1 00:00:00,635 --> 00:00:03,256 I've been a journalist now since I was about 17, 2 00:00:03,256 --> 00:00:06,816 and it's an interesting industry to be in at the moment, 3 00:00:06,816 --> 00:00:09,152 because as you all know, there's a huge amount of upheaval 4 00:00:09,152 --> 00:00:11,632 going on in media, and most of you probably know this 5 00:00:11,632 --> 00:00:14,855 from the business angle, which is that the business model 6 00:00:14,855 --> 00:00:17,798 is pretty screwed, and as my grandfather would say, 7 00:00:17,798 --> 00:00:20,512 the profits have all been gobbled up by Google. 8 00:00:20,512 --> 00:00:22,856 So it's a really interesting time to be a journalist, 9 00:00:22,856 --> 00:00:25,940 but the upheaval that I'm interested in is not on the output side. 10 00:00:25,940 --> 00:00:29,035 It's on the input side. It's concern with 11 00:00:29,035 --> 00:00:31,533 how we get information and how we gather the news. 12 00:00:31,533 --> 00:00:34,604 And that's changed, because we've had a huge shift 13 00:00:34,604 --> 00:00:36,842 in the balance of power from 14 00:00:36,842 --> 00:00:38,859 the news organizations to the audience. 15 00:00:38,859 --> 00:00:41,074 And the audience for such a long time was in a position 16 00:00:41,074 --> 00:00:43,764 where they didn't have any way of affecting news 17 00:00:43,764 --> 00:00:46,031 or making any change. They couldn't really connect. 18 00:00:46,031 --> 00:00:47,507 And that's changed irrevocably. 19 00:00:47,507 --> 00:00:50,396 My first connection with the news media was 20 00:00:50,396 --> 00:00:54,207 in 1984, the BBC had a one-day strike. 21 00:00:54,207 --> 00:00:57,495 I wasn't happy. I was angry. I couldn't see my cartoons. 22 00:00:57,495 --> 00:01:00,042 So I wrote a letter. 23 00:01:00,042 --> 00:01:02,891 And it's a very effective way of ending your hate mail: 24 00:01:02,891 --> 00:01:05,978 "Love Markham, Aged 4." Still works. 25 00:01:05,978 --> 00:01:08,989 I'm not sure if I had any impact on the one-day strike, 26 00:01:08,989 --> 00:01:11,671 but what I do know is that it took them three weeks to get back to me. 27 00:01:11,671 --> 00:01:13,831 And that was the round journey. It took that long for anyone 28 00:01:13,831 --> 00:01:16,024 to have any impact and get some feedback. 29 00:01:16,024 --> 00:01:18,506 And that's changed now because, as journalists, 30 00:01:18,506 --> 00:01:21,672 we interact in real time. We're not in a position 31 00:01:21,672 --> 00:01:24,006 where the audience is reacting to news. 32 00:01:24,006 --> 00:01:27,763 We're reacting to the audience, and we're actually relying on them. 33 00:01:27,763 --> 00:01:30,149 They're helping us find the news. They're helping us 34 00:01:30,149 --> 00:01:34,919 figure out what is the best angle to take and what is the stuff that they want to hear. 35 00:01:34,919 --> 00:01:38,823 So it's a real-time thing. It's much quicker. It's happening 36 00:01:38,823 --> 00:01:44,740 on a constant basis, and the journalist is always playing catch up. 37 00:01:44,740 --> 00:01:47,373 To give an example of how we rely on the audience, 38 00:01:47,373 --> 00:01:51,910 on the 5th of September in Costa Rica, an earthquake hit. 39 00:01:51,910 --> 00:01:54,236 It was a 7.6 magnitude. It was fairly big. 40 00:01:54,236 --> 00:01:57,116 And 60 seconds is the amount of time it took 41 00:01:57,116 --> 00:01:59,681 for it to travel 250 kilometers to Managua. 42 00:01:59,681 --> 00:02:03,826 So the ground shook in Managua 60 seconds after it hit the epicenter. 