A project of peace, painted across 50 buildings
-
0:01 - 0:04So when I decided to create
an art piece in Manshiyat Naser, -
0:04 - 0:07the neighborhood of the Cairo
garbage collectors in Egypt, -
0:07 - 0:09I never thought this project would be
-
0:09 - 0:12the most amazing human experience
that I would ever live. -
0:13 - 0:15As an artist, I had
this humanist intention -
0:15 - 0:18of beautifying a poor
and neglected neighborhood -
0:18 - 0:23by bringing art to it and hopefully
shining light on this isolated community. -
0:24 - 0:28The first time I heard about
this Christian Coptic community -
0:28 - 0:33was in 2009 when the Egyptian authorities
under the regime of Hosni Mubarak -
0:33 - 0:39decided to slaughter 300,000 pigs
using the pretext of H1N1 virus. -
0:40 - 0:41Originally, they are pig breeders.
-
0:42 - 0:45Their pigs and other animals
are fed with the organic waste -
0:45 - 0:47that they collect on a daily basis.
-
0:47 - 0:48This event killed their livelihood.
-
0:49 - 0:53The first time I entered Manshiyat Naser,
it felt like a maze. -
0:53 - 0:56I was looking for the St. Simon Monastery
on the top of the Muqattam Mountain. -
0:56 - 0:59So you go right, then straight,
then right again, then left -
0:59 - 1:01to reach all the way to the top.
-
1:01 - 1:06But to reach there, you must dodge between
the trucks overpacked with garbage -
1:06 - 1:07and slalom between the tuk-tuks,
-
1:07 - 1:10the fastest vehicle to move around
in the neighborhood. -
1:11 - 1:14The smell of the garbage
unloaded from those trucks was intense, -
1:14 - 1:18and the noise of the traffic
was loud and overbearing. -
1:18 - 1:22Add to it the din created by the crushers
in those warehouses along the way. -
1:23 - 1:27From outside it looks chaotic,
but everything is perfectly organized. -
1:29 - 1:31The Zaraeeb, that’s how
they call themselves, -
1:31 - 1:33which means the pig breeders,
-
1:33 - 1:35have been collecting the garbage of Cairo
-
1:35 - 1:38and sorting it in their own
neighborhood for decades. -
1:38 - 1:40They have developed
one of the most efficient -
1:40 - 1:43and highly profitable systems
on a global level. -
1:43 - 1:48Still, the place is perceived
as dirty, marginalized and segregated -
1:48 - 1:50because of their association
with the trash. -
1:51 - 1:54So my initial idea
was to create an anamorphic piece, -
1:54 - 1:57a piece that you can only see
from one vantage point. -
1:57 - 2:01I wanted to challenge myself artistically
by painting over several buildings -
2:01 - 2:06and having it only fully visible
from one point on the Muqattam Mountain. -
2:06 - 2:09The Muqattam Mountain
is the pride of the community. -
2:09 - 2:11This is where they built
the St. Simon Monastery, -
2:11 - 2:17a 10,000-seat cave church
that they carved into the mountain itself. -
2:17 - 2:21So, the first time
I stood on top of the mountain -
2:21 - 2:23and I looked at the neighborhood,
-
2:23 - 2:26I asked myself, how on earth
will I convince all those owners -
2:26 - 2:28to let me paint on their buildings?
-
2:28 - 2:29And then Magd came.
-
2:29 - 2:32Magd is a guide from the Church.
-
2:32 - 2:36He told me the only person I needed
to convince was Father Samaan, -
2:36 - 2:38who is the leader of the community.
-
2:38 - 2:42But to convince Father Samaan,
I needed to convince Mario, -
2:42 - 2:45who is a Polish artist
who moved to Cairo 20 years ago -
2:45 - 2:49and who created all the artwork
of the Cave Church. -
2:49 - 2:52I am really grateful to Mario.
He was the key of the project. -
2:52 - 2:55He managed to get me
a meeting with Father Samaan, -
2:55 - 2:56and surprisingly, he loved the idea.
