 76:58
    between a skelp
    and a tup, right?
  • 76:59 - 77:04
    The women in the meadow
    making hay
  • 77:04 - 77:10
    Just to sit beside
    a turf fire in the cabin
  • 77:11 - 77:16
    And watch the sun
    go down on Galway Bay
  • 77:17 - 77:19
    On Galway...
  • 77:21 - 77:23
    Holy God,
    that's my shaggin' bus!
  • 77:24 - 77:26
    It shouldn't be happenin'.
  • 77:28 - 77:29
    Somebody's brought it here.
  • 77:29 - 77:31
    Where's Jack?
  • 77:42 - 77:43
    No, Jack.
  • 77:43 - 77:44
    - OK.
    - Stop.
  • 77:44 - 77:46
    We mustn't.
  • 77:46 - 77:48
    - We can't!
    - We can't.
  • 77:48 - 77:50
    - It's not right.
    - I know.
  • 77:50 - 77:51
    Oh, that's nice.
  • 77:51 - 77:53
    Yeah... I mean...
  • 77:53 - 77:55
    - No, stop!
    - All right.
  • 77:55 - 77:58
    Don't listen to me, Jack.
    Go on.
  • 78:02 - 78:04
    Sharon, I love thee!
  • 78:04 - 78:06
    And tonight's the holy night!
  • 78:06 - 78:10
    Oh, Sharon, I love thee!
  • 78:10 - 78:12
    No, Jack!
    Remember our promise?
  • 78:13 - 78:15
    We can't.
  • 78:15 - 78:16
    A little to the right.
  • 78:16 - 78:18
    - There?
    - That's good.
  • 78:19 - 78:21
    You for me.
  • 78:21 - 78:23
    Come here, me lovely dearie.
    Come here to me!
  • 78:25 - 78:26
    Where are ya?
  • 78:29 - 78:31
    Sharon, wait!
  • 78:31 - 78:34
    - I love you, Jack.
    - I love you, Mary.
  • 78:51 - 78:54
    Actually, you look
    very like my mother.
  • 78:54 - 78:56
    Jesus, Mary, and Joseph.
  • 78:56 - 78:58
    Oh, Lord, please save
    this beautiful creature...
  • 78:58 - 79:00
    from these demons.
  • 79:00 - 79:04
    If a life must be taken,
    take mine.
  • 79:05 - 79:07
    Oh, yea, though I walk...
  • 79:07 - 79:08
    through the valley
    of the shadow of death.
  • 79:08 - 79:09
    Brother Tony!
  • 79:10 - 79:11
    Where are you going,
    Brother Tony?
  • 79:11 - 79:14
    I shall fear no evil
    for thou art with me!
  • 79:15 - 79:19
    My God, Jack.
    We shouldn't have.
  • 79:21 - 79:24
    Mary, that was something.
  • 79:38 - 79:39
    Where are you?
  • 79:39 - 79:41
    Sharon, this isn't
    a joke anymore.
  • 79:42 - 79:45
    Saint Hocks McGorrick, wait!
  • 79:56 - 79:59
    Mary, what's happened?
  • 79:59 - 80:03
    It's the powers, Jack.
    I'm 200 years old.
  • 80:13 - 80:16
    He who tups with a spirit,
    tups with the grave.
  • 80:18 - 80:19
    What do you mean?
  • 80:21 - 80:22
    Help me!
  • 80:29 - 80:33
    Jack, just tell me you love me.
    Make it all right.
  • 80:33 - 80:34
    But you're not Mary.
    You're a corpse.
  • 80:34 - 80:37
    Now, don't do this to me,
    darlin'.
  • 80:37 - 80:39
    Get away from me.
  • 80:39 - 80:40
    Help!
  • 80:40 - 80:42
    Oh, bollocks!
  • 80:43 - 80:46
    Holy Jesus!
  • 80:50 - 80:53
    - Hi, Marty.
    - Where's the wife?
  • 80:54 - 80:56
    Not mine, ya dolt.
    Yours.
  • 80:57 - 80:59
    I'm being followed
    by a U.F. O!
  • 81:01 - 81:02
    You can't get so excited.
  • 81:02 - 81:03
