WEBVTT 00:00:01.573 --> 00:00:04.207 The philosopher Plato once said, 00:00:04.231 --> 00:00:06.980 "Music gives a soul to the universe, 00:00:07.004 --> 00:00:08.598 wings to the mind, 00:00:08.622 --> 00:00:10.644 flight to the imagination 00:00:10.668 --> 00:00:12.626 and life to everything." 00:00:13.793 --> 00:00:16.081 Music has always been a big part of my life. 00:00:16.105 --> 00:00:18.475 To create and to perform music 00:00:18.499 --> 00:00:21.344 connects you to people countries and lifetimes away. 00:00:21.777 --> 00:00:24.130 It connects you to the people you're playing with, 00:00:24.154 --> 00:00:25.342 to your audience 00:00:25.366 --> 00:00:26.693 and to yourself. 00:00:27.132 --> 00:00:29.283 When I'm happy, when I'm sad, 00:00:29.307 --> 00:00:31.507 when I'm bored, when I'm stressed, 00:00:31.531 --> 00:00:34.101 I listen to and I create music. NOTE Paragraph 00:00:35.716 --> 00:00:37.987 When I was younger, I played piano; 00:00:38.011 --> 00:00:39.408 later, I took up guitar. 00:00:39.432 --> 00:00:41.265 And as I started high school, 00:00:41.289 --> 00:00:43.203 music became a part of my identity. 00:00:43.509 --> 00:00:44.926 I was in every band, 00:00:44.950 --> 00:00:47.576 I was involved with every musical fine arts event. 00:00:48.158 --> 00:00:49.565 Music surrounded me. 00:00:49.589 --> 00:00:50.944 It made me who I was, 00:00:50.968 --> 00:00:53.078 and it gave me a place to belong. NOTE Paragraph 00:00:54.656 --> 00:00:56.753 Now, I've always had this thing with rhythms. 00:00:56.777 --> 00:00:57.946 I remember being young, 00:00:57.970 --> 00:01:00.034 I would walk down the hallways of my school 00:01:00.058 --> 00:01:03.048 and I would tap rhythms to myself on my leg with my hands, 00:01:03.072 --> 00:01:04.792 or tapping my teeth. 00:01:05.684 --> 00:01:07.163 It was a nervous habit, 00:01:07.187 --> 00:01:08.470 and I was always nervous. 00:01:08.840 --> 00:01:11.126 I think I liked the repetition of the rhythm -- 00:01:11.150 --> 00:01:12.510 it was calming. NOTE Paragraph 00:01:13.957 --> 00:01:15.107 Then in high school, 00:01:15.131 --> 00:01:16.644 I started music theory, 00:01:16.668 --> 00:01:18.898 and it was the best class I've ever taken. 00:01:18.922 --> 00:01:20.456 We were learning about music -- 00:01:20.480 --> 00:01:23.169 things I didn't know, like theory and history. 00:01:23.836 --> 00:01:27.236 It was a class where we basically just listened to a song, 00:01:27.260 --> 00:01:28.888 talked about what it meant to us 00:01:28.912 --> 00:01:30.098 and analyzed it, 00:01:30.122 --> 00:01:32.588 and figured out what made it tick. 00:01:33.710 --> 00:01:36.770 Every Wednesday, we did something called "rhythmic dictation," 00:01:36.794 --> 00:01:38.196 and I was pretty good at it. 00:01:38.772 --> 00:01:41.027 Our teacher would give us an amount of measures 00:01:41.051 --> 00:01:42.544 and a time signature, 00:01:42.568 --> 00:01:44.432 and then he would speak a rhythm to us 00:01:44.456 --> 00:01:47.872 and we would have to write it down with the proper rests and notes. 00:01:48.412 --> 00:01:49.683 Like this: 00:01:50.622 --> 00:01:53.099 ta ta tuck-a tuck-a ta, 00:01:53.123 --> 00:01:55.676 ta tuck-a-tuck-a-tuck-a, tuck-a. 00:01:56.832 --> 00:01:58.137 And I loved it. 00:01:58.161 --> 00:01:59.639 The simplicity of the rhythm -- 00:01:59.663 --> 00:02:01.821 a basic two- to four- measure line -- 00:02:01.845 --> 00:02:04.649 and yet each of them almost told a story, 00:02:05.597 --> 00:02:07.904 like they had so much potential, 00:02:09.250 --> 00:02:12.444 and all you had to do was add a melody. NOTE Paragraph 00:02:13.580 --> 00:02:17.482 (Guitar) NOTE Paragraph 00:02:21.588 --> 00:02:25.587 Rhythms set a foundation for melodies and harmonies to play on top of. 00:02:25.988 --> 00:02:28.165 It gives structure and stability. 00:02:29.520 --> 00:02:31.200 Now, music has these parts -- 00:02:31.224 --> 00:02:33.359 rhythm, melody and harmony -- 00:02:33.383 --> 00:02:34.864 just like our lives. 00:02:35.552 --> 00:02:37.588 Where music has rhythm, 00:02:37.612 --> 00:02:39.866 we have routines and habits -- 00:02:39.890 --> 00:02:43.155 things that help us to remember what to do and to stay on track, 00:02:43.179 --> 00:02:45.058 and to just keep going. 