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How to make hard choices

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    Think of a hard choice
    you'll face in the near future.
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    It might be between two careers --
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    artist and accountant --
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    or places to live --
    the city or the country --
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    or even between two people to marry --
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    you could marry Betty
    or you could marry Lolita.
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    Or it might be a choice
    about whether to have children,
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    to have an ailing parent move in with you,
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    to raise your child in a religion
    that your partner lives by
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    but leaves you cold.
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    Or whether to donate
    your life savings to charity.
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    Chances are, the hard choice
    you thought of was something big,
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    something momentous,
    something that matters to you.
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    Hard choices seem to be occasions
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    for agonizing, hand-wringing,
    the gnashing of teeth.
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    But I think we've
    misunderstood hard choices
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    and the role they play in our lives.
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    Understanding hard choices
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    uncovers a hidden power
    each of us possesses.
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    What makes a choice hard
    is the way the alternatives relate.
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    In any easy choice,
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    one alternative is better than the other.
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    In a hard choice,
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    one alternative is better in some ways,
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    the other alternative
    is better in other ways,
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    and neither is better
    than the other overall.
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    You agonize over whether to stay
    in your current job in the city
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    or uproot your life
    for more challenging work in the country,
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    because staying is better in some ways,
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    moving is better in others,
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    and neither is better
    than the other overall.
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    We shouldn't think
    that all hard choices are big.
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    Let's say you're deciding
    what to have for breakfast.
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    You could have high fiber bran cereal
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    or a chocolate donut.
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    Suppose what matters in the choice
    is tastiness and healthfulness.
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    The cereal is better for you,
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    the donut tastes way better,
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    but neither is better
    than the other overall,
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    a hard choice.
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    Realizing that small choices
    can also be hard,
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    may make big hard choices
    seem less intractable.
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    After all, we manage to figure out
    what to have for breakfast,
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    so maybe we can figure out
    whether to stay in the city
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    or uproot for the new job in the country.
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    We also shouldn't think
    that hard choices are hard
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    because we are stupid.
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    When I graduated from college,
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    I couldn't decide between two careers,
    philosophy and law.
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    I really loved philosophy.
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    There are amazing things
    you can learn as a philosopher,
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    and all from the comfort of an armchair.
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    But I came from a modest immigrant family
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    where my idea of luxury
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    was having a pork tongue
    and jelly sandwich
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    in my school lunchbox,
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    so the thought of spending my whole life
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    sitting around in armchairs
    just thinking ...
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    Well, that struck me as the height
    of extravagance and frivolity.
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    So I got out my yellow pad,
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    I drew a line down the middle,
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    and I tried my best
    to think of the reasons
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    for and against each alternative.
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    I remember thinking to myself,
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    if only I knew what my life
    in each career would be like.
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    If only God or Netflix would send me a DVD
    of my two possible future careers,
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    I'd be set.
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    I'd compare them side by side,
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    I'd see that one was better,
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    and the choice would be easy.
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    But I got no DVD,
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    and because I couldn't
    figure out which was better,
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    I did what many of us do in hard choices:
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    I took the safest option.
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    Fear of being an unemployed philosopher
    led me to become a lawyer,
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    and as I discovered,
    lawyering didn't quite fit.
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    It wasn't who I was.
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    So now I'm a philosopher,
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    and I study hard choices,
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    and I can tell you,
    that fear of the unknown,
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    while a common motivational default
    in dealing with hard choices,
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    rests on a misconception of them.
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    It's a mistake to think
    that in hard choices,
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    one alternative
    really is better than the other,
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    but we're too stupid to know which,
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    and since we don't know which,
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    we might as well take
    the least risky option.
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    Even taking two alternatives side by side
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    with full information,
    a choice can still be hard.
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    Hard choices are hard
    not because of us or our ignorance;
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    they're hard because there
    is no best option.
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    Now, if there's no best option,
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    if the scales don't tip in favor
