11 - Copyright [Massive Teaching]
-
0:00 - 0:04As a society, we want to encourage people
to be creative and inventive -
0:04 - 0:06and to be able to make a living off it.
-
0:07 - 0:09This means that there must be some level
of protection -
0:09 - 0:12available for those creations, such as
works of arts or inventions. -
0:13 - 0:16Otherwise, every photographer would be
easily plagiarized -
0:16 - 0:18and would never see any reward for their job.
-
0:19 - 0:21For an invention, this protection is not
automatic. -
0:22 - 0:23One needs to obtain a patent.
-
0:24 - 0:25For the work of art,
-
0:25 - 0:29this intellectual property translates
automatically into copyright. -
0:30 - 0:33Copyright is the right to reuse and
distribute the work or its image -
0:33 - 0:36and is usually granted for a
limited time. -
0:36 - 0:40The Mona Lisa, for instance, is too old,
so there is no copyright on it. -
0:42 - 0:45Say Bob has the copyright of some work
and Alice wants to use it. -
0:46 - 0:50Then Alice will have to ask for permission
and Bob has two options. -
0:50 - 0:55Of course he can refuse or he can accept
and possibly charge Alice for it. -
0:56 - 1:00In the US there are exceptions to this,
generally called fair use. -
1:01 - 1:02This can apply in different context.
-
1:03 - 1:07For instance the news, parody, or
non-profit education. -
1:07 - 1:11This becomes very tricky in the context of
movies, as some of the companies -
1:11 - 1:13distributing them, such as Coursera,
-
1:14 - 1:17are for profit, in ways
that are not exactly clear. -
1:17 - 1:20For instance, I do not intend
to make money off this course -
1:20 - 1:22but Coursera somehow does.
-
1:22 - 1:24So I have to be very careful with what I use.
-
1:25 - 1:28The scale in a movie is so large that using
images can interfere -
1:28 - 1:32with the original use of the image,
and this means exceptions -
1:32 - 1:35that applied to classroom's use do not apply
anymore. -
1:36 - 1:39It can also be very tricky to determine
what kind of use -
1:39 - 1:40one can do of the materials.
-
1:41 - 1:45If this figurine had been a figurine of
Disney's Alice in Wonderland, -
1:45 - 1:50for instance, Disney could have tried to argue
that I have violated copyright law. -
1:50 - 1:53It's not even entirely clear that
by using these bricks -
1:53 - 1:55I'm not in violation of that law.
-
1:56 - 2:00In general, this is a completely new
landscape and it's still to be defined. -
2:02 - 2:05Fortunately others have figured out ways
to simplify the system, -
2:05 - 2:07for instance with Creative Commons.
-
2:08 - 2:11If you create content and want to
encourage others to reuse it, -
2:11 - 2:15it would be very wise for you to look
a little bit at Creative Commons -
2:15 - 2:18and try to pick a licensing scheme that you like.
-
2:19 - 2:23[CC BY-SA
Paul-Olivier Dehaye]
- Title:
- 11 - Copyright [Massive Teaching]
- Description:
-
From Week 2 Lecture Videos of "Teaching goes massive: new skills required"
by Paul-Olivier Dehaye
See
https://etherpad.mozilla.org/pr8ZtLXODg
and
http://www.elearnspace.org/blog/2014/07/09/congrats-to-paul-olivier-dehaye-massiveteaching/ - Video Language:
- English
- Team:
- Captions Requested
Claude Almansi edited English subtitles for 11 - Copyright [Massive Teaching] | ||
Claude Almansi edited English subtitles for 11 - Copyright [Massive Teaching] | ||
Claude Almansi edited English subtitles for 11 - Copyright [Massive Teaching] |