1
00:00:11,293 --> 00:00:13,561
Yengil, yorqin va quvnoq.

2
00:00:13,561 --> 00:00:17,881
XVIII asr boshining eng tanish
navolaridan biri.

3
00:00:17,881 --> 00:00:21,371
Uni sanoqsiz filmlar va reklama
roliklarida eshitish mumkin.

4
00:00:21,371 --> 00:00:24,630
ammo bu qanday musiqa,
va nega u shunday yangraydi?

5
00:00:24,630 --> 00:00:27,462
Bu italyan bastakori Antonio Vivaldi
qalamiga mansub

6
00:00:27,462 --> 00:00:30,803
"To'rt mavsum" dan
"Bahor" konsertining kirish qismi.

7
00:00:30,803 --> 00:00:35,031
"To'rt fasl" ko'proq eshituvchiga o'zgacha
zavq bag'ishlagani tufayli mashhur.

8
00:00:35,031 --> 00:00:36,542
Ammo yanada diqqatga sazovor

9
00:00:36,542 --> 00:00:39,572
haqiqat shundaki,
ularning aytib beradigan hikoyalari bor.

10
00:00:39,572 --> 00:00:43,352
"To'rt mavsum" ning 1725 yil
Amsterdamda nashr etilgan partiturasiga

11
00:00:43,352 --> 00:00:44,883
she'rlar hamrohlik qilgan

12
00:00:44,883 --> 00:00:47,522
va ular Vivaldining ayni faslga
xos qaysi holatni

13
00:00:47,522 --> 00:00:50,982
tasvirlashini maqsad qilganligini
hikoya qilgan.

14
00:00:50,982 --> 00:00:53,963
Cholg'u musiqasi uchun o'ziga xos
mazmunli syujet yaratishda

15
00:00:53,963 --> 00:00:57,877
Vivaldi o'z davridan
bir necha avlod oldinda edi.

16
00:00:57,877 --> 00:01:01,483
Agar-da kimdir musiqani eshitish bilan
birga she'rlarni o'qiganida,

17
00:01:01,483 --> 00:01:03,773
u she'riy sahnalar
va musiqiy tasvir o'rtasidagi

18
00:01:03,773 --> 00:01:07,362
ajoyib hamohanglikni payqagan bo'lardi.

19
00:01:07,362 --> 00:01:11,142
Qushlarning bahorni quvnoq kuy bilan
qarshilashi haqida o'qir ekanmiz,

20
00:01:11,142 --> 00:01:15,962
ularning aynan shunday
qilayotganini eshitamiz.

21
00:01:15,962 --> 00:01:21,032
Ammo keyinroq to'satdan
momaqaldiroq boshlanadi.

22
00:01:21,032 --> 00:01:23,393
Biz nafaqat musiqiy chaqmoq va yashinni,

23
00:01:23,393 --> 00:01:25,083
balki qushlarni ham eshitamiz -

24
00:01:25,083 --> 00:01:30,584
ular nam tortgan,
qo'rqqan va g'amga botgan.

25
00:01:30,584 --> 00:01:39,413
"Yoz" da g'urrak o'z ismini
italyan tilida kuylaydi - "tortorella",

26
00:01:39,413 --> 00:01:45,885
ammo bo'ron boshlanib,
maysalar do'l ostida qoladi.

27
00:01:45,885 --> 00:01:53,777
"Kuz" g'ayratga to'la ovchilarning
o'ljani quvlayotganidan so'zlaydi.

28
00:01:53,777 --> 00:02:00,504
"Qish" konsertining kirish qismida
kimningdir tishlari sovuqdan chayqalmoqda

29
00:02:00,504 --> 00:02:07,283
keyin u otashin olov oldida
qo'nim topadi.

30
00:02:07,283 --> 00:02:09,264
Keyin yana bo'ron boshlanadi.

31
00:02:09,264 --> 00:02:15,165
Kimdir muz ustida sirpanadi va yiqiladi.

