WEBVTT 00:00:00.554 --> 00:00:02.785 It's wonderful to be here 00:00:02.785 --> 00:00:04.871 to talk about my journey, 00:00:04.871 --> 00:00:06.605 to talk about the wheelchair 00:00:06.605 --> 00:00:09.245 and the freedom it has bought me. NOTE Paragraph 00:00:09.245 --> 00:00:11.882 I started using a wheelchair 16 years ago 00:00:11.882 --> 00:00:14.016 when an extended illness 00:00:14.016 --> 00:00:17.602 changed the way I could access the world. 00:00:17.602 --> 00:00:19.979 When I started using the wheelchair, 00:00:19.979 --> 00:00:22.564 it was a tremendous new freedom. 00:00:22.564 --> 00:00:25.650 I'd seen my life slip away and become restricted. 00:00:25.650 --> 00:00:28.220 It was like having an enormous new toy. 00:00:28.220 --> 00:00:32.250 I could whiz around and feel the wind in my face again. 00:00:32.250 --> 00:00:35.758 Just being out on the street was exhilarating. NOTE Paragraph 00:00:35.758 --> 00:00:40.160 But even though I had this newfound joy and freedom, 00:00:40.160 --> 00:00:43.712 people's reaction completely changed towards me. 00:00:43.712 --> 00:00:46.192 It was as if they couldn't see me anymore, 00:00:46.192 --> 00:00:50.191 as if an invisibility cloak had descended. 00:00:50.191 --> 00:00:53.412 They seemed to see me in terms of their assumptions 00:00:53.412 --> 00:00:57.640 of what it must be like to be in a wheelchair. 00:00:57.640 --> 00:01:02.552 When I asked people their associations with the wheelchair, 00:01:02.552 --> 00:01:06.106 they used words like "limitation," "fear," 00:01:06.106 --> 00:01:09.131 "pity" and "restriction." 00:01:09.131 --> 00:01:13.900 I realized I'd internalized these responses 00:01:13.900 --> 00:01:17.437 and it had changed who I was on a core level. 00:01:17.437 --> 00:01:21.627 A part of me had become alienated from myself. 00:01:21.627 --> 00:01:25.212 I was seeing myself not from my perspective, 00:01:25.212 --> 00:01:29.374 but vividly and continuously from the perspective 00:01:29.374 --> 00:01:32.271 of other people's responses to me. NOTE Paragraph 00:01:32.271 --> 00:01:37.396 As a result, I knew I needed to make my own stories 00:01:37.396 --> 00:01:39.635 about this experience, 00:01:39.635 --> 00:01:42.411 new narratives to reclaim my identity. NOTE Paragraph 00:01:42.411 --> 00:01:45.515 ["Finding Freedom: 'By creating our own stories we learn to take the texts of our lives as seriously as we do 'official' narratives.' — Davis 2009, TEDx Women"] NOTE Paragraph 00:01:45.515 --> 00:01:47.593 I started making work 00:01:47.593 --> 00:01:50.409 that aimed to communicate something 00:01:50.409 --> 00:01:55.527 of the joy and freedom I felt when using a wheelchair -- 00:01:55.527 --> 00:02:00.141 a power chair -- to negotiate the world. 00:02:00.141 --> 00:02:06.726 I was working to transform these internalized responses, 00:02:06.726 --> 00:02:10.521 to transform the preconceptions that had so shaped 00:02:10.521 --> 00:02:13.702 my identity when I started using a wheelchair, 00:02:13.702 --> 00:02:17.466 by creating unexpected images. 00:02:17.466 --> 00:02:23.687 The wheelchair became an object to paint and play with. 00:02:23.687 --> 00:02:25.728 When I literally started leaving 00:02:25.728 --> 00:02:29.294 traces of my joy and freedom, 00:02:29.294 --> 00:02:31.242 it was exciting to see 00:02:31.242 --> 00:02:35.744 the interested and surprised responses from people. 00:02:35.744 --> 00:02:38.633 It seemed to open up new perspectives, 00:02:38.633 --> 00:02:41.528 and therein lay the paradigm shift. 