[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:24.04,0:00:25.68,Default,,0000,0000,0000,,Good evening, ladies and gentlemen
Dialogue: 0,0:00:25.68,0:00:27.10,Default,,0000,0000,0000,,Welcome to the Criterion Theatre
Dialogue: 0,0:00:27.10,0:00:30.31,Default,,0000,0000,0000,,And to the tonight's performance by\Nthe Reduced Shakespeare Company
Dialogue: 0,0:00:30.31,0:00:32.99,Default,,0000,0000,0000,,I have a few brief announcements\Nbefore we get underway
Dialogue: 0,0:00:32.99,0:00:34.51,Default,,0000,0000,0000,,The use of flash photography
Dialogue: 0,0:00:34.51,0:00:37.78,Default,,0000,0000,0000,,Or the recording of this show\Nby any means - audio or video
Dialogue: 0,0:00:37.78,0:00:40.28,Default,,0000,0000,0000,,Is prohibited by management
Dialogue: 0,0:00:40.30,0:00:44.36,Default,,0000,0000,0000,,Also please refrain from eating,\Ndrinking or smoking anything
Dialogue: 0,0:00:44.36,0:00:45.72,Default,,0000,0000,0000,,In the theatre.
Dialogue: 0,0:00:45.72,0:00:47.35,Default,,0000,0000,0000,,Please take a moment now to locate
Dialogue: 0,0:00:47.35,0:00:49.08,Default,,0000,0000,0000,,The exit nearest your seat.
Dialogue: 0,0:00:51.37,0:00:53.100,Default,,0000,0000,0000,,Should the theatre experience\Na sudden loss of pressure
Dialogue: 0,0:00:53.100,0:00:56.78,Default,,0000,0000,0000,,Oxygen masks will drop automatically.
Dialogue: 0,0:00:56.78,0:00:59.02,Default,,0000,0000,0000,,Simply place the mask\Nover your nose and mouth
Dialogue: 0,0:00:59.02,0:01:00.95,Default,,0000,0000,0000,,And continue to breath normally.
Dialogue: 0,0:01:00.95,0:01:03.05,Default,,0000,0000,0000,,If you are at the theatre\Nwith a small child,
Dialogue: 0,0:01:03.05,0:01:05.06,Default,,0000,0000,0000,,Please, place your own mask on first,
Dialogue: 0,0:01:05.06,0:01:08.43,Default,,0000,0000,0000,,And let the little\Nbugger fend for himself.
Dialogue: 0,0:01:08.43,0:01:11.21,Default,,0000,0000,0000,,At this time, I'd like\Nto introduce myself.
Dialogue: 0,0:01:11.21,0:01:13.90,Default,,0000,0000,0000,,My name is Reed Martin of the\NReduced Shakespeare Company
Dialogue: 0,0:01:13.90,0:01:16.44,Default,,0000,0000,0000,,And this evening, we are\Ngoing to attempt a feat
Dialogue: 0,0:01:16.44,0:01:18.89,Default,,0000,0000,0000,,Which we believe to be unprecedented
Dialogue: 0,0:01:18.89,0:01:20.78,Default,,0000,0000,0000,,In the history of theatre.
Dialogue: 0,0:01:20.78,0:01:23.80,Default,,0000,0000,0000,,That is to capture, in a\Nsingle theatrical performance,
Dialogue: 0,0:01:23.80,0:01:27.93,Default,,0000,0000,0000,,The magic, the genius,\Nthe towering grandeur,
Dialogue: 0,0:01:27.93,0:01:30.82,Default,,0000,0000,0000,,Of the complete works\Nof William Shakespeare.
Dialogue: 0,0:01:30.82,0:01:33.48,Default,,0000,0000,0000,,Now we've got a lot\Nto get through tonight,
Dialogue: 0,0:01:33.48,0:01:36.53,Default,,0000,0000,0000,,So at this time, I'd like to introduce\Na member of the company
Dialogue: 0,0:01:36.53,0:01:39.95,Default,,0000,0000,0000,,Who is one of California's\Npreeminent Shakespearian scholars.
Dialogue: 0,0:01:39.95,0:01:43.57,Default,,0000,0000,0000,,He has a bachelor's degree from\Nthe University of California at Berkely
Dialogue: 0,0:01:43.58,0:01:47.05,Default,,0000,0000,0000,,Where I believe he read two\Nbooks about William Shakespeare
Dialogue: 0,0:01:47.05,0:01:50.27,Default,,0000,0000,0000,,He is here tonight to give us a brief\Npreface to the complete works
Dialogue: 0,0:01:50.27,0:01:51.90,Default,,0000,0000,0000,,Of William Shakespeare Abridged:
Dialogue: 0,0:01:51.90,0:01:53.46,Default,,0000,0000,0000,,Please welcome me in joining
Dialogue: 0,0:01:53.46,0:01:55.21,Default,,0000,0000,0000,,Mr. Austin Tichenor!
Dialogue: 0,0:02:00.57,0:02:05.05,Default,,0000,0000,0000,,Thank thee. Thanks! Thank you.
Dialogue: 0,0:02:06.30,0:02:08.78,Default,,0000,0000,0000,,Thank you, and good evening,\Nladies and gentlemen
Dialogue: 0,0:02:10.16,0:02:12.16,Default,,0000,0000,0000,,William Shakespeare.
Dialogue: 0,0:02:12.16,0:02:15.04,Default,,0000,0000,0000,,Playwright, poet, actor, philosopher.
Dialogue: 0,0:02:15.08,0:02:17.70,Default,,0000,0000,0000,,A man whose creative and literary genius
Dialogue: 0,0:02:17.77,0:02:19.82,Default,,0000,0000,0000,,Has had immeasurably profound influence
Dialogue: 0,0:02:19.86,0:02:23.57,Default,,0000,0000,0000,,Upon the consciousness and culture\Nof the entire English speaking world
Dialogue: 0,0:02:24.98,0:02:28.03,Default,,0000,0000,0000,,And yet, how much do we really know?
Dialogue: 0,0:02:28.27,0:02:30.19,Default,,0000,0000,0000,,I mean, how much do we really appreciate
Dialogue: 0,0:02:30.19,0:02:32.28,Default,,0000,0000,0000,,The tremendous body of work contained
Dialogue: 0,0:02:32.38,0:02:34.64,Default,,0000,0000,0000,,In this single volume?
Dialogue: 0,0:02:37.41,0:02:39.91,Default,,0000,0000,0000,,Well, not enough is the answer
Dialogue: 0,0:02:39.91,0:02:43.67,Default,,0000,0000,0000,,And I believe I can illustrate this by\Ngiving a brief poll amongst the audience.
Dialogue: 0,0:02:43.67,0:02:47.25,Default,,0000,0000,0000,,Bob, can I get some\NHouse lights on please?