43 00:02:03,826 --> 00:02:06,482 Thirty seconds later, the first message went onto Twitter, 44 00:02:06,482 --> 00:02:09,343 and this was someone saying "temblor," which means earthquake. 45 00:02:09,343 --> 00:02:11,680 So 60 seconds was how long it took 46 00:02:11,680 --> 00:02:13,586 for the physical earthquake to travel. 47 00:02:13,586 --> 00:02:16,146 Thirty seconds later news of that earthquake had traveled 48 00:02:16,146 --> 00:02:19,120 all around the world, instantly. Everyone in the world, 49 00:02:19,120 --> 00:02:22,317 hypothetically, had the potential to know that an earthquake 50 00:02:22,317 --> 00:02:24,731 was happening in Managua. 51 00:02:24,731 --> 00:02:27,082 And that happened because this one person had 52 00:02:27,082 --> 00:02:31,031 a documentary instinct, which was to post a status update, 53 00:02:31,031 --> 00:02:33,563 which is what we all do now, so if something happens, 54 00:02:33,563 --> 00:02:35,645 we put our status update, or we post a photo, 55 00:02:35,645 --> 00:02:39,423 we post a video, and it all goes up into the cloud in a constant stream. 56 00:02:39,423 --> 00:02:42,184 And what that means is just constant, 57 00:02:42,184 --> 00:02:44,590 huge volumes of data going up. 58 00:02:44,590 --> 00:02:46,871 It's actually staggering. When you look at the numbers, 59 00:02:46,871 --> 00:02:49,862 every minute there are 72 more hours 60 00:02:49,862 --> 00:02:51,244 of video on YouTube. 61 00:02:51,244 --> 00:02:54,526 So that's, every second, more than an hour of video gets uploaded. 62 00:02:54,526 --> 00:02:58,782 And in photos, Instagram, 58 photos are uploaded to Instagram a second. 63 00:02:58,782 --> 00:03:02,538 More than three and a half thousand photos go up onto Facebook. 64 00:03:02,538 --> 00:03:06,246 So by the time I'm finished talking here, there'll be 864 65 00:03:06,246 --> 00:03:09,864 more hours of video on Youtube than there were when I started, 66 00:03:09,864 --> 00:03:13,727 and two and a half million more photos on Facebook and Instagram than when I started. 67 00:03:13,727 --> 00:03:17,659 So it's an interesting position to be in as a journalist, 68 00:03:17,659 --> 00:03:20,075 because we should have access to everything. 69 00:03:20,075 --> 00:03:22,973 Any event that happens anywhere in the world, I should be able to know about it 70 00:03:22,973 --> 00:03:26,904 pretty much instantaneously, as it happens, for free. 71 00:03:26,904 --> 00:03:30,069 And that goes for every single person in this room. 72 00:03:30,069 --> 00:03:32,679 The only problem is, when you have that much information, 73 00:03:32,679 --> 00:03:34,966 you have to find the good stuff, and that can be 74 00:03:34,966 --> 00:03:36,954 incredibly difficult when you're dealing with those volumes. 75 00:03:36,954 --> 00:03:39,273 And nowhere was this brought home more than during 76 00:03:39,273 --> 00:03:42,177 Hurricane Sandy. So what you had in Hurricane Sandy was 77 00:03:42,177 --> 00:03:45,204 a superstorm, the likes of which we hadn't seen for a long time, 78 00:03:45,204 --> 00:03:48,347 hitting the iPhone capital of the universe -- (Laughter) -- 79 00:03:48,347 --> 00:03:52,562 and you got volumes of media like we'd never seen before. 80 00:03:52,562 --> 00:03:55,306 And that meant that journalists had to deal with fakes, 81 00:03:55,306 --> 00:03:58,222 so we had to deal with old photos that were being reposted. 