Why apply a film mentality to digital photography? | Levi Bettwieser | TEDxBoise
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0:07 - 0:10Three years ago, I started
The Rescued Film Project. -
0:10 - 0:13What we do is look all over the world
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0:13 - 0:16for rolls of films that have been shot
but never processed. -
0:16 - 0:21I then develop this film to try to rescue
any images they might still contain. -
0:23 - 0:27Now, this makes me the very first person
who has ever seen any of these pictures, -
0:27 - 0:30and I spend countless hours
and thousands of dollars -
0:30 - 0:33acquiring, processing
and scanning film, -
0:33 - 0:36and today we have rescued
over 25,000 pictures. -
0:37 - 0:40The images in the archive
range from the 1940s -
0:40 - 0:42all the way up until the late 2000s.
-
0:43 - 0:45Every picture we are going to be
looking at today -
0:45 - 0:48is actually from
The Rescued Film Project archive. -
0:48 - 0:51And many of them, until today,
have never been seen by anybody -
0:51 - 0:52except myself.
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0:55 - 0:58So when I process this film,
scanning in the images, -
0:58 - 1:00seeing them for the very first time,
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1:00 - 1:04the same questions always go
through my head, over and over, -
1:04 - 1:06no matter what the picture is of:
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1:07 - 1:10Why was this never processed?
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1:11 - 1:13What happened to the photographer?
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1:15 - 1:17Where are they now?
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1:18 - 1:21Unfortunately, for most of these pictures,
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1:21 - 1:23those questions
will probably go unanswered. -
1:24 - 1:27But many of you may be looking
at some of these photos and thinking: -
1:27 - 1:28So what?
-
1:28 - 1:30These are just some random pictures
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1:30 - 1:33of random people I don't know
and I don't care about. -
1:33 - 1:35But take a second
and change your prospective, -
1:35 - 1:39and look at this picture right now
as if you're looking at it in 50 years. -
1:41 - 1:44I don't do this because I'm trying to find
some history-altering images, -
1:44 - 1:47I do this because I know
that whether we realize it or not, -
1:48 - 1:53every picture we take documents
our collective history as human beings. -
1:55 - 1:58You see, we take photos for ourselves,
of moments that are important to us, -
1:58 - 2:04but in doing so, we also create a snapshot
of what it is like to be alive right now. -
2:06 - 2:08What clothes are in style ...
-
2:10 - 2:14What excites us -
birthdays, apparently ... -
2:15 - 2:17Where we go ...
-
2:19 - 2:21And what we find important.
-
2:22 - 2:25But as you're looking
at these photos right now, -
2:25 - 2:28realize you were never meant to see them.
-
2:29 - 2:31I was never meant to see them.
-
2:31 - 2:33Because all of these photos
were shot on film, -
2:33 - 2:35and you would never see them
-
2:35 - 2:39unless you had a real, personal
connection with the photographer. -
2:40 - 2:41If you were in their homes,
-
2:41 - 2:44looking through their photo albums
or seeing them hung on walls. -
2:45 - 2:49But today, we take photos
knowing and even hoping -
2:49 - 2:52that people we have no personal
connection with will see them, -
2:52 - 2:55like them, share them.
-
2:56 - 2:58Strangers.
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2:59 - 3:00Back when these photos were taken,
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3:00 - 3:04the thought of a complete stranger
seeing them would be completely odd. -
3:04 - 3:06(Laughter)
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3:06 - 3:09But today it just seems commonplace.
-
3:10 - 3:12When I started The Rescued Film Project,
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3:13 - 3:17my initial goal was to reconnect
these images with the photographers. -
3:18 - 3:21These days, because -
-
3:23 - 3:29These days, because of this,
we take photos at an enormous rate. -
3:31 - 3:33Because of this,
-
3:33 - 3:37the Internet and social media
has changed why we take pictures. -
3:37 - 3:41We can curate exactly how we want
our lives to appear to others. -
3:41 - 3:47We take 15 photos and post one -
the perfect one - and discard the rest. -
3:49 - 3:51This photo, by today's standards,
-
3:51 - 3:52is not perfect.
-
3:53 - 3:57Almost no one is looking at the camera
or even paying attention. -
3:57 - 3:58(Laughter)
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3:58 - 4:03Today, this would probably be one of those
15 photos that got discarded. -
4:04 - 4:09But this photo is honest, is genuine,
is a true and accurate representation -
4:09 - 4:13of this exact moment
in these people's lives. -
4:14 - 4:18Back when this was shot on film,
this would not have been discarded. -
4:19 - 4:21That is why I do what I do.
-
4:22 - 4:25So, why don't we throw away photographs?
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4:25 - 4:28Physical photographs, negative slides.
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4:28 - 4:31Why do we have those same two roles
of film that we shot forever ago -
4:31 - 4:35that we pass on from one junk drawer
to the next, and the next, -
4:35 - 4:38over the course of years,
why don't we throw them away? -
4:39 - 4:42Why are we all looking at this image
right now, of this person, -
4:42 - 4:45trying to tell his story, this stranger?
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4:46 - 4:49Why do we care?
Why do you care? -
4:49 - 4:50Why do I care?
-
4:51 - 4:55Because we all inherently know
that photos are history. -
4:56 - 4:58Photos are one of our
only defenses against time. -
4:59 - 5:03These photos might be the only evidence
that these people ever existed. -
5:04 - 5:07In a time when we discard images
without a second thought, -
5:08 - 5:10to me, it's an absolute tragedy
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5:10 - 5:14that the only people who truly know
how important these images are -
5:14 - 5:15might never see them.
