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(Úvodná melódia) - Vacarme (názov rádia)

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Ešte stále vidím, napr. toto je 
fotka mojej...

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to je moja najmladšia dcéra, je na pláži 
neďaleko od Sète,

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viem to z rozprávania dcér.

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Je ešte taká maličká, môže mať tak
2-3 roky a vlásky má celé blond,

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tu ukazuje prstom na nebo a tu zase
kráča po pláži.

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Vravím si, do kelu, veď som tam bol,
takto som ju odfotil ja.

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Vedel som, že som to zažil, no
niečo mi bráni... nevidím to úplne jasne.

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(Úvodná melódia) Vacarme. 
Moja pamäť, to som ja!

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Marc Giouse - Véronique Marti.

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(V. Marti?) Dobrý deň.

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V septembri 2006, presnejšie 17. septembra

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Marc Rueger, štyridsiatnik a otec 
rodiny z Fribourgu,

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na vlastnej koži pocítil zasiahnutie
elektrickým výbojom,

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keď chcel doma opraviť kotol.

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Výboj doňho vošiel cez ukazovák
a vyšiel cez hlavu,

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čím vymazal jeden celý úsek 
Marcovej pamäte.

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Počas nehody mu uletelo preč 10 rokov,
posledných 10 rokov jeho života.

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Na druhý deň sa prebúdza v nemocnici

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a takmer nespozná svojich blízkych.
Za 24 hodín zostarli, majú šediny.

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Z jeho dievčatiek vyrástli
dospievajúce slečny.

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Má pocit, akoby strávil 10 rokov v kóme.

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Ku strate pamäti sa pridáva aj afázia: 
Marc nedokázal rozprávať ešte dva roky.

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Reč sa mu neskôr vrátila, no pamäť nie.

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Dnes nám priblíži svoj príbeh a najmä to,
ako sa dá zotaviť,

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ako je možné znovu nájsť svoju identitu,

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keď mu štvrtina života len tak vyprchala

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a ako to prežívajú jeho blízki.

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Práve teraz "Desať rokov bez spomienok",

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reportáž Cécile Guérinovej, 
zrealizoval Matthieu Ramsauer.

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(Úvodná melódia)

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(Tik-tak)

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(Marc) No, keď sa mi v roku 2006
stala tá nehoda,

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prebudil som za z kómy so stratou reči,

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ochrnutý na polovicu tela a časť pamäte
som mal vymazanú.

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(Cécile) Vymazala sa vám časť života?

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(MR) Úplne, už som si nikdy na nič
nespomenul... až na jeden obraz:

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ja a moja manželka, sme uprostred poľa,
vedľa auta

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a máme piknik.

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Problém mojej pamäte je, že sa zastavila
zhruba niekde v roku 1996.

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No o desať tokov znova pracuje ako má,

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no a to znamená, že v nej nie je 
časopriestor,

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(CG) Počkajte, takže v roku 2006 máte 
nehodu, stratíte pamäť,

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teda máte pocit, akoby ste boli 
v roku 1996?

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(MR) Presne tak.

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(CG) Je tam medzera, ktorá už neexistuje?

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(MR) Áno a nedá sa zmerať,

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v tom zmysle, že nie je ako nejaká kazeta,

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na ktorej je kúsok hudby, potom tam už
nie je a je tam pauza:

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nie,mne sa to zlepilo dokopy,

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prebudil som sa...
(CG) Zlepilo?

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(MR) povedal som...nespoznal som 
svoje dcéry

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(CG) Koľko mali rokov?

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(MR) Tá najstaršia mala, 2006, narodila sa
v 1991, mala teda 15 rokov

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(CG) A mysleli ste si, že mala 5?

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(MR) Tá druhá má 13 a najmladšia 
má 10 rokov.

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Tak som jej povedal: "No dobre Camille, 
ale kto sú tie dve mladé dievčatá?"

