[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.76,0:00:04.05,Default,,0000,0000,0000,,We're going to begin in 1964.
Dialogue: 0,0:00:04.05,0:00:07.02,Default,,0000,0000,0000,,Bob Dylan is 23 years old, and his career
Dialogue: 0,0:00:07.02,0:00:09.18,Default,,0000,0000,0000,,is just reaching its pinnacle.
Dialogue: 0,0:00:09.18,0:00:11.62,Default,,0000,0000,0000,,He's been christened the voice of a generation,
Dialogue: 0,0:00:11.62,0:00:14.08,Default,,0000,0000,0000,,and he's churning out classic songs
Dialogue: 0,0:00:14.08,0:00:16.05,Default,,0000,0000,0000,,at a seemingly impossible rate,
Dialogue: 0,0:00:16.05,0:00:20.50,Default,,0000,0000,0000,,but there's a small minority of dissenters, and they claim
Dialogue: 0,0:00:20.50,0:00:24.24,Default,,0000,0000,0000,,that Bob Dylan is stealing other people's songs.
Dialogue: 0,0:00:24.24,0:00:28.38,Default,,0000,0000,0000,,2004. Brian Burton, aka Danger Mouse,
Dialogue: 0,0:00:28.38,0:00:30.29,Default,,0000,0000,0000,,takes the Beatles' "White Album,"
Dialogue: 0,0:00:30.29,0:00:32.07,Default,,0000,0000,0000,,combines it with Jay-Z's "The Black Album"
Dialogue: 0,0:00:32.07,0:00:33.89,Default,,0000,0000,0000,,to create "The Grey Album."
Dialogue: 0,0:00:33.89,0:00:35.81,Default,,0000,0000,0000,,"The Grey Album" becomes an immediate sensation online,
Dialogue: 0,0:00:35.81,0:00:38.57,Default,,0000,0000,0000,,and the Beatles' record company sends out countless
Dialogue: 0,0:00:38.57,0:00:41.81,Default,,0000,0000,0000,,cease-and-desist letters for "unfair competition
Dialogue: 0,0:00:41.81,0:00:45.69,Default,,0000,0000,0000,,and dilution of our valuable property."
Dialogue: 0,0:00:45.69,0:00:47.68,Default,,0000,0000,0000,,Now, "The Grey Album" is a remix.
Dialogue: 0,0:00:47.68,0:00:50.08,Default,,0000,0000,0000,,It is new media created from old media.
Dialogue: 0,0:00:50.08,0:00:52.66,Default,,0000,0000,0000,,It was made using these three techniques:
Dialogue: 0,0:00:52.66,0:00:55.91,Default,,0000,0000,0000,,copy, transform and combine.
Dialogue: 0,0:00:55.91,0:00:57.83,Default,,0000,0000,0000,,It's how you remix. You take existing songs,
Dialogue: 0,0:00:57.83,0:00:59.55,Default,,0000,0000,0000,,you chop them up, you transform the pieces,
Dialogue: 0,0:00:59.55,0:01:01.39,Default,,0000,0000,0000,,you combine them back together again,
Dialogue: 0,0:01:01.39,0:01:03.37,Default,,0000,0000,0000,,and you've got a new song, but that new song
Dialogue: 0,0:01:03.37,0:01:06.10,Default,,0000,0000,0000,,is clearly comprised of old songs.
Dialogue: 0,0:01:06.10,0:01:09.41,Default,,0000,0000,0000,,But I think these aren't just the components of remixing.
Dialogue: 0,0:01:09.41,0:01:12.46,Default,,0000,0000,0000,,I think these are the basic elements of all creativity.
Dialogue: 0,0:01:12.46,0:01:14.27,Default,,0000,0000,0000,,I think everything is a remix,
Dialogue: 0,0:01:14.27,0:01:18.96,Default,,0000,0000,0000,,and I think this is a better way to conceive of creativity.
Dialogue: 0,0:01:18.96,0:01:21.95,Default,,0000,0000,0000,,All right, let's head back to 1964, and let's hear
Dialogue: 0,0:01:21.95,0:01:24.97,Default,,0000,0000,0000,,where some of Dylan's early songs came from.
Dialogue: 0,0:01:24.97,0:01:26.85,Default,,0000,0000,0000,,We'll do some side-by-side comparisons here.