00:02:46.230 --> 00:02:48.055 And you may not notice it, 00:02:48.079 --> 00:02:49.402 but it's always there. NOTE Paragraph 00:02:50.666 --> 00:02:53.035 (Guitar) NOTE Paragraph 00:02:53.059 --> 00:02:54.876 And it may seem simple, 00:02:54.900 --> 00:02:57.597 it may seem dull by itself, 00:02:58.587 --> 00:03:01.901 but it gives tempo and heartbeat. 00:03:03.623 --> 00:03:06.056 And then things in your life add on to it, 00:03:06.080 --> 00:03:07.291 giving texture -- 00:03:07.906 --> 00:03:09.659 that's your friends and your family, 00:03:09.683 --> 00:03:13.319 and anything that creates a harmonic structure in your life 00:03:13.343 --> 00:03:14.928 and in your song, 00:03:14.952 --> 00:03:16.614 like harmonies, 00:03:16.638 --> 00:03:17.795 cadences 00:03:17.819 --> 00:03:20.115 and anything that makes it polyphonic. 00:03:22.378 --> 00:03:24.765 And they create beautiful chords and patterns. NOTE Paragraph 00:03:24.789 --> 00:03:26.374 (Guitar) NOTE Paragraph 00:03:27.354 --> 00:03:28.943 And then there's you. 00:03:29.401 --> 00:03:31.351 You play on top of everything else, 00:03:33.321 --> 00:03:36.335 on top of the rhythms and the beat 00:03:37.859 --> 00:03:39.488 because you're the melody. 00:03:41.154 --> 00:03:44.335 And things may change and develop, 00:03:45.226 --> 00:03:46.786 but no matter what we do, 00:03:46.810 --> 00:03:48.428 we're still the same people. 00:03:50.110 --> 00:03:52.291 Throughout a song melodies develop, 00:03:52.315 --> 00:03:54.015 but it's still the same song. 00:03:55.253 --> 00:03:57.037 No matter what you do, 00:03:57.061 --> 00:03:58.987 the rhythms are still there: 00:03:59.011 --> 00:04:02.137 the tempo and the heartbeat ... 00:04:04.209 --> 00:04:05.660 until I left, 00:04:07.155 --> 00:04:08.744 and I went to college 00:04:08.768 --> 00:04:10.241 and everything disappeared. NOTE Paragraph 00:04:12.611 --> 00:04:14.810 When I first arrived at university, 00:04:14.834 --> 00:04:16.059 I felt lost. 00:04:16.714 --> 00:04:19.744 And don't get me wrong -- sometimes I loved it and it was great, 00:04:19.768 --> 00:04:21.148 but other times, 00:04:22.961 --> 00:04:24.633 I felt like I had been left alone 00:04:25.970 --> 00:04:27.387 to fend for myself. 00:04:28.603 --> 00:04:31.417 It's like I had been taken out of my natural environment, 00:04:31.441 --> 00:04:32.786 and put somewhere new, 00:04:32.810 --> 00:04:35.642 where the rhythms and the harmonies 00:04:35.666 --> 00:04:38.323 and the form had gone away, 00:04:39.638 --> 00:04:41.007 and it was just me -- NOTE Paragraph 00:04:41.031 --> 00:04:42.356 (Guitar) NOTE Paragraph 00:04:42.380 --> 00:04:44.653 silence and my melody. 00:04:47.930 --> 00:04:50.425 And even that began to waver, 00:04:50.449 --> 00:04:52.401 because I didn't know what I was doing. 00:04:53.074 --> 00:04:55.470 I didn't have any chords to structure myself, 00:04:56.389 --> 00:04:57.547 or a rhythm 00:04:58.240 --> 00:04:59.967 or a beat to know the tempo. NOTE Paragraph 00:04:59.991 --> 00:05:03.461 (Guitar) NOTE Paragraph 00:05:03.485 --> 00:05:05.797 And then I began to hear all these other sounds. NOTE Paragraph 00:05:05.821 --> 00:05:07.167 (Guitar) NOTE Paragraph 00:05:07.670 --> 00:05:09.479 And they were off-time 00:05:10.779 --> 00:05:12.134 and off-key. 00:05:14.944 --> 00:05:16.512 And the more I was around them, 00:05:17.716 --> 00:05:20.869 the more my melody started to sound like theirs. 00:05:24.260 --> 00:05:26.427 And slowly I began to lose myself, 00:05:28.515 --> 00:05:29.957 like I was being washed away. 00:05:33.184 --> 00:05:34.681 But then the next moment -- NOTE Paragraph 00:05:34.705 --> 00:05:36.691 (Guitar) NOTE Paragraph 00:05:36.715 --> 00:05:38.208 I could hear it. 00:05:39.634 --> 00:05:41.055 And I could feel it. 00:05:43.250 --> 00:05:44.502 And it was me. 00:05:45.464 --> 00:05:46.690 And I was here. 00:05:47.735 --> 00:05:49.269 And it was different, 00:05:50.819 --> 00:05:52.234 but not worse off. 00:05:54.408 --> 00:05:56.695 Just changed a little. NOTE Paragraph 00:05:59.526 --> 00:06:02.811 Music is