[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:11.98,0:00:13.32,Default,,0000,0000,0000,,Have you stopped to think
Dialogue: 0,0:00:13.32,0:00:16.46,Default,,0000,0000,0000,,what kind of relation\Nwe have with objects?
Dialogue: 0,0:00:16.46,0:00:18.71,Default,,0000,0000,0000,,We deal with them all the time:
Dialogue: 0,0:00:18.71,0:00:20.56,Default,,0000,0000,0000,,a loaf of bread,
Dialogue: 0,0:00:20.56,0:00:22.33,Default,,0000,0000,0000,,a red carpet,
Dialogue: 0,0:00:22.92,0:00:24.31,Default,,0000,0000,0000,,a violin,
Dialogue: 0,0:00:24.31,0:00:25.70,Default,,0000,0000,0000,,a car,
Dialogue: 0,0:00:27.07,0:00:28.47,Default,,0000,0000,0000,,a hammer.
Dialogue: 0,0:00:29.29,0:00:34.08,Default,,0000,0000,0000,,But aren't we always trying \Nto impose upon them our own desires,
Dialogue: 0,0:00:34.08,0:00:37.20,Default,,0000,0000,0000,,so they behave just the way we want?
Dialogue: 0,0:00:38.10,0:00:41.83,Default,,0000,0000,0000,,My job as a puppeteer\Nis to animate objects,
Dialogue: 0,0:00:41.83,0:00:47.11,Default,,0000,0000,0000,,which means to impart "anima"\Nor "life" into them.
Dialogue: 0,0:00:47.79,0:00:50.03,Default,,0000,0000,0000,,I would like to show you
Dialogue: 0,0:00:50.03,0:00:53.01,Default,,0000,0000,0000,,that a more sensitive \Nbehavior with objects
Dialogue: 0,0:00:53.01,0:00:56.34,Default,,0000,0000,0000,,can change the way\Nwe relate to the material world,
Dialogue: 0,0:00:56.34,0:00:59.04,Default,,0000,0000,0000,,and also among ourselves.
Dialogue: 0,0:01:00.24,0:01:04.79,Default,,0000,0000,0000,,There is a quote by Albert Einstein\Nthat inspires me,
Dialogue: 0,0:01:04.79,0:01:09.10,Default,,0000,0000,0000,,"You cannot love a car \Nthe way you love a horse.
Dialogue: 0,0:01:09.96,0:01:15.06,Default,,0000,0000,0000,,The horse brings out human feelings\Nthe way machines cannot do".
Dialogue: 0,0:01:15.99,0:01:17.14,Default,,0000,0000,0000,,Interestingly,
Dialogue: 0,0:01:17.14,0:01:23.33,Default,,0000,0000,0000,,marionettes happen to be in the threshold\Nbetween the horse and the machine.
Dialogue: 0,0:01:23.64,0:01:28.05,Default,,0000,0000,0000,,On one hand, we have a way\Nto relate to them with affection:
Dialogue: 0,0:01:28.05,0:01:32.18,Default,,0000,0000,0000,,we call them by name,\Nrecognize their faces,
Dialogue: 0,0:01:32.18,0:01:35.45,Default,,0000,0000,0000,,and, when animated,\Nthey express emotions.
Dialogue: 0,0:01:35.92,0:01:38.23,Default,,0000,0000,0000,,On the other hand, they have machinery,
Dialogue: 0,0:01:38.23,0:01:42.43,Default,,0000,0000,0000,,sometimes complex,\Nin their making and their crafting,
Dialogue: 0,0:01:42.43,0:01:47.78,Default,,0000,0000,0000,,that produce their tricks,\Nlike for example a trapeze artist.
Dialogue: 0,0:01:48.72,0:01:51.17,Default,,0000,0000,0000,,But how is it to lead a marionette?
Dialogue: 0,0:01:51.59,0:01:54.54,Default,,0000,0000,0000,,Does it simply obey my orders?
Dialogue: 0,0:01:55.26,0:01:59.23,Default,,0000,0000,0000,,There is a tendency in us\Nto be just manipulators.