Dialogue: 0,0:02:47.28,0:02:51.24,Default,,0000,0000,0000,,Oh, yes. Now, you're\Na theatre-going crowd
Dialogue: 0,0:02:51.24,0:02:54.15,Default,,0000,0000,0000,,No doubt of an above average\Ncultural and literary awareness
Dialogue: 0,0:02:54.15,0:02:56.14,Default,,0000,0000,0000,,And yet, if I could just\Nhave a brief show of hands:
Dialogue: 0,0:02:56.14,0:03:00.12,Default,,0000,0000,0000,,How many of you have ever seen\Nor read any play by William Shakespeare?
Dialogue: 0,0:03:00.12,0:03:02.24,Default,,0000,0000,0000,,Any play at all by the Bard?\NJust raise your hand
Dialogue: 0,0:03:02.24,0:03:03.82,Default,,0000,0000,0000,,It doesn't matter which...
Dialogue: 0,0:03:03.82,0:03:05.36,Default,,0000,0000,0000,,We better get out of here,\Nthey don't know...
Dialogue: 0,0:03:09.21,0:03:12.51,Default,,0000,0000,0000,,Austin, they don't know\NShakespeare from shinola
Dialogue: 0,0:03:12.51,0:03:15.32,Default,,0000,0000,0000,,Just keep going. Narrow it down.
Dialogue: 0,0:03:17.01,0:03:19.46,Default,,0000,0000,0000,,Let's see if we can narrow\Nit down a bit, shall we?
Dialogue: 0,0:03:19.46,0:03:23.96,Default,,0000,0000,0000,,Um, how many of you have ever\Nseen or read All's Well That Ends Well?
Dialogue: 0,0:03:23.96,0:03:26.35,Default,,0000,0000,0000,,All's Well, anyone?
Dialogue: 0,0:03:26.35,0:03:30.50,Default,,0000,0000,0000,,Yes, so that seems to be separating\Nthe wheat from the chaff rather nicely
Dialogue: 0,0:03:30.50,0:03:34.62,Default,,0000,0000,0000,,Let's see if we can find out who the true\NShakespeare trivia champs are here tonight
Dialogue: 0,0:03:34.62,0:03:38.34,Default,,0000,0000,0000,,How many of you have ever seen\Nor read King John? King John in...
Dialogue: 0,0:03:40.55,0:03:45.66,Default,,0000,0000,0000,,Oh yeah, right. Well would you\Nmind telling us what it's all about?
Dialogue: 0,0:03:45.66,0:03:49.56,Default,,0000,0000,0000,,No, no, don't ask her,\Nno, no, no, I'm... I'm talking...
Dialogue: 0,0:03:49.57,0:03:52.37,Default,,0000,0000,0000,,Ladies and gentlemen, you laugh, you scoff
Dialogue: 0,0:03:52.40,0:03:57.06,Default,,0000,0000,0000,,but let he or she among you who is\Nfree from sin live in a glass house
Dialogue: 0,0:03:57.06,0:04:02.18,Default,,0000,0000,0000,,I submit to you. I submit to you that our\Nsociety's collective capacity to comprehend
Dialogue: 0,0:04:02.18,0:04:05.06,Default,,0000,0000,0000,,much less attain the\Ngenius of William Shakespeare
Dialogue: 0,0:04:05.06,0:04:07.46,Default,,0000,0000,0000,,Has been systematically\Ncompromised by computers
Dialogue: 0,0:04:07.46,0:04:09.38,Default,,0000,0000,0000,,Vandalized by video games
Dialogue: 0,0:04:09.38,0:04:12.22,Default,,0000,0000,0000,,And annihilated by\NAndrew Lloyd Webber
Dialogue: 0,0:04:13.16,0:04:16.63,Default,,0000,0000,0000,,But have no fear. The Reduced\NShakespeare Company is here
Dialogue: 0,0:04:16.63,0:04:19.98,Default,,0000,0000,0000,,We descend among you on a mission\Nfrom God and the literary Muse
Dialogue: 0,0:04:19.98,0:04:23.27,Default,,0000,0000,0000,,To spread the holy word\Nof the Bard to the masses
Dialogue: 0,0:04:23.27,0:04:25.95,Default,,0000,0000,0000,,To help you take those\Nfirst, faltering steps
Dialogue: 0,0:04:25.95,0:04:30.75,Default,,0000,0000,0000,,Out of the twentieth century quagmire\Nof fresh frozen fast food culture
Dialogue: 0,0:04:30.75,0:04:33.60,Default,,0000,0000,0000,,And into the future! A glorious future.
Dialogue: 0,0:04:33.60,0:04:38.87,Default,,0000,0000,0000,,A future in which this book will be\Nfound in every hotel room in the world!
Dialogue: 0,0:04:39.77,0:04:45.21,Default,,0000,0000,0000,,That is my dream! Yes! Yes!\NThank you! Thank you!
Dialogue: 0,0:04:49.89,0:04:53.58,Default,,0000,0000,0000,,Yes, I feel as if I'm\Npreaching to the converted
Dialogue: 0,0:04:53.58,0:04:56.87,Default,,0000,0000,0000,,Can I get an AMEN? [Amen!]
Dialogue: 0,0:04:56.92,0:05:00.89,Default,,0000,0000,0000,,Oh, thank you Jesus! That's my dream!\NAnd it begins tonight
Dialogue: 0,0:05:00.89,0:05:05.33,Default,,0000,0000,0000,,Join us, join us in taking those\Nfirst steps down the path
Dialogue: 0,0:05:05.33,0:05:08.30,Default,,0000,0000,0000,,Towards the brave new\Nworld of intellectual redemption
Dialogue: 0,0:05:08.30,0:05:15.56,Default,,0000,0000,0000,,By opening your hearts, please, please,\Nopen your hearts, and your pocket books
Dialogue: 0,0:05:15.56,0:05:19.27,Default,,0000,0000,0000,,Please, c'mon now, we accept any\Ndenomination, any currency at all
Dialogue: 0,0:05:19.27,0:05:22.15,Default,,0000,0000,0000,,Anything except the Euro. We\Nhave no idea what that is all about
Dialogue: 0,0:05:22.15,0:05:26.02,Default,,0000,0000,0000,,Y'know. C'mon, man, give us\Nyour ca - give us your cash
Dialogue: 0,0:05:26.02,0:05:28.86,Default,,0000,0000,0000,,If we be friends, and deduct\Nit when the tax year ends!
Dialogue: 0,0:05:28.86,0:05:33.28,Default,,0000,0000,0000,,And now on with the show. Let us bring\Nit to ya', put some love in your hearts
Dialogue: 0,0:05:33.29,0:05:36.15,Default,,0000,0000,0000,,Gimme a Hallelujah! [Hallelujah!]
