-
Thank you.
-
i never really expected to find myself giving advice
-
to people graduating from an establishment of higher education.
-
i never graduated from any such establishment.
-
I've never even started at one!
-
I escaped from the school as soon as I could,
-
when the prospect of 4 more years of enforced learning before I'd
-
become a writer I wanted to be seemed stifling.
-
I got out into the world, I wrote,
-
and I became a better writer the more I wrote,
-
and I wrote some more, and nobody ever seemed to mind
-
that I was making it up as I went along.
-
They just read what I wrote... and they paid me for it
-
(or they didn't)
-
and often they commissioned me to write something else for them.
-
Which has left me with a healthy respect and fondness for higher education
-
that those of my friends and family, who attended universities, were cured of long ago.
-
Looking back... I've had a remarkable ride.
-
I'm not sure I can call it a career, because a career implies that I had some kind of a career plan
-
(and I never did)
-
The nearest thing that I had was a list I made when I was about 15 of everything I wanted to do
-
I wanted to write an adult novel, a children's book,
-
a comic, a movie, record an audio book, an episode of Dr. Who and so on.
-
I didn't have a career, I just did the next thing of the list.
-
So I thought I'd tell you everything I wished I'd known starting out.
-
And a few things that, looking back on it, I suppose that I did know.
-
And that I would also give you the best piece of advice I'd ever got, which I completely failed to follow.
-
First of all, when you start out on a career in the arts you have no idea what you're doing.
-
This is great!
-
People who know what they're doing know the rules.
-
And they know what is possible and what is impossible.
-
You do not. And you should not.
-
The rules on what is possible and impossible in the arts were made by people
-
who had not tested the bounds of the possible by going beyond them.
-
And you can!
-
If you don't know what's impossible, it's easier to do.
-
And because nobody's done it before, they haven't made up rules
-
to stop anyone doing that particular thing again.
-
(applauds)
-
Secondly,
-
if you have an idea of what you want to make,
-
what you were put here to do... then just go and do that!
-
And that's much harder than it sounds.
-
And sometimes in the end so much easier than you might imagine.
-
Because normally there are things you have to do
-
before you can get to the place you want to be.
-
I wanted to write comics, and novels, and stories, and films, so I became a journalist.
-
Because journalists are allowed to ask questions
-
or simple go and find out how the world works
-
and besides, to do those things I needed to write. And to write well.
-
And I was being paid to learn how to write.
-
Economically, crisply, sometimes under adverse conditions, on deadline.
-
Sometimes the way to do what you hope to do
-
will be clear cut. And sometimes it will be almost impossible
-
to decide whether or not you're doing the correct thing
-
because you'll have to balance your goals and hopes
-
with feeding yourself, paying debts, finding work,
-
settling for what you can get.
-
Something what worked for me was imagining where I wanted to be.
-
Which was an author, primarily in fiction, making good books, making good comics,
-
making good drama and supporting myself through my words,
-
imagining that was a mountain, a distant mountain - my goal.
-
And I knew that as long as I kept walking towards the mountain, I would be all right.
-
And when I truly was not sure what to do,
-
I could stop, and think about
-
whether it was taking me towards
-
or away from the mountain.
-
I said no to editorial jobs on magazines,
-
proper jobs that would've paid proper money,
-
because I knew that, attractive though they were,
-
for me they would've been
-
walking away from the mountain.
-
And if those job offers had come along earlier I might have taken them
-
because they still would've been closer to the mountain than I was at that time.
-
I learnt to write by writing.
-
I tended to do anything as long as it felt like an adventure,
-
and to stop when it felt like work, which meant that life did not feel like work.
-
Thirdly, when you start out, you have to deal with problems of failure.
-
You need to be thickskinned to learn that not every project will survive.
-
A freelance life, a life in the arts, is sometimes
-
like putting messages in bottles, on a desert island,
-
and hoping that someone will find one of your bottles
-
and open it and read it, and put something in the bottle
-
that will wash its way back to you:
-
Appreciation or a commission, or money, or love.
-
And you have to accept that you may put out hundreds of things
-
for every bottle that winds up coming back.
-
The problems of failure are the problems of discouragement,
-
of hopelessness, of hunger.
-
You want everything to happen and you want it now,
-
and things go wrong!
-
My first book, a piece of journalism I had done only for the money,
-
and which had already bought me an electric typewriter from the advance,
-
should've been a bestseller
-
it should've paid me a lot of money
-
if the publisher hadn't gone into involuntary liquidation
-
between the first print run selling out and the second print run never happening,
-
and before any royalties could be paid.
-
It would've done
-
And I shrugged.
-
And I still had my electric typewriter.
-
And enough money to pay the rent for a couple of months.
-
And I decided that I'do my best in the future
-
not to write books just for the money.
-
If you didn't get money, than you didn't have anything.
-
And if I did work I was proud of, and I didn't get the money,
-
at least I have the work.
-
Every now and then
-
I forget that rule
-
and whatever I do, the universe kicks me hard and reminds me.
