[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:13.89,0:00:26.73,Default,,0000,0000,0000,,(Tap dancing)
Dialogue: 0,0:01:27.26,0:01:36.54,Default,,0000,0000,0000,,(Tap dancing)
Dialogue: 0,0:01:36.54,0:01:37.94,Default,,0000,0000,0000,,(Child calls)
Dialogue: 0,0:01:37.94,0:01:40.70,Default,,0000,0000,0000,,(Environmental sounds)
Dialogue: 0,0:01:40.70,0:01:45.20,Default,,0000,0000,0000,,(Tap dancing)
Dialogue: 0,0:02:31.42,0:02:52.49,Default,,0000,0000,0000,,(Man sings on cue with tap dancing)
Dialogue: 0,0:03:01.49,0:03:14.30,Default,,0000,0000,0000,,(Man joins in clapping hands)
Dialogue: 0,0:03:14.30,0:03:17.19,Default,,0000,0000,0000,,(People join in, calling)
Dialogue: 0,0:03:17.20,0:03:24.52,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:03:24.52,0:03:25.74,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:03:25.74,0:03:31.42,Default,,0000,0000,0000,,This was a little -- the begining part \Nof my new movie "One Million Steps".
Dialogue: 0,0:03:31.81,0:03:35.54,Default,,0000,0000,0000,,It's not finished yet.\NWe're still working really hard on it.
Dialogue: 0,0:03:35.54,0:03:39.68,Default,,0000,0000,0000,,I've been doing a lot of steps \Nfor you, just now
Dialogue: 0,0:03:39.68,0:03:42.14,Default,,0000,0000,0000,,-- also in the movie.
Dialogue: 0,0:03:42.14,0:03:46.40,Default,,0000,0000,0000,,And they are poetic steps,
Dialogue: 0,0:03:46.40,0:03:48.91,Default,,0000,0000,0000,,creative steps.
Dialogue: 0,0:03:48.91,0:03:51.52,Default,,0000,0000,0000,,I don't move from A to B.
Dialogue: 0,0:03:51.52,0:03:53.70,Default,,0000,0000,0000,,I just stay in A
Dialogue: 0,0:03:53.70,0:03:55.58,Default,,0000,0000,0000,,and really have --
Dialogue: 0,0:03:55.58,0:03:57.35,Default,,0000,0000,0000,,-- fun there.
Dialogue: 0,0:03:57.35,0:03:59.10,Default,,0000,0000,0000,,And when I look at what happens
Dialogue: 0,0:03:59.10,0:04:00.90,Default,,0000,0000,0000,,when I'm tap dancing,
Dialogue: 0,0:04:00.90,0:04:03.71,Default,,0000,0000,0000,,I realize
Dialogue: 0,0:04:03.71,0:04:05.40,Default,,0000,0000,0000,,the sounds is what you hear,
Dialogue: 0,0:04:05.40,0:04:07.93,Default,,0000,0000,0000,,what actually communicates\Nthe rhythm and the music.
Dialogue: 0,0:04:07.93,0:04:10.64,Default,,0000,0000,0000,,But all my activity
Dialogue: 0,0:04:10.64,0:04:12.81,Default,,0000,0000,0000,,happens in between the sounds.
Dialogue: 0,0:04:12.81,0:04:14.49,Default,,0000,0000,0000,,In between the beats.
Dialogue: 0,0:04:14.49,0:04:16.56,Default,,0000,0000,0000,,In the silence.
Dialogue: 0,0:04:16.56,0:04:19.43,Default,,0000,0000,0000,,(Tap dancing)
Dialogue: 0,0:04:19.43,0:04:22.42,Default,,0000,0000,0000,,All my impulses, \Nmy movements,
Dialogue: 0,0:04:22.42,0:04:25.26,Default,,0000,0000,0000,,it happens before, \Nin the silence.
Dialogue: 0,0:04:25.28,0:04:27.12,Default,,0000,0000,0000,,And it was funny, but
Dialogue: 0,0:04:27.12,0:04:31.50,Default,,0000,0000,0000,,when started tap dancing,\NI didn't notice I was fixated on the beat.
Dialogue: 0,0:04:31.50,0:04:34.81,Default,,0000,0000,0000,,Really doing it.\NPutting the sound there.
