[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:16.84,0:00:20.57,Default,,0000,0000,0000,,[Maja Zawierzeniec:\N"On Dreaming and Borders"]
Dialogue: 0,0:00:24.71,0:00:27.28,Default,,0000,0000,0000,,Leonora is not a poet,
Dialogue: 0,0:00:27.68,0:00:30.18,Default,,0000,0000,0000,,she's a walking poem,
Dialogue: 0,0:00:30.18,0:00:32.66,Default,,0000,0000,0000,,which all of a sudden opens an umbrella,
Dialogue: 0,0:00:33.04,0:00:35.95,Default,,0000,0000,0000,,which unexpectedly becomes a bird,
Dialogue: 0,0:00:35.95,0:00:38.83,Default,,0000,0000,0000,,that afterwards turns into a fish
Dialogue: 0,0:00:38.83,0:00:40.43,Default,,0000,0000,0000,,and disappears."
Dialogue: 0,0:00:41.36,0:00:44.26,Default,,0000,0000,0000,,This is how Leonora Carrington,
Dialogue: 0,0:00:44.26,0:00:47.44,Default,,0000,0000,0000,,a Mexican artist of British origin,
Dialogue: 0,0:00:47.44,0:00:50.31,Default,,0000,0000,0000,,was described by one of her friends.
Dialogue: 0,0:00:51.21,0:00:53.90,Default,,0000,0000,0000,,Leonora lived at the border\Nbetween different worlds:
Dialogue: 0,0:00:53.90,0:00:57.58,Default,,0000,0000,0000,,cultural, linguistic and mental.
Dialogue: 0,0:00:58.29,0:01:01.22,Default,,0000,0000,0000,,This is what I want to talk about today.
Dialogue: 0,0:01:01.64,0:01:03.38,Default,,0000,0000,0000,,About borders,
Dialogue: 0,0:01:03.38,0:01:05.48,Default,,0000,0000,0000,,borders and dreams,
Dialogue: 0,0:01:05.48,0:01:08.77,Default,,0000,0000,0000,,dreams at the border\Nand borders of dreams.
Dialogue: 0,0:01:11.46,0:01:14.54,Default,,0000,0000,0000,,Over the last several years,
Dialogue: 0,0:01:14.54,0:01:16.66,Default,,0000,0000,0000,,I visited the United Mexican States
Dialogue: 0,0:01:16.66,0:01:19.32,Default,,0000,0000,0000,,more than ten times.
Dialogue: 0,0:01:19.32,0:01:24.53,Default,,0000,0000,0000,,Since the year 2001, \Nwhen my first visit took place,
Dialogue: 0,0:01:25.45,0:01:29.44,Default,,0000,0000,0000,,Mexico came to be my mental homeland.
Dialogue: 0,0:01:29.44,0:01:32.79,Default,,0000,0000,0000,,I feel very well there \Nand perceive some kind of magic,
Dialogue: 0,0:01:32.79,0:01:36.54,Default,,0000,0000,0000,,which I'm not able to feel in Europe,\Nno matter how beautiful it is.
Dialogue: 0,0:01:37.60,0:01:41.36,Default,,0000,0000,0000,,Additionally, due to my work,
Dialogue: 0,0:01:41.81,0:01:45.37,Default,,0000,0000,0000,,and because of my personality,
Dialogue: 0,0:01:45.37,0:01:49.42,Default,,0000,0000,0000,,I also feel myself on the border\Namong different worlds:
Dialogue: 0,0:01:49.42,0:01:51.78,Default,,0000,0000,0000,,academic, student,
Dialogue: 0,0:01:51.78,0:01:54.33,Default,,0000,0000,0000,,formal, informal,
Dialogue: 0,0:01:54.33,0:01:56.52,Default,,0000,0000,0000,,business and cultural.
Dialogue: 0,0:01:58.15,0:02:01.58,Default,,0000,0000,0000,,Borders are usually associated\Nwith something negative
Dialogue: 0,0:02:01.58,0:02:04.85,Default,,0000,0000,0000,,with being on the verge\Nof something stressful and dangerous.