Dialogue: 0,0:01:59.97,0:02:04.54,Default,,0000,0000,0000,,The word "manipulator"\Ncomes from "manus", meaning "hand."
Dialogue: 0,0:02:04.54,0:02:06.98,Default,,0000,0000,0000,,We control it with our hands.
Dialogue: 0,0:02:07.24,0:02:10.01,Default,,0000,0000,0000,,There is also a negative meaning\Nin manipulation.
Dialogue: 0,0:02:10.01,0:02:13.04,Default,,0000,0000,0000,,If you feel someone \Nis trying to manipulate you,
Dialogue: 0,0:02:13.04,0:02:14.26,Default,,0000,0000,0000,,you don’t like it.
Dialogue: 0,0:02:14.26,0:02:16.32,Default,,0000,0000,0000,,You don’t like to be pushed,
Dialogue: 0,0:02:16.32,0:02:18.50,Default,,0000,0000,0000,,you don’t like to lose control.
Dialogue: 0,0:02:19.06,0:02:20.78,Default,,0000,0000,0000,,For marionettes, though,
Dialogue: 0,0:02:20.78,0:02:24.29,Default,,0000,0000,0000,,in order to find their graceful movement,
Dialogue: 0,0:02:25.06,0:02:27.93,Default,,0000,0000,0000,,a pushy attitude never works.
Dialogue: 0,0:02:28.45,0:02:32.32,Default,,0000,0000,0000,,To animate a marionette, we pull strings.
Dialogue: 0,0:02:32.94,0:02:37.49,Default,,0000,0000,0000,,I've been researching how to transpose\Nthis experience to people
Dialogue: 0,0:02:37.49,0:02:39.40,Default,,0000,0000,0000,,so they could feel it.
Dialogue: 0,0:02:40.53,0:02:42.89,Default,,0000,0000,0000,,I would like to invite
Dialogue: 0,0:02:43.90,0:02:48.29,Default,,0000,0000,0000,,someone that is willing to experience
Dialogue: 0,0:02:49.25,0:02:52.76,Default,,0000,0000,0000,,pulling and being pulled.
Dialogue: 0,0:02:55.14,0:02:56.33,Default,,0000,0000,0000,,Oh...
Dialogue: 0,0:02:56.92,0:02:58.47,Default,,0000,0000,0000,,Hello!
Dialogue: 0,0:02:59.18,0:03:01.50,Default,,0000,0000,0000,,(Chuckling)
Dialogue: 0,0:03:06.12,0:03:08.93,Default,,0000,0000,0000,,So, we can pull...
Dialogue: 0,0:03:09.34,0:03:11.65,Default,,0000,0000,0000,,You can pull, I can pull...
Dialogue: 0,0:03:13.54,0:03:15.91,Default,,0000,0000,0000,,We can listen to each other...
Dialogue: 0,0:03:16.31,0:03:18.84,Default,,0000,0000,0000,,and let’s see what happens.
Dialogue: 0,0:03:22.47,0:03:24.83,Default,,0000,0000,0000,,(Sounds of ropes and steps onstage)
Dialogue: 0,0:03:25.35,0:03:27.15,Default,,0000,0000,0000,,We can be gentle...
Dialogue: 0,0:03:27.79,0:03:30.88,Default,,0000,0000,0000,,We can feel light, light as a marionette.
Dialogue: 0,0:03:33.65,0:03:34.86,Default,,0000,0000,0000,,(Chuckling)
Dialogue: 0,0:03:34.86,0:03:36.50,Default,,0000,0000,0000,,Yeah!
Dialogue: 0,0:03:38.80,0:03:42.04,Default,,0000,0000,0000,,Get into the mood, not thinking...
Dialogue: 0,0:03:42.74,0:03:45.16,Default,,0000,0000,0000,,just enjoying being pulled.
Dialogue: 0,0:03:46.70,0:03:50.19,Default,,0000,0000,0000,,We can go down, up -
Dialogue: 0,0:03:50.73,0:03:53.16,Default,,0000,0000,0000,,Marionettes can fly, but we can’t.