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Zato moja vtedajšia manželka (dnes sme 
už rozvedení),

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ona sa nezmenila a tak som ju spoznal.

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Je pravda, že to neprijali najlepšie

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Myslím, že to pre ne muselo byť ťažké.

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Ja som si myslel, že tá najstaršia
je najmladšia.

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Takže toto je "zlepenie".

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(CG) Deti vo veku od 0 do 10, 
alebo od 5 do 15

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toho zo svojim ockom zažijú veľa?

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(MR) Hm takto, je to... no, už som sa 
neodvážil pozerať si fotky,

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lebo je to akoby som si prezeral 
album ľudí, ktorých

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poznám z videnia alebo tak.

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Sú to chvíle, ktoré som nezažil,

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nevynorili sa mi z jednej fotky.

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A ďalej to už bola hrôza.

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Dobre, že moje dievčatá robili čo mohli,

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a vlastne všetci vôkol mňa
odviedli skvelú prácu.

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Pokúšali sa mi všetko vysvetliť:
"Aha, pozri, tu je ten a ten dátum..."

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(CG) A snažili sa vrátiť vám znovu pamäť.

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(MR) Presne. Ibaže... no, nič také 
sa nestalo.

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Takže OK, budem radšej klamať 
a vy uveríte.

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Prišiel deň, kedy ma mali
prepustiť z nemocnice.

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Nebolo to veľmi príjemné.

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V nemocnici som si raz zapol TV,

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ako prvé som si pozrel Veľkú cenu Formuly 1
a povedal som:

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"Do kelu! Tie autá sa tak zmenili."

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Čo ma asi tak čaká vonku?

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Nemocnicu som totiž vnímal 
ako nejaký druh ochrany.

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Bál som sa odísť. Keď som prišiel domov,

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všimol som si, 
že sa naozaj veľa vecí zmenilo,

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steny však ostali rovnaké.

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Bolo to... dodalo mi to trocha istoty.

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No stále som videl tie zmeny a všetko.

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Ľudí tiež.

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Začal som byť trocha paranoidný,

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videl som, ako sa všetci dívajú...

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Raz, keď sme šli s manželkou na skládku,
povedal som jej:

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"Všetci na mňa pozerajú"

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Nakoniec som si do zošita písal "videl si
toho a toho"

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nevedel som však, kto to je.

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(CG) A oni to vedeli?

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(MR) Samozrejme. Časom mi ľudia vraveli:

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"Vlastne sme sa báli osloviť ťa, lebo... 
no, nevedeli sme čo povedať, a ..."

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(CG) Tých ľudí to trocha znepokojovalo.

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Je to mätúce, tým myslím...

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poznali vás počas tých 10 rokov,
na ktoré si nepomínate.

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Vy ste im nemohli povedať:

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"No jasné, pamätáš, ako sme šli,"
ja neviem, "spolu tam a tam?"

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Bolo tam to puto, 
ktoré sa niekam stratilo?

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(MR) No, áno, pretože som sa znovu 
"zoznámil" so starými priateľmi...

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(CG) Z tých 10 rokov.

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(MR)...áno, no nespomínam si na nich.

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(CG) Pre vás to boli cudzinci?

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(MR) Áno, pýtal som sa: ty si kto?

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Ešte stále mám odložené zošity,

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zaplnil som nimi krabice od banánov,

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mám ich niekoľko stoviek, 
ani neviem presne.

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Aby som mohol komunikovať, všetko
som do nich zapisoval.

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(CG) Lebo ste nemohli hovoriť.

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Teraz sa vám však vrátila reč.

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(MR) Ako vidíte, áno.

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Nebolo ľahké s tým žiť, myslím tým
napríklad v situáciách,

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keď som bol medzi ľuďmi, ja neviem,

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pri stole v reštaurácii alebo tak

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a tiež som sa chcel s nimi rozprávať.


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Chcel som hovoriť,
no nedostal som sa k slovu.