Dialogue: 0,0:02:06.27,0:02:09.35,Default,,0000,0000,0000,,But borders also imply something else:
Dialogue: 0,0:02:09.35,0:02:12.37,Default,,0000,0000,0000,,When we are at the edge of some space,
Dialogue: 0,0:02:12.37,0:02:16.53,Default,,0000,0000,0000,,we can "jump" to another one
Dialogue: 0,0:02:16.53,0:02:18.78,Default,,0000,0000,0000,,and get to know new territories.
Dialogue: 0,0:02:19.87,0:02:22.58,Default,,0000,0000,0000,,When we are standing steadily
Dialogue: 0,0:02:23.00,0:02:25.42,Default,,0000,0000,0000,,on whichever space,
Dialogue: 0,0:02:25.42,0:02:28.98,Default,,0000,0000,0000,,it's difficult to "jump" to the new one.
Dialogue: 0,0:02:32.96,0:02:37.84,Default,,0000,0000,0000,,I also think that the ability\Nto cross borders
Dialogue: 0,0:02:37.85,0:02:43.44,Default,,0000,0000,0000,,is even more useful in the private life\Nthan in the professional one,
Dialogue: 0,0:02:43.44,0:02:45.52,Default,,0000,0000,0000,,as it lets us look
Dialogue: 0,0:02:45.52,0:02:47.68,Default,,0000,0000,0000,,at some situations
Dialogue: 0,0:02:47.68,0:02:49.48,Default,,0000,0000,0000,,from different points of view
Dialogue: 0,0:02:50.21,0:02:55.48,Default,,0000,0000,0000,,and feel less fear,
Dialogue: 0,0:02:55.48,0:02:58.77,Default,,0000,0000,0000,,when we are stepping out \Nof our comfort zone.
Dialogue: 0,0:03:00.58,0:03:05.27,Default,,0000,0000,0000,,Approaching the border \Nhelps us to change the perspective.
Dialogue: 0,0:03:06.52,0:03:09.05,Default,,0000,0000,0000,,There may be a lot of borders:
Dialogue: 0,0:03:09.05,0:03:13.14,Default,,0000,0000,0000,,physical, linguistic,
Dialogue: 0,0:03:13.14,0:03:16.51,Default,,0000,0000,0000,,cultural, intellectual;
Dialogue: 0,0:03:16.51,0:03:19.03,Default,,0000,0000,0000,,we can also have mental borders.
Dialogue: 0,0:03:19.42,0:03:22.60,Default,,0000,0000,0000,,And it is about these borders,\Nin the Mexican context,
Dialogue: 0,0:03:22.60,0:03:24.74,Default,,0000,0000,0000,,that I'd like to talk about.
Dialogue: 0,0:03:27.72,0:03:31.47,Default,,0000,0000,0000,,When we think about Mexico\Nand the border,
Dialogue: 0,0:03:31.47,0:03:34.02,Default,,0000,0000,0000,,we automatically imagine the borderline
Dialogue: 0,0:03:34.02,0:03:37.52,Default,,0000,0000,0000,,between Mexico and the United States,
Dialogue: 0,0:03:37.52,0:03:41.34,Default,,0000,0000,0000,,the area portrayed in the media
Dialogue: 0,0:03:41.34,0:03:45.87,Default,,0000,0000,0000,,as dangerous, destructive, full of violence.
Dialogue: 0,0:03:48.34,0:03:52.26,Default,,0000,0000,0000,,However, this border has another side:
Dialogue: 0,0:03:52.89,0:03:56.26,Default,,0000,0000,0000,,it is a place of a rich cultural
Dialogue: 0,0:03:56.26,0:03:58.21,Default,,0000,0000,0000,,and social exchange.
Dialogue: 0,0:03:58.21,0:04:01.45,Default,,0000,0000,0000,,A place of social symbiosis:
Dialogue: 0,0:04:01.45,0:04:03.88,Default,,0000,0000,0000,,there are a lot of people and families,
Dialogue: 0,0:04:03.88,0:04:07.59,Default,,0000,0000,0000,,who cross and enrich \Nthis border every single day.