Dialogue: 0,0:05:36.15,0:05:38.73,Default,,0000,0000,0000,,Oh, may the Bard be with you
Dialogue: 0,0:05:38.73,0:05:40.58,Default,,0000,0000,0000,,Good night, thank you
Dialogue: 0,0:05:52.09,0:05:53.98,Default,,0000,0000,0000,,Those of you who\Nown a copy of this book
Dialogue: 0,0:05:53.98,0:05:57.92,Default,,0000,0000,0000,,Know that no volume is complete without a\Nbrief biography of William Shakespeare
Dialogue: 0,0:05:57.92,0:05:59.71,Default,,0000,0000,0000,,Providing this portion of the performance
Dialogue: 0,0:05:59.71,0:06:02.38,Default,,0000,0000,0000,,will be the third member of the\NReduced Shakespeare Company
Dialogue: 0,0:06:02.38,0:06:05.80,Default,,0000,0000,0000,,Please welcome to the stage,\NMr. Adam Long!
Dialogue: 0,0:06:12.73,0:06:14.63,Default,,0000,0000,0000,,Oh, shit
Dialogue: 0,0:06:14.63,0:06:16.51,Default,,0000,0000,0000,,No, no, let me get it, they go in order
Dialogue: 0,0:06:16.51,0:06:18.22,Default,,0000,0000,0000,,So just let me get... I got it.
Dialogue: 0,0:06:18.22,0:06:21.21,Default,,0000,0000,0000,,Okay, what I did was I've just written a\Nfew notes on Shakespeare's life
Dialogue: 0,0:06:21.22,0:06:23.35,Default,,0000,0000,0000,,Just to get the show off to a good start
Dialogue: 0,0:06:23.35,0:06:26.98,Default,,0000,0000,0000,,Just so like everybody can know\Nall the stuff that he did and everything
Dialogue: 0,0:06:26.98,0:06:30.69,Default,,0000,0000,0000,,As you can see, I'm not actually an\Naudience member, I completely fooled you
Dialogue: 0,0:06:33.01,0:06:38.91,Default,,0000,0000,0000,,Okay. Okay. William Shakespeare
Dialogue: 0,0:06:41.65,0:06:46.83,Default,,0000,0000,0000,,William Shakespeare was born in 1564 in the\Ntown of Stratford-Upon-Avon, Warwickshire
Dialogue: 0,0:06:46.83,0:06:50.37,Default,,0000,0000,0000,,The third of eight children he was\Nthe eldest son of John Shakespeare
Dialogue: 0,0:06:50.37,0:06:54.14,Default,,0000,0000,0000,,a locally prominent merchant,\Nand Mary Arden, daughter of a Roman...
Dialogue: 0,0:06:55.69,0:06:58.31,Default,,0000,0000,0000,,Catholic member of the Landed Gentry.
Dialogue: 0,0:06:58.31,0:07:01.07,Default,,0000,0000,0000,,In 1582, he married Anne Hathaway
Dialogue: 0,0:07:01.07,0:07:03.40,Default,,0000,0000,0000,,Shakespeare arrived in London in 1588
Dialogue: 0,0:07:03.40,0:07:07.86,Default,,0000,0000,0000,,And by 1592, he had achieved\Nsuccess as an actor and a playwright
Dialogue: 0,0:07:07.86,0:07:13.25,Default,,0000,0000,0000,,After 1608, his dramatic production lessened, and\Nit seems that he spent more time in Stratford
Dialogue: 0,0:07:13.25,0:07:16.90,Default,,0000,0000,0000,,There he dictated to his secretary,\NRudolf Hess, the work Mein Kampf...
Dialogue: 0,0:07:24.04,0:07:28.64,Default,,0000,0000,0000,,In which he set forth this program for the restoration\Nof Germany to a dominant position in Europe
Dialogue: 0,0:07:29.47,0:07:33.36,Default,,0000,0000,0000,,After reoccupying the Rhineland Zone between\NFrance and Germany and annexing Austria,
Dialogue: 0,0:07:33.36,0:07:37.25,Default,,0000,0000,0000,,the Sudetenland, and the\Nremainder of Czechoslovakia...
Dialogue: 0,0:07:41.12,0:07:45.94,Default,,0000,0000,0000,,Shakespeare invaded Poland\Non September 1, 1939
Dialogue: 0,0:07:47.23,0:07:49.13,Default,,0000,0000,0000,,Thus precipitating World War II
Dialogue: 0,0:07:50.40,0:07:52.05,Default,,0000,0000,0000,,I never knew that before
Dialogue: 0,0:07:52.37,0:07:53.56,Default,,0000,0000,0000,,Okay, okay
Dialogue: 0,0:07:53.76,0:07:57.85,Default,,0000,0000,0000,,Shakespeare remained in Berlin when the\NRussians entered the city on April 1, 1945
Dialogue: 0,0:07:57.85,0:08:00.100,Default,,0000,0000,0000,,And committed suicide\Nwith his mistress, Eva Peron.
Dialogue: 0,0:08:03.04,0:08:05.07,Default,,0000,0000,0000,,He lies buried in the church at Stratford
Dialogue: 0,0:08:05.07,0:08:07.74,Default,,0000,0000,0000,,Thank you very much, that's all I've got
Dialogue: 0,0:08:15.01,0:08:18.50,Default,,0000,0000,0000,,And now, without further ado, the Reduced\NShakespeare Company is proud to prevent
Dialogue: 0,0:08:18.50,0:08:20.98,Default,,0000,0000,0000,,the Complete Works of William Shakespeare:
Dialogue: 0,0:08:20.98,0:08:22.19,Default,,0000,0000,0000,,Abridged!
Dialogue: 0,0:08:28.62,0:08:34.02,Default,,0000,0000,0000,,All the world's a stage, and all the\Nmen and women merely players
Dialogue: 0,0:08:34.02,0:08:40.28,Default,,0000,0000,0000,,They have their exits and their entrances,\Nand one man in his time plays many parts
Dialogue: 0,0:08:41.41,0:08:44.79,Default,,0000,0000,0000,,One man in his time plays\Nmany parts: how true!
Dialogue: 0,0:08:44.79,0:08:48.78,Default,,0000,0000,0000,,Ladies and gentlemen, where better to\Nbegin our exploration into the complete
Dialogue: 0,0:08:48.79,0:08:52.34,Default,,0000,0000,0000,,works of the greatest of all English\Nplaywrights than in Verona, Italy
Dialogue: 0,0:08:52.34,0:08:56.49,Default,,0000,0000,0000,,With two of his most beloved\Ncharacters, Romeo and Juliet!
Dialogue: 0,0:08:56.49,0:09:01.20,Default,,0000,0000,0000,,Now, Adam and Reed are going to assist me by\Nportraying all the major characters in Romeo and Juliet
Dialogue: 0,0:09:01.20,0:09:04.42,Default,,0000,0000,0000,,While I fill in with bits of crucial narration.
Dialogue: 0,0:09:04.42,0:09:06.53,Default,,0000,0000,0000,,We begin with the prologue.
Dialogue: 0,0:09:09.06,0:09:11.32,Default,,0000,0000,0000,,Two households, both alike in dignity, in
Dialogue: 0,0:09:11.32,0:09:13.80,Default,,0000,0000,0000,,fair Verona, where we lay our scene, from
Dialogue: 0,0:09:13.80,0:09:16.00,Default,,0000,0000,0000,,ancient grudge breaks a new mutiny, where
Dialogue: 0,0:09:16.00,0:09:19.16,Default,,0000,0000,0000,,civil blood makes civil hands unclean.
