1 00:00:01,227 --> 00:00:03,275 I was a Marine with 1/1 Weapons Company, 2 00:00:03,299 --> 00:00:04,450 81's platoon, 3 00:00:04,474 --> 00:00:06,479 out in Camp Pendleton, California. 4 00:00:06,503 --> 00:00:07,655 Oorah! 5 00:00:07,679 --> 00:00:08,831 Audience: Oorah! 6 00:00:08,855 --> 00:00:09,856 (Laughter) 7 00:00:09,880 --> 00:00:11,848 I joined a few months after September 11, 8 00:00:11,872 --> 00:00:14,891 feeling like I think most people in the country did at the time, 9 00:00:14,915 --> 00:00:18,200 filled with a sense of patriotism and retribution 10 00:00:18,224 --> 00:00:19,866 and the desire to do something -- 11 00:00:19,890 --> 00:00:22,635 that, coupled with that fact that I wasn't doing anything. 12 00:00:22,659 --> 00:00:25,905 I was 17, just graduated from high school that past summer, 13 00:00:25,929 --> 00:00:28,631 living in the back room of my parents' house paying rent, 14 00:00:28,655 --> 00:00:31,244 in the small town I was raised in in Northern Indiana, 15 00:00:31,268 --> 00:00:32,426 called Mishawaka. 16 00:00:32,450 --> 00:00:35,028 I can spell that later for people who are interested -- 17 00:00:35,052 --> 00:00:36,056 (Laughter) 18 00:00:36,080 --> 00:00:39,940 Mishawaka is many good things but cultural hub of the world it is not, 19 00:00:39,964 --> 00:00:41,860 so my only exposure to theater and film 20 00:00:41,884 --> 00:00:44,013 was limited to the plays I did in high school 21 00:00:44,037 --> 00:00:46,265 and Blockbuster Video, may she rest in peace. 22 00:00:46,289 --> 00:00:47,461 (Laughter) 23 00:00:47,485 --> 00:00:49,132 I was serious enough about acting 24 00:00:49,156 --> 00:00:52,464 that I auditioned for Juilliard when I was a senior in high school, 25 00:00:52,488 --> 00:00:53,639 didn't get in, 26 00:00:53,663 --> 00:00:56,389 determined college wasn't for me and applied nowhere else, 27 00:00:56,413 --> 00:00:57,706 which was a genius move. 28 00:00:57,730 --> 00:01:01,181 I also did that Hail Mary LA acting odyssey 29 00:01:01,205 --> 00:01:02,840 that I always heard stories about, 30 00:01:02,864 --> 00:01:05,165 of actors moving to LA with, like, seven dollars 31 00:01:05,189 --> 00:01:07,132 and finding work and successful careers. 32 00:01:07,156 --> 00:01:10,512 I got as far as Amarillo, Texas, before my car broke down. 33 00:01:10,536 --> 00:01:12,263 I spent all my money repairing it, 34 00:01:12,287 --> 00:01:13,932 finally made it to Santa Monica -- 35 00:01:13,956 --> 00:01:15,234 not even LA -- 36 00:01:15,258 --> 00:01:17,917 stayed for 48 hours wandering the beach, basically, 37 00:01:17,941 --> 00:01:19,227 got in my car, drove home, 38 00:01:19,251 --> 00:01:20,957 thus ending my acting career, so -- 39 00:01:20,981 --> 00:01:22,259 (Laughter) 40 00:01:22,283 --> 00:01:24,171 Seventeen, Mishawaka ... 41 00:01:24,195 --> 00:01:28,023 parents' house, paying rent, selling vacuums ... 42 00:01:28,047 --> 00:01:29,602 telemarketing, 43 00:01:29,626 --> 00:01:31,809 cutting grass at the local 4-H fairgrounds. 44 00:01:31,833 --> 00:01:34,125 This was my world going into September, 2001. 45 00:01:34,149 --> 00:01:35,300 So after the 11th, 46 00:01:35,324 --> 00:01:37,526 and feeling an overwhelming sense of duty, 47 00:01:37,550 --> 00:01:39,901 and just being pissed off in general -- at myself, 48 00:01:39,925 --> 00:01:41,321 my parents, the government; 49 00:01:41,345 --> 00:01:43,798 not having confidence, not having a respectable job, 50 00:01:43,822 --> 00:01:46,924 my shitty mini-fridge that I just drove to California and back -- 51 00:01:46,948 --> 00:01:49,921 I joined the Marine Corps and loved it. I loved being a Marine. 52 00:01:49,945 --> 00:01:52,983 It's one of the things I'm most proud of having done in my life. 53 00:01:53,007 --> 00:01:54,173 Firing weapons was cool, 54 00:01:54,197 --> 00:01:56,632 driving and detonating expensive things was great. 55 00:01:56,656 --> 00:01:58,764 But I found I loved the Marine Corps the most 56 00:01:58,788 --> 00:02:01,429 for the thing I was looking for the least when I joined, 57 00:02:01,453 --> 00:02:02,614 which was the people: 58 00:02:02,638 --> 00:02:06,218 these weird dudes -- a motley crew of characters 59 00:02:06,242 --> 00:02:08,624 from a cross section of the United States -- 60 00:02:08,648 --> 00:02:10,979 that on the surface I had nothing in common with. 61 00:02:11,003 --> 00:02:12,611 And over time, 62 00:02:12,635 --> 00:02:14,461 all the political and personal bravado 63 00:02:14,485 --> 00:02:16,362 that led me to the military dissolved, 64 00:02:16,386 --> 00:02:19,368 and for me, the Marine Corps became synonymous with my friends. 