Dialogue: 0,0:04:09.10,0:04:12.34,Default,,0000,0000,0000,,Also, a lot of Mexicans living in Poland,
Dialogue: 0,0:04:12.34,0:04:14.06,Default,,0000,0000,0000,,or Polish people visiting Mexico,
Dialogue: 0,0:04:14.06,0:04:18.03,Default,,0000,0000,0000,,have told me that in spite of \Na large geographical distance
Dialogue: 0,0:04:18.03,0:04:20.92,Default,,0000,0000,0000,,between our countries,
Dialogue: 0,0:04:20.92,0:04:24.36,Default,,0000,0000,0000,,we have a lot of common mental features.
Dialogue: 0,0:04:25.93,0:04:28.95,Default,,0000,0000,0000,,It teaches us that physical borders
Dialogue: 0,0:04:28.95,0:04:30.76,Default,,0000,0000,0000,,may be illusory.
Dialogue: 0,0:04:33.97,0:04:37.25,Default,,0000,0000,0000,,If we talk about \Nlinguistic and cultural borders,
Dialogue: 0,0:04:37.25,0:04:40.80,Default,,0000,0000,0000,,we intuitively feel\Nthat every new language
Dialogue: 0,0:04:40.80,0:04:43.98,Default,,0000,0000,0000,,is a key to unlock a new culture.
Dialogue: 0,0:04:44.64,0:04:48.15,Default,,0000,0000,0000,,But I think that a language is much more:
Dialogue: 0,0:04:48.57,0:04:51.42,Default,,0000,0000,0000,,it enables us to create reality,
Dialogue: 0,0:04:51.42,0:04:54.38,Default,,0000,0000,0000,,and shape the world around us.
Dialogue: 0,0:04:55.32,0:04:59.16,Default,,0000,0000,0000,,I would like to illustrate this\Nwith the example of Malinche.
Dialogue: 0,0:05:00.38,0:05:03.96,Default,,0000,0000,0000,,Malinche, or Doña Marina,
Dialogue: 0,0:05:03.96,0:05:07.96,Default,,0000,0000,0000,,was a companion and translator\Nof Hernán Cortés,
Dialogue: 0,0:05:07.96,0:05:10.88,Default,,0000,0000,0000,,who conquered Mexico in the 16th century.
Dialogue: 0,0:05:11.49,0:05:15.24,Default,,0000,0000,0000,,As a very young girl \Nshe was sold to the Maya people
Dialogue: 0,0:05:15.24,0:05:19.01,Default,,0000,0000,0000,,by her mother, after her father's death.
Dialogue: 0,0:05:19.01,0:05:21.66,Default,,0000,0000,0000,,She herself came from the Nahua tribe.
Dialogue: 0,0:05:21.66,0:05:26.42,Default,,0000,0000,0000,,This way she learnt another \Nimportant Mexican language.
Dialogue: 0,0:05:26.100,0:05:29.07,Default,,0000,0000,0000,,She was among several captive women
Dialogue: 0,0:05:29.07,0:05:32.07,Default,,0000,0000,0000,,given as a present to Cortés,
Dialogue: 0,0:05:32.07,0:05:34.58,Default,,0000,0000,0000,,arriving at the Mexican coast.
Dialogue: 0,0:05:35.07,0:05:38.07,Default,,0000,0000,0000,,From the first official\Ntranslator of Hernán Cortés
Dialogue: 0,0:05:38.07,0:05:40.67,Default,,0000,0000,0000,,she learnt Spanish.
Dialogue: 0,0:05:42.22,0:05:46.05,Default,,0000,0000,0000,,Malinche is seen \Nas a controversial figure in Mexico,
Dialogue: 0,0:05:46.05,0:05:49.78,Default,,0000,0000,0000,,because sometimes she is thought of \Nas a traitor to the nation.
Dialogue: 0,0:05:49.78,0:05:53.54,Default,,0000,0000,0000,,In my view, taking into account\Nthe social and the historical context
Dialogue: 0,0:05:53.54,0:05:55.98,Default,,0000,0000,0000,,she was compelled to live in,
Dialogue: 0,0:05:55.98,0:05:58.78,Default,,0000,0000,0000,,this statement is not necessarily true.
Dialogue: 0,0:05:58.78,0:06:00.85,Default,,0000,0000,0000,,Furthermore, we could assume
Dialogue: 0,0:06:00.85,0:06:03.74,Default,,0000,0000,0000,,that her mediation was the reason that
Dialogue: 0,0:06:03.74,0:06:07.53,Default,,0000,0000,0000,,the conquest of Mexico was less bloody.
