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Toy Story 3: Analyzed By Aliens - Earthling Cinema

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    Greetings, and welcome to Earthling
    Cinema. I am your host, Garyx Wormuloid. This
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    week’s artifact is Toy Story 3, brought
    to you by corporate powerhouse Disney, which,
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    as you all know, survived its planet of origin
    and now owns a 51% share of the known universe.
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    Toy Story 3 is a story about toys, a race
    of living, breathing creatures that were enslaved
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    by the humans for their own amusement. In
    Earth’s heyday, toys such as Woody, Female
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    Woody, Buzz Aldrin, and all these different
    horses were considered second class citizens
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    in a materialistic society that judged beings
    based only on their pragmatic usefulness.
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    When the film begins, the toys are owned by
    Andy, a ruthless overlord who labels them
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    with his name, effectively smothering their
    individual will. He keeps his subjects suspended
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    in a perpetual state of oppression, ignoring them to heed the
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    beck and call of his master: the cell phone.
    A Samsung Galaxy Note from the looks of it.
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    Andy must further cement control over his
    dominion by going to college, and since his
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    toys don’t have the test scores to go with
    him, he sentences them to the attic. The toys
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    undergo an existential crisis, uncertain about
    the sort of “afterlife” that awaits them
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    up there. And their anxiety is justified.
    Three words: spi-der- webs. That’s why I
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    always make my wife get the Galaxmas decorations.
    Woody, ever the die-hard loyalist, preaches
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    eternal devotion to Andy.
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    A classic case of Sher-lockholm Syndrome. But it’s no use.
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    The other toys escape to a daycare
    facility called Sunnyside, a name that makes
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    sense if you remember that Earth had only
    one sun. Sunnyside seems nice at first, but
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    turns out to be a socialist nightmare. Here
    the toys are no longer private property.
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    Lots-O-Huggin’ Bear takes it upon himself
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    to rule this socialist utopia with a fuzzy
    fist, for as he says, the toys are “without
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    owners”. But he is a malevolent dictator,
    subjecting his citizens to torture at the
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    hands of ruthless toddlers in order to crush
    their spirits. He maintains power with a secret
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    police force brainwashing, and a monkey who
    is clearly on meth. Lotso’s walking stick
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    doubles as a gavel, a symbol of order, and
    his strawberry scent strikes fear into the
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    batteries of all who cross him.
    The toys try to sneak out unnoticed, but when
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    Lotso confronts them, they figure why not
    stage a libertarian coup. It works, and the
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    big baby throws Lotso in the trash-- the very
    place he said toys were destined to go. He
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    drops his gavel-walking stick, suggesting
    his reign of tyranny is over.
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    But that ending would be too easy, so Lotso
    drags everyone else into the trash with him,
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    and they are hauled off to a volcano. Here
    salvation comes in the form of a giant claw,
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    operated by a trio of racist caricatures.
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    This is what’s known as “deus ex
    machina,” an Ancient Greek term for a machine
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    that descends from the sky to put Gods on
    the stage, and I don’t just mean god of
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    the stage Neil Patrick Harris. In 21st century
    parlance, the expression was used to indicate
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    a plot device that immediately and conveniently
    solves an unsolvable problem. Toy Story 3’s
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    deus ex machina is both a literal machine
    descending from the sky and a plot device
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    that conveniently saves the day. Despite being
    critically and commercially successful, the
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    boys at Pixar could always find time for obscure
    inside jokes.
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    At the end of the film, Ken and Barbie usher
    in a “groovy” utopia, perhaps indicating
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    that a time will come when the toy race will
    no longer be oppressed, and can exist in harmony
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    with all the Earth’s creatures. In the meantime,
    Woody and his friends are content to live
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    under Bonnie’s benevolent rule. That is,
    until she goes to college too and they have
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    to do the whole thing over again.
    For Earthling Cinema, I’m Garyx Wormuloid.
  • 4:06 - 4:10
    Hey folks, thank you for watching Earthling
    Cinema, I'm Mark Schroeder, aka Garyx Wormuloid.
  • 4:10 - 4:14
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    attached, my word. Garyx Wormuloid's word.
    Garyx Word-uloid. So seriously, Audible.com/earthling,
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    and if you want a recommendation, Creativity,
    Inc. By Ed Catmull. He's the president of
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    Pixar, and do you ever wonder how Pixar just
    cranks out amazing thing after amazing thing
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    after amazing thing? This book is going to
    be the key. So if you want to get into their
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    heads and figure out how they do it, check
    out Creativity, Inc. It's pretty good. Also,
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    if you liked this episode and want to try
    another, we recommend the Mean Girls episode.
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    Check it out guys, and thanks for watching
    Earthling Cinema.
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    So Earth enthusiasts, it's time to employ
    the democratic method again. If you'd like
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    to see me break down The Matrix next, vote
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Title:
Toy Story 3: Analyzed By Aliens - Earthling Cinema
Description:

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Video Language:
English
Duration:
05:54

English subtitles

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