Dialogue: 0,0:09:19.16,0:09:21.14,Default,,0000,0000,0000,,From forth the fatal loins of these two
Dialogue: 0,0:09:21.14,0:09:23.33,Default,,0000,0000,0000,,foes, a pair of star-crossed lovers take
Dialogue: 0,0:09:23.33,0:09:26.22,Default,,0000,0000,0000,,their life. Huah! Whose misadventure
Dialogue: 0,0:09:26.22,0:09:29.26,Default,,0000,0000,0000,,piteous o'erthrows, do, with their death,
Dialogue: 0,0:09:29.26,0:09:32.36,Default,,0000,0000,0000,,bury their parents' strife.\NThank you very much
Dialogue: 0,0:09:40.46,0:09:44.75,Default,,0000,0000,0000,,Act 1, Scene 1. In the street\Nmeet two men, tall and handsome
Dialogue: 0,0:09:44.75,0:09:48.15,Default,,0000,0000,0000,,One, Benvolio. The other named Sampson
Dialogue: 0,0:09:48.15,0:09:54.16,Default,,0000,0000,0000,,Their hatred fueled by an ancient feud,\Nfor one serves Capulet, the other, Montague-d.
Dialogue: 0,0:09:59.09,0:10:00.49,Default,,0000,0000,0000,,Oh, it's him. I hate him,
Dialogue: 0,0:10:00.49,0:10:02.52,Default,,0000,0000,0000,,his family, hate his dog, hate 'em all.
Dialogue: 0,0:10:04.78,0:10:06.03,Default,,0000,0000,0000,,Do you bite your thumb at me, sir?
Dialogue: 0,0:10:06.03,0:10:07.59,Default,,0000,0000,0000,,No, sir, I do but bite my thumb.
Dialogue: 0,0:10:07.59,0:10:08.89,Default,,0000,0000,0000,,Do you bite your thumb at me, sir?
Dialogue: 0,0:10:08.89,0:10:10.64,Default,,0000,0000,0000,,No sir, I do not bite my thumb at you, sir
Dialogue: 0,0:10:10.64,0:10:12.50,Default,,0000,0000,0000,,but I do but bite my thumb. Do you quarrel, sir?
Dialogue: 0,0:10:12.50,0:10:13.94,Default,,0000,0000,0000,,Quarrel, sir? No, sir!
Dialogue: 0,0:10:13.94,0:10:16.66,Default,,0000,0000,0000,,But if you do, sir, I am for you,\Na serve as good a man as you.
Dialogue: 0,0:10:16.67,0:10:17.77,Default,,0000,0000,0000,,Hah! No better.
Dialogue: 0,0:10:17.77,0:10:19.33,Default,,0000,0000,0000,,Yes. Better.
Dialogue: 0,0:10:22.94,0:10:24.10,Default,,0000,0000,0000,,You lie!
Dialogue: 0,0:10:36.60,0:10:37.79,Default,,0000,0000,0000,,Montague!
Dialogue: 0,0:10:46.35,0:10:49.02,Default,,0000,0000,0000,,I'm twisting your hand! Argh!
Dialogue: 0,0:10:49.02,0:10:50.76,Default,,0000,0000,0000,,This is really gonna hurt you!
Dialogue: 0,0:10:50.76,0:10:52.99,Default,,0000,0000,0000,,Rebellious subjects!
Dialogue: 0,0:10:52.99,0:10:54.25,Default,,0000,0000,0000,,Uh-oh, it's the Prince!
Dialogue: 0,0:10:54.25,0:10:57.56,Default,,0000,0000,0000,,Enemies to the peace, profaners\Nof this neighbor-stainéd steel
Dialogue: 0,0:10:57.56,0:10:59.34,Default,,0000,0000,0000,,You, Capulet, shall go along with me.
Dialogue: 0,0:10:59.34,0:11:02.91,Default,,0000,0000,0000,,Benvolio, come you this afternoon to\Nknow our farther pleasure in this case.
Dialogue: 0,0:11:05.86,0:11:07.18,Default,,0000,0000,0000,,Sorry
Dialogue: 0,0:11:09.32,0:11:12.45,Default,,0000,0000,0000,,Oh, where is Romeo? Saw you him today,
Dialogue: 0,0:11:12.45,0:11:14.87,Default,,0000,0000,0000,,Right glad I am, he was not at this fray.
Dialogue: 0,0:11:14.87,0:11:16.54,Default,,0000,0000,0000,,Ah, but see, he comes!
Dialogue: 0,0:11:21.08,0:11:23.07,Default,,0000,0000,0000,,Romeo, he cried, I will know his grievance,
Dialogue: 0,0:11:23.07,0:11:24.87,Default,,0000,0000,0000,,Or be much denied. Good morrow, cuz.
Dialogue: 0,0:11:24.87,0:11:26.24,Default,,0000,0000,0000,,Is the day so young?
Dialogue: 0,0:11:26.24,0:11:27.40,Default,,0000,0000,0000,,But new struck nine.
Dialogue: 0,0:11:27.40,0:11:28.83,Default,,0000,0000,0000,,Ay, me. Sad hours seem long.
Dialogue: 0,0:11:28.83,0:11:30.64,Default,,0000,0000,0000,,What sadness lengthens Romeo's hours?
Dialogue: 0,0:11:30.64,0:11:32.71,Default,,0000,0000,0000,,Not having that which,\Nhaving, makes them short.
Dialogue: 0,0:11:32.71,0:11:33.36,Default,,0000,0000,0000,,In love?
Dialogue: 0,0:11:33.36,0:11:33.67,Default,,0000,0000,0000,,Out.
Dialogue: 0,0:11:33.67,0:11:34.34,Default,,0000,0000,0000,,Of love?
Dialogue: 0,0:11:34.34,0:11:35.53,Default,,0000,0000,0000,,Out of her favor, where I am in love.
Dialogue: 0,0:11:35.53,0:11:37.75,Default,,0000,0000,0000,,Alas, that love, so gentle in his view,
Dialogue: 0,0:11:37.75,0:11:38.83,Default,,0000,0000,0000,,Should be so rough and tyrannous in proof.
Dialogue: 0,0:11:38.83,0:11:40.26,Default,,0000,0000,0000,,Alas that love, whose view is muffled
Dialogue: 0,0:11:40.26,0:11:43.14,Default,,0000,0000,0000,,Still, should without eyes\Nsee pathways to his will.
Dialogue: 0,0:11:43.72,0:11:44.42,Default,,0000,0000,0000,,Oh!
Dialogue: 0,0:11:45.13,0:11:46.91,Default,,0000,0000,0000,,Go ye to the feast of Capulets.
Dialogue: 0,0:11:46.91,0:11:51.28,Default,,0000,0000,0000,,There sups the fair Rosalind whom thou so lovest\Nwith all the admired beauties of Verona.