Dialogue: 0,0:06:09.15,0:06:11.41,Default,,0000,0000,0000,,This way the figure of Malinche,
Dialogue: 0,0:06:12.20,0:06:14.31,Default,,0000,0000,0000,,a woman who lived in the 16th century,
Dialogue: 0,0:06:14.31,0:06:18.78,Default,,0000,0000,0000,,teaches us that a language is not only\N"a door to another culture,"
Dialogue: 0,0:06:18.78,0:06:21.51,Default,,0000,0000,0000,,but also a means to shape the reality,
Dialogue: 0,0:06:21.51,0:06:24.68,Default,,0000,0000,0000,,and therefore participate more actively
Dialogue: 0,0:06:24.68,0:06:26.68,Default,,0000,0000,0000,,in the social life.
Dialogue: 0,0:06:28.73,0:06:30.59,Default,,0000,0000,0000,,If we talk about intellectual borders,
Dialogue: 0,0:06:30.59,0:06:33.67,Default,,0000,0000,0000,,let's take an example
Dialogue: 0,0:06:33.67,0:06:35.93,Default,,0000,0000,0000,,of Sor Juana Inés de la Cruz.
Dialogue: 0,0:06:35.93,0:06:41.30,Default,,0000,0000,0000,,Sor Juana Inés was\Na Mexican Baroque poet.
Dialogue: 0,0:06:42.65,0:06:46.16,Default,,0000,0000,0000,,She became a nun, since monastic life
Dialogue: 0,0:06:46.16,0:06:48.86,Default,,0000,0000,0000,,a bit more easily than other social contexts
Dialogue: 0,0:06:48.86,0:06:51.07,Default,,0000,0000,0000,,in the 16th century Mexico,
Dialogue: 0,0:06:51.07,0:06:53.50,Default,,0000,0000,0000,,allowed a woman to study.
Dialogue: 0,0:06:53.50,0:06:56.09,Default,,0000,0000,0000,,And Sor Juana was a "child prodigy."
Dialogue: 0,0:06:56.09,0:07:00.06,Default,,0000,0000,0000,,Since her early years, she put\Na lot of effort in understanding,
Dialogue: 0,0:07:00.06,0:07:03.37,Default,,0000,0000,0000,,learning and personal development.
Dialogue: 0,0:07:04.67,0:07:07.48,Default,,0000,0000,0000,,Sor Juana Inés de la Cruz\Nis famous for saying
Dialogue: 0,0:07:07.48,0:07:10.74,Default,,0000,0000,0000,,that we can learn in every situation.
Dialogue: 0,0:07:10.74,0:07:14.61,Default,,0000,0000,0000,,She also authors\Nanother celebrated statement:
Dialogue: 0,0:07:14.61,0:07:18.71,Default,,0000,0000,0000,,"Had Aristotle cooked,\Nhe would have written a great deal more."
Dialogue: 0,0:07:19.97,0:07:22.13,Default,,0000,0000,0000,,This figure teaches us
Dialogue: 0,0:07:22.13,0:07:26.26,Default,,0000,0000,0000,,that intellectual borders\Nalso can be surpassed.
Dialogue: 0,0:07:27.75,0:07:31.28,Default,,0000,0000,0000,,This is how we approached the last border,\Nprobably the most difficult:
Dialogue: 0,0:07:31.28,0:07:33.31,Default,,0000,0000,0000,,the mental, psychological border.
Dialogue: 0,0:07:33.31,0:07:37.43,Default,,0000,0000,0000,,Here our guide will be\NRosario Castellanos,
Dialogue: 0,0:07:37.43,0:07:39.34,Default,,0000,0000,0000,,a Mexican writer
Dialogue: 0,0:07:39.34,0:07:43.100,Default,,0000,0000,0000,,concerned with the topic of native people.
Dialogue: 0,0:07:43.100,0:07:47.61,Default,,0000,0000,0000,,She was also a member of \Nthe Mexican diplomatic corps,
Dialogue: 0,0:07:47.61,0:07:51.18,Default,,0000,0000,0000,,and an ambassador in Israel.
