1
00:00:00,200 --> 00:00:02,402
I guess we're pretty near
covered everything,

2
00:00:02,402 --> 00:00:04,938
unless of course we had
another 27 hours.

3
00:00:04,938 --> 00:00:07,600
No.

4
00:00:07,600 --> 00:00:08,508
No?

5
00:00:08,508 --> 00:00:09,340
No.

6
00:00:09,340 --> 00:00:10,762
They had to have a finale.

7
00:00:10,762 --> 00:00:14,246
What?

8
00:00:14,246 --> 00:00:15,236
That finale?

9
00:00:15,281 --> 00:00:16,282
Uh huh.

10
00:00:16,282 --> 00:00:17,717
Oh Misha, come on.

11
00:00:17,717 --> 00:00:20,595
That's asking for a lot.

12
00:00:20,765 --> 00:00:24,398
You don't ask,
you don't get.

13
00:00:24,398 --> 00:00:26,693
Okay, pal.

14
00:00:26,724 --> 00:00:30,883
Look, you're on
your own this time.

15
00:00:32,437 --> 00:00:33,944
Good luck.

16
00:00:42,379 --> 00:00:48,184
(music)

17
00:00:48,184 --> 00:00:50,135
Chorus line.

18
00:00:50,135 --> 00:01:16,731
(music)

19
00:01:16,731 --> 00:01:23,252
♪ One singular sensation
every little step he takes ♪

20
00:01:23,252 --> 00:01:29,968
♪ One thrilling combination
every move that he makes. ♪

21
00:01:29,968 --> 00:01:36,085
♪ One smile and suddenly
nobody else will do. ♪

22
00:01:36,085 --> 00:01:42,355
♪ You know you'll never be
lonely with you know who. ♪

23
00:01:42,355 --> 00:01:49,305
♪ One moment in his presence
and you can forget the rest.

24
00:01:49,305 --> 00:01:54,720
♪ For the guy is second
best to none, son. ♪

25
00:01:54,720 --> 00:01:55,488
♪ Ooooh! ♪

26
00:01:55,488 --> 00:01:55,968
♪ Sigh! ♪

27
00:01:55,968 --> 00:01:57,960
♪ Give him your attention. ♪

28
00:01:57,960 --> 00:02:01,201
♪ Do I really
have to mention. ♪

29
00:02:01,201 --> 00:02:11,385
♪ He's the One. ♪

30
00:02:11,385 --> 00:02:13,884
♪ She walks into a
room and you know. ♪

31
00:02:13,884 --> 00:02:16,485
♪ He's uncommonly rare,
very unique, peripatetic, ♪

32
00:02:16,485 --> 00:02:18,089
♪ poetic and chic. ♪

33
00:02:18,089 --> 00:02:19,811
♪ She walks into a room
and you know from her ♪

34
00:02:19,811 --> 00:02:22,275
♪ maddening poise,
effortless whirl, ♪

35
00:02:22,275 --> 00:02:24,135
♪ she's the special girl. ♪

36
00:02:24,135 --> 00:02:33,800
♪ Strolling, can't help all
of her qualities extolling ♪

37
00:02:33,800 --> 00:02:36,039
♪ loaded with charisma is
my jauntily sauntering, ♪

38
00:02:36,039 --> 00:02:37,443
♪ ambling shambler. ♪

39
00:02:37,443 --> 00:02:40,552
♪ She walks into a room and
you know you must shuffle ♪

40
00:02:40,552 --> 00:02:42,803
♪ a long, join the parade,
she's the quintessence of ♪

41
00:02:42,803 --> 00:02:44,385
♪ making the grade. ♪

42
00:02:44,385 --> 00:02:46,723
♪ This is what you
call traveling. ♪

43
00:02:46,723 --> 00:02:48,634
♪ Oh, strut your stuff. ♪

44
00:02:48,634 --> 00:02:53,093
♪ Can't get enough of her. ♪

45
00:02:53,093 --> 00:02:55,958
♪ Love her. ♪

46
00:02:55,958 --> 00:03:02,892
♪ I'm a son of a gun,
she is one of a kind. ♪

47
00:03:02,892 --> 00:03:07,498
♪ One singular sensation
and rare, very unique, ♪

48
00:03:07,498 --> 00:03:09,960
♪ peripatetic,
poetic and chic. ♪

49
00:03:09,960 --> 00:03:54,444
(Both men and women singing
different lines at the same time.)

50
00:03:54,444 --> 00:04:03,015
(music)

51
00:04:03,015 --> 00:04:09,442
♪ One singular sensation
every little step she takes. ♪

52
00:04:09,442 --> 00:04:15,962
♪ One thrilling combination
every move that she makes. ♪

53
00:04:15,962 --> 00:04:23,217
♪ One smile and suddenly
nobody else will do. ♪

54
00:04:23,217 --> 00:04:29,221
♪ You know you'll never be
lonely with you know who. ♪

55
00:04:29,221 --> 00:04:35,292
♪ One moment in her presence
and you can forget the rest. ♪

56
00:04:35,292 --> 00:04:41,636
♪ For the girl is second
best to none, son. ♪

57
00:04:41,636 --> 00:04:42,541
♪ Ooooh! ♪

58
00:04:42,541 --> 00:04:43,409
♪ Sigh! ♪

59
00:04:43,409 --> 00:04:45,496
♪ Give her your attention. ♪

60
00:04:45,496 --> 00:04:48,066
♪ Do I really
have to mention. ♪

61
00:04:48,066 --> 00:04:51,540
She's the... ♪

62
00:04:51,540 --> 00:04:54,921
♪ She's the... ♪

63
00:04:54,921 --> 00:05:18,215
♪ She's the one. ♪♪

64
00:05:18,215 --> 00:05:25,719
(soft music)

65
00:05:25,719 --> 00:05:28,523
Baryshnikov on Broadway.

66
00:05:28,523 --> 00:05:30,038
Huh?

67
00:05:30,038 --> 00:05:33,052
Maybe someday.

68
00:05:33,052 --> 00:05:34,550
Yeah.

69
00:05:34,550 --> 00:05:36,603
You know, it might
be a good idea.

70
00:05:36,603 --> 00:05:39,278
Ah, I don't know.

71
00:05:39,278 --> 00:05:40,853
Well, I mean at
least think about it.

72
00:05:40,853 --> 00:05:41,958
You know you
want to do it.

73
00:05:41,958 --> 00:05:42,789
Come on.

74
00:05:42,789 --> 00:05:44,356
Yeah, but...