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Paní Le Murie

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    Then one could hear weapons clank and people knew foray was taking place.
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    There was war and ruin would befall them all.
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    The women were dragged away and the men killed.
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    Children perished somehow too.
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    Then wolves and vultures came for the bodies.
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    Nature would endure great battles of yore.
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    It was full of life thus, full of hope.
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    The survivors could run to the forests.
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    In thick forests they could take shelter and they knew how to start anew.
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    That’s not how it is today.
    Where would people run?
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    There’s nothing today.
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    No forests, no castles.
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    Everything is full of poison
    and despair reigns.
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    No place to hide.
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    Only doom and gloom remains.
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    MADAM LE MURIE
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    That grave’s not forlorn, forsaken, neglected.
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    There’s a flower and such...
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    but there’ll be no tombstone.
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    When I’m dead, if I die here
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    - but that doesn’t matter anyway
    because I’m last in the line -
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    the tomb will be cleared off and sold.
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    Nothing, nothing, nothing…
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    No name, no marker.
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    There’ll be nothing.
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    I grew up here the way all the village
    children I was friends with did.
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    I’d visit their cottages, run barefoot,
    everything just like them.
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    Of course, that changed with time...
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    my great grief.
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    I started to be alone more and more.
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    That’s how it’s been my whole life, basically.
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    Every drop of water must be dragged
    here from the village.
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    We used to have a nice water main,
    but it was destroyed.
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    I guess it’s better this way.
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    All this clutter, the wood, we
    brought it in during the war.
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    When the Germans came, Father
    created this "artistic mess"...
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    so that it looked less posh.
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    And it stayed this way…
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    I can’t fathom why they didn’t
    throw us out from here.
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    Must have been providence.
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    Our heads are very, very small.
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    With our two hands we can enclasp it.
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    Thus, our intellect cannot fathom
    why we were allowed to stay.
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    I believe there was a higher
    purpose in that.
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    All that’s hard to explain.
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    It’s incommunicable.
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    I’ve always loved nature very much.
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    I like fish, water. There are
    plenty of ponds here.
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    Every toad, every little fish,
    that was my thing.
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    A strong bond with flora.
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    And it was bursting with animals here.
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    There were those - something
    like crakes.
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    They were around in June when
    it was hot, on the meadows.
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    You could hear them here and there.
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    A symbiosis with nature.
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    And with people.
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    A complete symbiosis.
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    We have storks on the roof.
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    Their nest dates to last century.
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    When it was hot, you could hear
    all the croaking in the evening.
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    Or even during the day.
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    The stork would come and
    all you could hear was
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    plonk, plonk, plonk...
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    And the toads would rush to
    water to save their lives.
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    But it's quiet now.
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    That’s terrible for me.
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    It was like a part of me.
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    This used to be Father’s salon.
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    His escritoire.
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    My Father was from the old school.
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    And when I was a little older he would
    find time to teach me Latin.
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    I’m very grateful for that.
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    After every lesson I’d thank him.
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    The roof leaks a lot.
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    You must save whatever you can.
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    Must ventilate the closets too.
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    But it’s so damp it’s hard to open.
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    Mama was bound to this
    bed for almost 8 years.
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    She was ill, suffering from
    deformative rheumatism.
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    She was immobile.
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    I was married off to Switzerland...
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    but in 1948 I heard about what
    was happening here.
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    I burst into tears so hard.
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    Some time later
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    I went back here and stayed with Mama.
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    Father was old
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    and the communists needed someone
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    to accuse of being a kulak
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    so they jailed him.
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    But he was so old
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    they knew he’d die soon,
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    so they let him go home.
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    He loved to walk to his former fields...
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    where one day he died.
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    This was my brother’s bedroom.
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    He was very ascetic.
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    We all were brought up tough...
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    and we were all frugal.
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    My brother loved South Bohemia.
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    Nothing could beat the Bohemian
    Forest for him.
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    And its people.
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    He never left.
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    When the army came
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    and made most of it off-limits
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    it was a real blow for him.
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    Kristián also spent time in jail,
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    but the village helped him out.
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    Also the damage to the countryside,
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    the meadows were ploughed under,
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    wildlife annihilated,
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    and birds gone…
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    He loved birds dearly,
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    especially the small ones.
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    And they were less and less populous.
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    Well, it’s good he died first...
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    because I don’t know how well
    could he have handled it...
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    had he stayed on his own.
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    I served Mama till the end...
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    and Papa, and my brother too.
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    We’d often remark, Kristián and I,
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    how beautiful it was around here
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    and how it was mistreated.
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    Butterflies aplenty,
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    their number getting thinner
    year after year…
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    They’re gone. Gone.
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    And there’s more,
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    but people don’t notice.
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    They don’t observe nature at all.
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    Just to get their livelihood from it,
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    to gain more and more,
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    but to really contemplate,
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    understand and ask questions...
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    People don’t care.
    That’s something awful.