65 00:02:19,392 --> 00:02:21,680 And then, a few years into my service 66 00:02:21,704 --> 00:02:23,783 and months away from deploying to Iraq, 67 00:02:23,807 --> 00:02:26,672 I dislocated my sternum in a mountain-biking accident, 68 00:02:26,696 --> 00:02:28,338 and had to be medically separated. 69 00:02:28,362 --> 00:02:31,295 Those never in the military may find this hard to understand, 70 00:02:31,319 --> 00:02:34,382 but being told I wasn't getting deployed to Iraq or Afghanistan 71 00:02:34,406 --> 00:02:35,849 was very devastating for me. 72 00:02:35,873 --> 00:02:39,114 I have a very clear image of leaving the base hospital on a stretcher 73 00:02:39,138 --> 00:02:42,008 and my entire platoon is waiting outside to see if I was OK. 74 00:02:42,032 --> 00:02:44,466 And then, suddenly, I was a civilian again. 75 00:02:44,490 --> 00:02:46,695 I knew I wanted to give acting another shot, 76 00:02:46,719 --> 00:02:48,523 because -- again, this is me -- 77 00:02:48,547 --> 00:02:52,266 I thought all civilian problems are small compared to the military. 78 00:02:52,290 --> 00:02:55,047 I mean, what can you really bitch about now, you know? 79 00:02:55,071 --> 00:02:56,243 "It's hot. 80 00:02:56,672 --> 00:02:58,904 Someone should turn on the air conditioner." 81 00:02:58,928 --> 00:03:00,728 "This coffee line is too long." 82 00:03:01,155 --> 00:03:02,307 I was a Marine, 83 00:03:02,331 --> 00:03:03,482 I knew how to survive. 84 00:03:03,506 --> 00:03:05,444 I'd go to New York and become an actor. 85 00:03:05,468 --> 00:03:06,729 If things didn't work out, 86 00:03:06,753 --> 00:03:09,737 I'd live in Central Park and dumpster-dive behind Panera Bread. 87 00:03:09,761 --> 00:03:10,762 (Laughter) 88 00:03:10,786 --> 00:03:13,476 I re-auditioned for Juilliard and this time I was lucky, 89 00:03:13,500 --> 00:03:14,651 I got in. 90 00:03:14,675 --> 00:03:17,216 But I was surprised by how complex the transition was 91 00:03:17,240 --> 00:03:18,541 from military to civilian. 92 00:03:18,565 --> 00:03:22,040 And I was relatively healthy; I can't imagine going through that process 93 00:03:22,064 --> 00:03:23,926 on top of a mental or physical injury. 94 00:03:23,950 --> 00:03:25,541 But regardless, it was difficult. 95 00:03:25,565 --> 00:03:27,735 In part, because I was in acting school -- 96 00:03:27,759 --> 00:03:31,296 I couldn't justify going to voice and speech class, 97 00:03:31,757 --> 00:03:34,588 throwing imaginary balls of energy at the back of the room, 98 00:03:34,612 --> 00:03:37,175 doing acting exercises where I gave birth to myself -- 99 00:03:37,199 --> 00:03:38,200 (Laughter) 100 00:03:38,224 --> 00:03:40,958 while my friends were serving without me overseas. 101 00:03:40,982 --> 00:03:43,591 But also, because I didn't know how to apply the things 102 00:03:43,615 --> 00:03:45,968 I learned in the military to a civilian context. 103 00:03:45,992 --> 00:03:48,151 I mean that both practically and emotionally. 104 00:03:48,175 --> 00:03:49,744 Practically, I had to get a job. 105 00:03:49,768 --> 00:03:51,500 And I was an Infantry Marine, 106 00:03:51,524 --> 00:03:54,080 where you're shooting machine guns and firing mortars. 107 00:03:54,104 --> 00:03:57,651 There's not a lot of places you can put those skills in the civilian world. 108 00:03:57,675 --> 00:03:58,676 (Laughter) 109 00:03:58,700 --> 00:04:00,722 Emotionally, I struggled to find meaning. 110 00:04:01,103 --> 00:04:03,064 In the military, everything has meaning. 111 00:04:03,088 --> 00:04:05,341 Everything you do is either steeped in tradition 112 00:04:05,365 --> 00:04:06,693 or has a practical purpose. 113 00:04:06,717 --> 00:04:08,070 You can't smoke in the field 114 00:04:08,094 --> 00:04:10,445 because you don't want to give away your position. 115 00:04:10,469 --> 00:04:12,764 You don't touch your face -- you have to maintain 116 00:04:12,788 --> 00:04:14,670 a personal level of health and hygiene. 