Dialogue: 0,0:01:26.85,0:01:28.06,Default,,0000,0000,0000,,All right, this first song you're going to hear
Dialogue: 0,0:01:28.06,0:01:30.47,Default,,0000,0000,0000,,is "Nottamun Town." It's a traditional folk tune.
Dialogue: 0,0:01:30.47,0:01:33.05,Default,,0000,0000,0000,,After that, you'll hear Dylan's "Masters of War."
Dialogue: 0,0:01:33.06,0:01:37.96,Default,,0000,0000,0000,,Jean Ritchie: ♫ In Nottamun Town, not a soul would look out, ♫\N
Dialogue: 0,0:01:37.96,0:01:44.56,Default,,0000,0000,0000,,♫ not a soul would look up, not a soul would look down. ♫
Dialogue: 0,0:01:44.56,0:01:48.83,Default,,0000,0000,0000,,Bob Dylan: ♫ Come you masters of war, ♫
Dialogue: 0,0:01:48.83,0:01:57.44,Default,,0000,0000,0000,,♫ you that build the big guns, you that build the death planes, ♫
Dialogue: 0,0:01:57.44,0:02:00.50,Default,,0000,0000,0000,,♫ You that build all the bombs. ♫
Dialogue: 0,0:02:00.50,0:02:02.43,Default,,0000,0000,0000,,Kirby Ferguson: Okay, so that's the same basic melody
Dialogue: 0,0:02:02.43,0:02:05.58,Default,,0000,0000,0000,,and overall structure. This next one is "The Patriot Game,"
Dialogue: 0,0:02:05.58,0:02:07.58,Default,,0000,0000,0000,,by Dominic Behan. Alongside that,
Dialogue: 0,0:02:07.58,0:02:09.85,Default,,0000,0000,0000,,you're going to hear "With God on Our Side," by Dylan.
Dialogue: 0,0:02:09.85,0:02:15.11,Default,,0000,0000,0000,,Dominic Behan: ♫ Come all ye young rebels, ♫
Dialogue: 0,0:02:15.11,0:02:19.64,Default,,0000,0000,0000,,♫ and list while I sing, ♫
Dialogue: 0,0:02:19.64,0:02:27.85,Default,,0000,0000,0000,,♫ for the love of one's land is a terrible thing. ♫
Dialogue: 0,0:02:27.85,0:02:33.66,Default,,0000,0000,0000,,BD: ♫ Oh my name it is nothin', ♫
Dialogue: 0,0:02:33.66,0:02:38.19,Default,,0000,0000,0000,,♫ my age it means less, ♫
Dialogue: 0,0:02:38.19,0:02:45.01,Default,,0000,0000,0000,,♫ the country I come from is called the Midwest. ♫
Dialogue: 0,0:02:45.01,0:02:46.64,Default,,0000,0000,0000,,KF: Okay, so in this case, Dylan admits
Dialogue: 0,0:02:46.64,0:02:49.08,Default,,0000,0000,0000,,he must have heard "The Patriot Game," he forgot about it,
Dialogue: 0,0:02:49.08,0:02:50.64,Default,,0000,0000,0000,,then when the song kind of bubbled back up
Dialogue: 0,0:02:50.64,0:02:52.95,Default,,0000,0000,0000,,in his brain, he just thought it was his song.
Dialogue: 0,0:02:52.95,0:02:54.18,Default,,0000,0000,0000,,Last one, this is "Who's Going To Buy You Ribbons,"
Dialogue: 0,0:02:54.18,0:02:55.74,Default,,0000,0000,0000,,another traditional folk tune.
Dialogue: 0,0:02:55.74,0:02:58.04,Default,,0000,0000,0000,,Alongside that is "Don't Think Twice, It's All Right."
Dialogue: 0,0:02:58.04,0:02:59.86,Default,,0000,0000,0000,,This one's more about the lyric.
Dialogue: 0,0:02:59.86,0:03:06.75,Default,,0000,0000,0000,,Paul Clayton: ♫ It ain't no use to sit and sigh now, ♫
Dialogue: 0,0:03:06.75,0:03:14.62,Default,,0000,0000,0000,,♫ darlin', and it ain't no use to sit and cry now. ♫
Dialogue: 0,0:03:14.62,0:03:20.56,Default,,0000,0000,0000,,BD: ♫ It ain’t no use to sit and wonder why, babe, ♫
Dialogue: 0,0:03:20.56,0:03:24.21,Default,,0000,0000,0000,,♫ if you don't know by now, ♫
Dialogue: 0,0:03:24.21,0:03:29.60,Default,,0000,0000,0000,,♫ and it ain't no use to sit and wonder why, babe, ♫\N
Dialogue: 0,0:03:29.60,0:03:32.49,Default,,0000,0000,0000,,♫ it'll never do somehow. ♫
Dialogue: 0,0:03:32.49,0:03:34.76,Default,,0000,0000,0000,,KF: Okay, now, there's a lot of these.