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    Especially the country folk.
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    They have no taste for all this at all.
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    They just go for the immediate gain.
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    Just to stuff their faces, pardon my French.
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    I had a schoolmate,
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    she was a gravedigger‘s daughter.
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    She took the job after his death
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    and I told her I’d help.
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    And so we’d bury the dead,
    dig graves and such.
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    No problem for me.
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    We’d have difficulties with every grave.
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    Very rarely would it go easy.
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    Never less than 3 hours. Never.
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    I’d often stumble upon these
    white stiff pieces digging.
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    I thought it was cast.
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    But it seemed curious...
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    to have so many people buried with cast.
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    But this one time I was
    burying this neighbour
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    and the broad was very fat.
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    Then it occurred to me...
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    it was lard,
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    non-decomposed,
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    and that it looked just like cast.
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    The fatness,
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    the fat,
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    the lard,
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    it transforms into this…
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    I just had to show it to this guy from
    the village who was passing by,
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    I told him to come and have a look,
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    this is the fat that remained…
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    Why, the swallows left early this year.
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    Why?
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    There’s a reason!
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    Something‘s telling them.
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    And all the storks are gone too.
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    Usually by the end of August.
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    But what drives them?
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    This is no laughing matter.
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    It isn’t accidental.
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    We should also speak of an
    incommunicable secret.
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    It could be light for those born blind.
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    And all the sensations
    that come with sight.
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    Yet they live.
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    Or the deaf.
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    Never getting to know what
    tone or sound means.
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    We discern three dimensions.
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    This great human being, Einstein,
    added a fourth one
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    – time.
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    But for us common folk
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    only the first three apply.
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    I like to watch the celestial sphere.
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    I see the Milky Way...
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    made of innumerable ardent stars.
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    When I think about
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    how each of the stars
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    is millions of light years away
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    and this ray travels
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    and touches my eye where it expires
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    in a fraction of second.
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    It‘s awe-inspiring.
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    I shiver inside
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    and can’t but feel humble.
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    Disturbing feelings.
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    Deeply.
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    One fears death.
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    Of course. And for good reason.
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    Because we don’t know what’s there.
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    And we must leave here.
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    You could say I get a headache from this.
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    It makes me dizzy.
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    To know all of it is true.
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    Your brain can’t analyse it.
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    But it’s no nonsense,
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    no dream,
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    it’s reality.
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    The grave doesn’t horrify
    me, the universe does.
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    Our age is drawing to an end.
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    The Quaternary Period is done for.
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    The omens are numerous.
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    Ozone depletion.
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    Rain forests destruction.
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    All of this accelerates
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    the demise of the Quaternary.
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    Conifers are dying,
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    broad-leaved trees are starting too,
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    oaks are dying,
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    beech is next and so on,
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    everything is dying.
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    Stone crumbles.
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    With human help.
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    When oak is in danger,
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    now that’s something,
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    Now that’s something,
    people always said strong as oak,
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    it was always used as a parable for something strong.
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    and all others will follow.
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    We will perish.
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    When I was at a very tender age,
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    15 or so,
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    I met a young gentleman
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    who impressed me a lot.
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    I felt a growing fierce affection for him
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    and it developed into a deep love.
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    When I realised his feelings were not as strong,
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    just a passing fancy,
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    definitely not what I’d dreamt for...
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    it shattered my life.
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    I glimpsed at my watch
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    and it was stuck.
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    To overcome this shock
    I said my watch was stuck.
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    That moment
    my whole world came to a halt.
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    My life was over in an instant.
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    I stayed away from great feeling
    for the rest of my life.
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    No one knew anything.
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    I fought it out, but the price was terrible.
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    It cost me my life.
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    I turned into a vegetable.
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    Off with you, cat.
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    The longcase clock was stolen,
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    as were many other things.
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    The other clock I stopped
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    when I was told of my brother’s death.
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    After all, what’s this “time”?
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    I gave it a lot of thought.
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    We know the past,
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    don’t know the future.
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    And presence?
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    When I say “now”,
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    it’s already in the past.
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    Time is a human construct
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    that can be of help
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    and is necessary,
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    but I must say I can’t figure it out.
Title:
Paní Le Murie
Description:

Krátký dokument o baronce Blance Battaglia žijící v osamění na chátrajícím zámku v Bratronicích (okres Strakonice). Její rod pocházel z otcovy strany z Lombardie, matka byla z Vídně, od 18. století se usadil v Čechách. Otec byl v roce 1938 jedním ze signatářů Podpory české šlechty Benešově vládě. Jí a především bratru Christianu Battagliovi, slavnému jihočeskému cyklistovi, vystavěl ve své knize Syn celerového krále pomník spisovatel Ota Pavel, a to v povídce Baroni na kolech. Film Petra Václava „Paní Le Murie" získal první cenu za nejlepší dokumentární film na mezinárodním festivalu filmových škol v Mnichově a byl nominován na Oskara v kategorii studentských filmů.
Režie: Petr Václav
Kamera:Štěpán Kučera
Hudba: Jiří Václav
Krátký film Praha, a.s., Česká republika, 1993

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Video Language:
Czech
Duration:
34:00
s.pitts3 edited English subtitles for Paní Le Murie

English subtitles

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