117 00:04:14,694 --> 00:04:16,520 You face this way when "Colors" plays, 118 00:04:16,544 --> 00:04:18,734 out of respect for people who went before you. 119 00:04:18,758 --> 00:04:20,898 Walk this way, talk this way because of this. 120 00:04:20,922 --> 00:04:22,802 Your uniform is maintained to the inch. 121 00:04:22,826 --> 00:04:25,319 How diligently you followed those rules spoke volumes 122 00:04:25,343 --> 00:04:26,978 about the kind of Marine you were. 123 00:04:27,002 --> 00:04:29,030 Your rank said something about your history 124 00:04:29,054 --> 00:04:30,538 and the respect you had earned. 125 00:04:30,562 --> 00:04:32,394 In the civilian world there's no rank. 126 00:04:32,418 --> 00:04:33,857 Here you're just another body, 127 00:04:33,881 --> 00:04:37,088 and I felt like I constantly had to prove my worth all over again. 128 00:04:37,112 --> 00:04:40,112 And the respect civilians were giving me while I was in uniform 129 00:04:40,136 --> 00:04:41,762 didn't exist when I was out of it. 130 00:04:41,786 --> 00:04:43,539 There didn't seem to be a ... 131 00:04:43,563 --> 00:04:44,763 a sense of community, 132 00:04:44,787 --> 00:04:47,453 whereas in the military, I felt this sense of community. 133 00:04:47,477 --> 00:04:49,206 How often in the civilian world 134 00:04:49,748 --> 00:04:52,982 are you put in a life-or-death situation with your closest friends 135 00:04:53,006 --> 00:04:56,312 and they constantly demonstrate that they're not going to abandon you? 136 00:04:56,336 --> 00:04:58,389 And meanwhile, at acting school ... 137 00:04:58,413 --> 00:05:00,871 (Laughter) 138 00:05:00,895 --> 00:05:02,569 I was really, for the first time, 139 00:05:02,593 --> 00:05:04,878 discovering playwrights and characters and plays 140 00:05:04,902 --> 00:05:06,865 that had nothing to do with the military, 141 00:05:06,889 --> 00:05:09,244 but were somehow describing my military experience 142 00:05:09,268 --> 00:05:11,815 in a way that before to me was indescribable. 143 00:05:11,839 --> 00:05:14,230 And I felt myself becoming less aggressive 144 00:05:14,254 --> 00:05:17,457 as I was able to put words to feelings for the first time 145 00:05:17,481 --> 00:05:19,600 and realizing what a valuable tool that was. 146 00:05:19,624 --> 00:05:22,104 And when I was reflecting on my time in the military, 147 00:05:22,128 --> 00:05:24,539 I wasn't first thinking on the stereotypical drills 148 00:05:24,563 --> 00:05:26,015 and discipline and pain of it; 149 00:05:26,039 --> 00:05:28,253 but rather, the small, intimate human moments, 150 00:05:28,277 --> 00:05:29,610 moments of great feeling: 151 00:05:29,634 --> 00:05:32,259 friends going AWOL because they missed their families, 152 00:05:32,283 --> 00:05:33,518 friends getting divorced, 153 00:05:33,542 --> 00:05:35,540 grieving together, celebrating together, 154 00:05:35,564 --> 00:05:37,499 all within the backdrop of the military. 155 00:05:37,523 --> 00:05:39,805 I saw my friends battling these circumstances, 156 00:05:39,829 --> 00:05:42,860 and I watched the anxiety it produced in them and me, 157 00:05:42,884 --> 00:05:45,470 not being able to express our feelings about it. 158 00:05:46,026 --> 00:05:49,074 The military and theater communities are actually very similar. 159 00:05:49,098 --> 00:05:51,823 You have a group of people trying to accomplish a mission 160 00:05:51,847 --> 00:05:53,910 greater than themselves; it's not about you. 161 00:05:53,934 --> 00:05:56,902 You have a role, you have to know your role within that team. 162 00:05:56,926 --> 00:05:59,085 Every team has a leader or director; 163 00:05:59,109 --> 00:06:01,659 sometimes they're smart, sometimes they're not. 164 00:06:01,683 --> 00:06:04,287 You're forced to be intimate with complete strangers 165 00:06:04,311 --> 00:06:05,596 in a short amount of time; 166 00:06:05,620 --> 00:06:07,667 the self-discipline, the self-maintenance. 