Dialogue: 0,0:11:51.28,0:11:55.28,Default,,0000,0000,0000,,Go thither, and compare her face\Nwith some that I shall show, oh baby
Dialogue: 0,0:11:55.29,0:11:58.83,Default,,0000,0000,0000,,And I shall make thee think thy swan a crow.
Dialogue: 0,0:11:58.83,0:12:04.12,Default,,0000,0000,0000,,I'll go along! No such sight to be shown,\Nbut to rejoice in splendor of mine own.
Dialogue: 0,0:12:06.62,0:12:08.84,Default,,0000,0000,0000,,And, so much for Act 1
Dialogue: 0,0:12:17.47,0:12:18.55,Default,,0000,0000,0000,,It wasn't that good.
Dialogue: 0,0:12:19.18,0:12:23.95,Default,,0000,0000,0000,,Now to the feast of Capulet, where\NRomeo is doomed to meet his Juliet
Dialogue: 0,0:12:23.95,0:12:29.53,Default,,0000,0000,0000,,And where, in a scene of timeless romance,\Nhe'll try to get into Juliet's pants.
Dialogue: 0,0:12:34.65,0:12:40.10,Default,,0000,0000,0000,,Oh, she doth teach the torches to burn\Nbright. Did my heart love 'till now?
Dialogue: 0,0:12:40.10,0:12:43.89,Default,,0000,0000,0000,,Forswear it, sight. For I ne'er\Nsaw true beauty 'till this night.
Dialogue: 0,0:12:43.89,0:12:47.82,Default,,0000,0000,0000,,If I profane with my unworthiest hand,\Nthis holy shrine, the gentle fine is this:
Dialogue: 0,0:12:47.82,0:12:53.23,Default,,0000,0000,0000,,My lips, two blushing pilgrims ready stand\Nto smooth that rough touch with a tender kiss
Dialogue: 0,0:12:53.23,0:12:56.91,Default,,0000,0000,0000,,Oh, good pilgrim you do wrung your hands\Ntoo much, which mannerly devotion shows in this.
Dialogue: 0,0:12:56.91,0:13:01.06,Default,,0000,0000,0000,,For saints have hands that pilgims' hands do touch,\Nand palm to palm is holy palmers' kiss.
Dialogue: 0,0:13:01.06,0:13:02.71,Default,,0000,0000,0000,,Have not saints lips and holy palmers too?
Dialogue: 0,0:13:02.71,0:13:04.29,Default,,0000,0000,0000,,Ay, pilgrim. Lips they must use in prayer.
Dialogue: 0,0:13:04.29,0:13:06.49,Default,,0000,0000,0000,,Oh then, dear saint, let lips do what hands do
Dialogue: 0,0:13:06.49,0:13:08.33,Default,,0000,0000,0000,,Saints do not move,\Nthough grant for prayer's sake.
Dialogue: 0,0:13:08.33,0:13:09.79,Default,,0000,0000,0000,,Then move not, while\Nmy prayer's effect I take.
Dialogue: 0,0:13:09.79,0:13:12.51,Default,,0000,0000,0000,,Then from my lips the\Nsin that they have took.
Dialogue: 0,0:13:12.51,0:13:15.26,Default,,0000,0000,0000,,Oh, sin from my lips? Trespass,\Nsweetly urged. Give me my sin again!
Dialogue: 0,0:13:15.26,0:13:17.77,Default,,0000,0000,0000,,- Look, I don't wanna kiss you, man.\N- Look, it's on the script.
Dialogue: 0,0:13:17.78,0:13:19.57,Default,,0000,0000,0000,,I don't care, God, I just...
Dialogue: 0,0:13:30.10,0:13:32.34,Default,,0000,0000,0000,,Um, you kiss by the book
Dialogue: 0,0:13:32.34,0:13:37.38,Default,,0000,0000,0000,,- Oh, coming Mother...\N- Is she a Capulet?
Dialogue: 0,0:13:37.38,0:13:40.14,Default,,0000,0000,0000,,Ay, so I fear. The more is my unrest.
Dialogue: 0,0:13:40.14,0:13:41.70,Default,,0000,0000,0000,,Just pretend you're not there.
Dialogue: 0,0:13:43.08,0:13:44.44,Default,,0000,0000,0000,,What are you doing?
Dialogue: 0,0:13:45.48,0:13:46.59,Default,,0000,0000,0000,,The balcony scene.
Dialogue: 0,0:13:46.59,0:13:51.02,Default,,0000,0000,0000,,Oh. Um. But soft! What light\Nthrough yonder window breaks?
Dialogue: 0,0:13:51.02,0:13:53.05,Default,,0000,0000,0000,,Oh, Romeo, Romeo,\Nwherefore art thou, Romeo?
Dialogue: 0,0:13:53.05,0:13:56.70,Default,,0000,0000,0000,,Deny thy father and refuse thy name\Nor if thou wilt not be but sworn my love
Dialogue: 0,0:13:56.70,0:13:58.94,Default,,0000,0000,0000,,And I'll no longer be a Capulet. [Snort.]
Dialogue: 0,0:14:00.55,0:14:05.34,Default,,0000,0000,0000,,Okay, what's in a name, anyway? That which we\Ncall a nose by any other name could still smell
Dialogue: 0,0:14:05.34,0:14:10.81,Default,,0000,0000,0000,,So Romeo, what, oh, Romeo doth thy name,\Nand for thy name which is no part of thee take all my self
Dialogue: 0,0:14:10.81,0:14:11.78,Default,,0000,0000,0000,,Okay, there is
Dialogue: 0,0:14:12.37,0:14:16.15,Default,,0000,0000,0000,,I take thee at thy word. Call me but love,\Nand I shall be new baptized
Dialogue: 0,0:14:16.15,0:14:18.45,Default,,0000,0000,0000,,Henceforth I shall never be Romeo
Dialogue: 0,0:14:18.45,0:14:21.89,Default,,0000,0000,0000,,But men art thou. Art thou\Nnot Romeo, and a Montague?
Dialogue: 0,0:14:21.89,0:14:25.20,Default,,0000,0000,0000,,- Neither, fair maid, if either thee dislike.\N- Dost thou love me, then?
Dialogue: 0,0:14:25.20,0:14:30.22,Default,,0000,0000,0000,,I know thou wilt say I and I will take thy word,\Nyet if thou swearest thou may as prove false
Dialogue: 0,0:14:30.22,0:14:33.83,Default,,0000,0000,0000,,Oh, Romeo, if thou dost love,\Npronounce it faithfully
Dialogue: 0,0:14:33.83,0:14:37.26,Default,,0000,0000,0000,,- Lady, by yonder blessed moon, I swear\N- Swear not by the moon!
Dialogue: 0,0:14:43.27,0:14:45.49,Default,,0000,0000,0000,,What shall I swear by, then?
Dialogue: 0,0:14:45.49,0:14:48.52,Default,,0000,0000,0000,,I don't know. Not the moon. How 'bout her?