Dialogue: 0,0:04:34.81,0:04:38.90,Default,,0000,0000,0000,,And when I realized\Nit happens in the silence,
Dialogue: 0,0:04:38.90,0:04:41.40,Default,,0000,0000,0000,,this was a real breakthrough for me.
Dialogue: 0,0:04:41.40,0:04:45.27,Default,,0000,0000,0000,,To learn that you throw \Nthe beat in front of you
Dialogue: 0,0:04:45.27,0:04:46.92,Default,,0000,0000,0000,,and then ... (Tap)
Dialogue: 0,0:04:46.92,0:04:50.08,Default,,0000,0000,0000,,... it happens there.
Dialogue: 0,0:04:50.08,0:04:52.58,Default,,0000,0000,0000,,We all take a lot of steps in our lives.
Dialogue: 0,0:04:52.58,0:04:56.78,Default,,0000,0000,0000,,Someone actually \Ntook the trouble to count them
Dialogue: 0,0:04:56.78,0:04:58.53,Default,,0000,0000,0000,,and came to this incredible number
Dialogue: 0,0:04:58.53,0:05:04.70,Default,,0000,0000,0000,,of 1.825.000 steps in a year
Dialogue: 0,0:05:04.70,0:05:08.78,Default,,0000,0000,0000,,for every average human being.
Dialogue: 0,0:05:08.78,0:05:13.29,Default,,0000,0000,0000,,So, you all do this. \NWell done!
Dialogue: 0,0:05:13.29,0:05:17.14,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:05:17.14,0:05:20.85,Default,,0000,0000,0000,,Big steps, small steps,\Nyou don't really give them much thought.
Dialogue: 0,0:05:20.85,0:05:22.88,Default,,0000,0000,0000,,They just take you from A to B
Dialogue: 0,0:05:22.88,0:05:25.56,Default,,0000,0000,0000,,where you need to go.
Dialogue: 0,0:05:25.56,0:05:29.30,Default,,0000,0000,0000,,And when you do them, \Nwhen you're walking
Dialogue: 0,0:05:29.30,0:05:32.11,Default,,0000,0000,0000,,your body automatically \Nfalls in a rhythm.
Dialogue: 0,0:05:32.11,0:05:33.75,Default,,0000,0000,0000,,A pulse... (Clicks fingers)
Dialogue: 0,0:05:33.75,0:05:37.19,Default,,0000,0000,0000,,And this saves you energy\Nand makes you go a long way
Dialogue: 0,0:05:37.19,0:05:39.94,Default,,0000,0000,0000,,without having to think about every step.
Dialogue: 0,0:05:39.94,0:05:41.99,Default,,0000,0000,0000,,(Walks)
Dialogue: 0,0:05:43.64,0:05:45.08,Default,,0000,0000,0000,,I don't really have to take care
Dialogue: 0,0:05:45.08,0:05:49.01,Default,,0000,0000,0000,,or think about what I'm doing right now.
Dialogue: 0,0:05:51.12,0:05:56.70,Default,,0000,0000,0000,,But something happens when\Nyou start playing with the silences
Dialogue: 0,0:05:56.70,0:05:59.67,Default,,0000,0000,0000,,and the breaks, the pauses \Nin between your steps.
Dialogue: 0,0:05:59.67,0:06:02.36,Default,,0000,0000,0000,,(Tap dances)
Dialogue: 0,0:06:15.76,0:06:19.60,Default,,0000,0000,0000,,Suddenly this very normal thing of walking
Dialogue: 0,0:06:19.60,0:06:22.48,Default,,0000,0000,0000,,becomes music and rhythm,
Dialogue: 0,0:06:22.48,0:06:23.92,Default,,0000,0000,0000,,and for me
Dialogue: 0,0:06:23.92,0:06:28.25,Default,,0000,0000,0000,,tap dancing in this way becomes walking poetry
Dialogue: 0,0:06:28.25,0:06:33.91,Default,,0000,0000,0000,,You take the breaks, the silences\Nyou make them very small or very large
Dialogue: 0,0:06:33.91,0:06:36.72,Default,,0000,0000,0000,,and this is how you get this playful mode.