32
00:02:15,165 --> 00:02:18,315
Qishning dastlabki haftalarida
eski yil o'z nihoyasiga yetmoqda,

33
00:02:18,315 --> 00:02:23,175
Vivaldi ham shu nuqtada o'zining mavsumlar
bo'ylab sayohatiga yakun yasaydi.

34
00:02:23,175 --> 00:02:24,905
Qariyb XIX asrning boshlariga qadar

35
00:02:24,905 --> 00:02:28,305
bunday dasturga ega
ifodali cholg'u musiqasi

36
00:02:28,305 --> 00:02:30,386
ommabop emas edi.

37
00:02:30,386 --> 00:02:33,305
O'sha paytlarda kattaroq ansambllar
mashhur bo'lib,

38
00:02:33,305 --> 00:02:36,925
ular yog'och va mis puflama
va zarbli cholg'ulardan foydalanishgan.

39
00:02:36,925 --> 00:02:42,358
Ammo Vivaldi uchun bitta skripka,
torlar va klavesin yetarli edi.

40
00:02:42,358 --> 00:02:44,186
Zamondoshi Baxdan farqli o'laroq,

41
00:02:44,186 --> 00:02:48,005
Vivaldini murakkab polifonik fugalar
qiziqtirmas edi.

42
00:02:48,005 --> 00:02:52,036
U bizga buni avvalroq tinglaganimizni
eslatib turuvchi va doimiy takrorlanuvchi,

43
00:02:52,036 --> 00:02:54,512
tinglovchilar uchun oddiy 
va yengil bo'lgan

44
00:02:54,512 --> 00:02:58,037
navolarni ko'proq afzal ko'rar edi.

45
00:02:58,037 --> 00:03:02,026
"Bahor" ning birinchi qismi
bahor kuyi bilan boshlanib,

46
00:03:02,026 --> 00:03:12,836
huddi shu kuyning ozgina
o'zgargan shakli bilan yakunlanadi.

47
00:03:12,836 --> 00:03:15,466
Bu -tingolvchi e'tiborini
tortishning to'g'ri yo'li edi,

48
00:03:15,466 --> 00:03:16,689
va Vivaldi,

49
00:03:16,689 --> 00:03:20,976
XVIII asr boshining eng zabardast
skripkachilaridan biri,

50
00:03:20,976 --> 00:03:23,930
ommani jalb etishning qiymatini
yaxshi tushunar edi.

51
00:03:23,930 --> 00:03:27,639
Bunday konsertlarda u skripka chalish
san'atining yulduzi edi.

52
00:03:27,639 --> 00:03:30,150
Ba'zida unga "Pieta"ning
talabalari hamroh bo'lgan.

53
00:03:30,150 --> 00:03:34,680
Vivaldi ushbu Venetsiyadagi qizlar maktabi
musiqa ansambliga boshchilik qilgan.

54
00:03:34,680 --> 00:03:36,387
Ko'pchilik talabalar
yetim bo'lgan.

55
00:03:36,387 --> 00:03:40,677
Musiqiy ta'lim nafaqat yosh xonimlar uchun
mos ijtimoiy ko'nikma bo'lgan.

56
00:03:40,677 --> 00:03:42,658
Yaxshi oila qura olmagan qizlar uchun

57
00:03:42,658 --> 00:03:46,498
bu kelajakda mablag' manbai ham edi.

58
00:03:46,498 --> 00:03:48,459
Hatto bastakorning o'z davrida ham,

59
00:03:48,459 --> 00:03:50,919
Vivaldining musiqasi nafaqat zodagonlarni,

60
00:03:50,919 --> 00:03:53,708
balki hammani
kundalik tashvishlardan chalg'itgan.

61
00:03:53,708 --> 00:03:56,768
300 yil o'tsa ham hech narsa o'zgarmagan

62
00:03:56,768 --> 00:04:00,328
va hamon ham Vivaldining musiqasi 
yo'rtib yurayotgan otlardek yangraydi.