167 00:06:08,132 --> 00:06:10,615 I thought, how great would it be to create a space 168 00:06:10,639 --> 00:06:13,966 that combined these two seemingly dissimilar communities, 169 00:06:13,990 --> 00:06:16,225 that brought entertainment to a group of people 170 00:06:16,249 --> 00:06:18,344 that, considering their occupation, 171 00:06:18,368 --> 00:06:20,812 could handle something a bit more thought-provoking 172 00:06:20,836 --> 00:06:22,669 than the typical mandatory-fun events 173 00:06:22,693 --> 00:06:25,754 that I remember being "volun-told" to go to in the military -- 174 00:06:25,778 --> 00:06:26,780 (Laughter) 175 00:06:26,804 --> 00:06:29,082 all well-intended but slightly offensive events, 176 00:06:29,106 --> 00:06:31,757 like "Win a Date with a San Diego Chargers Cheerleader," 177 00:06:31,781 --> 00:06:33,957 where you answer a question about pop culture, 178 00:06:33,981 --> 00:06:35,874 and if you get it right you win a date, 179 00:06:35,898 --> 00:06:38,244 which was a chaperoned walk around the parade deck 180 00:06:38,268 --> 00:06:40,659 with this already married, pregnant cheerleader -- 181 00:06:40,683 --> 00:06:41,850 (Laughter) 182 00:06:41,874 --> 00:06:44,254 Nothing against cheerleaders, I love cheerleaders. 183 00:06:44,278 --> 00:06:47,390 The point is more, how great would it be to have theater presented 184 00:06:47,414 --> 00:06:50,638 through characters that were accessible without being condescending. 185 00:06:50,662 --> 00:06:53,567 So we started this nonprofit called Arts in the Armed Forces, 186 00:06:53,591 --> 00:06:55,246 where we tried to do that, 187 00:06:55,270 --> 00:06:58,188 tried to join these two seemingly dissimilar communities. 188 00:06:58,212 --> 00:07:02,027 We pick a play or select monologues from contemporary American plays 189 00:07:02,051 --> 00:07:05,725 that are diverse in age and race like a military audience is, 190 00:07:05,749 --> 00:07:08,098 grab a group of incredible theater-trained actors, 191 00:07:08,122 --> 00:07:09,975 arm them with incredible material, 192 00:07:09,999 --> 00:07:12,219 keep production value as minimal as possible -- 193 00:07:12,243 --> 00:07:15,279 no sets, no costumes, no lights, just reading it -- 194 00:07:15,303 --> 00:07:17,782 to throw all the emphasis on the language 195 00:07:17,806 --> 00:07:20,521 and to show that theater can be created at any setting. 196 00:07:20,545 --> 00:07:21,725 It's a powerful thing, 197 00:07:21,749 --> 00:07:24,635 getting in a room with complete strangers 198 00:07:24,659 --> 00:07:27,307 and reminding ourselves of our humanity, 199 00:07:27,331 --> 00:07:29,728 and that self-expression is just as valuable a tool 200 00:07:29,752 --> 00:07:31,109 as a rifle on your shoulder. 201 00:07:31,133 --> 00:07:33,138 And for an organization like the military, 202 00:07:33,162 --> 00:07:36,089 that prides itself on having acronyms for acronyms, 203 00:07:36,113 --> 00:07:37,536 you can get lost in the sauce 204 00:07:37,560 --> 00:07:40,242 when it comes to explaining a collective experience. 205 00:07:40,266 --> 00:07:42,110 And I can think of no better community 206 00:07:42,134 --> 00:07:44,205 to arm with a new means of self-expression 207 00:07:44,229 --> 00:07:46,251 than those protecting our country. 208 00:07:46,275 --> 00:07:48,755 We've gone all over the United States and the world, 209 00:07:48,779 --> 00:07:51,460 from Walter Reed in Bethesda, Maryland, 210 00:07:51,484 --> 00:07:53,930 to Camp Pendleton, to Camp Arifjan in Kuwait, 211 00:07:53,954 --> 00:07:55,663 to USAG Bavaria, 212 00:07:55,687 --> 00:07:57,727 on- and off-Broadway theaters in New York. 213 00:07:57,751 --> 00:07:59,823 And for the performing artists we bring, 214 00:07:59,847 --> 00:08:01,515 it's a window into a culture 215 00:08:01,539 --> 00:08:03,699 they otherwise would not have had exposure to. 216 00:08:03,723 --> 00:08:05,742 And for the military, it's the exact same. 217 00:08:05,766 --> 00:08:07,753 And in doing this for the past six years, 218 00:08:07,777 --> 00:08:10,008 I'm always reminded that acting is many things. 219 00:08:10,032 --> 00:08:13,237 It's a craft, it's a political act, it's a business, it's -- 220 00:08:13,888 --> 00:08:16,013 whatever adjective is most applicable to you. 221 00:08:16,037 --> 00:08:17,476 But it's also a service. 