Dialogue: 0,0:07:52.49,0:07:56.53,Default,,0000,0000,0000,,In her play "The Eternal Feminine"
Dialogue: 0,0:07:57.08,0:08:00.94,Default,,0000,0000,0000,,a peddler visits a Mexican beauty salon
Dialogue: 0,0:08:00.94,0:08:04.76,Default,,0000,0000,0000,,regularly offering technical novelties \Nto the owner.
Dialogue: 0,0:08:05.82,0:08:10.18,Default,,0000,0000,0000,,This time he brings a special device\Nfor a hair dryer,
Dialogue: 0,0:08:10.64,0:08:13.24,Default,,0000,0000,0000,,a big one, of the old sort.
Dialogue: 0,0:08:14.57,0:08:16.48,Default,,0000,0000,0000,,What is this invention meant for?
Dialogue: 0,0:08:16.48,0:08:18.81,Default,,0000,0000,0000,,For occupying the heads,
Dialogue: 0,0:08:18.81,0:08:20.41,Default,,0000,0000,0000,,literally and metaphorically,
Dialogue: 0,0:08:20.41,0:08:23.08,Default,,0000,0000,0000,,of the clients.
Dialogue: 0,0:08:23.08,0:08:28.09,Default,,0000,0000,0000,,Some of them go there\Nseveral times a week.
Dialogue: 0,0:08:28.09,0:08:31.62,Default,,0000,0000,0000,,With their heads under the dryer\Nthey get bored,
Dialogue: 0,0:08:31.62,0:08:33.48,Default,,0000,0000,0000,,and boredom, as is well known,
Dialogue: 0,0:08:33.48,0:08:36.50,Default,,0000,0000,0000,,can lead to a socially dangerous activity:
Dialogue: 0,0:08:36.50,0:08:37.86,Default,,0000,0000,0000,,thinking.
Dialogue: 0,0:08:39.69,0:08:42.67,Default,,0000,0000,0000,,This new, wonderful invention is tested
Dialogue: 0,0:08:42.67,0:08:44.74,Default,,0000,0000,0000,,on an ideal client:
Dialogue: 0,0:08:44.74,0:08:47.28,Default,,0000,0000,0000,,a naive young girl,
Dialogue: 0,0:08:47.28,0:08:50.53,Default,,0000,0000,0000,,full of hope, about to get married.
Dialogue: 0,0:08:50.53,0:08:53.25,Default,,0000,0000,0000,,In this Mexican beauty salon
Dialogue: 0,0:08:53.25,0:08:56.06,Default,,0000,0000,0000,,she dreams a socially correct dream,
Dialogue: 0,0:08:56.57,0:09:00.06,Default,,0000,0000,0000,,in which she turns from\Na young, energetic person
Dialogue: 0,0:09:00.46,0:09:03.62,Default,,0000,0000,0000,,into a frustrated,
Dialogue: 0,0:09:03.62,0:09:06.32,Default,,0000,0000,0000,,sad housewife.
Dialogue: 0,0:09:07.82,0:09:11.35,Default,,0000,0000,0000,,Rosario Castellanos' play
Dialogue: 0,0:09:11.35,0:09:14.18,Default,,0000,0000,0000,,shows us that we can \Ngo beyond the mental borders.
Dialogue: 0,0:09:14.18,0:09:17.35,Default,,0000,0000,0000,,And the irony helps us disarm
Dialogue: 0,0:09:17.35,0:09:20.19,Default,,0000,0000,0000,,the negative social schemes,
Dialogue: 0,0:09:20.19,0:09:23.44,Default,,0000,0000,0000,,which we often grow up with.
Dialogue: 0,0:09:25.78,0:09:28.35,Default,,0000,0000,0000,,Cultural, linguistic,
Dialogue: 0,0:09:28.35,0:09:30.93,Default,,0000,0000,0000,,mental borders
Dialogue: 0,0:09:30.93,0:09:35.48,Default,,0000,0000,0000,,were experienced by three Mexican,\Nnot completely Mexican women,
Dialogue: 0,0:09:36.21,0:09:41.39,Default,,0000,0000,0000,,three surrealist painters\Nof European origin,
Dialogue: 0,0:09:41.39,0:09:43.63,Default,,0000,0000,0000,,who created their works in Mexico:
Dialogue: 0,0:09:43.63,0:09:48.57,Default,,0000,0000,0000,,Alice Rahon, Remedios Varo \Nand Leonora Carrington.
