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There's something about caves.
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A shadowy opening in a limestone cliff
that draws you in.
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As you pass through the portal
between light and dark,
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you enter a subterranean world.
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A place of perpetual gloom,
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a place of earthy smells,
of hushed silence.
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Long ago in Europe,
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ancient people also entered
these underground worlds.
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As witness to their passage,
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they left behind mysterious
engravings and paintings.
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Like this panel of humans, triangles
and zig-zags from Ojo Guareña in Spain.
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You now walk the same path
as these early artists.
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And in this surreal, other-worldly place,
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it's almost possible to imagine
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that you hear the muffled foot-fall
of skin boots on soft earth,
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or you see flickering of a torch
around the next bend.
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When I'm in a cave,
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I often find myself wondering,
what drove these people to go so deep?
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to brave dangerous and narrow
passageways to leave their mark?
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In this video clip,
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that was shot half a kilometer,
or about a third of a mile underground,
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in the cave of Curon in Spain,
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we found a series
of red paintings on a ceiling
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in a previously unexplored
section of the cave.
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As we crawled forward, military-style,
with the ceiling getting ever-lower,
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we finally got to a point
where the ceiling was so low,
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that my husband and project
photographer, Dylan,
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could no longer achieve focus
on the ceiling with his DSLR camera.
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So while he filmed me,
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I kept following the trail of red paint
with a single light,
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and a point-and-shoot camera
that we kept for that type of occasion.
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Half a kilometer underground.
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Seriously.
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What was somebody doing down there
with a torturous stone lamp?
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(Laugher)
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I mean --me, it makes sense, right?
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But you know,
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this is the kind of question that
I'm trying to answer with my research.
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I study some of
the oldest art in the world.
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It was created by these
early artists in Europe,
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between 10 thousand
and 40 thousand years ago.
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And the thing is,
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is that I'm not just studying it
because it's beautiful,
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though some of it certainly is.
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But what I'm interested in
is the development of the modern mind,
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of the evolution of creativity,
of imagination, of abstract thought.
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About what it means to be human.
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While all species communicate
in one way or another,
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only we humans have really taken it
to another level.
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Our desire and ability
to share and collaborate,
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has been a huge part of out success story.
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Our modern world is based on a global
network of information exchange.
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Made possible, in large part,
by our ability to communicate.
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In particular, using graphic
or written forms of communication.
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The thing is though,
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that we've been building
on the mental achievements
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of those that came before us for so long,
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that it's easy to forget that certain
abilities haven't already existed.
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It's one of the things
I find most fascinating
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about studying our deep history.
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Those people didn't have the shoulders
of any giants to stand on,
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they were the original shoulders.
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And while a surprising number
of important inventions
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come out of that distant time,
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what I want to talk to you about today
is the invention of graphic communication.
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There are three
main types of communication,
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spoken, gestural --
so things like sign language,
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and graphic communication.
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Spoken and gestural are,
by their very nature, ephemeral.
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It requires close contact for a message
to be sent and received.
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And after the moment of transmission,
it's gone forever.
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Graphic communication, on the other hand,
decouples that relationship,
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and with its invention, it became possible
for the first time,
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for a message to be
transmitted and preserved,
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beyond a single moment in place and time.
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Europe is one of the first places
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that we start to see graphic marks
regularly appearing
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in caves, rock shelters, and even
a few surviving open air sites.
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But this is not the Europe we know today.
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This was a world dominated
by towering ice sheets
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by towering ice sheets, three to four
kilometers high,
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with sweeping grass plains
and frozen tundra.
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This was the Ice Age.
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Over the last century,
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more than 350 Ice Age rock art sites
have been found across the continent.
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Decorated with animals, abstract shapes,
and even the occasion human.
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Like these engraved figures
from Grotta dell'Addaura in Sicily.
Emi Kamiya
Corrections:
5:11 - 5:14
The funny this is that at most sites --> The funny "thing" is that
8:39 - 8:41
than we could very well be looking --> "then"
10:13 - 10:17
maybe like this row of lines
from Riparo di Za Minic in Sicily, --> "Za Minica"
http://www.mammasicily.com/za-minica-cave.html
Thanks!