-
2:56 - 2:59He asked me about where I painted before
-
2:59 - 3:00and how I will make it happen.
-
3:00 - 3:03And he was mainly concerned
by what I was going to write. -
3:05 - 3:07In every work that I create,
I write messages -
3:07 - 3:09with my style of Arabic calligraphy.
-
3:09 - 3:12I make sure those messages are relevant
to the place where I am painting -
3:12 - 3:14but have this universal dimension,
-
3:14 - 3:17so anybody around the world
can relate to it. -
3:18 - 3:19So for Manshiyat Naser,
-
3:19 - 3:24I decided to write in Arabic
the words of St. Athanasius of Alexandria, -
3:24 - 3:26a Coptic bishop from the third century,
-
3:26 - 3:30who said: (Arabic),
-
3:30 - 3:31which means in English,
-
3:31 - 3:34"Anyone who wants
to see the sunlight clearly -
3:34 - 3:35needs to wipe his eyes first."
-
3:36 - 3:38It was really important for me
-
3:38 - 3:40that the community
felt connected to the words. -
3:41 - 3:44And for me this quote was perfectly
reflecting the spirit of the project. -
3:44 - 3:47So Father Samaan blessed the project,
-
3:47 - 3:50and his approval brought
all the residents on board. -
3:51 - 3:55Hundreds of liters of paint,
a dozen blue manual lifts, -
3:55 - 3:57several trips back and forth to Cairo,
-
3:57 - 4:01a strong and solid team from France,
North Africa, Middle East and the US, -
4:01 - 4:05and after a year of planning
and logistics, there we are, -
4:05 - 4:07my team and some members
from the local community -
4:07 - 4:11creating a piece that will
spread over 50 buildings, -
4:11 - 4:14some filling up the space
of the calligraphy -
4:14 - 4:15that I trace with colors.
-
4:15 - 4:18Here some blue, there some yellow,
there some orange. -
4:18 - 4:20Some others carrying some sand bags
-
4:21 - 4:23and putting them
on the top of the buildings -
4:23 - 4:24to hold those manual lifts,
-
4:24 - 4:27and some others assembling
and disassembling those same lifts -
4:27 - 4:29and moving them around
the different buildings. -
4:30 - 4:32At the beginning of the project,
-
4:32 - 4:36I numbered all those
buildings on my sketch, -
4:36 - 4:38and there was no real interaction
with the community. -
4:38 - 4:40People didn’t get the point of all this.
-
4:40 - 4:45But fast enough, those building numbers
became family names. -
4:45 - 4:47The first building
was the house of Uncle Ibrahim. -
4:48 - 4:50Uncle Ibrahim is such
an enthusiastic person. -
4:50 - 4:52He was always singing and making jokes,
-
4:52 - 4:57and his daughters and sons
saved me from his bull -
4:57 - 4:59who wanted to attack me
on the fourth floor. -
4:59 - 5:00(Laughter)
-
5:00 - 5:04Actually, the bull saw me from the window
and came out on the balcony. -
5:04 - 5:05(Laughter)
-
5:05 - 5:06Yeah.
-
5:10 - 5:12Uncle Ibrahim was always
hanging out on the balcony -
5:12 - 5:14and talking to me while I was painting.
-
5:14 - 5:18I remember him saying that he didn’t
go to the mountain for 10 years, -
5:18 - 5:20and that he never takes a day off.
-
5:20 - 5:24He said that if he stopped working,
who will stop the garbage? -
5:24 - 5:27But surprisingly,
at the end of the project, -
5:27 - 5:30he came all the way to the mountain
to look at the piece. -
5:30 - 5:33He was really proud
to see his house painted, -
5:33 - 5:37and he said that this project
was a project of peace and -- -
5:38 - 5:40sorry --
-
5:41 - 5:44(Applause)
-
5:54 - 5:56Thank you.
