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Tales of a teenage filmmaker | Zachary Maxwell | TEDxSpokane

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    Hello, everybody.
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    It's great to be here
    on stage at TEDxSpokane.
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    (Cheers) (Applause)
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    That's encouraging.
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    I'm really nervous right now.
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    But let me explain by telling you
    a little bit about myself and my story.
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    I've always considered myself
    as having two different identities.
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    The first and more natural identity
    is a shy and awkward high school freshman.
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    I'm not very popular in school,
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    and I try to avoid
    drawing attention to myself.
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    In fact, nobody at school
    even knows that I'm here today.
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    They all just think that I'm homesick.
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    So let's just keep this whole
    TED Talk thing between us, okay?
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    (Laughter)
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    Great.
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    But anyway, I think this persona,
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    the one that you're seeing
    on stage right now
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    started taking shape
    when I was just a little kid.
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    As long as I can remember,
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    whenever I wasn't in school,
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    I was always making
    silly home movies with my Dad.
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    As time passed,
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    we started using video to tell stories.
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    And this was back when
    Facebook and YouTube
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    were just getting started.
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    So nobody really knew much
    about social media or online video.
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    So I started screening
    my work in film festivals
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    when I was about eight years old.
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    When I was in the fourth grade,
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    something that was bothering me
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    was the lunch being served
    at my elementary school.
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    I asked my parents
    if I could pack my own lunch,
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    but they wanted me
    to eat the school lunch.
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    They saw the monthly menu published
    by the Department of Education
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    and thought the food sounded amazing.
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    I told them that's not
    what I was actually being served,
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    but, of course, they didn't believe me.
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    So I started sneaking a small
    video camera into the lunch room,
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    and over the next six months,
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    I recorded pictures of my school lunch
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    and then compared them
    to what was being advertised on the menu.
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    We turned that footage
    into a short film called
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    "YUCK! A Fourth Grader's Short
    Documentary About School Lunch."
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    (Video) Zachary Maxwell:
    For this operation,
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    I was going to have to go way undercover.
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    I thought I'd use a few small HD cameras
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    that I could easily fit into my pocket.
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    That way, I could sneak shots
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    when the lunch monitors weren't looking.
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    I had to keep a low profile
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    because according to the School
    Chancellor's Regulation A-640:
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    filming in school facilities
    during school hours is only allowed
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    with the Principal's permission.
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    I really like our principal
    but she runs a pretty tight ship,
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    and I don't think she's going to approve.
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    Needless to say ...
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    I could get in big trouble for this.
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    (On stage) ZM: Here's what happened.
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    The film ran in a bunch of film festivals,
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    the New York Times
    ran a feature story on the project,
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    and that sparked
    international media attention.
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    The school's Chancellor
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    had to make a public statement
    about what was going on.
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    They created a student feedback committee
    to work with the food service managers.
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    And my school ...
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    got a salad bar.
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    (Laughter)
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    (Applause)
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    I'm not huge fan of salad
    but that's not the point.
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    The point is that the film
    raised awareness and caused change.
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    And it was at that moment
    that my second identity was born.
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    Zachary Maxwell: Fearless Kid Filmmaker.
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    Meanwhile, right around this time,
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    my other self was learning about
    how government was supposed to work.
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    What I was being taught
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    was that government is supposed
    to work for the people,
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    and regular people are supposed
    to have the power
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    to tell the government what to do.
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    If you were a concerned citizen,
    the solution was simple.
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    Just like we learned
    in "School House Rock,"
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    you would call your elected official,
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    they would listen to your problem,
    and then they would make a law.
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    But it seems to me
    that somewhere along the way
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    that simple process became broken.
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    Because today, I think most politicians
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    only listen to rich and powerful donors
    or special interest groups.
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    So I started wondering