222 00:08:17,500 --> 00:08:19,024 I didn't get to finish mine, 223 00:08:19,048 --> 00:08:20,680 so whenever I get to be of service 224 00:08:20,704 --> 00:08:23,981 to this ultimate service industry, the military, for me, again -- 225 00:08:24,005 --> 00:08:26,052 there's not many things better than that. 226 00:08:26,076 --> 00:08:27,404 Thank you. 227 00:08:27,428 --> 00:08:32,016 (Applause) 228 00:08:32,040 --> 00:08:35,964 We're going to be doing a piece from Marco Ramirez, 229 00:08:35,988 --> 00:08:37,682 called "I am not Batman." 230 00:08:37,706 --> 00:08:40,734 An incredible actor and good friend of mine, Jesse Perez, 231 00:08:40,758 --> 00:08:41,933 is going to be reading, 232 00:08:41,957 --> 00:08:44,441 and Matt Johnson, who I just met a couple hours ago. 233 00:08:44,465 --> 00:08:46,616 They're doing it together for the first time, 234 00:08:46,640 --> 00:08:47,878 so we'll see how it goes. 235 00:08:47,902 --> 00:08:49,821 Jesse Perez and Matt Johnson. 236 00:08:49,845 --> 00:08:52,999 (Applause) 237 00:09:00,669 --> 00:09:02,636 Jesse Perez: It's the middle of the night 238 00:09:02,660 --> 00:09:04,970 and the sky is glowing like mad, radioactive red. 239 00:09:04,994 --> 00:09:07,116 And if you squint, you can maybe see the moon 240 00:09:07,140 --> 00:09:10,006 through a thick layer of cigarette smoke and airplane exhaust 241 00:09:10,030 --> 00:09:11,321 that covers the whole city, 242 00:09:11,345 --> 00:09:13,643 like a mosquito net that won't let the angels in. 243 00:09:13,667 --> 00:09:14,707 (Drum beat) 244 00:09:14,731 --> 00:09:16,217 And if you look up high enough, 245 00:09:16,241 --> 00:09:19,678 you can see me standing on the edge of an 87-story building. 246 00:09:19,702 --> 00:09:23,129 And up there, a place for gargoyles and broken clock towers 247 00:09:23,153 --> 00:09:26,129 that have stayed still and dead for maybe like 100 years, 248 00:09:26,153 --> 00:09:27,664 up there is me. 249 00:09:27,688 --> 00:09:28,718 (Beat) 250 00:09:28,742 --> 00:09:30,326 And I'm frickin' Batman. 251 00:09:30,350 --> 00:09:31,389 (Beat) 252 00:09:31,413 --> 00:09:33,578 And I gots Batmobiles and batarangs 253 00:09:33,602 --> 00:09:35,997 and frickin' bat caves, like, for real. 254 00:09:36,021 --> 00:09:37,715 And all it takes is a broom closet 255 00:09:37,739 --> 00:09:39,683 or a back room or a fire escape, 256 00:09:39,707 --> 00:09:42,698 and Danny's hand-me-down jeans are gone. 257 00:09:42,722 --> 00:09:44,618 And my navy blue polo shirt, 258 00:09:44,642 --> 00:09:48,119 the one that looks kinda good on me but has that hole on it near the butt 259 00:09:48,143 --> 00:09:51,167 from when it got snagged on the chain-link fence behind Arturo's 260 00:09:51,191 --> 00:09:53,883 but it isn't even a big deal because I tuck that part in 261 00:09:53,907 --> 00:09:55,126 and it's, like, all good. 262 00:09:55,150 --> 00:09:57,067 That blue polo shirt -- it's gone, too! 263 00:09:57,091 --> 00:10:00,098 And I get like, like ... transformational. 264 00:10:00,122 --> 00:10:01,122 (Beat) 265 00:10:01,434 --> 00:10:04,769 And nobody pulls out a belt and whips Batman for talkin' back. 266 00:10:04,793 --> 00:10:05,810 (Beat) 267 00:10:05,834 --> 00:10:07,254 Or for not talkin' back. 268 00:10:07,278 --> 00:10:09,602 And nobody calls Batman simple 269 00:10:09,626 --> 00:10:11,175 or stupid 270 00:10:11,199 --> 00:10:12,396 or skinny. 271 00:10:12,784 --> 00:10:16,003 And nobody fires Batman's brother from the Eastern Taxi Company 272 00:10:16,027 --> 00:10:18,059 'cause they was making cutbacks, neither. 273 00:10:18,083 --> 00:10:19,972 'Cause they got nothing but respect. 274 00:10:19,996 --> 00:10:22,131 And not like afraid-respect, 275 00:10:22,155 --> 00:10:24,534 just, like, respect-respect. 276 00:10:24,558 --> 00:10:25,559 (Laughter) 277 00:10:25,583 --> 00:10:27,090 'Cause nobody's afraid of you. 278 00:10:27,114 --> 00:10:29,248 'Cause Batman doesn't mean nobody no harm. 279 00:10:29,272 --> 00:10:30,273 (Beat) 280 00:10:30,297 --> 00:10:31,851 Ever. (Double beat) 281 00:10:31,875 --> 00:10:34,312 'Cause all Batman really wants to do is save people 282 00:10:34,336 --> 00:10:36,083 and maybe pay abuela's bills one day 283 00:10:36,107 --> 00:10:37,258 and die happy. 284 00:10:37,282 --> 00:10:39,478 And maybe get, like, mad-famous for real. 285 00:10:39,502 --> 00:10:40,513 (Laughter) 286 00:10:40,537 --> 00:10:41,874 Oh -- and kill the Joker. 287 00:10:41,898 --> 00:10:43,358 (Drum roll) 288 00:10:43,382 --> 00:10:46,040 Tonight, like most nights, I'm all alone. 