Dialogue: 0,0:06:36.72,0:06:40.24,Default,,0000,0000,0000,,And somehow underneath - (Clicks fingers)\Nthere's still the pulse.
Dialogue: 0,0:06:41.13,0:06:44.29,Default,,0000,0000,0000,,But because I'm playing with these pauses
Dialogue: 0,0:06:44.29,0:06:46.00,Default,,0000,0000,0000,,and stopping sometimes...
Dialogue: 0,0:06:46.00,0:06:48.24,Default,,0000,0000,0000,,(Tap dances)
Dialogue: 0,0:06:51.78,0:06:55.42,Default,,0000,0000,0000,,...and then I riff on this pulse of normality,
Dialogue: 0,0:06:55.42,0:07:00.19,Default,,0000,0000,0000,,it becomes playful and\Ngenerates a lot of ideas.
Dialogue: 0,0:07:00.70,0:07:05.78,Default,,0000,0000,0000,,So, this was a thing \Nthat I was intrigued by:
Dialogue: 0,0:07:05.78,0:07:08.35,Default,,0000,0000,0000,,silence... \Npause...
Dialogue: 0,0:07:08.35,0:07:10.88,Default,,0000,0000,0000,,... and how it becomes poetry.
Dialogue: 0,0:07:10.88,0:07:16.66,Default,,0000,0000,0000,,And I was intrigued, together with my friend\NEva Stotz, from Berlin, a film maker,
Dialogue: 0,0:07:16.66,0:07:21.52,Default,,0000,0000,0000,,and we thought: wouldn't it be great\Nto put these poetically walking feet
Dialogue: 0,0:07:21.52,0:07:28.56,Default,,0000,0000,0000,,and confront them with\Nfunctionally walking feet in the big city,
Dialogue: 0,0:07:28.56,0:07:30.78,Default,,0000,0000,0000,,just to see what happens when they meet.
Dialogue: 0,0:07:30.78,0:07:32.97,Default,,0000,0000,0000,,These two modes, \Ncan they inspire each other?
Dialogue: 0,0:07:32.97,0:07:37.09,Default,,0000,0000,0000,,Maybe the poetic feet \Ncan bring something loose
Dialogue: 0,0:07:37.09,0:07:41.87,Default,,0000,0000,0000,,to the functionally, hastily \Nwalking steps of normal life.
Dialogue: 0,0:07:41.87,0:07:44.38,Default,,0000,0000,0000,,So we went to Istanbul
Dialogue: 0,0:07:44.38,0:07:47.12,Default,,0000,0000,0000,,because we thought intuitively: \Nthis is a great place,
Dialogue: 0,0:07:47.12,0:07:51.12,Default,,0000,0000,0000,,lots of things are happening there\N-- let's do it there.
Dialogue: 0,0:07:51.12,0:07:56.12,Default,,0000,0000,0000,,And this would become the movie\N"One Million Steps".
Dialogue: 0,0:07:56.12,0:07:59.66,Default,,0000,0000,0000,,Something incredible happened, though.
Dialogue: 0,0:07:59.66,0:08:03.12,Default,,0000,0000,0000,,The second time we were in Istanbul to film
Dialogue: 0,0:08:03.12,0:08:05.56,Default,,0000,0000,0000,,was in June 2013.
Dialogue: 0,0:08:05.56,0:08:08.04,Default,,0000,0000,0000,,And I don't know if you remember, but
Dialogue: 0,0:08:08.04,0:08:11.20,Default,,0000,0000,0000,,Istanbul exploded at that moment.
Dialogue: 0,0:08:11.20,0:08:14.56,Default,,0000,0000,0000,,Thousands of people stopped their daily lives,
Dialogue: 0,0:08:14.56,0:08:16.07,Default,,0000,0000,0000,,their daily routines,
Dialogue: 0,0:08:16.07,0:08:19.66,Default,,0000,0000,0000,,and went into the streets and just said "No.
Dialogue: 0,0:08:19.66,0:08:21.29,Default,,0000,0000,0000,,Not any longer.
Dialogue: 0,0:08:21.29,0:08:24.85,Default,,0000,0000,0000,,We need to create a break, a pause.