Dialogue: 0,0:03:34.76,0:03:36.78,Default,,0000,0000,0000,,It's been estimated that two thirds of the melodies
Dialogue: 0,0:03:36.78,0:03:39.32,Default,,0000,0000,0000,,Dylan used in his early songs were borrowed.
Dialogue: 0,0:03:39.32,0:03:41.18,Default,,0000,0000,0000,,This is pretty typical among folk singers.
Dialogue: 0,0:03:41.18,0:03:43.54,Default,,0000,0000,0000,,Here's the advice of Dylan's idol, Woody Guthrie.
Dialogue: 0,0:03:43.54,0:03:45.07,Default,,0000,0000,0000,,"The worlds are the important thing.
Dialogue: 0,0:03:45.07,0:03:46.90,Default,,0000,0000,0000,,Don't worry about tunes. Take a tune,
Dialogue: 0,0:03:46.90,0:03:48.58,Default,,0000,0000,0000,,sing high when they sing low,
Dialogue: 0,0:03:48.58,0:03:51.78,Default,,0000,0000,0000,,sing fast when they sing slow, and you've got a new tune."
Dialogue: 0,0:03:51.78,0:03:55.78,Default,,0000,0000,0000,,(Laughter) (Applause)
Dialogue: 0,0:03:55.78,0:03:57.73,Default,,0000,0000,0000,,And that's, that's what Guthrie did right here,
Dialogue: 0,0:03:57.73,0:04:00.34,Default,,0000,0000,0000,,and I'm sure you all recognize the results.
Dialogue: 0,0:04:00.34,0:04:06.25,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:04:06.25,0:04:08.65,Default,,0000,0000,0000,,We know this tune, right? We know it?
Dialogue: 0,0:04:08.65,0:04:10.06,Default,,0000,0000,0000,,Actually you don't.
Dialogue: 0,0:04:10.06,0:04:12.74,Default,,0000,0000,0000,,That is "When the World's on Fire," a very old melody,
Dialogue: 0,0:04:12.74,0:04:15.00,Default,,0000,0000,0000,,in this case performed by the Carter Family.
Dialogue: 0,0:04:15.00,0:04:17.68,Default,,0000,0000,0000,,Guthrie adapted it into "This Land Is Your Land."
Dialogue: 0,0:04:17.68,0:04:22.00,Default,,0000,0000,0000,,So, Bob Dylan, like all folk singers, he copied melodies,
Dialogue: 0,0:04:22.00,0:04:24.72,Default,,0000,0000,0000,,he transformed them, he combined them with new lyrics
Dialogue: 0,0:04:24.72,0:04:27.12,Default,,0000,0000,0000,,which were frequently their own concoction
Dialogue: 0,0:04:27.12,0:04:29.38,Default,,0000,0000,0000,,of previous stuff.
Dialogue: 0,0:04:29.38,0:04:33.05,Default,,0000,0000,0000,,Now, American copyright and patent laws run counter
Dialogue: 0,0:04:33.05,0:04:35.77,Default,,0000,0000,0000,,to this notion that we build on the work of others.
Dialogue: 0,0:04:35.77,0:04:38.44,Default,,0000,0000,0000,,Instead, these laws and laws around the world
Dialogue: 0,0:04:38.44,0:04:42.16,Default,,0000,0000,0000,,use the rather awkward analogy of property.
Dialogue: 0,0:04:42.16,0:04:44.60,Default,,0000,0000,0000,,Now, creative works may indeed be kind of like property,
Dialogue: 0,0:04:44.60,0:04:46.91,Default,,0000,0000,0000,,but it's property that we're all building on,
Dialogue: 0,0:04:46.91,0:04:49.40,Default,,0000,0000,0000,,and creations can only take root and grow
Dialogue: 0,0:04:49.40,0:04:52.12,Default,,0000,0000,0000,,once that ground has been prepared.
Dialogue: 0,0:04:52.12,0:04:54.96,Default,,0000,0000,0000,,Henry Ford once said, "I invented nothing new.