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Viete, vždy máte plné ruky,

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držíte príbor alebo pohár, všeličo...

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A napísať niečo na papier

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trvá oveľa dlhšie než niečo povedať.

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Poviem vám jednu z mojich historiek.

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Raz, keď sme jedli kurča,

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spomenul som si na jeden starý film
"Bohom zabudnuté deti".

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A vtedy som si povedal: "Veď hluchí 
majú predsa posunkovú reč!"

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a uvedomil som si,
že by som sa ju mal naučiť.

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Ten nápad bol pre mňa ako...
Zázrak.

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(CG) Skrátka, aby ste sa mohli zapájať.

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(MR) Áno, no vlastne, bolo to...

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popravde, posunkovú reč som sa naučil 
pomerne rýchlo.

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Do problematiky hluchoty som sa úplne
"zažral", je to veľmi zaujímavá oblasť.

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Aj keď... Vlastne som nemohol komunikovať 
s počujúcimi ľuďmi.

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Tak som trocha zmenil prostredie,

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pretože bolo pre mňa ľahšie stretávať sa
s nepočujúcimi,

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rozprávali sme sa posunkovou rečou.

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Už som nepotreboval ruksak so zošitom a
perom, či iné zbytočnosti.

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Znamenalo to pre mňa komfort

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(CG) Oni nechceli aby ste sa vrátili
k predošlému životu?

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(MR) Nie, oni...
(CG) Boli to noví priatelia.

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(MR) Povzbudili ma... to, čo robili,
bolo fantastické,

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oni ma vlastne podporovali 
spoznať ich jazyk, ich kultúru.

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Niekedy mi naozaj venovali 
všetku pozornosť,

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lebo taký prípad ako som bol ja,
takpovediac nezažili.

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Skutočne ma s otvorenou náručou
prijali medzi seba.

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Áno, povedal by som,
že to bol takmer najlepší,

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najlepší liek na to, čo sa mi prihodilo.

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Mal som sa totiž stále čo učiť,

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zamestnalo mi to myseľ,
už som toľko nepremýšľal.

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(melódia - opakujú sa 2 tóny)

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(MR) Keď sa pozriete na stenu, tamto...

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(CG) Je tam niečo pripnuté, fotky?

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(MR) Nie

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00:13:46.300 --> 00:13:52.357