-
I don't know if that's an issue for anybody but me,
-
but it's true that nothing I did where the only reason for doing it was the money
-
was ever worth it, except as bitter experience.
-
Usually I didn't wind up getting the money, either.
-
The things I did because I was excited,
-
and wanted to see them exist in reality
-
have never let me down, and I've never regretted the time
-
I spent on any of them.
-
The problems of failure are hard.
-
The problems of success can be harder,
-
because nobody warns you about them.
-
The first problem of any kind of even
-
limited success is the unshakable conviction
-
that you're getting away with something,
-
and that any moment now they will discover you.
-
It's Impostor Syndrome,
-
something my wife Amanda christened the Fraud Police.
-
In my case, I was convinced there would be a knock on the door,
-
and the man with a clipboard
-
(I don't know why he carried a clipboard,
-
but in my head he always had a clipboard)
-
would be there, to tell me it was all over,
-
and they caught up with me,
-
and now I would have to go and get read job,
-
one that didn't consists of making things up and writing them down,
-
and reading books I wanted to read.
-
And then I would go away quietly and get the kind of job
-
I would have to get up early in the morning for and wear a tie and not making things up anymore.
-
The problems of success... they're real.
-
And with luck, you'll experience them.
-
The point when you stop saying Yes to everything,
-
because now the bottles you throw in the ocean
-
are all coming back,
-
and you have to learn to say No.
-
I watched my peers,
-
and my friends,
-
and the ones who were older than me
-
and watch how miserable some of them were:
-
I'd listened to them telling me
-
that they couldn't envisage a world where they did
-
what they had always wanted to do any more,
-
because now they had to earn a certain amount
-
every month just to keep where they were.
-
They couldn't go and do the things that mattered, and that they had really wanted to do...
-
and that seemed as big a tragedy as any problem of failure.
-
And after that,
-
the biggest problem of success is that the world conspires to stop you doing
-
the thing that you do, because you're successful!
-
There was a day when I looked up and realised that
-
I had become someone who professionally
-
replied to email... and who wrote as a hobby.
-
I started answering fewer emails,
-
and was relieved to find I was writing much more.
-
Fourthly, I hope you'll make mistakes.
-
If you're making mistakes, it means you're out there doing something.
-
And the mistakes in themselves can be very useful,
-
I once misspelled Caroline, in a letter,
-
transposing the A and the O,
-
and I thought, "Coraline
-
looks almost like a real name".
-
Remember, whatever the discipline you're in,
-
whether you're a musician or a photographer, a fine artist or a cartoonist,
-
a writer, a dancer, a singer, a designer,
-
whatever you do, you have one thing that's unique...
-
You have the ability to make art.
-
And for me,
-
and for so many of the people I've known
-
that's been a lifesaver.
-
The ultimate lifesaver.
-
It gets you through good times
-
and it gets you through the other ones.
-
Sometimes life is hard, things go wrong
-
in life, and in love, and in business, and in friendship
-
and in health, and in all the other ways
-
that life can go wrong.
-
And when things get tough,
-
this is what you should do.
-
Make. Good. Art.
-
I'm serious!
-
Husband runs off with a politician? Make good art.
-
Leg crushed and then eaten by a mutated boa constrictor?
-
Make good art.
-
IRC on your trail? Make good art.
-
Cat... Cat exploded? Make good art.
-
Someone on the internet thinks what you're doing is stupid or evil or it's all been done before?
-
Make good art.
-
Probably things will work out somehow,
-
and eventually time will take the sting away...
-
That doesn't even matter.
-
Do what only you can do best.
-
Make. Good Art.
-
Make it on the bad days...
-
Make in on the good days, too.
-
And fifthly, while you're at it, make your art.
-
Do the stuff that only you can do.
-
The urge, starting out, is to copy, and it's not a bad thing.
-
Most of us only find our own voices after we've sounded like a lot of other people.
-
But the one thing that you have that nobody else has...
-
Is you.
-
Your voice. Your mind. Your story.
-
Your vision.
-
So write, and draw, and build, and play, and dance,
-
and live as only you can.
-
The moment that you feel that, just possibly,
-
you're walking down the street naked,
-
exposing too much of your heart and your mind
-
and what exists on the inside,
-
showing too much of yourself.
-
That's the moment you maybe started to get it right.
-
The things I've done that worked the best
-
were the things I was the least certain about,
-
the stories where I was sure they would either work,
-
or, more likely, be the kind of embarrassing failure people would gather together
-
and discuss until the end of time.
-
They always had that in common:
-
looking back at them, people explain why they were inevitable successes.
-
While I was doing them, I had no idea.
-
I still don't.
-
And where would be the fun in making something you knew was going to work?
-
And sometimes the things I did really didn't work.
-
There are stories of mine that've never been reprinted.
-
Some even never left the house.
-
But I learned as much from that as I did from things that worked.
-
Okay. Sixthly, I will pass on some secret freelancer knowledge.