Dialogue: 0,0:04:54.96,0:04:56.96,Default,,0000,0000,0000,,I simply assembled the discoveries of other men
Dialogue: 0,0:04:56.96,0:04:59.55,Default,,0000,0000,0000,,behind whom were centuries of work.
Dialogue: 0,0:04:59.55,0:05:01.93,Default,,0000,0000,0000,,Progress happens when all the factors that make for it
Dialogue: 0,0:05:01.93,0:05:05.96,Default,,0000,0000,0000,,are ready and then it is inevitable."
Dialogue: 0,0:05:05.96,0:05:10.51,Default,,0000,0000,0000,,2007. The iPhone makes it debut.
Dialogue: 0,0:05:10.51,0:05:13.18,Default,,0000,0000,0000,,Apple undoubtedly brings this innovation to us early,
Dialogue: 0,0:05:13.18,0:05:15.67,Default,,0000,0000,0000,,but its time was approaching because its core technology
Dialogue: 0,0:05:15.67,0:05:17.72,Default,,0000,0000,0000,,had been evolving for decades.
Dialogue: 0,0:05:17.72,0:05:19.70,Default,,0000,0000,0000,,That's multi-touch, controlling a device
Dialogue: 0,0:05:19.70,0:05:21.48,Default,,0000,0000,0000,,by touching its display.
Dialogue: 0,0:05:21.48,0:05:23.90,Default,,0000,0000,0000,,Here is Steve Jobs introducing multi-touch
Dialogue: 0,0:05:23.90,0:05:26.14,Default,,0000,0000,0000,,and making a rather foreboding joke.
Dialogue: 0,0:05:26.14,0:05:28.94,Default,,0000,0000,0000,,Steve Jobs: And we have invented a new technology
Dialogue: 0,0:05:28.94,0:05:31.20,Default,,0000,0000,0000,,called multi-touch.
Dialogue: 0,0:05:31.20,0:05:33.65,Default,,0000,0000,0000,,You can do multi-fingered gestures on it,
Dialogue: 0,0:05:33.65,0:05:37.26,Default,,0000,0000,0000,,and boy have we patented it. (Laughter)
Dialogue: 0,0:05:37.26,0:05:41.43,Default,,0000,0000,0000,,KF: Yes. And yet, here is multi-touch in action.
Dialogue: 0,0:05:41.43,0:05:43.45,Default,,0000,0000,0000,,This is at TED, actually, about a year earlier.
Dialogue: 0,0:05:43.45,0:05:45.92,Default,,0000,0000,0000,,This is Jeff Han, and, I mean, that's multi-touch.
Dialogue: 0,0:05:45.92,0:05:47.67,Default,,0000,0000,0000,,It's the same animal, at least.
Dialogue: 0,0:05:47.67,0:05:49.44,Default,,0000,0000,0000,,Let's hear what Jeff Han has to say about this
Dialogue: 0,0:05:49.44,0:05:51.26,Default,,0000,0000,0000,,newfangled technology.
Dialogue: 0,0:05:51.26,0:05:53.43,Default,,0000,0000,0000,,Jeff Han: Multi-touch sensing isn't anything --
Dialogue: 0,0:05:53.43,0:05:55.64,Default,,0000,0000,0000,,isn't completely new. I mean, people like Bill Buxton
Dialogue: 0,0:05:55.64,0:05:57.29,Default,,0000,0000,0000,,have been playing around with it in the '80s.
Dialogue: 0,0:05:57.29,0:06:00.48,Default,,0000,0000,0000,,The technology, you know, isn't the most exciting thing here
Dialogue: 0,0:06:00.48,0:06:03.55,Default,,0000,0000,0000,,right now other than probably its newfound accessibility.
Dialogue: 0,0:06:03.55,0:06:05.48,Default,,0000,0000,0000,,KF: So he's pretty frank about it not being new.
Dialogue: 0,0:06:05.48,0:06:08.02,Default,,0000,0000,0000,,So it's not multi-touch as a whole that's patented.
Dialogue: 0,0:06:08.02,0:06:10.16,Default,,0000,0000,0000,,It's the small parts of it that are,
Dialogue: 0,0:06:10.16,0:06:11.46,Default,,0000,0000,0000,,and it's in these small details where
Dialogue: 0,0:06:11.46,0:06:14.58,Default,,0000,0000,0000,,we can clearly see patent law contradicting its intent:
Dialogue: 0,0:06:14.58,0:06:17.74,Default,,0000,0000,0000,,to promote the progress of useful arts.