-
5:16 - 5:18When I started The Rescued Film Project,
-
5:18 - 5:22my initial goal was to reconnect these
images with the people they belonged to, -
5:22 - 5:24the photographers.
-
5:24 - 5:28Unfortunately, 3.5 years
and 25,000 images later, -
5:28 - 5:31that's only happened once.
-
5:31 - 5:34But what I have noticed
is that because, again, -
5:34 - 5:37these photos document
our collective history as human beings, -
5:37 - 5:40we can all relate in even small ways
to so many of the photos. -
5:41 - 5:44So many of these experiences
that these people are having. -
5:44 - 5:48So we step in as surrogates and adopt them
and give these photos meaning again -
5:48 - 5:51and enjoy them for those
who aren't unable to. -
5:54 - 5:59My generation is one of the last that will
span the gap between film and digital. -
6:00 - 6:01Film is still around
-
6:01 - 6:05but it's primarily being used only
by professional or niche photographers. -
6:05 - 6:10We almost never use it anymore to capture
the everyday moments in our lives. -
6:12 - 6:13Birthdays ...
-
6:15 - 6:17Christmas ...
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6:18 - 6:20Halloween ...
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6:21 - 6:23Vacations ...
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6:24 - 6:25And of course...
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6:26 - 6:28Cats.
(Laughter) -
6:28 - 6:33Lots and lots of cats.
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6:33 - 6:35(Laughter)
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6:35 - 6:37Dogs too.
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6:38 - 6:41These are still the same
moments we're taking pictures of today, -
6:41 - 6:45but now we are just taking
a lot more of them. -
6:46 - 6:49While with digital the quality
of our photos has improved, -
6:49 - 6:50because we are taking so many,
-
6:50 - 6:54the content of each photo
somehow seems less significant. -
6:57 - 6:59If you could only take six pictures,
-
6:59 - 7:02how would that change
what you take a picture of? -
7:05 - 7:07In losing the tangible connection of film,
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7:07 - 7:11we really have started to lose
the tangible connection to our past. -
7:11 - 7:16Our lives now live in digital photo
libraries on phones and computers. -
7:17 - 7:21We are constantly looking back
and never looking forward; -
7:21 - 7:24it's all about snap, post, move on.
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7:25 - 7:28Without those physical objects,
those photos, those negatives, -
7:28 - 7:30the slides, those albums,
-
7:30 - 7:33we almost never look
at the images we create anymore. -
7:34 - 7:38We find ourselves creating moments
that will make for a great photo, -
7:38 - 7:44instead of actually just having a moment
and then using a photo to document it. -
7:45 - 7:48Not being so caught up
in trying to capture the moment. -
7:50 - 7:54When you think about it,
it does make sense, right? -
7:54 - 7:56(Laughter)
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7:59 - 8:04Remember, your photos might be
the only evidence that you ever existed. -
8:05 - 8:06So of course,
-
8:06 - 8:10we want the photos we leave behind
to portray a life well lived, -
8:10 - 8:13but is portraying a life and curating
some glamorous collection of images -
8:13 - 8:17more important than
actually living your life -
8:17 - 8:19and creating a genuine
collection of images -
8:19 - 8:22that truly and accurately represents
what your life is like? -
8:24 - 8:27So, next time you take out
your phone to snap a photo, -
8:27 - 8:30just have a moment of pause
and consider what you are shooting. -
8:31 - 8:33Realize that there really are
no small moments, -
8:33 - 8:35there are no insignificant moments,
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8:35 - 8:39and realize that your photos aren't yours.
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8:39 - 8:41Your photos will be used
and are being used -
8:41 - 8:44to tell a greater story of who we are.
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8:46 - 8:50And so my hope is we begin to apply
a little bit of this film approach, -
8:50 - 8:53a film mentality,
to our digital photography. -
8:54 - 8:57And there's two very easy ways
to start doing this. -
8:57 - 9:02Number one: just limit yourself
to taking six photos a day ... max. -
9:02 - 9:08Number two: if any one of those photos
isn't 'perfect', don't discard it; -
9:08 - 9:12post it, share it, save it.
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9:12 - 9:13By doing this,
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9:13 - 9:16we will begin to start finding
the meaning behind our photos again, -
9:16 - 9:21and we'll begin to create a personal and
collective history that is truly genuine. -
9:22 - 9:24Now, before I get off the stage, to me,
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9:24 - 9:28this seems like a very appropriate time
to actually take a photo. -
9:28 - 9:29(Laughter)
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9:29 - 9:31Selfie mode here ...
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9:31 - 9:34Alright, everybody, say 'Cheese'!
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9:34 - 9:37(Audience) Cheese!
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9:39 - 9:40Thank you.
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9:40 - 9:43(Applause)
- Title:
- Why apply a film mentality to digital photography? | Levi Bettwieser | TEDxBoise
- Description:
-
Personal photography has dramatically changed even over the past 15 years. Unhindered access to image creation, combined with instant viewing, allows us to curate our personal histories in a whole new—yet not necessarily better—way. And when our visual history lives primarily on computers and phones, we lose an important tangible connection to our past. In this talk (featuring samples from rescued images), Levi shares ways to create more meaningful images even in the digital age, preserving a more genuine snapshot of our history.
Levi is a founder of and technician for The Rescued Film Project. As such, he is often the first person to see the images captures on lost, orphaned rolls of film. Levi enjoys taking photos with one of his 15 antique film cameras and works to debunk the popular notion that film photography is more difficult than digital.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDxTalks
- Duration:
- 09:47