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The history of tattoos - Addison Anderson

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    Thinking of getting a tattoo?
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    Decorating your birthday suit would add
    another personal story
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    to a history of tattoos stretching back
    at least 8000 years.
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    Tattooed mummies from around the world
    attest to the universality
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    of body modification
    across the millennia,
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    and to the fact that you really were
    stuck with it forever
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    if your civilization never got around
    to inventing laser removal.
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    A mummy from the Chinchorro culture
    in pre-Incan Peru
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    has a mustache tattooed
    on his upper lip.
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    Ötzi, mummified iceman of the Alps, has
    patterned charcoal tats along his spine,
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    behind his knee
    and around his ankles,
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    which might be from an early
    sort of acupuncture.
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    The mummy of Amunet, a priestess
    in Middle Kingdom Egypt,
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    features tattoos thought to symbolize
    sexuality and fertility.
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    Even older than the mummies,
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    figurines of seemingly tattooed
    people,
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    and tools possibly used for tattooing
    date back tens of thousands of years.
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    Tattoos don't have one historical
    origin point that we know of,
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    but why do we English speakers
    call them all tattoos?
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    The word is an anglophonic modification
    of "tatao,"
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    a Polynesian word used in Tahiti,
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    where English captain James Cook
    landed in 1769
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    and encountered heavily tattooed
    men and women.
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    Stories of Cook's findings
    and the tattoos his crew acquired
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    cemented our usage of "tattoo"
    over previous words like
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    "scarring," "painting," and "staining,"
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    and sparked a craze in Victorian
    English high society.
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    We might think of Victorians
    having Victorian attitudes
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    about such a risque thing,
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    and you can find such sentiments, and even
    bans, on tattooing throughout history.
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    But while publicly some Brits looked down
    their noses at tattoos,
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    behind closed doors
    and away from their noses,
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    lots of people had them.
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    Reputedly, Queen Victoria had a tiger
    fighting a python,
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    and tattoos became very popular
    among Cook's fellow soldiers,
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    who used them to note their travels.
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    You crossed the Atlantic? Get an anchor.
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    Been south of the Equator?
    Time for your turtle tat.
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    But Westerners sported tattoos
    long before meeting
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    the Samoans and Maori
    of the South Pacific.
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    Crusaders got the Jerusalem Cross
    so if they died in battle,
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    they'd get a Christian burial.
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    Roman soldiers on Hadrian's Wall
    had military tattoos
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    and called the Picts beyond it "Picts,"
    for the pictures painted on them.
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    There's also a long tradition
    of people being tattooed unwillingly.
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    Greeks and Romans tattooed slaves
    and mercenaries to discourage
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    escape and desertion.
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    Criminals in Japan were tattooed as such
    as far back as the 7th century.
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    Most infamously, the Nazis tattooed
    numbers on the chest or arms
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    of Jews and other prisoners
    at the Auschwitz concentration camp
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    in order to identify stripped corpses.
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    But tattoos forced on prisoners
    and outcasts can be redefined
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    as people take ownership
    of that status or history.
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    Primo Levi survived Auschwitz and wore
    short sleeves to Germany after the war
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    to remind people of the crime
    his number represented.
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    Today, some Holocaust
    survivors' descendants
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    have their relatives numbers'
    tattooed on their arms.
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    The Torah has rules against tattoos,
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    but what if you want to make indelible
    what you feel should never be forgotten?
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    And those criminals and outcasts of Japan,
    where tattooing was eventually outlawed
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    from the mid-19th century to
    just after World War II,
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    added decoration to their penal tattoos,
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    with designs borrowed from
    woodblock prints, popular literature
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    and mythical spirtual iconography.
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    Yakuza gangs viewed their outsider tattoos
    as signs of lifelong loyalty and courage.
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    After all, they lasted forever
    and it really hurt to get them.
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    For the Maori, those tattoos were an
    accepted mainstream tradition.
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    If you shied away from the excruciating
    chiseling in of your moko design,
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    your unfinished tattoo marked
    your cowardice.
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    Today, unless you go the traditional route,
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    your tattoo artist will probably use
    a tattoo machine
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    based on the one patented by
    Samuel O'Reilly in 1891,
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    itself based on Thomas Edison's
    stencil machine from 1876.
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    But with the incredibly broad history
    of tattoos giving you so many options,
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    what are you going to get?
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    This is a bold-lined expression of
    who you are,
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    or you want to appear to be.
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    As the naturalist aboard Cook's ship
    said of the tataoed Tahitians,
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    "Everyone is marked, thus in different
    parts of his body,
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    according maybe to his humor
    or different circumstances of his life."
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    Maybe your particular humor
    and circumstances
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    suggest getting a symbol
    of cultural heritage,
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    a sign of spirituality,
    sexual energy,
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    or good old-fashioned
    avant-garde defiance.
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    A reminder of a great accomplishment,
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    or of how you think it would look
    cool if Hulk Hogan rode a Rhino.
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    It's your expression, your body,
    so it's your call.
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    Just two rules:
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    you have to find a tattooist who
    won't be ashamed to draw your idea,
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    and when in doubt,
    you can never go wrong with "Mom."
Title:
The history of tattoos - Addison Anderson
Description:

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Video Language:
English
Team:
closed TED
Project:
TED-Ed
Duration:
05:17

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