-
5:56 - 6:01He said that it was a project
of peace and unity -
6:01 - 6:03and that it brought people together.
-
6:04 - 6:07So his perception
towards the project changed, -
6:07 - 6:11and my perception towards
the community changed also, -
6:11 - 6:13and towards what they do.
-
6:13 - 6:17All the garbage that everybody
is disgusted by is not theirs. -
6:17 - 6:19They just work out of it.
-
6:19 - 6:22Actually, they don’t live in the garbage.
They live from the garbage. -
6:22 - 6:24So I started doubting myself and wondering
-
6:24 - 6:28what was the real purpose
of this whole project? -
6:28 - 6:32It was not about beautifying
a place by bringing art to it. -
6:32 - 6:35It was about switching perception
and opening a dialogue -
6:35 - 6:39on the connection that we have
with communities that we don’t know. -
6:40 - 6:41So day after day,
-
6:41 - 6:43the calligraphy circle was taking shape,
-
6:43 - 6:47and we were always excited to go back
on the mountain to look at the piece. -
6:47 - 6:50And standing exactly at this point
every day made my realize -
6:50 - 6:53the symbolism behind
this anamorphic piece. -
6:53 - 6:55If you want to see
the real image of somebody, -
6:55 - 6:57maybe you should change your angle.
-
6:58 - 7:00There was doubts and difficulties,
-
7:00 - 7:02like fears and stress.
-
7:02 - 7:04It wasn't simple
to work in such environments, -
7:04 - 7:06sometimes having pigs under you
while you paint -
7:06 - 7:09or climbing a stack of garbage
to reach a lift. -
7:09 - 7:12But we all got over the fear
of the heights, the swinging lifts, -
7:12 - 7:13the strength of the smell
-
7:13 - 7:16and also the stress
of not finishing on time. -
7:16 - 7:19But the kindness of all those people
made us forget everything. -
7:20 - 7:24The building number 3 was the house
of Uncle Bakheet and Aunty Fareeda. -
7:24 - 7:27In Egyptian, they have
this expression that says, "Ahsen Nas," -
7:27 - 7:29which means "the best people."
-
7:29 - 7:30They were the best people.
-
7:30 - 7:33We used to take our break
in front of their houses, -
7:33 - 7:35and all the kids of the neighborhood
-
7:35 - 7:37used to join us.
-
7:37 - 7:41I was impressed and amazed
by the kids of Manshiyat Naser. -
7:41 - 7:45For the first few days, they were always
refusing anything we were offering them, -
7:45 - 7:47even a snack or a drink.
-
7:47 - 7:49So I asked Aunty Fareeda, "Why is that?"
-
7:49 - 7:53And she told me they teach
their kids to refuse anything -
7:53 - 7:55from somebody that they don't know
-
7:55 - 7:58because maybe this person
needs it more than they do. -
7:59 - 8:03So at this exact point I realized actually
-
8:03 - 8:05the Zaraeeb community
was the ideal context -
8:05 - 8:07to raise the topic of perception.
-
8:07 - 8:11We need to question
our level of misconception -
8:11 - 8:13and judgment we can have as a society
-
8:13 - 8:16upon communities
based on their differences. -
8:17 - 8:20I remember how we got delayed
on Uncle Ibrahim's house -
8:20 - 8:23when his pigs that are bred on the rooftop
-
8:23 - 8:25were eating the sand bags
that hold the lifts. -
8:25 - 8:27(Laughter)
-
8:28 - 8:31The house of Uncle Bakheet
and Aunty Fareeda -
8:31 - 8:32was this kind of meeting point.
-
8:32 - 8:34Everybody used to gather there.
-
8:34 - 8:36I think this is what Uncle Ibrahim meant
-
8:36 - 8:39when he said that was
a project of peace and unity, -
8:39 - 8:42because I really felt
that people were coming together. -
8:42 - 8:45Everyone was greeting us
with a smile, offering us a drink -
8:46 - 8:50or inviting us into their
own house for lunch. -
8:50 - 8:53Sometime, you are
at the first level of a building, -
8:53 - 8:55and somebody opens his window
and offers you some tea. -
8:55 - 8:58And then the same thing happens
on the second floor. -
8:58 - 9:00And you keep going all the way to the top.