Dialogue: 0,0:14:48.52,0:14:52.21,Default,,0000,0000,0000,,- Swear by her\N- Lady, by yonder blessed virgin, I swear
Dialogue: 0,0:14:55.22,0:14:56.86,Default,,0000,0000,0000,,I don't think so. No.
Dialogue: 0,0:14:59.64,0:15:03.82,Default,,0000,0000,0000,,No, no, do not swear at all, though I joy\Nin thee, I have no joy in this contract tonight
Dialogue: 0,0:15:03.82,0:15:07.30,Default,,0000,0000,0000,,It is too rash, too sudden,\Ntoo inadvised; too like the lightning
Dialogue: 0,0:15:07.30,0:15:10.16,Default,,0000,0000,0000,,Which doth cease to be\N'ere one can say it lightens
Dialogue: 0,0:15:10.16,0:15:13.02,Default,,0000,0000,0000,,- Oh, Romeo\N- Oh, wilt thou leave me so unsatisfied?
Dialogue: 0,0:15:13.02,0:15:17.28,Default,,0000,0000,0000,,- What satisfaction canst thou have?\N- The exchange of thy most faithful vows for mine
Dialogue: 0,0:15:17.28,0:15:19.62,Default,,0000,0000,0000,,Oh, I did give it thee before\Nthou didst request it
Dialogue: 0,0:15:19.62,0:15:22.24,Default,,0000,0000,0000,,Three words, gentle Romeo,\Nand then good night indeed
Dialogue: 0,0:15:22.24,0:15:27.66,Default,,0000,0000,0000,,If that thy bent of love be honorable, thy purpose\Nmarriage, Send Word Tomorrow. One, Two, Three.
Dialogue: 0,0:15:27.66,0:15:31.12,Default,,0000,0000,0000,,Good night, good night,\Nparting is such sweet sorrow
Dialogue: 0,0:15:31.70,0:15:32.80,Default,,0000,0000,0000,,Bye-bye.
Dialogue: 0,0:15:41.99,0:15:44.69,Default,,0000,0000,0000,,Sleep well in thine eyes,\Npeace in thy breasts
Dialogue: 0,0:15:44.69,0:15:48.15,Default,,0000,0000,0000,,Oh, that I were sleep and\Npeace, so sweet to rest
Dialogue: 0,0:15:56.26,0:16:00.82,Default,,0000,0000,0000,,Lo, Romeo did swoon with love.\NBy Cupid, he'd been crippled
Dialogue: 0,0:16:01.74,0:16:06.99,Default,,0000,0000,0000,,But Juliet had a loathsome curse,\Nwhose loathsome name was Tybalt
Dialogue: 0,0:16:07.47,0:16:11.08,Default,,0000,0000,0000,,Romeo! The love I bear thee can afford\Nno better trim than this: thou art a villain
Dialogue: 0,0:16:11.08,0:16:12.73,Default,,0000,0000,0000,,Therefore turn and draw!
Dialogue: 0,0:16:12.73,0:16:15.74,Default,,0000,0000,0000,,Tybalt, I do protest! I never injured thee,\Nbut love thee, better than thou give
Dialogue: 0,0:16:15.74,0:16:17.84,Default,,0000,0000,0000,,Oh, thou wretched boy, I aim for you!
Dialogue: 0,0:16:17.84,0:16:19.10,Default,,0000,0000,0000,,Oh, I am slain.
Dialogue: 0,0:16:37.41,0:16:41.59,Default,,0000,0000,0000,,Moving right along.\NFrom Tybalt's death onward
Dialogue: 0,0:16:41.59,0:16:45.11,Default,,0000,0000,0000,,The lovers are cursed. Despite\Nthe best efforts of the friar and nurse
Dialogue: 0,0:16:45.11,0:16:48.08,Default,,0000,0000,0000,,Their fate persues them;\Nthey can't seem to duck it
Dialogue: 0,0:16:50.27,0:16:53.45,Default,,0000,0000,0000,,And at the end of Act 5,\Nthey both kick the bucket
Dialogue: 0,0:16:56.31,0:17:01.06,Default,,0000,0000,0000,,Gallop a pace, you firey-footed steeds!\NAnd bring in cloudy night immediately.
Dialogue: 0,0:17:01.06,0:17:04.65,Default,,0000,0000,0000,,Come, night, come civil night,\Ncome Romeo, thou day and night
Dialogue: 0,0:17:04.65,0:17:08.88,Default,,0000,0000,0000,,Come gentle night, come loving black proud night\NOh, night, night, night, night
Dialogue: 0,0:17:09.97,0:17:11.73,Default,,0000,0000,0000,,Come, come, come, come, come
Dialogue: 0,0:17:15.48,0:17:17.63,Default,,0000,0000,0000,,I didn't write it!
Dialogue: 0,0:17:18.49,0:17:19.78,Default,,0000,0000,0000,,And bring me my Romeo!
Dialogue: 0,0:17:21.47,0:17:23.01,Default,,0000,0000,0000,,Tuck your boobies in.
Dialogue: 0,0:17:26.90,0:17:28.34,Default,,0000,0000,0000,,Oh, can heaven be so envious!
Dialogue: 0,0:17:28.34,0:17:30.98,Default,,0000,0000,0000,,Oh, Romeo, Romeo, who\Nwould have thought it, Romeo?
Dialogue: 0,0:17:30.98,0:17:34.36,Default,,0000,0000,0000,,What devil art thou to torment me, thus?\NIt's actually rude to torment me
Dialogue: 0,0:17:35.46,0:17:37.31,Default,,0000,0000,0000,,Is Romeo gone and Tybalt slain?
Dialogue: 0,0:17:37.31,0:17:40.27,Default,,0000,0000,0000,,No, Juliet, Tybalt is gone,\Nand Romeo is banished
Dialogue: 0,0:17:40.27,0:17:42.74,Default,,0000,0000,0000,,Romeo, who killed\NTybalt, he is banished
Dialogue: 0,0:17:42.74,0:17:46.74,Default,,0000,0000,0000,,Oh, God. Did Romeo's\Nhand shed Tybalt's blood?
Dialogue: 0,0:17:46.74,0:17:49.15,Default,,0000,0000,0000,,It did, it did,\Nalas the day, it did
Dialogue: 0,0:17:58.25,0:17:59.23,Default,,0000,0000,0000,,Thank you so much.
Dialogue: 0,0:17:59.23,0:18:00.27,Default,,0000,0000,0000,,Now Romeo lives
Dialogue: 0,0:18:04.27,0:18:06.89,Default,,0000,0000,0000,,Now Romeo lives who Tybalt\Nwould have slain, and Tybalt is dead
Dialogue: 0,0:18:06.89,0:18:09.36,Default,,0000,0000,0000,,He that would have killed my husband
Dialogue: 0,0:18:09.36,0:18:10.70,Default,,0000,0000,0000,,Oh, friar Laurence!