289 00:10:46,064 --> 00:10:48,257 And I'm watchin' and I'm waitin' 290 00:10:48,281 --> 00:10:49,463 like a eagle 291 00:10:49,487 --> 00:10:50,657 or like a -- 292 00:10:50,681 --> 00:10:52,390 no, yeah, like a eagle. 293 00:10:52,414 --> 00:10:53,415 (Laughter) 294 00:10:53,439 --> 00:10:56,257 And my cape is flapping in the wind cause it's frickin' long 295 00:10:56,281 --> 00:10:57,695 and my pointy ears are on, 296 00:10:57,719 --> 00:11:00,549 and that mask that covers like half my face is on, too, 297 00:11:00,573 --> 00:11:04,049 and I got, like, bulletproof stuff all in my chest so no one can hurt me. 298 00:11:04,073 --> 00:11:05,787 And nobody -- nobody! -- 299 00:11:05,811 --> 00:11:07,850 is gonna come between Batman ... 300 00:11:07,874 --> 00:11:09,053 and justice. 301 00:11:09,077 --> 00:11:10,879 (Drums) (Laughter) 302 00:11:10,903 --> 00:11:12,411 From where I am, 303 00:11:12,435 --> 00:11:14,022 I can hear everything. 304 00:11:14,046 --> 00:11:15,212 (Silence) 305 00:11:15,236 --> 00:11:16,396 Somewhere in the city, 306 00:11:16,420 --> 00:11:19,636 there's a old lady picking Styrofoam leftovers up out of a trash can 307 00:11:19,660 --> 00:11:22,510 and she's putting a piece of sesame chicken someone spit out 308 00:11:22,534 --> 00:11:23,845 into her own mouth. 309 00:11:23,869 --> 00:11:27,178 And somewhere there's a doctor with a wack haircut in a black lab coat 310 00:11:27,202 --> 00:11:29,060 trying to find a cure for the diseases 311 00:11:29,084 --> 00:11:32,042 that are gonna make us all extinct for real one day. 312 00:11:32,066 --> 00:11:33,426 And somewhere there's a man, 313 00:11:33,450 --> 00:11:34,847 a man in a janitor's uniform, 314 00:11:34,871 --> 00:11:36,804 stumbling home drunk and dizzy 315 00:11:36,828 --> 00:11:40,580 after spending half his paycheck on 40-ounce bottles of twist-off beer, 316 00:11:40,604 --> 00:11:43,548 and the other half on a four-hour visit to some lady's house 317 00:11:43,572 --> 00:11:45,997 on a street where the lights have all been shot out 318 00:11:46,021 --> 00:11:49,054 by people who'd rather do what they do in this city in the dark. 319 00:11:49,078 --> 00:11:51,004 And half a block away from janitor man, 320 00:11:51,028 --> 00:11:53,942 there's a group of good-for-nothings who don't know no better, 321 00:11:53,966 --> 00:11:56,490 waiting for janitor man with rusted bicycle chains 322 00:11:56,514 --> 00:11:58,183 and imitation Louisville Sluggers, 323 00:11:58,207 --> 00:11:59,989 and if they don't find a cent on him, 324 00:12:00,013 --> 00:12:01,164 which they won't, 325 00:12:01,188 --> 00:12:04,546 they'll just pound at him till the muscles in their arms start burning, 326 00:12:04,570 --> 00:12:06,643 till there's no more teeth to crack out. 327 00:12:06,667 --> 00:12:08,166 But they don't count on me. 328 00:12:08,664 --> 00:12:10,911 They don't count on no Dark Knight, 329 00:12:10,935 --> 00:12:13,929 with a stomach full of grocery-store brand macaroni and cheese 330 00:12:13,953 --> 00:12:15,542 and cut-up Vienna sausages. 331 00:12:15,566 --> 00:12:16,567 (Laughter) 332 00:12:16,591 --> 00:12:19,147 'Cause they'd rather believe I don't exist. 333 00:12:19,893 --> 00:12:23,506 And from 87 stories up, I can hear one of the good-for-nothings say, 334 00:12:23,530 --> 00:12:25,831 "Gimme the cash!" -- real fast like that, 335 00:12:25,855 --> 00:12:27,598 just, "Gimme me the fuckin' cash!" 336 00:12:27,622 --> 00:12:31,175 And I see janitor man mumble something in drunk language and turn pale, 337 00:12:31,199 --> 00:12:32,376 and from 87 stories up, 338 00:12:32,400 --> 00:12:35,508 I can hear his stomach trying to hurl its way out his Dickies. 339 00:12:35,532 --> 00:12:37,413 So I swoop down, like, mad-fast 340 00:12:37,437 --> 00:12:40,452 and I'm like darkness, I'm like, "Swoosh!" 341 00:12:40,476 --> 00:12:42,931 And I throw a batarang at the one naked lightbulb. 342 00:12:42,955 --> 00:12:43,994 (Cymbal) 343 00:12:44,018 --> 00:12:46,146 And they're all like, "Whoa, muthafucker! 344 00:12:46,170 --> 00:12:47,761 Who just turned out the lights?" 