Dialogue: 0,0:06:17.74,0:06:20.93,Default,,0000,0000,0000,,Here is the first ever slide-to-unlock.
Dialogue: 0,0:06:20.93,0:06:23.80,Default,,0000,0000,0000,,That is all there is to it. Apple has patented this.
Dialogue: 0,0:06:23.80,0:06:26.61,Default,,0000,0000,0000,,It's a 28-page software patent, but I will summarize
Dialogue: 0,0:06:26.61,0:06:30.54,Default,,0000,0000,0000,,what it covers. Spoiler alert: Unlocking your phone
Dialogue: 0,0:06:30.54,0:06:33.48,Default,,0000,0000,0000,,by sliding an icon with your finger. (Laughter)
Dialogue: 0,0:06:33.48,0:06:36.50,Default,,0000,0000,0000,,I'm only exaggerating a little bit. It's a broad patent.
Dialogue: 0,0:06:36.50,0:06:39.35,Default,,0000,0000,0000,,Now, can someone own this idea?
Dialogue: 0,0:06:39.35,0:06:41.78,Default,,0000,0000,0000,,Now, back in the '80s, there were no software patents,
Dialogue: 0,0:06:41.78,0:06:44.94,Default,,0000,0000,0000,,and it was Xerox that pioneered the graphical user interface.
Dialogue: 0,0:06:44.94,0:06:47.86,Default,,0000,0000,0000,,What if they had patented pop-up menus,
Dialogue: 0,0:06:47.86,0:06:52.28,Default,,0000,0000,0000,,scrollbars, the desktop with icons that look like folders
Dialogue: 0,0:06:52.28,0:06:54.27,Default,,0000,0000,0000,,and sheets of paper?
Dialogue: 0,0:06:54.27,0:06:56.62,Default,,0000,0000,0000,,Would a young and inexperienced Apple
Dialogue: 0,0:06:56.62,0:06:59.48,Default,,0000,0000,0000,,have survived the legal assault from a much larger
Dialogue: 0,0:06:59.48,0:07:03.56,Default,,0000,0000,0000,,and more mature company like Xerox?
Dialogue: 0,0:07:03.56,0:07:06.01,Default,,0000,0000,0000,,Now, this idea that everything is a remix might sound
Dialogue: 0,0:07:06.01,0:07:10.14,Default,,0000,0000,0000,,like common sense until you're the one getting remixed.
Dialogue: 0,0:07:10.14,0:07:11.79,Default,,0000,0000,0000,,For example ...
Dialogue: 0,0:07:11.79,0:07:13.03,Default,,0000,0000,0000,,SJ: I mean, Picasso had a saying.
Dialogue: 0,0:07:13.03,0:07:16.58,Default,,0000,0000,0000,,He said, "Good artists copy. Great artists steal."
Dialogue: 0,0:07:16.58,0:07:18.91,Default,,0000,0000,0000,,And we have, you know,
Dialogue: 0,0:07:18.91,0:07:22.04,Default,,0000,0000,0000,,always been shameless about stealing great ideas.
Dialogue: 0,0:07:22.04,0:07:23.93,Default,,0000,0000,0000,,KF: Okay, so that's in '96. Here's in 2010.
Dialogue: 0,0:07:23.93,0:07:26.84,Default,,0000,0000,0000,,"I'm going to destroy Android because it's a stolen product."
Dialogue: 0,0:07:26.84,0:07:28.38,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:07:28.38,0:07:32.02,Default,,0000,0000,0000,,"I'm willing to go thermonuclear war on this." (Laughter)
Dialogue: 0,0:07:32.02,0:07:35.53,Default,,0000,0000,0000,,Okay, so in other words, great artists steal, but not from me.
Dialogue: 0,0:07:35.53,0:07:37.88,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:07:37.88,0:07:41.49,Default,,0000,0000,0000,,Now, behavioral economists might refer to this sort of thing as loss aversion
Dialogue: 0,0:07:41.49,0:07:43.70,Default,,0000,0000,0000,,We have a strong predisposition towards protecting
Dialogue: 0,0:07:43.70,0:07:45.63,Default,,0000,0000,0000,,what we feel is ours.