Dialogue: 0,0:03:53.16,0:03:54.41,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:03:54.41,0:03:56.20,Default,,0000,0000,0000,,Thank you very much.
Dialogue: 0,0:03:56.84,0:03:58.46,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:03:58.46,0:03:59.56,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:03:59.56,0:04:01.69,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:04:04.24,0:04:07.34,Default,,0000,0000,0000,,These are the "intercessor-ropes."
Dialogue: 0,0:04:10.30,0:04:14.17,Default,,0000,0000,0000,,So, to animate a marionette,\Nwe pull strings.
Dialogue: 0,0:04:14.17,0:04:15.94,Default,,0000,0000,0000,,No pushing!
Dialogue: 0,0:04:15.94,0:04:17.52,Default,,0000,0000,0000,,If you stop and think,
Dialogue: 0,0:04:17.52,0:04:22.27,Default,,0000,0000,0000,,we push pedals, we push keys\Non our cellular phones,
Dialogue: 0,0:04:22.27,0:04:25.14,Default,,0000,0000,0000,,we even push our feet heavily down,
Dialogue: 0,0:04:25.14,0:04:29.46,Default,,0000,0000,0000,,instead of walking lightly as a marionette.
Dialogue: 0,0:04:29.46,0:04:31.94,Default,,0000,0000,0000,,Pushing is a habit in our daily life.
Dialogue: 0,0:04:32.55,0:04:36.16,Default,,0000,0000,0000,,The philosopher \NSoren Kierkegaard once said:
Dialogue: 0,0:04:36.68,0:04:41.02,Default,,0000,0000,0000,,"The door to happiness\Nopens to the outside".
Dialogue: 0,0:04:41.86,0:04:44.71,Default,,0000,0000,0000,,The more you push, the more it gets stuck.
Dialogue: 0,0:04:45.58,0:04:49.58,Default,,0000,0000,0000,,So, why are we pushing\Neverything all the time?
Dialogue: 0,0:04:50.40,0:04:54.76,Default,,0000,0000,0000,,Perhaps because we live\Nincreasingly in a machine world.
Dialogue: 0,0:04:55.10,0:04:59.84,Default,,0000,0000,0000,,Machines have buttons,\Ntriggers, pedals, screens
Dialogue: 0,0:04:59.84,0:05:04.06,Default,,0000,0000,0000,,that, whenever pushed,\Nbehave in a very programed way.
Dialogue: 0,0:05:04.63,0:05:07.63,Default,,0000,0000,0000,,It is hard to believe,\Nbut some kids nowadays
Dialogue: 0,0:05:07.63,0:05:11.81,Default,,0000,0000,0000,,are finding all those\Nprogramed gadgets boring.
Dialogue: 0,0:05:11.81,0:05:16.91,Default,,0000,0000,0000,,They are looking for something else,\Nsomething outside of that box.
Dialogue: 0,0:05:19.19,0:05:21.34,Default,,0000,0000,0000,,I had an experience the other day.
Dialogue: 0,0:05:21.77,0:05:24.23,Default,,0000,0000,0000,,A mother came up [to me] after a show
Dialogue: 0,0:05:24.23,0:05:26.81,Default,,0000,0000,0000,,and told that she was \Nimpressed by her kid.
Dialogue: 0,0:05:27.27,0:05:30.49,Default,,0000,0000,0000,,She tried to ask him something\Nduring the show,
Dialogue: 0,0:05:30.49,0:05:32.50,Default,,0000,0000,0000,,and he quietly answered:
Dialogue: 0,0:05:32.96,0:05:36.75,Default,,0000,0000,0000,,"Silence Mom! He is performing!
Dialogue: 0,0:05:36.75,0:05:39.54,Default,,0000,0000,0000,,It's happening right now!"
Dialogue: 0,0:05:41.72,0:05:44.24,Default,,0000,0000,0000,,The connection between the puppet and me
Dialogue: 0,0:05:44.24,0:05:47.50,Default,,0000,0000,0000,,made it possible for the kid\Nto forget the strings
Dialogue: 0,0:05:47.50,0:05:51.12,Default,,0000,0000,0000,,and enter into the present moment.