    You think I don't know
    what's going on?
  • 81:03 - 81:07
    - Excited? A bus...
    - Come here, me lovely!
  • 81:09 - 81:10
    Hey there, Mary.
  • 81:11 - 81:12
    We were just playin' around,
    darlin', you know?
  • 81:15 - 81:17
    You threw me over for this?
  • 81:20 - 81:21
    I mean, I knew you liked
    passive women, Jack...
  • 81:21 - 81:23
    but she's half-dead.
  • 81:23 - 81:25
    I hope she has a great
    personality, because this hurts.
  • 81:25 - 81:27
    At least she said she loved me.
  • 81:27 - 81:28
    That's a lot more
    than you ever did.
  • 81:28 - 81:29
    I love you, Jack. I do.
  • 81:29 - 81:33
    Ya wee harlot, I'll kill ya.
  • 81:33 - 81:36
    She's looks dead enough already.
    Please, don't start that.
  • 81:38 - 81:40
    Oh, Jack.
    Your wife's some woman.
  • 81:40 - 81:42
    So's yours.
  • 81:42 - 81:43
    So was yours.
  • 81:45 - 81:47
    Where are you going?
  • 81:50 - 81:51
    I was just kidding.
  • 81:51 - 81:53
    You were made for each other.
  • 81:53 - 81:56
    You look great.
    You really do.
  • 81:58 - 81:59
    Bye, Mary.
  • 81:59 - 82:03
    Sorry for the last 200 years,
    darlin'.
  • 82:03 - 82:07
    Jack, you said
    you'd love me forever.
  • 82:08 - 82:10
    I know.
  • 82:10 - 82:11
    Mary, I just...
  • 82:11 - 82:13
    You were so different then.
  • 82:13 - 82:17
    Only on the outside, Jack.
  • 82:17 - 82:19
    Inside I'm the same.
  • 82:19 - 82:24
    Yeah, I know.
    I know looks aren't everything.
  • 82:24 - 82:25
    I'm in here, Jack.
  • 82:25 - 82:28
    It's just that they
    can help so much when you...
  • 82:28 - 82:30
    - Kiss me.
    - Kiss you?
  • 82:31 - 82:33
    Maybe we should get
    some moisturizer.
  • 82:33 - 82:35
    - Kiss me, Jack.
    - Or some medical supervision.
  • 82:35 - 82:37
    One last time.
  • 82:41 - 82:43
    Please, Jack.
  • 82:51 - 82:53
    Stop, let me catch my breath.
  • 82:53 - 82:55
    Martin, where are you?
  • 82:59 - 83:01
    Martin, wait!
  • 83:01 - 83:02
    Don't go!
  • 83:06 - 83:09
    How the hell
    did you get up there?
  • 83:09 - 83:11
    No, don't go, Martin!
    No, wait!
  • 83:26 - 83:29
    I'm in here, love!
  • 83:29 - 83:30
    Martin, where are you?
  • 83:34 - 83:37
    Oh, Sharon,
    you do love me, don't ya?
  • 83:37 - 83:40
    You do love me, Sir Jack.
  • 83:41 - 83:43
    Then look at me.
  • 83:45 - 83:47
    Well, then, be with me forever.
  • 83:47 - 83:49
    Any way you want it.
  • 84:18 - 84:19
    Oh, my God.
  • 84:23 - 84:25
    What have I done?
  • 84:27 - 84:29
    You weren't meant for this.
  • 84:29 - 84:31
    I didn't want this to happen.
  • 84:31 - 84:34
    Oh, God.
  • 84:45 - 84:47
    Forever, Jack.
  • 85:01 - 85:02
    You're alive.
  • 85:02 - 85:04
    Aye.
  • 85:17 - 85:19
    What do you mean I'm dead?
  • 85:19 - 85:23
    Now, take my word for it.
  • 85:23 - 85:25
    You're just saying that...
  • 85:25 - 85:27
    so you can have
    your wicked way with me.
  • 85:27 - 85:28
    If you weren't dead