82 00:03:58,222 --> 00:04:00,470 We had to deal with composite images 83 00:04:00,470 --> 00:04:03,653 that were merging photos from previous storms. 84 00:04:03,653 --> 00:04:08,887 We had to deal with images from films like "The Day After Tomorrow." (Laughter) 85 00:04:08,887 --> 00:04:11,721 And we had to deal with images that were so realistic 86 00:04:11,721 --> 00:04:14,091 it was nearly difficult to tell if they were real at all. 87 00:04:14,091 --> 00:04:18,404 (Laughter) 88 00:04:18,404 --> 00:04:22,128 But joking aside, there were images like this one from Instagram 89 00:04:22,128 --> 00:04:24,404 which was subjected to a grilling by journalists. 90 00:04:24,404 --> 00:04:26,637 They weren't really sure. It was filtered in Instagram. 91 00:04:26,637 --> 00:04:29,160 The lighting was questioned. Everything was questioned about it. 92 00:04:29,160 --> 00:04:31,453 And it turned out to be true. It was from Avenue C 93 00:04:31,453 --> 00:04:33,613 in downtown Manhattan, which was flooded. 94 00:04:33,613 --> 00:04:35,713 And the reason that they could tell that it was real 95 00:04:35,713 --> 00:04:37,802 was because they could get to the source, and in this case, 96 00:04:37,802 --> 00:04:39,909 these guys were New York food bloggers. 97 00:04:39,909 --> 00:04:41,939 They were well respected. They were known. 98 00:04:41,939 --> 00:04:45,031 So this one wasn't a debunk, it was actually something that they could prove. 99 00:04:45,031 --> 00:04:47,949 And that was the job of the journalist. It was filtering all this stuff. 100 00:04:47,949 --> 00:04:50,660 And you were, instead of going and finding the information 101 00:04:50,660 --> 00:04:53,227 and bringing it back to the reader, you were holding back 102 00:04:53,227 --> 00:04:55,287 the stuff that was potentially damaging. 103 00:04:55,287 --> 00:04:58,245 And finding the source becomes more and more important -- 104 00:04:58,245 --> 00:05:01,979 finding the good source -- and Twitter is where most journalists now go. 105 00:05:01,979 --> 00:05:05,132 It's like the de facto real-time newswire, 106 00:05:05,132 --> 00:05:08,099 if you know how to use it, because there is so much on Twitter. 107 00:05:08,099 --> 00:05:10,484 And a good example of how useful it can be 108 00:05:10,484 --> 00:05:14,017 but also how difficult was the Egyptian revolution in 2011. 109 00:05:14,017 --> 00:05:16,663 As a non-Arabic speaker, as someone who was looking 110 00:05:16,663 --> 00:05:18,964 from the outside, from Dublin, 111 00:05:18,964 --> 00:05:20,756 Twitter lists, and lists of good sources, 112 00:05:20,756 --> 00:05:24,378 people we could establish were credible, were really important. 113 00:05:24,378 --> 00:05:26,887 And how do you build a list like that from scratch? 114 00:05:26,887 --> 00:05:29,317 Well, it can be quite difficult, but you have to know what to look for. 115 00:05:29,317 --> 00:05:32,175 This visualization was done by an Italian academic. 116 00:05:32,175 --> 00:05:35,569 He's called André Pannison, and he basically 117 00:05:35,569 --> 00:05:37,744 took the Twitter conversation in Tahrir Square 118 00:05:37,744 --> 00:05:41,198 on the day that Hosni Mubarak would eventually resign, 119 00:05:41,198 --> 00:05:43,830 and the dots you can see are retweets, so when someone 120 00:05:43,830 --> 00:05:46,609 retweets a message, a connection is made between two dots, 121 00:05:46,609 --> 00:05:49,219 and the more times that message is retweeted by other people, 122 00:05:49,219 --> 00:05:52,425 the more you get to see these nodes, these connections being made. 123 00:05:52,425 --> 00:05:54,347 And it's an amazing way of visualizing the conversation, 124 00:05:54,347 --> 00:05:57,058 but what you get is hints at who is more interesting 125 00:05:57,058 --> 00:05:59,739 and who is worth investigating. 