1 00:00:00,441 --> 00:00:03,470 Two years ago, I was invited as an artist 2 00:00:03,470 --> 00:00:06,330 to participate in an exhibition commemorating 3 00:00:06,330 --> 00:00:08,988 100 years of Islamic art in Europe. 4 00:00:08,988 --> 00:00:11,428 The curator had only one condition: 5 00:00:11,428 --> 00:00:14,918 I had to use the Arabic script for my artwork. 6 00:00:14,918 --> 00:00:18,029 Now, as an artist, a woman, an Arab, 7 00:00:18,029 --> 00:00:21,671 or a human being living in the world in 2010, 8 00:00:21,671 --> 00:00:24,636 I only had one thing to say: 9 00:00:24,636 --> 00:00:27,446 I wanted to say no. 10 00:00:27,446 --> 00:00:29,662 And in Arabic, to say "no," we say "no, 11 00:00:29,662 --> 00:00:31,982 and a thousand times no." 12 00:00:31,982 --> 00:00:35,778 So I decided to look for a thousand different noes. 13 00:00:35,778 --> 00:00:37,624 on everything ever produced 14 00:00:37,624 --> 00:00:42,305 under Islamic or Arab patronage in the past 1,400 years, 15 00:00:42,305 --> 00:00:46,186 from Spain to the borders of China. 16 00:00:46,186 --> 00:00:48,185 I collected my findings in a book, 17 00:00:48,185 --> 00:00:51,629 placed them chronologically, stating the name, 18 00:00:51,629 --> 00:00:55,099 the patron, the medium and the date. 19 00:00:55,099 --> 00:00:58,298 Now, the book sat on a small shelf next to the installation, 20 00:00:58,298 --> 00:01:01,905 which stood three by seven meters, in Munich, Germany, 21 00:01:01,905 --> 00:01:05,419 in September of 2010. 22 00:01:05,419 --> 00:01:11,323 Now, in January, 2011, the revolution started, 23 00:01:11,323 --> 00:01:14,146 and life stopped for 18 days, 24 00:01:14,146 --> 00:01:15,605 and on the 12th of February, 25 00:01:15,605 --> 00:01:18,593 we naively celebrated on the streets of Cairo, 26 00:01:18,593 --> 00:01:22,626 believing that the revolution had succeeded. 27 00:01:22,626 --> 00:01:26,282 Nine months later I found myself spraying messages 28 00:01:26,282 --> 00:01:30,482 in Tahrir Square. The reason for this act 29 00:01:30,482 --> 00:01:34,241 was this image that I saw in my newsfeed. 30 00:01:34,241 --> 00:01:37,137 I did not feel that I could live in a city 31 00:01:37,137 --> 00:01:39,144 where people were being killed 32 00:01:39,144 --> 00:01:42,112 and thrown like garbage on the street. 33 00:01:42,112 --> 00:01:44,438 So I took one "no" off a tombstone from 34 00:01:44,438 --> 00:01:48,023 the Islamic Museum in Cairo, and I added a message to it: 35 00:01:48,023 --> 00:01:49,690 "no to military rule." 36 00:01:49,690 --> 00:01:52,706 And I started spraying that on the streets in Cairo. 37 00:01:52,706 --> 00:01:55,737 But that led to a series of no, coming out of the book 38 00:01:55,737 --> 00:01:58,706 like ammunition, and adding messages to them, 39 00:01:58,706 --> 00:02:01,106 and I started spraying them on the walls. 40 00:02:01,106 --> 00:02:03,812 So I'll be sharing some of these noes with you. 41 00:02:03,812 --> 00:02:06,410 No to a new Pharaoh, because whoever comes next 42 00:02:06,410 --> 00:02:10,316 should understand that we will never be ruled by another dictator. 43 00:02:10,316 --> 00:02:14,462 No to violence: Ramy Essam came to Tahrir 44 00:02:14,462 --> 00:02:16,330 on the second day of the revolution, 45 00:02:16,330 --> 00:02:19,790 and he sat there with this guitar, singing. 46 00:02:19,790 --> 00:02:24,079 One month after Mubarak stepped down, this was his reward. 47 00:02:24,079 --> 00:02:29,105 No to blinding heroes. Ahmed Harara lost his right eye 48 00:02:29,105 --> 00:02:30,856 on the 28th of January, 49 00:02:30,856 --> 00:02:34,202 and he lost his left eye on the 19th of November, 50 00:02:34,202 --> 00:02:37,688 by two different snipers. 