00:02:41.528 --> 00:02:43.602 It showed that an arts practice 00:02:43.602 --> 00:02:45.945 can remake one's identity 00:02:45.945 --> 00:02:50.729 and transform preconceptions by revisioning the familiar. NOTE Paragraph 00:02:50.729 --> 00:02:54.642 So when I began to dive, in 2005, 00:02:54.642 --> 00:02:58.168 I realized scuba gear extends your range of activity 00:02:58.168 --> 00:03:00.827 in just the same way as a wheelchair does, 00:03:00.827 --> 00:03:03.419 but the associations attached to scuba gear 00:03:03.419 --> 00:03:06.019 are ones of excitement and adventure, 00:03:06.019 --> 00:03:09.843 completely different to people's responses to the wheelchair. NOTE Paragraph 00:03:09.843 --> 00:03:12.987 So I thought, "I wonder what'll happen 00:03:12.987 --> 00:03:17.299 if I put the two together?" (Laughter) (Applause) 00:03:17.299 --> 00:03:21.491 And the underwater wheelchair that has resulted 00:03:21.491 --> 00:03:24.198 has taken me on the most amazing journey 00:03:24.198 --> 00:03:26.467 over the last seven years. NOTE Paragraph 00:03:26.467 --> 00:03:29.955 So to give you an idea of what that's like, 00:03:29.955 --> 00:03:32.841 I'd like to share with you one of the outcomes 00:03:32.841 --> 00:03:34.937 from creating this spectacle, 00:03:34.937 --> 00:03:38.738 and show you what an amazing journey it's taken me on. NOTE Paragraph 00:03:38.738 --> 00:03:47.578 (Music) NOTE Paragraph 00:07:08.435 --> 00:07:15.236 (Applause) NOTE Paragraph 00:07:15.236 --> 00:07:18.215 It is the most amazing experience, 00:07:18.215 --> 00:07:21.856 beyond most other things I've experienced in life. 00:07:21.856 --> 00:07:24.953 I literally have the freedom to move 00:07:24.953 --> 00:07:27.592 in 360 degrees of space 00:07:27.592 --> 00:07:31.352 and an ecstatic experience of joy and freedom. NOTE Paragraph 00:07:31.352 --> 00:07:33.969 And the incredibly unexpected thing 00:07:33.969 --> 00:07:38.159 is that other people seem to see and feel that too. 00:07:38.159 --> 00:07:40.537 Their eyes literally light up, 00:07:40.537 --> 00:07:43.791 and they say things like, "I want one of those," 00:07:43.791 --> 00:07:47.473 or, "If you can do that, I can do anything." NOTE Paragraph 00:07:47.473 --> 00:07:51.095 And I'm thinking, it's because in that moment 00:07:51.095 --> 00:07:53.648 of them seeing an object 00:07:53.648 --> 00:07:55.559 they have no frame of reference for, 00:07:55.559 --> 00:07:58.359 or so transcends the frames of reference 00:07:58.359 --> 00:08:00.104 they have with the wheelchair, 00:08:00.104 --> 00:08:03.136 they have to think in a completely new way. 00:08:03.136 --> 00:08:07.480 And I think that moment of completely new thought 00:08:07.480 --> 00:08:09.978 perhaps creates a freedom 00:08:09.978 --> 00:08:14.004 that spreads to the rest of other people's lives. 00:08:14.004 --> 00:08:17.196 For me, this means that they're seeing 00:08:17.196 --> 00:08:19.546 the value of difference, 00:08:19.546 --> 00:08:21.466 the joy it brings 00:08:21.466 --> 00:08:25.286 when instead of focusing on loss or limitation, 00:08:25.286 --> 00:08:29.690 we see and discover the power and joy 00:08:29.690 --> 00:08:34.097 of seeing the world from exciting new perspectives. 00:08:34.097 --> 00:08:35.796 For me, the wheelchair becomes 00:08:35.796 --> 00:08:38.141 a vehicle for transformation. 00:08:38.141 --> 00:08:41.921 In fact, I now call the underwater wheelchair "Portal," 00:08:41.921 --> 00:08:44.125 because it's literally pushed me through 00:08:44.125 --> 00:08:46.003 into a new way of being, 00:08:46.003 --> 00:08:49.737 into new dimensions and into a new level of consciousness. NOTE Paragraph 00:08:49.737 --> 00:08:51.282 And the other thing is, 00:08:51.282 --> 00:08:53.754 that because nobody's seen or heard 00:08:53.754 --> 00:08:56.249 of an underwater wheelchair before, 00:08:56.249 --> 00:08:59.092 and creating this spectacle is about creating 00:08:59.092 --> 00:09:01.929 new ways of seeing, being and knowing, 00:09:01.929 --> 00:09:04.877 now you have this concept in your mind. 00:09:04.877 --> 00:09:08.676 You're all part of the artwork too. NOTE Paragraph 00:09:08.676 --> 00:09:16.198 (Applause)