Dialogue: 0,0:05:51.59,0:05:54.35,Default,,0000,0000,0000,,That is where life exists.
Dialogue: 0,0:05:55.39,0:06:00.68,Default,,0000,0000,0000,,I am always a bit afraid\Nwhen I perform with marionettes
Dialogue: 0,0:06:00.68,0:06:03.42,Default,,0000,0000,0000,,because they have their own\Nsubstance in movement,
Dialogue: 0,0:06:03.42,0:06:06.64,Default,,0000,0000,0000,,and I have to listen carefully\Nthrough the strings,
Dialogue: 0,0:06:06.64,0:06:09.52,Default,,0000,0000,0000,,otherwise they may get tangled.
Dialogue: 0,0:06:10.26,0:06:11.91,Default,,0000,0000,0000,,Sandra…
Dialogue: 0,0:06:12.47,0:06:14.53,Default,,0000,0000,0000,,Oh, Sandra!
Dialogue: 0,0:06:17.90,0:06:21.02,Default,,0000,0000,0000,,(Sound of the puppet walking)
Dialogue: 0,0:06:26.41,0:06:28.11,Default,,0000,0000,0000,,Let’s fly!
Dialogue: 0,0:06:28.11,0:06:30.64,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:07:18.82,0:07:20.09,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:07:20.09,0:07:22.85,Default,,0000,0000,0000,,(Applause) (Cheers)
Dialogue: 0,0:07:24.25,0:07:27.84,Default,,0000,0000,0000,,You did very well, Sandra! Look at them!
Dialogue: 0,0:07:28.83,0:07:30.49,Default,,0000,0000,0000,,Come on.
Dialogue: 0,0:07:38.29,0:07:41.11,Default,,0000,0000,0000,,Some physicists in the room\Nmust have noticed
Dialogue: 0,0:07:41.11,0:07:44.28,Default,,0000,0000,0000,,that Sandra has a natural frequency.
Dialogue: 0,0:07:44.67,0:07:47.63,Default,,0000,0000,0000,,I chose a song that would\Nfit with that rhythm
Dialogue: 0,0:07:47.63,0:07:52.24,Default,,0000,0000,0000,,and, from there, create variety\Nand, ultimately, life.
Dialogue: 0,0:07:54.19,0:07:56.94,Default,,0000,0000,0000,,I have to confess something to you.
Dialogue: 0,0:07:57.69,0:08:02.43,Default,,0000,0000,0000,,There is a division in me\Nbetween my calculative heart…
Dialogue: 0,0:08:02.43,0:08:04.45,Default,,0000,0000,0000,,no, no, no, no…
Dialogue: 0,0:08:04.45,0:08:08.72,Default,,0000,0000,0000,,calculative brain and sensitive heart.
Dialogue: 0,0:08:09.60,0:08:11.68,Default,,0000,0000,0000,,When I had to choose a career,
Dialogue: 0,0:08:12.23,0:08:16.00,Default,,0000,0000,0000,,I wanted something more\Nmanipulating and controlling.
Dialogue: 0,0:08:16.00,0:08:18.56,Default,,0000,0000,0000,,I chose physics.
Dialogue: 0,0:08:19.00,0:08:20.76,Default,,0000,0000,0000,,I loved the equations,
Dialogue: 0,0:08:20.76,0:08:25.08,Default,,0000,0000,0000,,thinking about the interactions between\Nthe matter and the material forces,
Dialogue: 0,0:08:25.08,0:08:27.19,Default,,0000,0000,0000,,the natural forces...
Dialogue: 0,0:08:28.02,0:08:30.88,Default,,0000,0000,0000,,the pulling force of gravity.
Dialogue: 0,0:08:31.85,0:08:35.37,Default,,0000,0000,0000,,"Oh, that is also pulling! Eureka!"
Dialogue: 0,0:08:37.16,0:08:39.91,Default,,0000,0000,0000,,But modern physics taught me
Dialogue: 0,0:08:39.91,0:08:44.37,Default,,0000,0000,0000,,that I had to change\Nmy rigid frame of mind.