Dialogue: 0,0:07:45.63,0:07:47.55,Default,,0000,0000,0000,,We have no such aversion towards copying
Dialogue: 0,0:07:47.55,0:07:50.28,Default,,0000,0000,0000,,what other people have, because we do that nonstop.
Dialogue: 0,0:07:50.28,0:07:52.76,Default,,0000,0000,0000,,So here's the sort of equation we're looking at.
Dialogue: 0,0:07:52.76,0:07:55.42,Default,,0000,0000,0000,,We've got laws that fundamentally treat creative works as property,
Dialogue: 0,0:07:55.42,0:07:58.20,Default,,0000,0000,0000,,plus massive rewards or settlements
Dialogue: 0,0:07:58.20,0:08:00.40,Default,,0000,0000,0000,,in infringement cases, plus huge legal fees
Dialogue: 0,0:08:00.40,0:08:02.06,Default,,0000,0000,0000,,to protect yourself in court,
Dialogue: 0,0:08:02.06,0:08:05.57,Default,,0000,0000,0000,,plus cognitive biases against perceived loss.
Dialogue: 0,0:08:05.57,0:08:07.71,Default,,0000,0000,0000,,And the sum looks like this.
Dialogue: 0,0:08:07.71,0:08:10.53,Default,,0000,0000,0000,,That is the last four years of lawsuits
Dialogue: 0,0:08:10.53,0:08:13.10,Default,,0000,0000,0000,,in the realm of smartphones.
Dialogue: 0,0:08:13.10,0:08:18.87,Default,,0000,0000,0000,,Is this promoting the progress of useful arts?
Dialogue: 0,0:08:18.87,0:08:24.64,Default,,0000,0000,0000,,1983. Bob Dylan is 42 years old, and his time
Dialogue: 0,0:08:24.64,0:08:27.96,Default,,0000,0000,0000,,in the cultural spotlight is long since past.
Dialogue: 0,0:08:27.96,0:08:30.57,Default,,0000,0000,0000,,He records a song called "Blind Willie McTell,"
Dialogue: 0,0:08:30.57,0:08:32.76,Default,,0000,0000,0000,,named after the blues singer, and the song
Dialogue: 0,0:08:32.76,0:08:36.43,Default,,0000,0000,0000,,is a voyage through the past, through a much darker time,
Dialogue: 0,0:08:36.43,0:08:39.58,Default,,0000,0000,0000,,but a simpler one, a time when musicians like Willie McTell
Dialogue: 0,0:08:39.58,0:08:42.10,Default,,0000,0000,0000,,had few illusions about what they did.
Dialogue: 0,0:08:42.10,0:08:44.35,Default,,0000,0000,0000,,"I jump 'em from other writers
Dialogue: 0,0:08:44.35,0:08:46.91,Default,,0000,0000,0000,,but I arrange 'em my own way."
Dialogue: 0,0:08:46.91,0:08:48.63,Default,,0000,0000,0000,,I think this is mostly what we do.
Dialogue: 0,0:08:48.63,0:08:51.100,Default,,0000,0000,0000,,Our creativity comes from without, not from within.
Dialogue: 0,0:08:51.100,0:08:54.92,Default,,0000,0000,0000,,We are not self-made. We are dependent on one another,
Dialogue: 0,0:08:54.92,0:08:57.74,Default,,0000,0000,0000,,and admitting this to ourselves isn't an embrace
Dialogue: 0,0:08:57.74,0:09:00.58,Default,,0000,0000,0000,,of mediocrity and derivativeness.
Dialogue: 0,0:09:00.58,0:09:03.21,Default,,0000,0000,0000,,It's a liberation from our misconceptions,
Dialogue: 0,0:09:03.21,0:09:06.29,Default,,0000,0000,0000,,and it's an incentive to not expect so much from ourselves
Dialogue: 0,0:09:06.29,0:09:09.03,Default,,0000,0000,0000,,and to simply begin.
Dialogue: 0,0:09:09.03,0:09:11.98,Default,,0000,0000,0000,,Thank you so much. It was an honor to be here.
Dialogue: 0,0:09:11.98,0:09:14.75,Default,,0000,0000,0000,,Thank you. (Applause)
Dialogue: 0,0:09:14.75,0:09:18.14,Default,,0000,0000,0000,,Thank you. Thank you. (Applause)
Dialogue: 0,0:09:18.14,0:09:21.48,Default,,0000,0000,0000,,Thank you. (Applause)