126 00:05:59,739 --> 00:06:02,618 And as the conversation grew and grew, it became 127 00:06:02,618 --> 00:06:04,902 more and more lively, and eventually you were left 128 00:06:04,902 --> 00:06:09,683 with this huge, big, rhythmic pointer of this conversation. 129 00:06:09,683 --> 00:06:11,492 You could find the nodes, though, and then you went, 130 00:06:11,492 --> 00:06:13,786 and you go, "Right, I've got to investigate these people. 131 00:06:13,786 --> 00:06:15,500 These are the ones that are obviously making sense. 132 00:06:15,500 --> 00:06:17,809 Let's see who they are." 133 00:06:17,809 --> 00:06:20,499 Now in the deluge of information, this is where 134 00:06:20,499 --> 00:06:23,706 the real-time web gets really interesting for a journalist like myself, 135 00:06:23,706 --> 00:06:25,680 because we have more tools than ever 136 00:06:25,680 --> 00:06:28,437 to do that kind of investigation. 137 00:06:28,437 --> 00:06:31,446 And when you start digging into the sources, you can go 138 00:06:31,446 --> 00:06:33,745 further and further than you ever could before. 139 00:06:33,745 --> 00:06:37,097 Sometimes you come across a piece of content that 140 00:06:37,097 --> 00:06:40,557 is so compelling, you want to use it, you're dying to use it, 141 00:06:40,557 --> 00:06:43,232 but you're not 100 percent sure if you can because 142 00:06:43,232 --> 00:06:44,439 you don't know if the source is credible. 143 00:06:44,439 --> 00:06:46,621 You don't know if it's a scrape. You don't know if it's a re-upload. 144 00:06:46,621 --> 00:06:48,330 And you have to do that investigative work. 145 00:06:48,330 --> 00:06:50,674 And this video, which I'm going to let run through, 146 00:06:50,674 --> 00:06:53,663 was one we discovered a couple of weeks ago. 147 00:06:53,663 --> 00:06:55,862 Video: Getting real windy in just a second. 148 00:06:55,862 --> 00:07:00,750 (Rain and wind sounds) 149 00:07:00,750 --> 00:07:03,917 (Explosion) Oh, shit! 150 00:07:03,917 --> 00:07:06,854 Markham Nolan: Okay, so now if you're a news producer, this is something 151 00:07:06,854 --> 00:07:09,406 you'd love to run with, because obviously, this is gold. 152 00:07:09,406 --> 00:07:11,669 You know? This is a fantastic reaction from someone, 153 00:07:11,669 --> 00:07:14,239 very genuine video that they've shot in their back garden. 154 00:07:14,239 --> 00:07:17,733 But how do you find if this person, if it's true, if it's faked, 155 00:07:17,733 --> 00:07:20,391 or if it's something that's old and that's been reposted? 156 00:07:20,391 --> 00:07:22,617 So we set about going to work on this video, and 157 00:07:22,617 --> 00:07:25,477 the only thing that we had to go on was the username on the YouTube account. 158 00:07:25,477 --> 00:07:27,828 There was only one video posted to that account, 159 00:07:27,828 --> 00:07:29,316 and the username was Rita Krill. 160 00:07:29,316 --> 00:07:32,608 And we didn't know if Rita existed or if it was a fake name. 161 00:07:32,608 --> 00:07:35,521 But we started looking, and we used free Internet tools to do so. 162 00:07:35,521 --> 00:07:38,829 The first one was called Spokeo, which allowed us to look for Rita Krills. 