00:13:52.357 --> 00:13:56.421


00:13:57.359 --> 00:14:02.522


00:14:02.524 --> 00:14:08.502


00:14:08.502 --> 00:14:10.859


00:14:10.859 --> 00:14:15.146


00:14:15.518 --> 00:14:17.112


00:14:18.583 --> 00:14:24.032


NOTE Paragraph

00:14:24.032 --> 00:14:25.742


NOTE Paragraph

00:14:25.746 --> 00:14:28.732


00:14:29.397 --> 00:14:31.081


00:14:31.081 --> 00:14:35.144


NOTE Paragraph

00:14:38.611 --> 00:14:41.920


00:14:41.920 --> 00:14:43.540


NOTE Paragraph

00:14:43.540 --> 00:14:49.349


00:14:49.349 --> 00:14:51.419


00:14:51.419 --> 00:14:55.385


NOTE Paragraph

00:14:55.385 --> 00:14:58.284


NOTE Paragraph

00:14:58.284 --> 00:15:03.072


00:15:03.072 --> 00:15:04.505


00:15:06.187 --> 00:15:08.995


NOTE Paragraph

00:15:19.842 --> 00:15:21.673


00:15:21.673 --> 00:15:26.755


NOTE Paragraph

00:15:27.528 --> 00:15:30.497


00:15:30.497 --> 00:15:33.318


NOTE Paragraph

00:15:34.541 --> 00:15:38.439


00:15:38.439 --> 00:15:41.041


NOTE Paragraph

00:15:41.675 --> 00:15:52.982


00:15:52.982 --> 00:15:55.523


00:15:55.523 --> 00:16:02.032


NOTE Paragraph

00:16:02.266 --> 00:16:04.348


NOTE Paragraph

00:16:04.348 --> 00:16:07.572


00:16:08.469 --> 00:16:12.147


00:16:12.874 --> 00:16:15.779


00:16:15.779 --> 00:16:18.683


00:16:18.986 --> 00:16:21.783


00:16:22.770 --> 00:16:25.591


00:16:26.085 --> 00:16:29.794


00:16:30.286 --> 00:16:33.249


00:16:33.249 --> 00:16:34.670


00:16:34.670 --> 00:16:36.989


00:16:38.061 --> 00:16:40.159


00:16:40.159 --> 00:16:43.549


00:16:43.961 --> 00:16:48.641


00:16:48.641 --> 00:16:52.586


NOTE Paragraph

00:16:52.586 --> 00:16:55.030


00:16:55.030 --> 00:16:59.278


00:16:59.278 --> 00:17:01.190


NOTE Paragraph

00:17:01.190 --> 00:17:04.462


00:17:04.802 --> 00:17:08.049


00:17:08.807 --> 00:17:12.035


00:17:12.035 --> 00:17:13.569


00:17:14.474 --> 00:17:19.773


00:17:19.773 --> 00:17:22.781


NOTE Paragraph

00:17:23.895 --> 00:17:29.734


00:17:30.448 --> 00:17:35.564


NOTE Paragraph

00:17:36.600 --> 00:17:39.232


00:17:39.919 --> 00:17:43.853


00:17:47.877 --> 00:17:52.979


00:17:54.789 --> 00:17:58.089


00:17:58.089 --> 00:18:01.304


00:18:02.712 --> 00:18:09.645


00:18:10.295 --> 00:18:13.802


00:18:13.802 --> 00:18:15.733


00:18:15.733 --> 00:18:18.094


00:18:18.094 --> 00:18:21.364


00:18:21.364 --> 00:18:28.249


00:18:30.248 --> 00:18:32.906


00:18:32.906 --> 00:18:34.960


00:18:35.985 --> 00:18:39.558


00:18:41.095 --> 00:18:44.228


00:18:44.228 --> 00:18:47.885


00:18:47.885 --> 00:18:51.559


00:18:51.559 --> 00:18:55.165


NOTE Paragraph

00:18:55.165 --> 00:19:00.146


00:19:01.146 --> 00:19:05.466


00:19:05.829 --> 00:19:10.795


00:19:11.158 --> 00:19:20.989


NOTE Paragraph

00:19:28.516 --> 00:19:32.349


00:19:32.349 --> 00:19:34.210


00:19:34.210 --> 00:19:37.467


00:19:37.873 --> 00:19:40.579


NOTE Paragraph

00:19:40.937 --> 00:19:45.911


NOTE Paragraph

00:19:45.911 --> 00:19:49.971


00:19:50.743 --> 00:19:54.136


00:19:54.136 --> 00:19:58.757


00:19:58.757 --> 00:20:02.114


00:20:02.114 --> 00:20:04.321


00:20:04.537 --> 00:20:07.750