Dialogue: 0,0:08:44.88,0:08:50.18,Default,,0000,0000,0000,,I could not just observe\Nand make predictions
Dialogue: 0,0:08:50.18,0:08:53.26,Default,,0000,0000,0000,,because the very action of observing
Dialogue: 0,0:08:54.04,0:08:57.43,Default,,0000,0000,0000,,would interact with the object,
Dialogue: 0,0:08:57.43,0:08:59.13,Default,,0000,0000,0000,,affecting it.
Dialogue: 0,0:09:00.06,0:09:02.83,Default,,0000,0000,0000,,This new knowledge changed,\Ndeep within me,
Dialogue: 0,0:09:02.83,0:09:06.52,Default,,0000,0000,0000,,the way I understood\Nand related to the world.
Dialogue: 0,0:09:06.80,0:09:08.54,Default,,0000,0000,0000,,In my recent research,
Dialogue: 0,0:09:08.54,0:09:13.98,Default,,0000,0000,0000,,I developed some manipulated objects\Nthat function as instruments
Dialogue: 0,0:09:13.98,0:09:19.08,Default,,0000,0000,0000,,for interaction and observation\Nof our own persona.
Dialogue: 0,0:09:19.74,0:09:22.23,Default,,0000,0000,0000,,I would like to invite someone now
Dialogue: 0,0:09:22.61,0:09:27.83,Default,,0000,0000,0000,,that is willing to observe and interact
Dialogue: 0,0:09:27.83,0:09:30.32,Default,,0000,0000,0000,,with his own mask.
Dialogue: 0,0:09:35.26,0:09:37.08,Default,,0000,0000,0000,,Oh, yes, please.
Dialogue: 0,0:09:41.08,0:09:43.38,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:09:43.38,0:09:45.47,Default,,0000,0000,0000,,Thank you very much.
Dialogue: 0,0:09:45.47,0:09:46.84,Default,,0000,0000,0000,,Please sit.
Dialogue: 0,0:10:25.76,0:10:27.65,Default,,0000,0000,0000,,We can see each other here.
Dialogue: 0,0:10:29.20,0:10:33.86,Default,,0000,0000,0000,,And you can see yourself\Nas a third person would see you.
Dialogue: 0,0:10:34.67,0:10:37.89,Default,,0000,0000,0000,,Two mirrors make it possible.
Dialogue: 0,0:10:55.02,0:10:56.24,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:10:56.24,0:10:57.27,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:10:57.27,0:10:59.27,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:11:05.38,0:11:08.98,Default,,0000,0000,0000,,These were the "intercessor-mirrors."
Dialogue: 0,0:11:12.75,0:11:15.64,Default,,0000,0000,0000,,A few months after my graduation...
Dialogue: 0,0:11:23.17,0:11:25.73,Default,,0000,0000,0000,,declining a master’s scholarship,
Dialogue: 0,0:11:26.88,0:11:32.25,Default,,0000,0000,0000,,I boarded a small sailing boat\Ndeparting from Rio to Lisbon,
Dialogue: 0,0:11:32.25,0:11:39.02,Default,,0000,0000,0000,,with the objective of observing\Nand interacting with the world
Dialogue: 0,0:11:39.26,0:11:44.64,Default,,0000,0000,0000,,in a seven-year journey\Naround the earth by land and sea.
Dialogue: 0,0:11:45.35,0:11:48.50,Default,,0000,0000,0000,,To make my living, I worked as a baker,
Dialogue: 0,0:11:48.50,0:11:49.100,Default,,0000,0000,0000,,baking buns.
Dialogue: 0,0:11:50.33,0:11:52.06,Default,,0000,0000,0000,,We work the dough,
Dialogue: 0,0:11:52.06,0:11:53.74,Default,,0000,0000,0000,,push it,
Dialogue: 0,0:11:53.74,0:11:55.47,Default,,0000,0000,0000,,pull it,
Dialogue: 0,0:11:55.47,0:11:56.82,Default,,0000,0000,0000,,beat it,
Dialogue: 0,0:11:56.82,0:11:58.57,Default,,0000,0000,0000,,then let it grow.