163 00:07:38,829 --> 00:07:41,211 So we looked all over the U.S. We found them in New York, 164 00:07:41,211 --> 00:07:43,973 we found them in Pennsylvania, Nevada and Florida. 165 00:07:43,973 --> 00:07:46,622 So we went and we looked for a second free Internet tool 166 00:07:46,622 --> 00:07:49,089 called Wolfram Alpha, and we checked the weather reports 167 00:07:49,089 --> 00:07:51,586 for the day in which this video had been uploaded, 168 00:07:51,586 --> 00:07:53,469 and when we went through all those various cities, 169 00:07:53,469 --> 00:07:56,965 we found that in Florida, there were thunderstorms and rain on the day. 170 00:07:56,965 --> 00:07:59,610 So we went to the white pages, and we found, 171 00:07:59,610 --> 00:08:02,534 we looked through the Rita Krills in the phonebook, 172 00:08:02,534 --> 00:08:04,106 and we looked through a couple of different addresses, 173 00:08:04,106 --> 00:08:07,422 and that took us to Google Maps, where we found a house. 174 00:08:07,422 --> 00:08:09,337 And we found a house with a swimming pool that looked 175 00:08:09,337 --> 00:08:12,255 remarkably like Rita's. So we went back to the video, 176 00:08:12,255 --> 00:08:15,226 and we had to look for clues that we could cross-reference. 177 00:08:15,226 --> 00:08:18,441 So if you look in the video, there's the big umbrella, 178 00:08:18,441 --> 00:08:20,286 there's a white lilo in the pool, 179 00:08:20,286 --> 00:08:22,726 there are some unusually rounded edges in the swimming pool, 180 00:08:22,726 --> 00:08:24,780 and there's two trees in the background. 181 00:08:24,780 --> 00:08:27,207 And we went back to Google Maps, and we looked a little bit closer, 182 00:08:27,207 --> 00:08:29,878 and sure enough, there's the white lilo, 183 00:08:29,878 --> 00:08:32,872 there are the two trees, 184 00:08:32,872 --> 00:08:34,858 there's the umbrella. It's actually folded in this photo. 185 00:08:34,858 --> 00:08:38,636 Little bit of trickery. And there are the rounded edges on the swimming pool. 186 00:08:38,636 --> 00:08:41,786 So we were able to call Rita, clear the video, 187 00:08:41,786 --> 00:08:43,872 make sure that it had been shot, and then our clients 188 00:08:43,872 --> 00:08:47,066 were delighted because they were able to run it without being worried. 189 00:08:47,066 --> 00:08:48,841 Sometimes the search for truth, though, 190 00:08:48,841 --> 00:08:53,250 is a little bit less flippant, and it has much greater consequences. 191 00:08:53,250 --> 00:08:56,233 Syria has been really interesting for us, because obviously 192 00:08:56,233 --> 00:08:58,914 a lot of the time you're trying to debunk stuff that can be 193 00:08:58,914 --> 00:09:02,713 potentially war crime evidence, so this is where YouTube 194 00:09:02,713 --> 00:09:05,070 actually becomes the most important repository 195 00:09:05,070 --> 00:09:09,220 of information about what's going on in the world. 196 00:09:09,220 --> 00:09:11,974 So this video, I'm not going to show you the whole thing, 197 00:09:11,974 --> 00:09:14,695 because it's quite gruesome, but you'll hear some of the sounds. 198 00:09:14,695 --> 00:09:17,023 This is from Hama. 199 00:09:17,023 --> 00:09:19,993 Video: (Shouting) 200 00:09:19,993 --> 00:09:23,897 And what this video shows, when you watch the whole thing through, 201 00:09:23,897 --> 00:09:26,658 is bloody bodies being taken out of a pickup truck 202 00:09:26,658 --> 00:09:29,263 and thrown off a bridge. 