Dialogue: 0,0:18:10.70,0:18:15.51,Default,,0000,0000,0000,,Juliet, I already know thy grief. Take now\Nthis vial, and this distilled liquor drink thou of
Dialogue: 0,0:18:15.51,0:18:18.50,Default,,0000,0000,0000,,And presently through all thy veins,\Nshall run a cold and drowsy humor
Dialogue: 0,0:18:18.50,0:18:21.62,Default,,0000,0000,0000,,Oh, I feel a cold and drowsy humor\Nrunning through my veins, Obi Wan
Dialogue: 0,0:18:47.24,0:18:48.82,Default,,0000,0000,0000,,Just say no!
Dialogue: 0,0:18:53.80,0:18:55.92,Default,,0000,0000,0000,,Oh, no!
Dialogue: 0,0:19:06.77,0:19:13.76,Default,,0000,0000,0000,,Oh my love, my wife, death that has set the honey\Nof thy breath hath no power yet upon thy beauty
Dialogue: 0,0:19:13.76,0:19:16.07,Default,,0000,0000,0000,,- Why art thou yet so fair?\N- I don't know
Dialogue: 0,0:19:17.53,0:19:20.26,Default,,0000,0000,0000,,Shall I believe that\Nunsubstantial death is amorous?
Dialogue: 0,0:19:20.26,0:19:22.33,Default,,0000,0000,0000,,To keep me here in the dark,\Nto be his paramour?
Dialogue: 0,0:19:23.02,0:19:24.97,Default,,0000,0000,0000,,Here's to my love.
Dialogue: 0,0:19:24.97,0:19:28.31,Default,,0000,0000,0000,,Oh, true apothecary,\Nthy drugs are quick
Dialogue: 0,0:19:28.31,0:19:31.50,Default,,0000,0000,0000,,Thus with a kiss, I die
Dialogue: 0,0:19:42.35,0:19:44.19,Default,,0000,0000,0000,,Thus, with a kiss...
Dialogue: 0,0:19:47.61,0:19:51.45,Default,,0000,0000,0000,,Get over it...\NI die.
Dialogue: 0,0:19:55.50,0:19:58.28,Default,,0000,0000,0000,,Good morning!\NWhere, oh, where is my love?
Dialogue: 0,0:19:59.74,0:20:03.70,Default,,0000,0000,0000,,What's this? Poison, I see,\Nhath been my true love's timeless end
Dialogue: 0,0:20:03.70,0:20:07.70,Default,,0000,0000,0000,,Oh, churl, drunk all and left no\Nfriendly drop to help me after
Dialogue: 0,0:20:08.49,0:20:11.67,Default,,0000,0000,0000,,Then I'll be brief.\NHappy dagger this is thy sheath!
Dialogue: 0,0:20:16.53,0:20:18.77,Default,,0000,0000,0000,,That's Romeo for ya'
Dialogue: 0,0:20:43.95,0:20:45.83,Default,,0000,0000,0000,,Oh, my head!
Dialogue: 0,0:20:47.59,0:20:49.69,Default,,0000,0000,0000,,Oh, my brain!
Dialogue: 0,0:20:52.96,0:20:56.74,Default,,0000,0000,0000,,There rust, and let me die!
Dialogue: 0,0:20:56.74,0:21:04.30,Default,,0000,0000,0000,,Epilogue: A glooming peace, this morning with it brings,\Nthe sun, for sorrow, will not show its head
Dialogue: 0,0:21:04.30,0:21:10.86,Default,,0000,0000,0000,,Go forth, to have more talk of these sad things.\NSome shall be pardoned, and some, punished
Dialogue: 0,0:21:10.86,0:21:18.26,Default,,0000,0000,0000,,For never was it there a story of more woah\Nthan this of Juliet and her Romeo
Dialogue: 0,0:21:18.26,0:21:25.38,Default,,0000,0000,0000,,And Romeo and Juliet are dead!
Dialogue: 0,0:21:46.66,0:21:50.61,Default,,0000,0000,0000,,Ladies and gentlemen, in preparing this\Nunprecedented complete works show
Dialogue: 0,0:21:50.61,0:21:56.97,Default,,0000,0000,0000,,We've encountered the difficulty of trying to make these\Nfour-hundred year old plays accessible to a modern audience
Dialogue: 0,0:21:56.97,0:22:00.95,Default,,0000,0000,0000,,Now, one popular trend is to transpose\NShakespeare's tales into modern settings
Dialogue: 0,0:22:00.95,0:22:03.85,Default,,0000,0000,0000,,And we've seen evidence of this with\Nproductions of Shakespeare's plays
Dialogue: 0,0:22:03.85,0:22:10.39,Default,,0000,0000,0000,,Set in such unusual locations as the lunar landscape,\NNazi prisoner of war camps, and even Vancouver
Dialogue: 0,0:22:10.39,0:22:18.10,Default,,0000,0000,0000,,Now - God bless you - in this vein, Austin\Nhas traced the roots of Shakespeare's symbolism
Dialogue: 0,0:22:18.10,0:22:21.74,Default,,0000,0000,0000,,In the context of a pre-Nietzschian society
Dialogue: 0,0:22:21.74,0:22:26.21,Default,,0000,0000,0000,,Through the totality of a\Njejune circular relationship of form
Dialogue: 0,0:22:26.21,0:22:29.18,Default,,0000,0000,0000,,Contrasted with the complete\Notherness of metaphysical cosmologies
Dialogue: 0,0:22:29.18,0:22:33.82,Default,,0000,0000,0000,,And the ethical mores entrenched in the\Ncollective subconscious of an agrarian race
Dialogue: 0,0:22:33.82,0:22:38.45,Default,,0000,0000,0000,,So, we now present Shakespeare's first tragedy,\NTitus Andronicus, as a cooking program
Dialogue: 0,0:22:41.58,0:22:43.50,Default,,0000,0000,0000,,Good evening, ladies and gentlemen
Dialogue: 0,0:22:43.50,0:22:45.99,Default,,0000,0000,0000,,Good evening, gourmets
Dialogue: 0,0:22:45.99,0:22:50.06,Default,,0000,0000,0000,,And welcome to Roman Meals.\NI'm your host, Titus Andronicus. Now look
Dialogue: 0,0:22:50.06,0:22:53.51,Default,,0000,0000,0000,,When you've had a long day,\Nyour left hand chopped off
Dialogue: 0,0:22:54.22,0:22:57.42,Default,,0000,0000,0000,,Your sons murdered,\Nyour daughter raped
Dialogue: 0,0:22:57.42,0:23:00.01,Default,,0000,0000,0000,,Her tongue cut out,\Nboth her hands chopped off
Dialogue: 0,0:23:01.22,0:23:04.39,Default,,0000,0000,0000,,Well, the last thing you wanna do is cook,\Nyou know what I mean?
Dialogue: 0,0:23:04.39,0:23:09.38,Default,,0000,0000,0000,,Unless of course, you cook the rapist\Nand serve him to his mother at the dinner party
Dialogue: 0,0:23:10.27,0:23:13.79,Default,,0000,0000,0000,,My daughter, Lavinia, and I will show you how!\NGood evening Lavinia!
Dialogue: 0,0:23:20.31,0:23:22.51,Default,,0000,0000,0000,,And how are we feeling today?