my way of coping with the changes in my life. 00:06:04.438 --> 00:06:07.087 There's a beautiful connection between music and life. 00:06:07.487 --> 00:06:08.793 It can bind us to reality 00:06:08.817 --> 00:06:11.209 at the same time it allows us to escape it. 00:06:11.233 --> 00:06:13.753 Music is something that lives inside of you. 00:06:13.777 --> 00:06:16.427 You create it and you're created by it. 00:06:17.727 --> 00:06:20.839 Our lives are not only conducted by music, 00:06:20.863 --> 00:06:22.494 they're also composed of it. NOTE Paragraph 00:06:23.528 --> 00:06:25.640 So this may seem like a bit of a stretch, 00:06:25.664 --> 00:06:27.231 but hear me out: 00:06:27.255 --> 00:06:30.845 music is a fundamental part of what we are 00:06:30.869 --> 00:06:32.342 and of everything around us. 00:06:33.276 --> 00:06:34.696 Now, music is my passion, 00:06:34.720 --> 00:06:37.147 but physics also used to be an interest of mine. 00:06:37.649 --> 00:06:38.806 And the more I learned, 00:06:38.830 --> 00:06:41.059 the more I saw connections between the two -- 00:06:41.678 --> 00:06:43.549 especially regarding string theory. 00:06:45.275 --> 00:06:48.013 I know this is only one of many theories, 00:06:48.037 --> 00:06:49.543 but it spoke to me. 00:06:50.391 --> 00:06:55.287 So, one aspect of string theory, at its simplest form, is this: 00:06:55.311 --> 00:06:57.337 matter is made up of atoms, 00:06:57.361 --> 00:07:00.579 which are made up of protons and neutrons and electrons, 00:07:00.603 --> 00:07:02.329 which are made up of quark. 00:07:02.353 --> 00:07:04.386 And here's where the string part comes in. 00:07:04.410 --> 00:07:07.941 This quark is supposedly made up of little coiled strings, 00:07:08.696 --> 00:07:12.884 and it's the vibrations of these strings that make everything what it is. NOTE Paragraph 00:07:13.751 --> 00:07:15.302 Michio Kaku once explained this 00:07:15.326 --> 00:07:18.258 in a lecture called, "The Universe in a Nutshell," 00:07:18.282 --> 00:07:19.657 where he says, 00:07:20.504 --> 00:07:22.744 "String theory is the simple idea 00:07:22.768 --> 00:07:24.796 that the four forces of the universe -- 00:07:24.820 --> 00:07:29.006 gravity, the electromagnetic force, and the two strong forces -- 00:07:29.030 --> 00:07:31.005 can be viewed as music. 00:07:31.029 --> 00:07:33.724 The music of tiny little rubber bands." 00:07:34.624 --> 00:07:36.939 In this lecture, he goes on to explain physics 00:07:36.963 --> 00:07:39.372 as the laws of harmony between these strings; 00:07:39.396 --> 00:07:42.433 chemistry, as the melodies you can play on these strings; 00:07:43.145 --> 00:07:47.258 and he states that the universe is a "symphony of strings." 00:07:49.439 --> 00:07:51.507 These strings dictate the universe; 00:07:51.531 --> 00:07:54.064 they make up everything we see and everything we know. 00:07:55.088 --> 00:07:56.298 They're musical notes, 00:07:56.322 --> 00:07:59.059 but they make us what we are and they hold us together. 00:08:00.357 --> 00:08:01.629 So you see, 00:08:02.267 --> 00:08:03.828 everything is music. NOTE Paragraph 00:08:04.471 --> 00:08:05.835 (Guitar) NOTE Paragraph 00:08:05.859 --> 00:08:07.989 When I look at the world, 00:08:08.013 --> 00:08:11.344 I see music all around us. 00:08:13.264 --> 00:08:14.803 When I look at myself, 00:08:15.814 --> 00:08:17.280 I see music. 00:08:21.348 --> 00:08:23.524 And my life has been defined by music. 00:08:25.468 --> 00:08:27.102 I found myself through music. 00:08:29.361 --> 00:08:30.824 Music is everywhere, 00:08:31.837 --> 00:08:33.422 and it is in everything. 00:08:36.411 --> 00:08:39.197 And it changes and it builds 00:08:39.221 --> 00:08:40.697 and it diminishes. 00:08:42.570 --> 00:08:43.991 But it's always there, 00:08:44.771 --> 00:08:46.405 supporting us, 00:08:46.429 --> 00:08:48.127 connecting us to each other 00:08:49.171 --> 00:08:51.383 and showing us the beauty of the universe. NOTE Paragraph 00:08:53.048 --> 00:08:54.646 So if you ever feel lost, 00:08:55.391 --> 00:08:57.539 stop and listen for your song. NOTE Paragraph 00:08:58.541 --> 00:08:59.823 Thank you. NOTE Paragraph 00:09:00.678 --> 00:09:03.702 (Applause)