    of one alternative over another,
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    then surely the alternatives
    must be equally good.
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    So maybe the right thing
    to say in hard choices
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    is that they're
    between equally good options.
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    But that can't be right.
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    If alternatives are equally good,
    you should just flip a coin between them,
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    and it seems a mistake to think,
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    here's how you should
    decide between careers,
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    places to live, people to marry:
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    Flip a coin.
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    There's another reason for thinking
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    that hard choices aren't choices
    between equally good options.
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    Suppose you have a choice
    between two jobs:
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    you could be an investment banker
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    or a graphic artist.
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    There are a variety of things
    that matter in such a choice,
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    like the excitement of the work,
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    achieving financial security,
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    having time to raise a family, and so on.
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    Maybe the artist's career
    puts you on the cutting edge
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    of new forms of pictorial expression.
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    Maybe the banking career
    puts you on the cutting edge
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    of new forms of financial manipulation.
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    (Laughter)
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    Imagine the two jobs however you like,
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    so that neither is better than the other.
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    Now suppose we improve one of them, a bit.
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    Suppose the bank, wooing you,
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    adds 500 dollars a month to your salary.
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    Does the extra money
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    now make the banking job
    better than the artist one?
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    Not necessarily.
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    A higher salary makes the banking job
    better than it was before,
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    but it might not be enough
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    to make being a banker
    better than being an artist.
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    But if an improvement in one of the jobs
    doesn't make it better than the other,
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    then the two original jobs
    could not have been equally good.
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    If you start with two things
    that are equally good,
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    and you improve one of them,
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    it now must be better than the other.
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    That's not the case
    with options in hard choices.
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    So now we've got a puzzle.
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    We've got two jobs.
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    Neither is better than the other,
    nor are they equally good.
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    So how are we supposed to choose?
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    Something seems to have gone wrong here.
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    Maybe the choice itself is problematic,
    and comparison is impossible.
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    But that can't be right.
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    It's not like we're trying to choose
    between two things that can't be compared.
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    We're weighing the merits
    of two jobs, after all,
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    not the merits of the number nine
    and a plate of fried eggs.
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    A comparison of the overall
    merits of two jobs
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    is something we can make,
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    and one we often do make.
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    I think the puzzle arises
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    because of an unreflective assumption
    we make about value.
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    We unwittingly assume that values
    like justice, beauty, kindness,
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    are akin to scientific quantities,
    like length, mass and weight.
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    Take any comparative question
    not involving value,
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    such as which of two suitcases is heavier.
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    There are only three possibilities.
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    The weight of one is greater, lesser
    or equal to the weight of the other.
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    Properties like weight can be
    represented by real numbers --
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    one, two, three and so on --
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    and there are only
    three possible comparisons
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    between any two real numbers.
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    One number is greater, lesser,
    or equal to the other.
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    Not so with values.
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    As post-Enlightenment creatures,
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    we tend to assume
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    that scientific thinking holds the key
    to everything of importance in our world,
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    but the world of value
    is different from the world of science.
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    The stuff of the one world
    can be quantified by real numbers.
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    The stuff of the other world can't.
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    We shouldn't assume that the world of is,
    of lengths and weights,
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    has the same structure
    as the world of ought,
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    of what we should do.
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    So if what matters to us --
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    a child's delight, the love
    you have for your partner —
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    can't be represented by real numbers,
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    then there's no reason to believe
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    that in choice, there are only
    three possibilities --
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    that one alternative is better,
    worse or equal to the other.
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    We need to introduce
    a new, fourth relation
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    beyond being better, worse or equal,
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    that describes what's going on
    in hard choices.
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    I like to say that
    the alternatives are "on a par."
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    When alternatives are on a par,
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    it may matter very much which you choose,
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    but one alternative
    isn't better than the other.
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    Rather, the alternatives are
    in the same neighborhood of value,
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    in the same league of value,
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    while at the same time
