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2012 年

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我响我家鄉，突尼斯嘅加貝斯

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幫哈拉清真寺髹油嗰陣

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從來都冇諗過

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塗鴉可以令咁多人關注一個城市

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我最初純粹想喺鄉下搵一幅牆

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無意間得知

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呢座尖塔自 1994 年起好之後

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幅 57 米高嘅石屎牆
18 年嚟都冇粉飾過

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我第一次同教長見面嗰時

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我講佢知我嘅諗法

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佢就話:「謝天謝地，你終於嚟喇！」

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佢同我講

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咁多年嚟，佢都希望有人粉飾幅牆

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最正嘅係

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呢個教長冇問過我任何嘢

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無論係畫乜，定係我想寫乜

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每次我創作塗鴉

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我都會用一種屬於我嘅風格

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揉合咗書法同塗鴉

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我會引用一啲語錄或者詩句

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我諗既然係座寺廟

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寫上可蘭經經文就最啱喇

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所以我揀咗呢句

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「眾人啊！
我確已從一男一女創造你們，

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我使你們成為許多民族和宗族，

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以便你們互相認識。」

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呢句表達咗回教徒對世界大同嘅渴求

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同傳媒所塑造嘅回教並唔一樣

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我好鼓舞，因為家鄉嘅人好鍾意幅塗鴉

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而各地都有報導呢幅塗鴉

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令到地方嘅人引以為傲

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對教長嚟講，呢幅唔止係塗鴉

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背後意義深遠得多

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教長希望尖塔可以
代表到呢個城市

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吸引人到訪呢個
被遺忘嘅突尼斯小城

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塗鴉所盛載嘅信念

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突尼斯而家嘅局勢

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同埋我嘅可蘭經塗鴉

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全部都意義重大

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因為佢哋將人凝聚起嚟

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我好想帶領群眾同下一代

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一齊領略阿拉伯文嘅書法

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文字訊息係我創作嘅精髓

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有趣嘅係

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連講阿拉伯話嘅人

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都要花時間思考我寫嘅訊息

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即使睇唔明，亦可以心領神會

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我諗阿拉伯文字就係未見其字

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就已經可以同我哋嘅靈魂接觸

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當中嘅美麗，超越一切語言

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阿拉伯嘅文字會向人說話

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向你，向你，向你，向所有人

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當你掌握到段文字嘅意思

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你會馬上心領神會

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我次次髹油都同自己講

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寫嘅訊息要同個地方有關

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但同時要關乎整個世界

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以至全世界嘅人都有所共鳴

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我喺巴黎出世同長大

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我 18 歲嗰年開始學阿拉伯文

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而家我只會用阿拉伯文創作

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呢種堅持之所以咁重要

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係源於各地嘅人向我表達過嘅感受

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喺里約熱內盧

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我翻譯過一篇

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詩人 Gabriela Tôrres Barbosa 嘅詩

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詩歌頌揚貧民窟嘅人

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然後我將呢首詩寫咗喺天棚

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當地人初初唔明我做緊乜

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但當我解釋咗首詩畀佢哋聽

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佢哋好感動

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因為覺得有所共鳴

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喺南非開普敦嘅菲歷彼貧民窟

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裡面唯一嘅石屎牆，
就係學校嘅外牆

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我寫咗一句曼德拉嘅名言

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就係「 [ 阿拉伯文 ] 」

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意思係「人成功前，總認定會失敗」

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然係有個人走嚟問︰

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「做乜唔用英文寫啫？」

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我就答佢：「我會聽你講嘅，

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如果你係問我
點解唔用祖魯文寫嘅話。」

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巴黎曾經有一個活動

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有個人想人哋為佢髹牆

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當佢見我喺牆上
用阿拉伯文字塗鴉嘅時候

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佢成個人癲咗，失控咁滯

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並且要求鏟走幅塗鴉

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嗰刻我又嬲又失望

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過咗一個禮拜，統籌單位叫我返去

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話我知嗰個人間屋係對住一幅牆

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所以，呢個人…

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（笑聲）

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就被逼日日對住幅塗鴉

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起初，我喺幅牆度寫 [ 阿拉伯文 ]

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即係解「就喺你面前」

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（笑聲）

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之後我靈機一觸

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寫咗做「[ 阿拉伯文 ]」

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解「打開心扉」

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我為我嘅文化而自豪

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我希望用藝術去宣揚我嘅文化

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我希望借助美麗嘅阿拉伯文字

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去打破大家嘅成見

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今日，我唔再喺牆上翻譯我嘅文字

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我唔想破壞書法同詩歌嘅美

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詩係藝術，唔需要言明，亦感悟得到

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正如我哋會聽唔同語言嘅音樂一樣

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有人認為咁樣係製造緊隔膜

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但我反而覺得係一個邀請

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邀請大家去體會我嘅母語、文化同創作

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多謝！

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（掌聲）