00:20:08.041 --> 00:20:11.152


00:20:11.438 --> 00:20:13.137


00:20:13.578 --> 00:20:16.779


00:20:17.345 --> 00:20:22.328


00:20:24.155 --> 00:20:27.172


00:20:27.172 --> 00:20:28.791


NOTE Paragraph

00:20:28.791 --> 00:20:31.937


00:20:31.937 --> 00:20:33.310


00:20:33.310 --> 00:20:36.110


NOTE Paragraph

00:20:37.275 --> 00:20:43.079


00:20:43.079 --> 00:20:45.021


00:20:45.021 --> 00:20:47.945


00:20:47.945 --> 00:20:52.814


00:20:53.058 --> 00:20:57.084


NOTE Paragraph

00:20:57.505 --> 00:21:00.570


NOTE Paragraph

00:21:00.570 --> 00:21:04.159


NOTE Paragraph

00:21:04.159 --> 00:21:05.961


NOTE Paragraph

00:21:05.961 --> 00:21:10.514


00:21:10.514 --> 00:21:15.738


NOTE Paragraph

00:21:15.738 --> 00:21:16.791


NOTE Paragraph

00:21:16.791 --> 00:21:19.338


00:21:19.338 --> 00:21:24.576


00:21:24.576 --> 00:21:26.398


00:21:27.290 --> 00:21:29.513


00:21:29.513 --> 00:21:32.000


00:21:32.000 --> 00:21:35.533


00:21:35.533 --> 00:21:38.928


00:21:38.928 --> 00:21:48.957


NOTE Paragraph

00:21:48.957 --> 00:21:52.334


NOTE Paragraph

00:21:52.334 --> 00:21:56.046


00:21:56.499 --> 00:22:00.899


00:22:01.502 --> 00:22:05.416


00:22:05.874 --> 00:22:09.730


00:22:09.730 --> 00:22:12.385


00:22:12.664 --> 00:22:16.512


00:22:16.512 --> 00:22:19.258


00:22:20.373 --> 00:22:23.088


00:22:23.088 --> 00:22:24.915


00:22:25.270 --> 00:22:29.675


00:22:30.624 --> 00:22:33.576


00:22:33.577 --> 00:22:37.620


00:22:38.496 --> 00:22:41.587


00:22:44.245 --> 00:22:49.198


NOTE Paragraph

00:22:49.198 --> 00:22:53.384


NOTE Paragraph

00:22:53.384 --> 00:22:59.258


00:23:00.652 --> 00:23:02.957


NOTE Paragraph

00:23:03.417 --> 00:23:07.473


00:23:07.911 --> 00:23:10.884


NOTE Paragraph

00:23:12.812 --> 00:23:19.766


00:23:21.969 --> 00:23:26.889


00:23:26.889 --> 00:23:36.820


00:23:40.425 --> 00:23:44.262


NOTE Paragraph

00:23:44.262 --> 00:23:46.143


NOTE Paragraph

00:23:46.823 --> 00:23:55.512


00:23:55.512 --> 00:23:59.928


00:23:59.928 --> 00:24:03.703


00:24:03.921 --> 00:24:06.404


00:24:06.404 --> 00:24:09.667


00:24:09.926 --> 00:24:17.002


NOTE Paragraph

00:24:17.002 --> 00:24:18.637


NOTE Paragraph

00:24:19.141 --> 00:24:26.911


NOTE Paragraph

00:24:26.911 --> 00:24:34.004


NOTE Paragraph

00:24:34.004 --> 00:24:38.983


00:24:38.983 --> 00:24:42.123


00:24:42.679 --> 00:24:44.860


00:24:44.860 --> 00:24:47.437


00:24:47.843 --> 00:24:50.978


00:24:51.307 --> 00:24:54.613


00:24:54.923 --> 00:24:56.142


00:24:56.142 --> 00:25:02.879


NOTE Paragraph

00:25:02.879 --> 00:25:06.378


00:25:06.378 --> 00:25:10.381


NOTE Paragraph

00:25:10.381 --> 00:25:12.905


00:25:12.905 --> 00:25:15.630


00:25:15.630 --> 00:25:18.357


00:25:18.357 --> 00:25:21.560


NOTE Paragraph

00:25:21.560 --> 00:25:25.523


00:25:25.523 --> 00:25:28.197


NOTE Paragraph

00:25:28.197 --> 00:25:30.498


00:25:30.498 --> 00:25:34.383


00:25:34.383 --> 00:25:36.454


00:25:36.454 --> 00:25:39.321


00:25:39.321 --> 00:25:41.419


00:25:41.419 --> 00:25:44.298


00:25:44.298 --> 00:25:46.438


00:25:46.438 --> 00:25:48.418


00:25:48.418 --> 00:25:52.628