    being very different in kind of value.
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    That's why the choice is hard.
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    Understanding hard choices in this way
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    uncovers something
    about ourselves we didn't know.
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    Each of us has the power
    to create reasons.
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    Imagine a world
    in which every choice you face
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    is an easy choice,
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    that is, there's always
    a best alternative.
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    If there's a best alternative,
    then that's the one you should choose,
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    because part of being rational
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    is doing the better thing
    rather than the worse thing,
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    choosing what you have
    most reason to choose.
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    In such a world,
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    we'd have most reason
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    to wear black socks instead of pink socks,
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    to eat cereal instead of donuts,
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    to live in the city
    rather than the country,
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    to marry Betty instead of Lolita.
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    A world full of only easy choices
    would enslave us to reasons.
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    When you think about it,
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    (Laughter)
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    it's nuts to believe
    that the reasons given to you
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    dictated that you had
    most reason to pursue
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    the exact hobbies you do,
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    to live in the exact house you do,
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    to work at the exact job you do.
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    Instead, you faced alternatives
    that were on a par --
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    hard choices --
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    and you made reasons for yourself
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    to choose that hobby,
    that house and that job.
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    When alternatives are on a par,
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    the reasons given to us,
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    the ones that determine
    whether we're making a mistake,
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    are silent as to what to do.
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    It's here, in the space of hard choices,
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    that we get to exercise
    our normative power --
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    the power to create reasons for yourself,
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    to make yourself into the kind of person
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    for whom country living
    is preferable to the urban life.
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    When we choose between options
    that are on a par,
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    we can do something
    really rather remarkable.
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    We can put our very selves
    behind an option.
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    Here's where I stand.
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    Here's who I am, I am for banking.
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    I am for chocolate donuts.
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    (Laughter)
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    This response in hard choices
    is a rational response,
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    but it's not dictated
    by reasons given to us.
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    Rather, it's supported
    by reasons created by us.
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    When we create reasons for ourselves
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    to become this kind
    of person rather than that,
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    we wholeheartedly become
    the people that we are.
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    You might say that we become
    the authors of our own lives.
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    So when we face hard choices,
    we shouldn't beat our head against a wall
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    trying to figure out
    which alternative is better.
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    There is no best alternative.
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    Instead of looking for reasons out there,
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    we should be looking for reasons in here:
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    Who am I to be?
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    You might decide to be
    a pink sock-wearing,
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    cereal-loving, country-living banker,
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    and I might decide to be
    a black sock-wearing,
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    urban, donut-loving artist.
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    What we do in hard choices
    is very much up to each of us.
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    Now, people who don't exercise
    their normative powers in hard choices
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    are drifters.
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    We all know people like that.
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    I drifted into being a lawyer.
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    I didn't put my agency behind lawyering.
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    I wasn't for lawyering.
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    Drifters allow the world
    to write the story of their lives.
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    They let mechanisms
    of reward and punishment --
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    pats on the head, fear,
    the easiness of an option --
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    to determine what they do.
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    So the lesson of hard choices:
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    reflect on what you can
    put your agency behind,
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    on what you can be for,
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    and through hard choices,
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    become that person.
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    Far from being sources of agony and dread,
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    hard choices are precious opportunities
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    for us to celebrate what is special
    about the human condition,
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    that the reasons that govern
    our choices as correct or incorrect
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    sometimes run out,
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    and it is here, in the space
    of hard choices,
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    that we have the power
    to create reasons for ourselves
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    to become the distinctive
    people that we are.
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    And that's why hard
    choices are not a curse
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    but a godsend.
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    Thank you.
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    (Applause)
Title:
How to make hard choices
Speaker:
Ruth Chang
Description:

Here's a talk that could literally change your life. Which career should I pursue? Should I break up — or get married?! Where should I live? Big decisions like these can be agonizingly difficult. But that's because we think about them the wrong way, says philosopher Ruth Chang. She offers a powerful new framework for shaping who we truly are.

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Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
14:41

English subtitles

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