Dialogue: 0,0:09:51.03,0:09:53.50,Default,,0000,0000,0000,,Alice Rahon, in her paintings,
Dialogue: 0,0:09:53.50,0:09:56.52,Default,,0000,0000,0000,,mixes the French surrealism
Dialogue: 0,0:09:56.52,0:09:58.94,Default,,0000,0000,0000,,with the color of the Mexican soil.
Dialogue: 0,0:09:59.40,0:10:03.29,Default,,0000,0000,0000,,She portrays herself\Nas Alice in Wonderland,
Dialogue: 0,0:10:03.96,0:10:08.82,Default,,0000,0000,0000,,a literary character\Ndrifting between worlds.
Dialogue: 0,0:10:09.98,0:10:13.96,Default,,0000,0000,0000,,In her works, she also \Npays tribute to Frida Kahlo.
Dialogue: 0,0:10:13.96,0:10:16.42,Default,,0000,0000,0000,,This second painting represents
Dialogue: 0,0:10:16.42,0:10:20.20,Default,,0000,0000,0000,,her vision of the Mexican world.
Dialogue: 0,0:10:25.84,0:10:30.91,Default,,0000,0000,0000,,Towards the knowledge, and the unknown\Nis where Remedios Varo,
Dialogue: 0,0:10:30.91,0:10:33.06,Default,,0000,0000,0000,,of Spanish origin, drifts as well.
Dialogue: 0,0:10:34.22,0:10:38.09,Default,,0000,0000,0000,,Her painting "Exploration of the Sources\Nof the Orinoco River"
Dialogue: 0,0:10:38.09,0:10:41.64,Default,,0000,0000,0000,,portrays a young woman in a small boat,
Dialogue: 0,0:10:42.12,0:10:44.40,Default,,0000,0000,0000,,sailing to the unknown.
Dialogue: 0,0:10:45.45,0:10:47.87,Default,,0000,0000,0000,,We can tell that Remedios Varo herself
Dialogue: 0,0:10:47.87,0:10:51.02,Default,,0000,0000,0000,,was aware of living, being
Dialogue: 0,0:10:51.02,0:10:53.10,Default,,0000,0000,0000,,on the verge of two different worlds,
Dialogue: 0,0:10:53.10,0:10:57.12,Default,,0000,0000,0000,,which can be verified\Nin her self-portrait:
Dialogue: 0,0:10:57.12,0:10:59.45,Default,,0000,0000,0000,,on one side we can see her face,
Dialogue: 0,0:10:59.45,0:11:02.60,Default,,0000,0000,0000,,the connection with the real world,
Dialogue: 0,0:11:03.67,0:11:06.03,Default,,0000,0000,0000,,on other side there is a mask,
Dialogue: 0,0:11:06.69,0:11:11.15,Default,,0000,0000,0000,,symbolizing the belonging \Nto the surrealistic world,
Dialogue: 0,0:11:11.15,0:11:13.08,Default,,0000,0000,0000,,to a different world.
Dialogue: 0,0:11:18.10,0:11:20.80,Default,,0000,0000,0000,,And the last, yet very interesting figure:
Dialogue: 0,0:11:20.80,0:11:23.39,Default,,0000,0000,0000,,Leonora Carrington, of British origin,
Dialogue: 0,0:11:23.39,0:11:26.89,Default,,0000,0000,0000,,to whom the first quotation referred.
Dialogue: 0,0:11:29.17,0:11:32.62,Default,,0000,0000,0000,,Leonora Carrington died only two years ago,
Dialogue: 0,0:11:32.62,0:11:36.86,Default,,0000,0000,0000,,at the age of 94 in Mexico City.
Dialogue: 0,0:11:36.86,0:11:39.48,Default,,0000,0000,0000,,Her paintings show
Dialogue: 0,0:11:39.48,0:11:41.56,Default,,0000,0000,0000,,the connection with the world of magic,
Dialogue: 0,0:11:41.56,0:11:46.11,Default,,0000,0000,0000,,the world of animals, \Nthe world of intuition.