Dialogue: 0,0:11:58.57,0:12:01.10,Default,,0000,0000,0000,,It grows, it's alive!!
Dialogue: 0,0:12:01.41,0:12:03.10,Default,,0000,0000,0000,,Then we [bake] it.
Dialogue: 0,0:12:03.85,0:12:07.90,Default,,0000,0000,0000,,They become delicious edible objects.
Dialogue: 0,0:12:08.34,0:12:10.26,Default,,0000,0000,0000,,We can smell them,
Dialogue: 0,0:12:11.11,0:12:12.15,Default,,0000,0000,0000,,taste them.
Dialogue: 0,0:12:12.15,0:12:13.93,Default,,0000,0000,0000,,We can share them.
Dialogue: 0,0:12:15.73,0:12:18.78,Default,,0000,0000,0000,,In Paris, I got a job in a circus.
Dialogue: 0,0:12:18.78,0:12:21.10,Default,,0000,0000,0000,,The job was quite stressful,
Dialogue: 0,0:12:21.10,0:12:25.64,Default,,0000,0000,0000,,so I would come back home by metro\Nevery night, tired and lonely.
Dialogue: 0,0:12:25.64,0:12:28.43,Default,,0000,0000,0000,,One day, a musician came in the train.
Dialogue: 0,0:12:28.43,0:12:31.86,Default,,0000,0000,0000,,He played a song that changed\Nmy mood completely.
Dialogue: 0,0:12:33.35,0:12:39.39,Default,,0000,0000,0000,,After three months working with horses,\Nelephants and bossy clowns backstage,
Dialogue: 0,0:12:39.39,0:12:41.77,Default,,0000,0000,0000,,I had one day off.
Dialogue: 0,0:12:41.77,0:12:43.70,Default,,0000,0000,0000,,So, gathering all my courage,
Dialogue: 0,0:12:43.70,0:12:45.76,Default,,0000,0000,0000,,I picked up my violin,
Dialogue: 0,0:12:46.75,0:12:49.26,Default,,0000,0000,0000,,entered a wagon and played…
Dialogue: 0,0:12:50.31,0:12:51.92,Default,,0000,0000,0000,,It worked!
Dialogue: 0,0:12:51.92,0:12:56.82,Default,,0000,0000,0000,,I could fill other people's hearts\Nwith my music, and make a living!
Dialogue: 0,0:12:57.54,0:13:01.73,Default,,0000,0000,0000,,Here, the object "violin" was singing,
Dialogue: 0,0:13:01.73,0:13:05.30,Default,,0000,0000,0000,,was expressing melody and harmony.
Dialogue: 0,0:13:05.30,0:13:06.40,Default,,0000,0000,0000,,Interestingly,
Dialogue: 0,0:13:06.40,0:13:08.82,Default,,0000,0000,0000,,that is another kind of animation,
Dialogue: 0,0:13:08.82,0:13:11.47,Default,,0000,0000,0000,,and my violin was alive again.
Dialogue: 0,0:13:13.07,0:13:15.93,Default,,0000,0000,0000,,A few years later, in Tokyo,
Dialogue: 0,0:13:15.93,0:13:18.95,Default,,0000,0000,0000,,I started building marionettes
Dialogue: 0,0:13:18.95,0:13:21.86,Default,,0000,0000,0000,,to join the music performances.
Dialogue: 0,0:13:22.60,0:13:25.02,Default,,0000,0000,0000,,That’s when I found out
Dialogue: 0,0:13:25.02,0:13:31.05,Default,,0000,0000,0000,,that people loved to see\Nanimated objects coming to life.
Dialogue: 0,0:13:36.21,0:13:41.90,Default,,0000,0000,0000,,I went deeper and invented a machine\Nthat behaved like a marionette:
Dialogue: 0,0:13:41.90,0:13:44.47,Default,,0000,0000,0000,,The Marionette Machine,
Dialogue: 0,0:13:45.24,0:13:48.46,Default,,0000,0000,0000,,a contraption with many pedals,
Dialogue: 0,0:13:49.71,0:13:51.24,Default,,0000,0000,0000,,connected to levers,
Dialogue: 0,0:13:51.24,0:13:56.18,Default,,0000,0000,0000,,that could transform\Nrough pushing into gentle pulls,
Dialogue: 0,0:13:56.18,0:14:00.22,Default,,0000,0000,0000,,so that I could animate the marionettes\Nwhile playing the violin.