-
Secret knowledge is always good!
-
And it's useful for anyone who ever plans to create art for other people,
-
to enter a freelance world of any kind.
-
I learned it in comics.
-
But it applies to other fields too, and it's this.
-
People get hired because, somehow, they get hired.
-
In my case I did something which these days
-
would be easy to check, and would get me into
-
a lot of trouble, and when I started out in those
-
pre-internet days, seemed like a sensible career strategy.
-
When I was asked by editors who I'd worked for,
-
I lied.
-
I listed a handful of magazines that sounded likely,
-
and I sounded confident, and I got jobs.
-
(applauds)
-
I then made it a point of honour to have written
-
something for each of the magazines
-
I'd listed to get that first job.
-
So that I hadn't actually lied,
-
I'd just been chronologically challenged.
-
(laugh)
-
And you get work however you get work.
-
But people keep working, in a freelance world,
-
(and more and more of today's world is freelance)
-
because their work is good,
-
and because they are easy to get along with,
-
and because they deliver the work on time.
-
And you don't even need all three.
-
Two out of three is FINE.
-
People will tolerate how unpleasant you are
-
if your work is good and you deliver it on time!
-
(laugh)
-
People will forgive the lateness of your work
-
if it's good, and if they like you!
-
And you don't have to be as good as everyone else
-
if you're on time and it's always a pleasure to hear from you.
-
(laugh, applauds)
-
So when I agreed to give this address,
-
I thought: What the best piece of advice
-
I was ever given?
-
And I realised that it was actually piece of advice
-
that I had failed to follow.
-
And it came from Stephen King,
-
20 years ago at the height of the success,
-
the initial success of Sandman,
-
the comic I was writing. I was...
-
Oh thank you!
-
I was writing a comic that people loved...
-
and were taking seriously
-
and Stephen King had liked Sandman
-
and my novel with Terry Pratchett, "Good omens",
-
and he saw the madness that was going on,
-
the long signing lines, all of that stuff
-
and his advice to me was this:
-
He said, "This is really great. You should enjoy it".
-
And I didn't.
-
Best advice I'd ever got that I ignored.
-
Instead I worried about it.
-
I worried about the next deadline, the next idea,
-
the next story...
-
There wasn't a moment for the next 14 or 15 years
-
that I wasn't writing something in my head,
-
or wondering about it. And I didn't stop
-
and look around and go,
-
This is really fun!
-
I wish I'd enjoyed it more.
-
It's been an amazing ride.
-
But there were parts of a ride I missed,
-
because I was too worried about things going wrong,
-
about what came next, to enjoy the bit that I was on.
-
That was the hardest lesson for me, I think.
-
To let go and enjoy the ride.
-
Because the ride takes you to some remarkable and unexpected places.
-
And here, on this platform, today for me
-
is one of those places.
-
And I am enjoying myself immensely.
-
(applauds)
-
I'd actually put this in brackets, just in case I wasn't...
-
I wouldn't say.
-
(laugh)
-
To all today's graduates, I wish you luck!
-
Luck is useful. Often you will discover
-
that the harder you work,
-
and the more wisely do you work,
-
the luckier you will get.
-
But there's luck.
-
And it helps.
-
We're in a transitional world right now,
-
if you're in any kind of artistic field,
-
because the nature of distribution is changing.
-
The models by which creators got their work
-
out into the world, and got to keep the roof over their heads
-
and buy sandwiches while they did that,
-
they're all changing.
-
I've talked to people at top of the food chain
-
in publishing, in bookselling, in music
-
and in all those areas,
-
and no one knows what the landscape will look like
-
two years from now, let alone a decade away.
-
The distribution channels that people had built
-
over the last century or so, are in flux
-
for print, for visual artists, for musicians,
-
for creative people of all kinds.
-
Which is, on the one hand, intimidating,
-
and on the other... immensely liberating.
-
The rules, the assumptions, the now-we are supposed-to's
-
of how you get your work seen, or what you do then,
-
they're breaking down!
-
The gatekeepers are leaving their gates.
-
You can be as creative as you need to be
-
to get your work seen.
-
YouTube, and the web (and whatever comes after YouTube and the web)
-
can give you more people watching than television ever did.
-
The old rules are crumbling and nobody knows what the new rules are.
-
So make up your own rules!
-
Someone asked me recently how to do something she thought
-
was going to be difficult.
-
In this case, recording the audiobook.
-
And I suggested she pretend that she was someone who could do it.
-
Not pretend to do it... but pretend she was someone who could.
-
She put up a notice to this effect on the studio wall...
-
and she said it helped.
-
So be wise! Because the world needs more wisdom.
-
And if you cannot be wise... pretend to be someone who is wise, and then just behave like they would.
-
(laugh)
-
(applauds)
-
And now go... and make interesting mistakes.
-
Make amazing mistakes, make glorious and fantastic mistakes.
-
Break rules, leave the world more interesting for your being here.
-
Make. Good. Art.
-
Thank you.
-
(applauds)