    if there was a better way
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    to get the attention of elected officials
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    and make them aware of the problems
    that were important to me -
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    a regular shy and awkward
    kid from Brooklyn.
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    For example, I want to tell you
    about a problem that I had
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    when I was in the sixth grade.
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    Sometimes in New York City,
    we get very brutal winters.
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    We get pounded with snow,
    dangerous temperatures,
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    and pretty much
    the entire city has to shut down.
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    Everything except, of course,
    New York City Public Schools.
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    Nope. We never close.
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    Not even when the Governor
    declares a state of emergency.
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    Well, I wanted to figure out why.
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    So enter my second identity.
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    I started writing letters, sending emails,
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    and making short video messages
    to the people in charge.
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    And I did this for months
    but nobody would respond to me.
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    They all thought
    I was some crazy sixth grader.
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    And you know what?
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    They were right!
    And I kept coming at them.
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    (Video starts) (Phone ringing)
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    Phone voice: Press Office. Hello?
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    ZM: Hello, my name is Zachary Maxwell
    and I'm a documentary filmmaker.
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    Right now, I'm working on
    a project about snow days,
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    and I've sent a number
    of letters and emails
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    requesting an on-camera interview
    with the Chancellor.
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    PV: Okay.
    When did you send these letters?
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    ZM: Like, for the last three months.
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    PV: Three months? Alright.
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    Let me check and see
    if she's received them
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    and someone's looking into that for you.
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    ZM: Thank you so much.
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    PV: Thank you, Zach. No problem.
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    ZM: Bye.
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    (On stage) ZM: And here's what happened.
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    I finally started bothering
    the right people,
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    and they helped me
    get meetings with officials
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    in charge of both city sanitation
    and emergency management.
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    And believe it or not,
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    I was eventually invited to City Hall
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    for a one-on-one sit-down interview
    with the Mayor of New York City
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    where I grilled him
    on his decision-making process.
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    (Laughter)
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    Later that year, the resulting film
    "Anatomy of a Snow Day"
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    premiered in the country's
    largest documentary film festival,
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    and it's also drawn
    a lot of positive attention.
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    But more importantly,
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    the film raised awareness
    about how our city works.
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    We all hear about how technology
    today is so advanced,
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    and just about anybody can make a film
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    as long as they have a cell phone
    and a modest computer.
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    Well, unfortunately,
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    what I've been seeing
    is that most kids my age
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    are just wasting this opportunity
    and only using this technology
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    to do things like record themselves
    playing video games
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    or babbling about their life.
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    When I think we can
    be using this technology
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    to flex our creative muscles
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    and highlight real issues
    in our community.
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    Because what I've started learning
    with the stuff that I've been doing is
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    if you work really hard to create
    something interesting and unique,
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    people pay attention.
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    And when enough people
    begin to pay attention to an issue,
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    elected officials pay attention.
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    And when that begins to happen,
    change can happen.
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    I want to give you just one more example.
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    This is my little brother Lucas.
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    He goes to the same
    elementary school that I went to.
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    The lunches are much better now.
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    You're welcome, Lucas.
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    But anyways, he was scared of the traffic
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    at a dangerous intersection
    near his school.
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    So earlier this year,
    I helped him make a video
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    to send to the Commissioner
    of Transportation for New York City.
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    Now, look.
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    When you're going after somebody
    very busy and important,
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    you have to grab their attention
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    with a concise, yet compelling
    title for your video.
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    So we decided to title this one ...
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    "Dear Polly Trottenberg:
    Urgent Imminent Death."
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    (Laughter)
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    (Video) Lucas: When I leave school
    with my friends and family,
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    sometimes we have to walk
    to the downtown six train.
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    To get there, we walk north
    on Centre Street,
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    then we go west on Kenmare Street
    to Lafayette Street.
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    Or as I like to call it ...
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    The "Corner of Death."