345 00:12:47,785 --> 00:12:48,786 (Laughter) 346 00:12:48,810 --> 00:12:50,479 "What's that over there?" "What?" 347 00:12:50,503 --> 00:12:52,096 "Gimme me what you got, old man!" 348 00:12:52,120 --> 00:12:53,286 "Did anybody hear that?" 349 00:12:53,310 --> 00:12:57,150 "Hear what? There ain't nothing. No, really -- there ain't no bat!" 350 00:12:57,174 --> 00:12:58,401 But then ... 351 00:12:58,425 --> 00:13:01,904 one out of the three good-for-nothings gets it to the head -- pow! 352 00:13:01,928 --> 00:13:04,785 And number two swings blindly into the dark cape before him, 353 00:13:04,809 --> 00:13:06,618 but before his fist hits anything, 354 00:13:06,642 --> 00:13:08,546 I grab a trash can lid and -- 355 00:13:08,570 --> 00:13:09,757 right in the gut! 356 00:13:09,781 --> 00:13:11,896 And number one comes back with the jump kick, 357 00:13:11,920 --> 00:13:14,551 but I know judo karate, too, so I'm like -- 358 00:13:14,575 --> 00:13:18,356 (Drums) 359 00:13:18,380 --> 00:13:19,531 Twice! 360 00:13:19,555 --> 00:13:20,556 (Drums) 361 00:13:20,580 --> 00:13:21,805 (Laughter) 362 00:13:21,829 --> 00:13:23,281 (Drums) 363 00:13:23,305 --> 00:13:25,065 But before I can do any more damage, 364 00:13:25,089 --> 00:13:27,288 suddenly we all hear a "click-click." 365 00:13:28,217 --> 00:13:30,453 And suddenly everything gets quiet. 366 00:13:31,049 --> 00:13:33,065 And the one good-for-nothing left standing 367 00:13:33,089 --> 00:13:35,026 grips a handgun and aims it straight up, 368 00:13:35,050 --> 00:13:36,631 like he's holding Jesus hostage, 369 00:13:36,655 --> 00:13:39,540 like he's threatening maybe to blow a hole in the moon. 370 00:13:39,564 --> 00:13:41,836 And the good-for-nothing who got it to the head, 371 00:13:41,860 --> 00:13:43,128 who tried to jump-kick me, 372 00:13:43,152 --> 00:13:45,645 and the other good-for-nothing who got it in the gut, 373 00:13:45,669 --> 00:13:48,550 is both scrambling back away from the dark figure before 'em. 374 00:13:48,574 --> 00:13:50,257 And the drunk man, the janitor man, 375 00:13:50,281 --> 00:13:52,544 is huddled in a corner, praying to Saint Anthony 376 00:13:52,568 --> 00:13:54,684 'cause that's the only one he could remember. 377 00:13:54,708 --> 00:13:55,709 (Double beat) 378 00:13:55,733 --> 00:13:56,885 And there's me: 379 00:13:57,310 --> 00:13:58,680 eyes glowing white, 380 00:13:58,704 --> 00:14:00,711 cape blowing softly in the wind. 381 00:14:00,735 --> 00:14:01,736 (Beat) 382 00:14:01,760 --> 00:14:03,257 Bulletproof chest heaving, 383 00:14:03,281 --> 00:14:05,821 my heart beating right through it in a Morse code for: 384 00:14:05,845 --> 00:14:06,996 "Fuck with me 385 00:14:07,020 --> 00:14:08,171 just once 386 00:14:08,195 --> 00:14:09,346 come on 387 00:14:09,370 --> 00:14:10,520 just try." 388 00:14:10,830 --> 00:14:12,910 And the one good-for-nothing left standing, 389 00:14:12,934 --> 00:14:14,249 the one with the handgun -- 390 00:14:14,273 --> 00:14:15,424 yeah, he laughs. 391 00:14:15,448 --> 00:14:16,630 And he lowers his arm. 392 00:14:16,654 --> 00:14:17,964 And he points it at me 393 00:14:17,988 --> 00:14:19,439 and gives the moon a break. 394 00:14:19,463 --> 00:14:21,636 And he aims it right between my pointy ears, 395 00:14:21,660 --> 00:14:24,609 like goal posts and he's special teams. 396 00:14:25,444 --> 00:14:28,113 And janitor man is still calling Saint Anthony, 397 00:14:28,137 --> 00:14:29,493 but he ain't pickin' up. 398 00:14:30,277 --> 00:14:31,955 And for a second, 399 00:14:31,979 --> 00:14:33,233 it seems like ... 400 00:14:35,040 --> 00:14:36,765 maybe I'm gonna lose. 401 00:14:38,899 --> 00:14:40,057 Nah! 402 00:14:40,081 --> 00:14:41,097 (Drums) 403 00:14:41,121 --> 00:14:42,306 Shoot! Shoot! Fwa-ka-ka! 404 00:14:42,330 --> 00:14:43,481 "Don't kill me, man!" 405 00:14:43,505 --> 00:14:45,463 Snap! Wrist crack! Neck! Slash! 406 00:14:45,487 --> 00:14:49,470 Skin meets acid: "Ahhhhhhh!" 407 00:14:49,494 --> 00:14:50,732 And he's on the floor 408 00:14:50,756 --> 00:14:51,954 and I'm standing over him 409 00:14:51,978 --> 00:14:53,887 and I got the gun in my hands now 410 00:14:53,911 --> 00:14:56,575 and I hate guns, I hate holding 'em 'cause I'm Batman. 