Dialogue: 0,0:08:24.85,0:08:28.88,Default,,0000,0000,0000,,Because this machine\Nof the city, of the government
Dialogue: 0,0:08:28.88,0:08:31.37,Default,,0000,0000,0000,,is just rolling too fast
Dialogue: 0,0:08:31.37,0:08:34.20,Default,,0000,0000,0000,,and it's breaking us."
Dialogue: 0,0:08:34.20,0:08:39.13,Default,,0000,0000,0000,,The incredible energy that happened there,\Nwe were in the middle of it --
Dialogue: 0,0:08:39.13,0:08:43.65,Default,,0000,0000,0000,,-- is very intense.\NAll these people just couldn't go on.
Dialogue: 0,0:08:43.65,0:08:47.33,Default,,0000,0000,0000,,And what they did was very symbolic\Nand beautiful to me.
Dialogue: 0,0:08:47.33,0:08:51.12,Default,,0000,0000,0000,,They built a barricade \Naround Taksim Square.
Dialogue: 0,0:08:51.12,0:08:53.32,Default,,0000,0000,0000,,And "Taksim", by the way, \Nmeans "improvisation",
Dialogue: 0,0:08:53.32,0:08:56.04,Default,,0000,0000,0000,,so it was strangely fitting.
Dialogue: 0,0:08:56.04,0:08:59.96,Default,,0000,0000,0000,,Around Taksim Square, \Nwhere Gezi Park is --
Dialogue: 0,0:08:59.96,0:09:02.43,Default,,0000,0000,0000,,this was the park that was threatened,
Dialogue: 0,0:09:02.43,0:09:08.54,Default,,0000,0000,0000,,it was the issue that made everything explode --
Dialogue: 0,0:09:08.54,0:09:11.94,Default,,0000,0000,0000,,they cordoned off this space.
Dialogue: 0,0:09:11.94,0:09:15.23,Default,,0000,0000,0000,,And inside was a safe space,
Dialogue: 0,0:09:15.23,0:09:18.38,Default,,0000,0000,0000,,a space outside of normality and functionality.
Dialogue: 0,0:09:18.38,0:09:21.35,Default,,0000,0000,0000,,And there life was different.
Dialogue: 0,0:09:21.35,0:09:26.63,Default,,0000,0000,0000,,They were not busy making ten points\Nfor a new political program
Dialogue: 0,0:09:27.71,0:09:30.89,Default,,0000,0000,0000,,or choosing a leader\Nthat would speak for everyone. No.
Dialogue: 0,0:09:30.89,0:09:35.29,Default,,0000,0000,0000,,They we using this space\Nas a silence, as a pause.
Dialogue: 0,0:09:35.29,0:09:39.18,Default,,0000,0000,0000,,There was music, dancing...\Nand most importantly
Dialogue: 0,0:09:39.18,0:09:41.100,Default,,0000,0000,0000,,-- sorry, I shouldn't say music is not important --
Dialogue: 0,0:09:41.100,0:09:45.17,Default,,0000,0000,0000,,most importantly, people were talking.
Dialogue: 0,0:09:45.17,0:09:47.74,Default,,0000,0000,0000,,And generating seeds for new ideas
Dialogue: 0,0:09:47.74,0:09:53.10,Default,,0000,0000,0000,,because it was a place outside of normality,\Noutside of functionality.
Dialogue: 0,0:09:53.10,0:09:57.13,Default,,0000,0000,0000,,I would like to show you \Na fragment of the film.
Dialogue: 0,0:09:57.13,0:09:58.86,Default,,0000,0000,0000,,We filmed in Gezi park.
Dialogue: 0,0:09:58.86,0:10:03.58,Default,,0000,0000,0000,,It was one of the most intense moments\Nfor me, on the barricades.
Dialogue: 0,0:10:03.58,0:10:07.44,Default,,0000,0000,0000,,One side is protesters\Nthe other side is police,
Dialogue: 0,0:10:07.44,0:10:11.09,Default,,0000,0000,0000,,and we were in the middle, making music.