Dialogue: 0,0:11:53.93,0:11:55.34,Default,,0000,0000,0000,,I'm the President
Dialogue: 0,0:11:55.34,0:11:58.30,Default,,0000,0000,0000,,of the Polish-Mexican Cultural Association
Dialogue: 0,0:11:58.30,0:12:00.35,Default,,0000,0000,0000,,Bocian&Nopal.
Dialogue: 0,0:12:01.09,0:12:05.64,Default,,0000,0000,0000,,The projects we carry out are meant to\Nfamiliarize Polish people with Mexico,
Dialogue: 0,0:12:06.14,0:12:08.44,Default,,0000,0000,0000,,and convey certain ideas,
Dialogue: 0,0:12:08.44,0:12:11.68,Default,,0000,0000,0000,,that we can learn \Nfrom the Mexicans in general
Dialogue: 0,0:12:11.68,0:12:13.53,Default,,0000,0000,0000,,and the Mexican women\NI mentioned.
Dialogue: 0,0:12:13.53,0:12:17.82,Default,,0000,0000,0000,,That language is the key \Nto unlock other cultures,
Dialogue: 0,0:12:17.82,0:12:20.44,Default,,0000,0000,0000,,that can shape and change the reality.
Dialogue: 0,0:12:20.44,0:12:23.64,Default,,0000,0000,0000,,That we can go \Nbeyond intellectual borders,
Dialogue: 0,0:12:23.64,0:12:26.66,Default,,0000,0000,0000,,and that, in fact, we are the ones\Nwho limit ourselves.
Dialogue: 0,0:12:26.66,0:12:30.36,Default,,0000,0000,0000,,That mental borders and social "devices"
Dialogue: 0,0:12:30.36,0:12:33.56,Default,,0000,0000,0000,,put by the society
Dialogue: 0,0:12:33.56,0:12:36.75,Default,,0000,0000,0000,,into our personal "hair dryers"
Dialogue: 0,0:12:36.75,0:12:39.95,Default,,0000,0000,0000,,can be disarmed with irony.
Dialogue: 0,0:12:41.70,0:12:46.21,Default,,0000,0000,0000,,In everyday life, when we say \Nthat something is surrealistic,
Dialogue: 0,0:12:46.21,0:12:50.55,Default,,0000,0000,0000,,we think that it is unreal, \Nand hard to accomplish.
Dialogue: 0,0:12:52.91,0:12:57.01,Default,,0000,0000,0000,,But maybe freedom and crossing borders
Dialogue: 0,0:12:57.01,0:12:59.00,Default,,0000,0000,0000,,can actually take place
Dialogue: 0,0:12:59.00,0:13:01.47,Default,,0000,0000,0000,,if we feel more at ease,
Dialogue: 0,0:13:01.47,0:13:03.81,Default,,0000,0000,0000,,if nothing is limiting us.
Dialogue: 0,0:13:04.94,0:13:07.72,Default,,0000,0000,0000,,It happens when we sleep and dream.
Dialogue: 0,0:13:10.33,0:13:12.25,Default,,0000,0000,0000,,Lawrence of Arabia once said
Dialogue: 0,0:13:12.25,0:13:14.80,Default,,0000,0000,0000,,that all the people dream,\Nbut not in the same way.
Dialogue: 0,0:13:16.94,0:13:21.00,Default,,0000,0000,0000,,Most of the people dream by night.
Dialogue: 0,0:13:21.00,0:13:25.29,Default,,0000,0000,0000,,They wake up and see\Nthat their dream is gone.
Dialogue: 0,0:13:26.91,0:13:30.40,Default,,0000,0000,0000,,But he said that there are\Nalso these dangerous people,
Dialogue: 0,0:13:30.40,0:13:33.24,Default,,0000,0000,0000,,who may act their dreams\Nwith open eyes
Dialogue: 0,0:13:33.24,0:13:34.78,Default,,0000,0000,0000,,in the daylight
Dialogue: 0,0:13:34.78,0:13:38.09,Default,,0000,0000,0000,,to make them possible.
Dialogue: 0,0:13:39.70,0:13:42.48,Default,,0000,0000,0000,,Life is a dream,\Nso let us dream consciously.
Dialogue: 0,0:13:42.48,0:13:43.87,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:13:43.87,0:13:46.87,Default,,0000,0000,0000,,(Applause)