Dialogue: 0,0:14:00.22,0:14:03.08,Default,,0000,0000,0000,,(Speaker hums)
Dialogue: 0,0:14:04.65,0:14:08.01,Default,,0000,0000,0000,,(Cowbells and cymbals crash)
Dialogue: 0,0:14:16.64,0:14:22.12,Default,,0000,0000,0000,,My teacher and great string puppeteer,\NPhillip Huber, says:
Dialogue: 0,0:14:22.12,0:14:25.81,Default,,0000,0000,0000,,"String puppeteering\Nis a surviving art form,
Dialogue: 0,0:14:26.45,0:14:29.05,Default,,0000,0000,0000,,struggling against great odds."
Dialogue: 0,0:14:29.62,0:14:32.82,Default,,0000,0000,0000,,That makes me think, makes me wonder:
Dialogue: 0,0:14:32.82,0:14:36.21,Default,,0000,0000,0000,,what is really struggling\Nto survive in our society?
Dialogue: 0,0:14:37.01,0:14:41.82,Default,,0000,0000,0000,,Is it the value of the craft\Nand manipulation of a marionette
Dialogue: 0,0:14:41.82,0:14:43.85,Default,,0000,0000,0000,,that is struggling?
Dialogue: 0,0:14:43.85,0:14:46.27,Default,,0000,0000,0000,,We don’t make things by hand anymore.
Dialogue: 0,0:14:47.31,0:14:53.59,Default,,0000,0000,0000,,Is it the playful relationship\Nbetween people and animated objects
Dialogue: 0,0:14:53.59,0:14:55.52,Default,,0000,0000,0000,,that is struggling?
Dialogue: 0,0:14:55.52,0:14:58.66,Default,,0000,0000,0000,,Life has become so serious.
Dialogue: 0,0:14:58.66,0:15:02.13,Default,,0000,0000,0000,,The idea that I'd like\Nto share with you is this:
Dialogue: 0,0:15:02.13,0:15:04.89,Default,,0000,0000,0000,,Let’s listen to the marionette,
Dialogue: 0,0:15:05.29,0:15:11.08,Default,,0000,0000,0000,,let’s listen to the reaction of all those\Nobjects that we touch every day,
Dialogue: 0,0:15:11.08,0:15:14.29,Default,,0000,0000,0000,,listen to our feet when we walk,
Dialogue: 0,0:15:14.29,0:15:18.22,Default,,0000,0000,0000,,or even our hands when we meet someone.
Dialogue: 0,0:15:19.01,0:15:23.91,Default,,0000,0000,0000,,It will show us the right strings\Nto pull to open the door.
Dialogue: 0,0:15:24.43,0:15:28.31,Default,,0000,0000,0000,,And let’s not be afraid\Nto bring from deep within
Dialogue: 0,0:15:28.31,0:15:33.77,Default,,0000,0000,0000,,that quiet little child\Nthat wants to play with real objects,
Dialogue: 0,0:15:34.72,0:15:36.53,Default,,0000,0000,0000,,in real time.
Dialogue: 0,0:15:39.82,0:15:42.82,Default,,0000,0000,0000,,(Sounds from the contraption)
Dialogue: 0,0:15:55.28,0:15:56.36,Default,,0000,0000,0000,,(Balloon bursts)
Dialogue: 0,0:15:56.36,0:15:57.90,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:15:57.90,0:15:59.99,Default,,0000,0000,0000,,It is happening right now!\N
Dialogue: 0,0:15:59.99,0:16:01.87,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:16:01.87,0:16:03.44,Default,,0000,0000,0000,,(Cheers)
Dialogue: 0,0:16:03.44,0:16:04.52,Default,,0000,0000,0000,,Thank you!
Dialogue: 0,0:16:04.52,0:16:05.92,Default,,0000,0000,0000,,(Applause)