203 00:09:29,263 --> 00:09:32,044 The allegations were that these guys were Muslim Brotherhood 204 00:09:32,044 --> 00:09:34,919 and they were throwing Syrian Army officers' bodies 205 00:09:34,919 --> 00:09:37,853 off the bridge, and they were cursing and using blasphemous language, 206 00:09:37,853 --> 00:09:40,235 and there were lots of counterclaims about who they were, 207 00:09:40,235 --> 00:09:42,477 and whether or not they were what the video said it was. 208 00:09:42,477 --> 00:09:45,743 So we talked to some sources in Hama who we had been 209 00:09:45,743 --> 00:09:48,076 back and forth with on Twitter, and we asked them about this, 210 00:09:48,076 --> 00:09:51,890 and the bridge was interesting to us because it was something we could identify. 211 00:09:51,890 --> 00:09:54,804 Three different sources said three different things about the bridge. 212 00:09:54,804 --> 00:09:57,066 They said, one, the bridge doesn't exist. 213 00:09:57,066 --> 00:10:00,590 Another one said the bridge does exist, but it's not in Hama. It's somewhere else. 214 00:10:00,590 --> 00:10:03,152 And the third one said, "I think the bridge does exist, 215 00:10:03,152 --> 00:10:06,516 but the dam upstream of the bridge was closed, 216 00:10:06,516 --> 00:10:09,913 so the river should actually have been dry, so this doesn't make sense." 217 00:10:09,913 --> 00:10:12,525 So that was the only one that gave us a clue. 218 00:10:12,525 --> 00:10:13,750 We looked through the video for other clues. 219 00:10:13,750 --> 00:10:16,839 We saw the distinctive railings, which we could use. 220 00:10:16,839 --> 00:10:20,583 We looked at the curbs. The curbs were throwing shadows south, 221 00:10:20,583 --> 00:10:22,900 so we could tell the bridge was running east-west across the river. 222 00:10:22,900 --> 00:10:24,856 It had black-and-white curbs. 223 00:10:24,856 --> 00:10:26,842 As we looked at the river itself, you could see there's 224 00:10:26,842 --> 00:10:29,796 a concrete stone on the west side. There's a cloud of blood. 225 00:10:29,796 --> 00:10:31,530 That's blood in the river. So the river is flowing 226 00:10:31,530 --> 00:10:33,227 south to north. That's what that tells me. 227 00:10:33,227 --> 00:10:35,576 And also, as you look away from the bridge, 228 00:10:35,576 --> 00:10:37,225 there's a divot on the left-hand side of the bank, 229 00:10:37,225 --> 00:10:39,655 and the river narrows. 230 00:10:39,655 --> 00:10:42,234 So onto Google Maps we go, and we start 231 00:10:42,234 --> 00:10:44,292 looking through literally every single bridge. 232 00:10:44,292 --> 00:10:47,772 We go to the dam that we talked about, we start just 233 00:10:47,772 --> 00:10:51,382 literally going through every time that road crosses the river, 234 00:10:51,382 --> 00:10:53,120 crossing off the bridges that don't match. 235 00:10:53,120 --> 00:10:54,883 We're looking for one that crosses east-west. 236 00:10:54,883 --> 00:10:56,835 And we get to Hama. We get all the way from the dam 237 00:10:56,835 --> 00:10:58,838 to Hama and there's no bridge. 238 00:10:58,838 --> 00:11:01,322 So we go a bit further. We switch to the satellite view, 239 00:11:01,322 --> 00:11:04,242 and we find another bridge, and everything starts to line up. 240 00:11:04,242 --> 00:11:07,280 The bridge looks like it's crossing the river east to west. 241 00:11:07,280 --> 00:11:10,441 So this could be our bridge. And we zoom right in. 242 00:11:10,441 --> 00:11:13,343 We start to see that it's got a median, so it's a two-lane bridge. 