    I wouldn't be able...
  • 85:28 - 85:29
    to have my way with you.
  • 85:31 - 85:32
    This is ridiculous.
  • 85:41 - 85:44
    You can't hide from me.
  • 85:45 - 85:46
    I've got to find you.
  • 85:46 - 85:47
    That's right!
  • 85:50 - 85:52
    You can't fool me.
  • 85:52 - 85:53
    They're gone.
  • 85:53 - 85:57
    - Here, file that.
    - Malcolm, they're gone.
  • 85:57 - 85:59
    They're not gone.
  • 86:34 - 86:36
    Brother Tony,
    you forgot your collar.
  • 86:36 - 86:38
    No, he didn't.
    He threw it away.
  • 86:38 - 86:40
    Didn't you, baby?
  • 86:45 - 86:47
    I'm only human.
  • 86:49 - 86:51
    Here we are.
  • 86:51 - 86:53
    Mr. Plunkett, single-handedly
    the worst vacation...
  • 86:53 - 86:54
    that I've ever experienced
    in my life.
  • 86:54 - 86:56
    Thank you, Mr. Clay.
  • 86:56 - 86:57
    However, I'll be recommending
    Castle Plunkett...
  • 86:57 - 87:00
    as the most haunted castle
    in the Western Hemisphere.
  • 87:00 - 87:02
    I hope that helps you
    with your business.
  • 87:02 - 87:04
    - Too kind.
    - I second that.
  • 87:04 - 87:05
    Most gracious.
  • 87:11 - 87:13
    - Bye.
    - See ya.
  • 87:19 - 87:21
    They're gone, dear.
  • 87:30 - 87:33
    Come on in. I'll make you
    a nice fish sandwich.
  • 87:55 - 87:58
    I cannot thank you enough,
    Sir Jack, for deciding to stay.
  • 87:58 - 88:00
    Hey, where am I gonna go, right?
  • 88:01 - 88:02
    Listen, Mary.
  • 88:02 - 88:04
    When are you gonna
    stop calling me "Sir"?
  • 88:04 - 88:06
    Sorry, I can't help it.
  • 88:06 - 88:09
    Maybe when you
    decide to marry me.
  • 88:09 - 88:10
    Are you asking?
  • 88:11 - 88:15
    My wife's hardly dead, and it
    was such a horrible death.
  • 88:15 - 88:17
    Maybe we could wait
    a couple of centuries.
  • 88:23 - 88:26
    We booked the hall till 12:00.
    How about a little privacy?
  • 88:26 - 88:28
    The day is for the living, Jack.
  • 88:28 - 88:30
    The night is for the dead.
  • 88:32 - 88:33
    How's the corpse?
  • 88:33 - 88:35
    Pretty good.
    How's the psycho?
  • 88:35 - 88:37
    A pussycat.
  • 88:37 - 88:38
    So was the trip worth it, Jack?
  • 88:38 - 88:41
    Yeah. She thinks I'm brilliant.
  • 88:41 - 88:44
    Mary, you've put on a wee bit
    of flesh since I last saw ya.
  • 88:44 - 88:46
    I'm not gettin' stabbed
    every night, Martin.
  • 88:46 - 88:48
    Mary, it hurt me
    more than it hurt you.
  • 88:48 - 88:50
    Go on now with it.
  • 88:50 - 88:52
    So how's the Yank?
  • 88:52 - 88:54
    He takes me shoppin'.
  • 88:54 - 88:56
    Come here to me.
  • 88:56 - 89:00
    My love.
    My reason for dying.
  • 89:00 - 89:03
    How'd she ever learn
    to dance like that?
  • 89:03 - 89:05
    Happiness, Sir Jack.
  • 89:06 - 89:08
    Yeah, happiness.
Title:
High Spirits (1988)
Description:

High Spirits (1988)

Liam Neeson,Peter O'Toole,Steve Guttenberg,Daryl Hannah

more » « less
Video Language:
English, British

English, British subtitles

Revisions