411 00:14:56,599 --> 00:14:57,777 And, asterisk: 412 00:14:57,801 --> 00:15:01,359 Batman don't like guns 'cause his parents got iced by guns a long time ago. 413 00:15:01,383 --> 00:15:02,598 But for just a second, 414 00:15:02,622 --> 00:15:03,940 my eyes glow white, 415 00:15:03,964 --> 00:15:05,123 and I hold this thing 416 00:15:05,147 --> 00:15:07,130 for I could speak to the good-for-nothing 417 00:15:07,154 --> 00:15:08,900 in a language he maybe understands. 418 00:15:08,924 --> 00:15:10,471 Click-click! 419 00:15:10,495 --> 00:15:11,508 (Beat) 420 00:15:11,532 --> 00:15:14,097 And the good-for-nothings become good-for-disappearing 421 00:15:14,121 --> 00:15:17,816 into whatever toxic waste, chemical sludge shithole they crawled out of. 422 00:15:18,784 --> 00:15:20,760 And it's just me and janitor man. 423 00:15:21,555 --> 00:15:23,025 And I pick him up, 424 00:15:23,049 --> 00:15:26,182 and I wipe sweat and cheap perfume off his forehead. 425 00:15:26,206 --> 00:15:27,642 And he begs me not to hurt him 426 00:15:27,666 --> 00:15:30,196 and I grab him tight by his janitor-man shirt collar, 427 00:15:30,220 --> 00:15:31,507 and I pull him to my face 428 00:15:31,531 --> 00:15:33,611 and he's taller than me but the cape helps, 429 00:15:33,635 --> 00:15:36,028 so he listens when I look him straight in the eyes. 430 00:15:36,052 --> 00:15:37,773 And I say two words to him: 431 00:15:38,467 --> 00:15:40,075 "Go home." 432 00:15:41,282 --> 00:15:42,528 And he does, 433 00:15:42,552 --> 00:15:45,020 checking behind his shoulder every 10 feet. 434 00:15:45,044 --> 00:15:47,633 And I swoosh from building to building on his way there 435 00:15:47,657 --> 00:15:49,061 'cause I know where he lives. 436 00:15:49,085 --> 00:15:51,889 And I watch his hands tremble as he pulls out his key chain 437 00:15:51,913 --> 00:15:53,622 and opens the door to his building. 438 00:15:53,646 --> 00:15:54,917 And I'm back in bed 439 00:15:54,941 --> 00:15:57,213 before he even walks in through the front door. 440 00:15:57,548 --> 00:15:59,167 And I hear him turn on the faucet 441 00:15:59,191 --> 00:16:01,447 and pour himself a glass of warm tap water. 442 00:16:01,796 --> 00:16:03,692 And he puts the glass back in the sink. 443 00:16:04,399 --> 00:16:05,800 And I hear his footsteps. 444 00:16:06,630 --> 00:16:08,685 And they get slower as they get to my room. 445 00:16:09,758 --> 00:16:12,883 And he creaks my door open, like, mad-slow. 446 00:16:13,953 --> 00:16:15,781 And he takes a step in, 447 00:16:15,805 --> 00:16:17,161 which he never does. 448 00:16:17,677 --> 00:16:18,677 (Beat) 449 00:16:19,167 --> 00:16:20,797 And he's staring off into nowhere, 450 00:16:20,821 --> 00:16:23,486 his face, the color of sidewalks in summer. 451 00:16:23,510 --> 00:16:25,091 And I act like I'm just waking up 452 00:16:25,115 --> 00:16:27,524 and I say, "Ah, what's up, Pop?" 453 00:16:28,452 --> 00:16:30,723 And janitor man says nothing to me. 454 00:16:31,753 --> 00:16:32,914 But I see in the dark, 455 00:16:32,938 --> 00:16:34,311 I see his arms go limp 456 00:16:34,335 --> 00:16:36,449 and his head turns back, like, towards me. 457 00:16:36,473 --> 00:16:38,849 And he lifts it for I can see his face, 458 00:16:38,873 --> 00:16:40,739 for I could see his eyes. 459 00:16:40,763 --> 00:16:43,135 And his cheeks is drippin', but not with sweat. 460 00:16:43,704 --> 00:16:45,485 And he just stands there breathing, 461 00:16:45,509 --> 00:16:47,941 like he remembers my eyes glowing white, 462 00:16:47,965 --> 00:16:50,655 like he remembers my bulletproof chest, 463 00:16:51,513 --> 00:16:53,456 like he remembers he's my pop. 464 00:16:57,575 --> 00:17:00,531 And for a long time I don't say nothin'. 465 00:17:02,583 --> 00:17:04,609 And he turns around, hand on the doorknob. 466 00:17:04,633 --> 00:17:06,061 And he ain't looking my way, 467 00:17:06,085 --> 00:17:08,627 but I hear him mumble two words to me: 468 00:17:10,253 --> 00:17:11,667 "I'm sorry." 469 00:17:14,317 --> 00:17:17,596 And I lean over, and I open my window just a crack. 470 00:17:18,697 --> 00:17:20,382 If you look up high enough, 471 00:17:21,036 --> 00:17:22,612 you could see me. 472 00:17:23,519 --> 00:17:24,936 And from where I am -- 473 00:17:25,641 --> 00:17:26,912 (Cymbals) 474 00:17:27,692 --> 00:17:29,442 I could hear everything. 475 00:17:32,076 --> 00:17:40,500 (Applause) 476 00:17:40,544 --> 00:17:41,761 Thank you. 477 00:17:41,801 --> 00:17:49,140 (Applause)