243 00:11:13,343 --> 00:11:16,989 And it's got the black-and-white curbs that we saw in the video, 244 00:11:16,989 --> 00:11:19,301 and as we click through it, you can see someone's 245 00:11:19,301 --> 00:11:22,255 uploaded photos to go with the map, which is very handy, 246 00:11:22,255 --> 00:11:24,942 so we click into the photos. And the photos start showing us 247 00:11:24,942 --> 00:11:27,564 more detail that we can cross-reference with the video. 248 00:11:27,564 --> 00:11:31,287 The first thing that we see is we see black-and-white curbing, 249 00:11:31,287 --> 00:11:33,392 which is handy because we've seen that before. 250 00:11:33,392 --> 00:11:36,891 We see the distinctive railing that we saw the guys 251 00:11:36,891 --> 00:11:39,242 throwing the bodies over. 252 00:11:39,242 --> 00:11:41,897 And we keep going through it until we're certain that this is our bridge. 253 00:11:41,897 --> 00:11:43,421 So what does that tell me? I've got to go back now 254 00:11:43,421 --> 00:11:45,734 to my three sources and look at what they told me: 255 00:11:45,734 --> 00:11:47,459 the one who said the bridge didn't exist, 256 00:11:47,459 --> 00:11:49,318 the one who said the bridge wasn't in Hama, 257 00:11:49,318 --> 00:11:53,271 and the one guy who said, "Yes, the bridge does exist, but I'm not sure about the water levels." 258 00:11:53,271 --> 00:11:56,602 Number three is looking like the most truthful all of a sudden, 259 00:11:56,602 --> 00:11:59,583 and we've been able to find that out using some free Internet tools 260 00:11:59,583 --> 00:12:02,103 sitting in a cubicle in an office in Dublin 261 00:12:02,103 --> 00:12:03,590 in the space of 20 minutes. 262 00:12:03,590 --> 00:12:06,029 And that's part of the joy of this. Although the web 263 00:12:06,029 --> 00:12:09,294 is running like a torrent, there's so much information there 264 00:12:09,294 --> 00:12:12,481 that it's incredibly hard to sift and getting harder every day, 265 00:12:12,481 --> 00:12:15,808 if you use them intelligently, you can find out incredible information. 266 00:12:15,808 --> 00:12:18,203 Given a couple of clues, I could probably find out 267 00:12:18,203 --> 00:12:21,737 a lot of things about most of you in the audience that you might not like me finding out. 268 00:12:21,737 --> 00:12:24,742 But what it tells me is that, at a time when 269 00:12:24,742 --> 00:12:28,771 there's more -- there's a greater abundance of information than there ever has been, 270 00:12:28,771 --> 00:12:31,404 it's harder to filter, we have greater tools. 271 00:12:31,404 --> 00:12:33,267 We have free Internet tools that allow us, 272 00:12:33,267 --> 00:12:35,493 help us do this kind of investigation. 273 00:12:35,493 --> 00:12:37,316 We have algorithms that are smarter than ever before, 274 00:12:37,316 --> 00:12:39,737 and computers that are quicker than ever before. 275 00:12:39,737 --> 00:12:43,164 But here's the thing. Algorithms are rules. They're binary. 276 00:12:43,164 --> 00:12:44,949 They're yes or no, they're black or white. 277 00:12:44,949 --> 00:12:48,503 Truth is never binary. Truth is a value. 278 00:12:48,503 --> 00:12:53,167 Truth is emotional, it's fluid, and above all, it's human. 279 00:12:53,167 --> 00:12:55,274 No matter how quick we get with computers, no matter 280 00:12:55,274 --> 00:12:57,658 how much information we have, you'll never be able 281 00:12:57,658 --> 00:13:00,654 to remove the human from the truth-seeking exercise, 282 00:13:00,654 --> 00:13:04,312 because in the end, it is a uniquely human trait. 283 00:13:04,312 --> 00:13:08,312 Thanks very much. (Applause)