-
9:00 - 9:01(Laughter)
-
9:01 - 9:02(Applause)
-
9:02 - 9:05I think I never drink as much tea
as I did in Egypt. -
9:05 - 9:07(Laughter)
-
9:07 - 9:09And to be honest with you,
we could have finished earlier, -
9:09 - 9:13but I think it took us three weeks
because of all those tea breaks. -
9:13 - 9:14(Laughter)
-
9:17 - 9:20In Egypt, they have another expression,
which is "Nawartouna," -
9:20 - 9:22which means, "You brought light to us."
-
9:23 - 9:26In Manshiyat Naser
they were always telling us this. -
9:26 - 9:28The calligraphy, actually --
-
9:28 - 9:32I used a white glow-in-the-dark paint
for the calligraphy -
9:32 - 9:37so at the end of the project,
we rented some black light projectors -
9:37 - 9:39and lit up the whole neighborhood,
-
9:39 - 9:40surprising everybody around.
-
9:40 - 9:42We wanted to tell them
-
9:42 - 9:44that they are the ones
who brought light to us. -
9:46 - 9:49(Applause)
-
9:57 - 10:01The Zaraeeb community
are strong, honest, hard workers, -
10:01 - 10:03and they know their value.
-
10:03 - 10:05The people of Cairo
call them "the Zabaleen," -
10:05 - 10:07which means "the people of the garbage,"
-
10:07 - 10:10but ironically,
the people of Manshiyat Naser -
10:10 - 10:12call the people of Cairo the Zabaleen.
-
10:12 - 10:15They say, they are the ones
who produce the garbage, not them. -
10:15 - 10:16(Laughter)
-
10:16 - 10:17(Applause)
-
10:17 - 10:20The goal was to leave something
to this community, -
10:20 - 10:23but I feel that they are the ones
who left something in our lives. -
10:23 - 10:25You know, the art project
was just a pretext -
10:25 - 10:27for this amazing human experience.
-
10:27 - 10:29The art piece at some point
will disappear, vanish, -
10:29 - 10:32and actually there is somebody
who is building a second floor -
10:32 - 10:34in front of Uncle Ibrahim's house,
-
10:34 - 10:35so it's covering part of the painting,
-
10:36 - 10:38so I might need to go back
and paint over it. -
10:38 - 10:39(Laughter)
-
10:39 - 10:41It was about the experience,
-
10:41 - 10:42about the story,
-
10:42 - 10:43about the moment.
-
10:45 - 10:46From the streets of the neighborhood,
-
10:46 - 10:48the painting appears in fragments,
-
10:48 - 10:50isolated from one another,
-
10:50 - 10:51standing alone.
-
10:51 - 10:53But connected with the sign of calligraphy
-
10:54 - 10:57that today reveals the powerful message
that we should all think about -
10:57 - 10:59before we want to judge somebody.
-
11:00 - 11:02Anyone who wants to see
the sunlight clearly -
11:02 - 11:03needs to wipe his eyes first.
-
11:04 - 11:05Thank you.
-
11:05 - 11:13(Applause)
- Title:
- A project of peace, painted across 50 buildings
- Speaker:
- eL Seed
- Description:
-
eL Seed fuses Arabic calligraphy with graffiti to paint colorful, swirling messages of hope and peace on buildings from Tunisia to Paris. The artist and TED Fellow shares the story of his most ambitious project yet: a mural painted across 50 buildings in Manshiyat Naser, a district of Cairo, Egypt, that can only be fully seen from a nearby mountain.
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDTalks
- Duration:
- 11:26
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene approved English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings | ||
Brian Greene edited English subtitles for A project of peace, painted across 50 buildings |