A brief history of graffiti - Kelly Wall
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0:08 - 0:10Spray-painted subway cars,
-
0:10 - 0:11tagged bridges,
-
0:11 - 0:13mural-covered walls.
-
0:13 - 0:16Graffiti pops up boldly
throughout our cities. -
0:16 - 0:21It can make statements about identity,
art, empowerment, and politics, -
0:21 - 0:24while simultaneously being associated
with destruction. -
0:24 - 0:27And, it turns out, it's nothing new.
-
0:27 - 0:32Graffiti, or the act of writing
or scribbling on public property, -
0:32 - 0:34has been around for thousands of years.
-
0:34 - 0:36And across that span of time,
-
0:36 - 0:38it's raised the same questions
we debate now: -
0:38 - 0:40Is it art?
-
0:40 - 0:42Is it vandalism?
-
0:42 - 0:48In the 1st century BCE, Romans regularly
inscribed messages on public walls, -
0:48 - 0:49while oceans away,
-
0:49 - 0:54Mayans were prolifically scratching
drawings onto their surfaces. -
0:54 - 0:57And it wasn't always a subversive act.
-
0:57 - 1:01In Pompeii, ordinary citizens regularly
marked public walls with magic spells, -
1:01 - 1:03prose about unrequited love,
-
1:03 - 1:06political campaign slogans,
-
1:06 - 1:10and even messages to champion
their favorite gladiators. -
1:10 - 1:14Some, including the Greek
philosopher Plutarch, pushed back, -
1:14 - 1:17deeming graffiti ridiculous and pointless.
-
1:17 - 1:19But it wasn't until the 5th century
-
1:19 - 1:24that the roots of the modern concept
of vandalism were planted. -
1:24 - 1:28At that time, a barbaric tribe
known as the Vandals swept through Rome, -
1:28 - 1:31pillaging and destroying the city.
-
1:31 - 1:35But it wasn't until centuries later that
the term vandalism was actually coined -
1:35 - 1:39in an outcry against the defacing of art
during the French Revolution. -
1:39 - 1:42And as graffiti became
increasingly associated -
1:42 - 1:44with deliberate rebellion
and provocativeness, -
1:44 - 1:48it took on its vandalist label.
-
1:48 - 1:52That's part of the reason why, today,
many graffiti artists stay underground. -
1:52 - 1:55Some assume alternate identities
to avoid retribution, -
1:55 - 2:00while others do so to establish
comradery and make claim to territory. -
2:00 - 2:02Beginning with the tags of the 1960s,
-
2:02 - 2:05a novel overlap of celebrity and anonymity
-
2:05 - 2:08hit the streets of New York City
and Philadelphia. -
2:08 - 2:12Taggers used coded labels to trace
their movements around cities -
2:12 - 2:15while often alluding to their origins.
-
2:15 - 2:19And the very illegality of graffiti-making
that forced it into the shadows -
2:19 - 2:23also added to its intrigue
and growing base of followers. -
2:23 - 2:27The question of space and ownership
is central to graffiti's history. -
2:27 - 2:32Its contemporary evolution has gone
hand in hand with counterculture scenes. -
2:32 - 2:35While these movements raised their
anti-establishment voices, -
2:35 - 2:40graffiti artists likewise challenged
established boundaries of public property. -
2:40 - 2:42They reclaimed subway cars,
-
2:42 - 2:43billboards,
-
2:43 - 2:47and even once went so far as to paint
an elephant in the city zoo. -
2:47 - 2:48Political movements, too,
-
2:48 - 2:51have used wall writing
to visually spread their messages. -
2:51 - 2:55During World War II, both the Nazi Party
and resistance groups -
2:55 - 2:58covered walls with propaganda.
-
2:58 - 3:01And the Berlin Wall's one-sided graffiti
-
3:01 - 3:04can be seen as a striking symbol
of repression -
3:04 - 3:07versus relatively
unrestricted public access. -
3:07 - 3:08As the counterculture movements
-
3:08 - 3:11associated with graffiti
become mainstream, -
3:11 - 3:15does graffiti, too, become accepted?
-
3:15 - 3:19Since the creation of so-called
graffiti unions in the 1970s -
3:19 - 3:23and the admission of select graffiti
artists into art galleries a decade later, -
3:23 - 3:29graffiti has straddled the line between
being outside and inside the mainstream. -
3:29 - 3:33And the appropriation of graffiti styles
by marketers and typographers -
3:33 - 3:35has made this definition
even more unclear. -
3:35 - 3:38The once unlikely partnerships
of graffiti artists -
3:38 - 3:40with traditional museums and brands,
-
3:40 - 3:43have brought these artists
out of the underground -
3:43 - 3:44and into the spotlight.
-
3:44 - 3:47Although graffiti
is linked to destruction, -
3:47 - 3:51it's also a medium of unrestricted
artistic expression. -
3:51 - 3:53Today, the debate about the boundary
-
3:53 - 3:55between defacing
and beautifying continues. -
3:55 - 4:00Meanwhile, graffiti artists challenge
common consensus about the value of art -
4:00 - 4:03and the degree to which any space
can be owned. -
4:03 - 4:05Whether spraying, scrawling,
or scratching, -
4:05 - 4:09graffiti brings these questions
of ownership, art, and acceptability -
4:09 - 4:11to the surface.
- Title:
- A brief history of graffiti - Kelly Wall
- Description:
-
View full lesson: http://ed.ted.com/lessons/a-brief-history-of-graffiti-kelly-wall
Spray-painted subway cars, tagged bridges, mural-covered walls – graffiti pops up boldly throughout our cities. And it turns out: it’s nothing new. Graffiti has been around for thousands of years. And across that span of time, it’s raised the same questions we debate now: Is it art? Is it vandalism? Kelly Wall describes the history of graffiti.
Lesson by Kelly Wall, animation by Tomás Pichardo Espaillat.
- Video Language:
- English
- Team:
- closed TED
- Project:
- TED-Ed
- Duration:
- 04:32
Jessica Ruby approved English subtitles for A brief history of graffiti - Kelly Wall | ||
Jessica Ruby accepted English subtitles for A brief history of graffiti - Kelly Wall | ||
Jessica Ruby edited English subtitles for A brief history of graffiti - Kelly Wall | ||
Jennifer Cody edited English subtitles for A brief history of graffiti - Kelly Wall |