51 00:02:37,688 --> 00:02:41,013 No to killing, in this case no to killing men of religion, 52 00:02:41,013 --> 00:02:44,199 because Sheikh Ahmed Adina Refaat was shot 53 00:02:44,199 --> 00:02:47,561 on December 16th, during a demonstration, 54 00:02:47,561 --> 00:02:51,421 leaving behind three orphans and a widow. 55 00:02:51,421 --> 00:02:54,704 No to burning books. The Institute of Egypt was burned 56 00:02:54,704 --> 00:02:58,924 on December 17th, a huge cultural loss. 57 00:02:58,924 --> 00:03:01,313 No to stripping the people, 58 00:03:01,313 --> 00:03:04,807 and the blue bra is to remind us of our shame 59 00:03:04,807 --> 00:03:08,757 as a nation when we allow a veiled woman to be stripped 60 00:03:08,757 --> 00:03:12,758 and beaten on the street, and the footprint reads, 61 00:03:12,758 --> 00:03:14,910 "Long live a peaceful revolution," 62 00:03:14,910 --> 00:03:18,430 because we will never retaliate with violence. 63 00:03:18,430 --> 00:03:21,845 No to barrier walls. On February 5th, 64 00:03:21,845 --> 00:03:26,038 concrete roadblocks were set up in Cairo 65 00:03:26,038 --> 00:03:31,719 to protect the Ministry of Defense from protesters. 66 00:03:31,719 --> 00:03:34,164 Now, speaking of walls, I want to share with you the story 67 00:03:34,164 --> 00:03:36,966 of one wall in Cairo. 68 00:03:36,966 --> 00:03:41,273 A group of artists decided to paint a life-size tank 69 00:03:41,273 --> 00:03:43,115 on a wall. It's one to one. 70 00:03:43,115 --> 00:03:46,979 In front of this tank there's a man on a bicycle 71 00:03:46,979 --> 00:03:50,093 with a breadbasket on his head. To any passerby, 72 00:03:50,093 --> 00:03:52,947 there's no problem with this visual. 73 00:03:52,947 --> 00:03:56,861 After acts of violence, another artist came, 74 00:03:56,861 --> 00:04:01,334 painted blood, protesters being run over by the tank, 75 00:04:01,334 --> 00:04:04,380 demonstrators, and a message that read, 76 00:04:04,380 --> 00:04:07,727 "Starting tomorrow, I wear the new face, 77 00:04:07,727 --> 00:04:11,446 the face of every martyr. I exist." 78 00:04:11,446 --> 00:04:14,347 Authority comes, paints the wall white, 79 00:04:14,347 --> 00:04:16,989 leaves the tank and adds a message: 80 00:04:16,989 --> 00:04:22,018 "Army and people, one hand. Egypt for Egyptians." 81 00:04:22,018 --> 00:04:25,653 Another artist comes, paints the head of the military 82 00:04:25,653 --> 00:04:29,015 as a monster eating a maiden in a river of blood 83 00:04:29,015 --> 00:04:31,707 in front of the tank. 84 00:04:31,707 --> 00:04:35,708 Authority comes, paints the wall white, leaves the tank, 85 00:04:35,708 --> 00:04:38,336 leaves the suit, and throws a bucket of black paint 86 00:04:38,336 --> 00:04:39,943 just to hide the face of the monster. 87 00:04:39,943 --> 00:04:43,836 So I come with my stencils, and I spray them on the suit, 88 00:04:43,836 --> 00:04:46,261 on the tank, and on the whole wall, 89 00:04:46,261 --> 00:04:48,335 and this is how it stands today 90 00:04:48,335 --> 00:04:50,114 until further notice. (Laughter) 91 00:04:50,114 --> 00:04:54,380 Now, I want to leave you with a final no. 92 00:04:54,380 --> 00:04:57,995 I found Neruda scribbled on a piece of paper 93 00:04:57,995 --> 00:05:03,224 in a field hospital in Tahrir, and I decided to take a no of 94 00:05:03,224 --> 00:05:05,538 Mamluk Mausoleum in Cairo. 95 00:05:05,538 --> 00:05:07,323 The message reads, 96 00:05:07,323 --> 00:05:13,732 [Arabic] 97 00:05:13,732 --> 00:05:17,409 "You can crush the flowers, but you can't delay spring." 98 00:05:17,409 --> 00:05:21,264 Thank you. (Applause) 99 00:05:21,264 --> 00:05:30,285 (Applause) 100 00:05:30,285 --> 00:05:36,047 Thank you. Shukran. (Applause)