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    (Children screaming)
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    Okay. There's a big problem
    at this corner.
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    When westbound vehicles
    on Kenmare get to Lafayette,
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    they have to merge left.
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    But when they get to the intersection,
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    all they see is a green light
    and a big sign that says "all traffic."
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    So when they make the turn,
    they don't even realize
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    that kids with the walk sign
    are trying to cross Lafayette.
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    And since they drive real fast
    and there are two lanes,
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    sometimes, they don't even see us
    until it's too late.
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    (Singing) La la la la la.
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    (Screeching tires)
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    (Gasp!)
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    Kid: Oh no! They killed Lucas!
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    Lucas: Ugh. Uh. I'm not dead
    but I'm hurt really bad.
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    (Sirening)
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    It's okay, everybody. I'm fine.
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    But it could have been a lot worse.
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    (Groans) Ugh. Uh.
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    Oh the pain! Oh the pain!
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    Go away from the light.
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    Agghh. Go away from the light. Aggh.
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    (Laughter)
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    (On stage) ZM: I think you
    already know where this is heading,
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    but let me tell you what happened.
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    The video drew a lot of attention.
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    The City Council got involved
    and the Dep. of Transportation responded.
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    The Commissioner invited Lucas
    to a press conference
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    where she announced
    all kinds of new changes to the corner,
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    including new traffic lights,
    new crosswalk markings,
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    and a 12-second head-start signal
    for pedestrians.
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    Lucas was a hero for 15 minutes,
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    but most importantly,
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    that corner is now infinitely safer
    for millions of pedestrians.
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    (Applause)
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    You have the power to do this too.
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    Even if you're just a kid,
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    you have the ability
    to make meaningful change
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    in your community.
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    Think about something in your hometown
    right now that's always bothered you.
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    Do the cars drive too fast?
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    Is there too much litter?
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    Should lightsaber dueling
    be a varsity sport at your high school?
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    Yes. Yes, it should.
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    Then find a creative and interesting way
    to tell the story of that problem.
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    I make films, but maybe
    that's not your thing.
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    You can write a poem, compose a song,
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    take some pictures, paint your canvas.
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    It doesn't matter
    how you express yourself,
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    just that you do it with passion,
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    and that it's in your own unique voice,
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    in a way that only you can say it.
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    And once you're done
    with your masterpiece,
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    share it with the world.
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    Post it online.
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    Generate buzz through social media.
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    Send it to your TV station
    or the local newspaper.
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    You have to make some noise.
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    But most importantly,
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    go directly after the people
    that hold the power.
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    Don't be afraid to call somebody out.
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    Name names.
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    Shine the spotlight on the issue
    and the people in charge,
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    and I promise you they will pay attention.
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    Because the fact is, we're no longer
    living in the simple days
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    of just sitting back
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    and hoping that our government
    is going to work for us.
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    You need to make it happen.
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    So even if you're shy and quiet like me,
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    find that other side of you.
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    Be bold.
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    Be creative.
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    Be fearless.
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    Channel your inner badass
    and make change.
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    (Applause) (Cheers)
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    Thanks. Thanks, everyone.
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    And with that,
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    I guess I'm going to head back home now
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    and resume my other life
    as a shy and awkward ninth grader.
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    (Laughter)
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    Thanks again.
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    (Applause) (Cheers)
Title:
Tales of a teenage filmmaker | Zachary Maxwell | TEDxSpokane
Description:

If you are looking to make a change in your community, you can learn a lot from this talk. This teenage filmmaker can give you insight on how to make a significant change from behind the lens of a camera.

Zachary Maxwell is a fourteen-year-old documentary filmmaker from New York City. His award-winning films “Yuck!” and “Anatomy of a Snow Day” have drawn international media coverage. His films and workshops encourage young people to use creativity as a method of civic engagement and a way to spark meaningful change in one’s community.

This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx

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Video Language:
English
Team:
closed TED
Project:
TEDxTalks
Duration:
12:58
  • I hope somebody will please review this so it can move forward. Thank you.

  • The original transcriber: CJ Maxwell,
    who added this talk on Amara eight months ago, and then joined the TED team five months ago.
    There is inverted sequence in the process.

  • Revision 11 complete.

English subtitles

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