Dialogue: 0,0:10:13.34,0:10:15.72,Default,,0000,0000,0000,,(Percussion)
Dialogue: 0,0:10:19.08,0:10:26.22,Default,,0000,0000,0000,,(Joins in with tap dancing)
Dialogue: 0,0:10:44.83,0:10:48.93,Default,,0000,0000,0000,,(People join in, clapping)
Dialogue: 0,0:10:48.93,0:10:51.24,Default,,0000,0000,0000,,(Rhythm picks up)
Dialogue: 0,0:10:51.24,0:10:53.48,Default,,0000,0000,0000,,(Whistles join in)
Dialogue: 0,0:11:13.23,0:11:21.86,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:11:21.86,0:11:30.49,Default,,0000,0000,0000,,(Applause and cheering)
Dialogue: 0,0:11:30.49,0:11:39.12,Default,,0000,0000,0000,,(Clapping and trumpet)
Dialogue: 0,0:11:39.12,0:11:43.39,Default,,0000,0000,0000,,(Tap dancing cues in)
Dialogue: 0,0:12:00.15,0:12:11.33,Default,,0000,0000,0000,,(People join in, singing 'Bella ciao')
Dialogue: 0,0:12:18.20,0:12:26.00,Default,,0000,0000,0000,,(Applause, percussion and whistling)
Dialogue: 0,0:12:26.21,0:12:43.99,Default,,0000,0000,0000,,Crowd chanting: \N"Everywhere Taksim, everywhere resistance"
Dialogue: 0,0:12:44.99,0:12:56.51,Default,,0000,0000,0000,,(Percussion, whistling and shouting \Ncontinue in background)
Dialogue: 0,0:12:56.51,0:13:04.05,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:13:04.05,0:13:06.52,Default,,0000,0000,0000,,It was so incredible...
Dialogue: 0,0:13:06.52,0:13:12.07,Default,,0000,0000,0000,,I always go back to this moment\Nwhen I see the movie, this part.
Dialogue: 0,0:13:13.71,0:13:17.78,Default,,0000,0000,0000,,Silence. Pause. Poetry.
Dialogue: 0,0:13:17.78,0:13:19.97,Default,,0000,0000,0000,,It's what happened in Gezi Park.
Dialogue: 0,0:13:19.97,0:13:23.28,Default,,0000,0000,0000,,It's what's happening in my feet.
Dialogue: 0,0:13:23.28,0:13:26.26,Default,,0000,0000,0000,,And with this talk
Dialogue: 0,0:13:26.26,0:13:29.83,Default,,0000,0000,0000,,I would like to inspire you
Dialogue: 0,0:13:30.66,0:13:33.50,Default,,0000,0000,0000,,to do this at home.
Dialogue: 0,0:13:33.50,0:13:36.41,Default,,0000,0000,0000,,This was the theme [of the TEDx conference]\N-- how to do it at home.
Dialogue: 0,0:13:36.42,0:13:40.15,Default,,0000,0000,0000,,I see you in your kitchen tables,\Nmaking pauses and breaks...
Dialogue: 0,0:13:41.38,0:13:43.29,Default,,0000,0000,0000,,But how do we do it?
Dialogue: 0,0:13:43.29,0:13:49.30,Default,,0000,0000,0000,,I think the only thing I want to say about it,\Nbecause it's different for every person,
Dialogue: 0,0:13:49.30,0:13:54.76,Default,,0000,0000,0000,,is the attention that you can put\Non the silence, on the break.
Dialogue: 0,0:13:54.76,0:14:00.37,Default,,0000,0000,0000,,It's not just relaxing, turning on\Nyour television, and doing nothing.
Dialogue: 0,0:14:00.37,0:14:05.90,Default,,0000,0000,0000,,It's actually a very powerful, full moment
Dialogue: 0,0:14:05.90,0:14:13.60,Default,,0000,0000,0000,,when you're allowed to be \Noutside of functional steps.
Dialogue: 0,0:14:13.60,0:14:16.83,Default,,0000,0000,0000,,The only thing I would like to make a case for
Dialogue: 0,0:14:16.83,0:14:19.52,Default,,0000,0000,0000,,is to use these moments and value them.
Dialogue: 0,0:14:19.52,0:14:25.12,Default,,0000,0000,0000,,Play, make music,\Nmake poetry of your steps.
Dialogue: 0,0:14:25.98,0:14:29.58,Default,,0000,0000,0000,,(Applause)