Dialogue: 0,0:23:22.51,0:23:25.18,Default,,0000,0000,0000,,Not so good, I got my tongue chopped out.
Dialogue: 0,0:23:26.40,0:23:28.60,Default,,0000,0000,0000,,I know, it's a pisser, isn't it?
Dialogue: 0,0:23:28.60,0:23:30.28,Default,,0000,0000,0000,,But we'll have our revenge, won't we?
Dialogue: 0,0:23:30.28,0:23:34.67,Default,,0000,0000,0000,,Now, hark villain, I will grind your bones to dust,\Nand of your blood in it I'll make a paste
Dialogue: 0,0:23:34.67,0:23:39.03,Default,,0000,0000,0000,,and of that paste a coffin I will rear,\Nand make a pasty of your shameful head
Dialogue: 0,0:23:39.23,0:23:41.45,Default,,0000,0000,0000,,- Come, Lavinia, receive the blood\N- Okey-dokey
Dialogue: 0,0:23:41.45,0:23:46.06,Default,,0000,0000,0000,,Now first thing you wanna do is make a nice clean\Nincision from the carotid artery to the jugular vein
Dialogue: 0,0:23:46.06,0:23:49.53,Default,,0000,0000,0000,,- Like so\N- Oh, that's gross
Dialogue: 0,0:23:49.53,0:23:51.71,Default,,0000,0000,0000,,Yeah. Now, be sure to use a big bowl
Dialogue: 0,0:23:51.71,0:23:54.11,Default,,0000,0000,0000,,Because the human body's got\Nabout four quarts of blood in it
Dialogue: 0,0:23:54.11,0:23:57.31,Default,,0000,0000,0000,,And you don't wanna miss\Na single drop; forget about it
Dialogue: 0,0:23:57.66,0:24:01.66,Default,,0000,0000,0000,,Now, whenever he's dead, which should be, now
Dialogue: 0,0:24:01.66,0:24:04.47,Default,,0000,0000,0000,,I will grind his bones into powder small,
Dialogue: 0,0:24:04.47,0:24:09.45,Default,,0000,0000,0000,,And with this hateful liquor temperate,\Nand in that paste let his vile head be baked
Dialogue: 0,0:24:09.45,0:24:11.48,Default,,0000,0000,0000,,At about 350 degrees.
Dialogue: 0,0:24:11.48,0:24:17.38,Default,,0000,0000,0000,,And 40 minutes later, you have the most\Ndelicious human-head-pie, fit to serve a king
Dialogue: 0,0:24:17.38,0:24:20.43,Default,,0000,0000,0000,,With some lovely lady fingers for desert
Dialogue: 0,0:24:21.25,0:24:24.67,Default,,0000,0000,0000,,Now, who will be the first to\Ntry this delicious taste treat?
Dialogue: 0,0:24:24.67,0:24:29.24,Default,,0000,0000,0000,,Welcome gracious lord, welcome great queen,\Nwill please you eat, will please you feed?
Dialogue: 0,0:24:29.24,0:24:31.69,Default,,0000,0000,0000,,C'mon, it's finger-licking good!
Dialogue: 0,0:24:33.17,0:24:35.18,Default,,0000,0000,0000,,Good one, man, high-five!
Dialogue: 0,0:24:38.52,0:24:41.50,Default,,0000,0000,0000,,Well, that's about all the time we have,\Nthanks so much for tuning in
Dialogue: 0,0:24:41.50,0:24:43.72,Default,,0000,0000,0000,,And do join us next week,\Nwhen our very special guest chef
Dialogue: 0,0:24:43.72,0:24:48.42,Default,,0000,0000,0000,,Timon of Athens will make a lovely\Nratatouille out of the Merry Wives of Windsor
Dialogue: 0,0:24:48.42,0:24:52.42,Default,,0000,0000,0000,,And until then, BONE-Appetite!\NThank you very much!
Dialogue: 0,0:24:58.81,0:25:01.99,Default,,0000,0000,0000,,I hope no one was too\Noffended by Titus Andronicus
Dialogue: 0,0:25:01.99,0:25:06.06,Default,,0000,0000,0000,,Shakespeare as a young writer seems to have gone through a brief Quentin Tarantino phase
Dialogue: 0,0:25:06.06,0:25:10.98,Default,,0000,0000,0000,,But, we shall now move on to explore the genius evident in Shakespeare's more mature work
Dialogue: 0,0:25:10.98,0:25:16.24,Default,,0000,0000,0000,,As we present his dark and brooding\Ntragedy, Othello, the Moor of Venice
Dialogue: 0,0:25:25.75,0:25:31.53,Default,,0000,0000,0000,,Speak of me as I am, nothing extenuate,\None who loved not wisely, but too well
Dialogue: 0,0:25:31.53,0:25:36.82,Default,,0000,0000,0000,,For never was there a story of more woe\Nthan this of Othello and his Desdemona
Dialogue: 0,0:25:37.67,0:25:39.37,Default,,0000,0000,0000,,Ah, Dese!
Dialogue: 0,0:25:43.37,0:25:45.62,Default,,0000,0000,0000,,Bob, could we have some lights, please?
Dialogue: 0,0:25:45.62,0:25:49.16,Default,,0000,0000,0000,,Uh, we left Adam on his\Nown to research this play
Dialogue: 0,0:25:50.01,0:25:53.28,Default,,0000,0000,0000,,Uh, apparently he looked\Nup 'moor' in the dictionary
Dialogue: 0,0:25:53.28,0:25:55.67,Default,,0000,0000,0000,,and thought it was a\Nplace where you tie up boats
Dialogue: 0,0:25:55.67,0:25:59.29,Default,,0000,0000,0000,,- That's what it told me\N- Which obviously in this context is obviously totally ridiculous
Dialogue: 0,0:25:59.29,0:26:04.95,Default,,0000,0000,0000,,Because, in the 16th century,\Nthe word 'moor' referred to a black person
Dialogue: 0,0:26:09.90,0:26:11.71,Default,,0000,0000,0000,,I feel like such a dork
Dialogue: 0,0:26:11.71,0:26:13.96,Default,,0000,0000,0000,,Yeah, well, go with the feeling
Dialogue: 0,0:26:13.96,0:26:19.12,Default,,0000,0000,0000,,Look, ladies and gentlemen, we obviously\Nhave some difficulty in even performing Othello
Dialogue: 0,0:26:19.12,0:26:21.58,Default,,0000,0000,0000,,because, as you know,\Nthe part is written for a black actor
Dialogue: 0,0:26:21.58,0:26:24.98,Default,,0000,0000,0000,,- And we are\N- I guess you might say that we're, uh, racially challenged
Dialogue: 0,0:26:24.98,0:26:29.45,Default,,0000,0000,0000,,Exactly, so the bottom line is we're not going to be able\Nto perform Othello for you tonight, I'm very sorry about it
Dialogue: 0,0:26:29.45,0:26:33.08,Default,,0000,0000,0000,,No, no, Austin, Austin, we can do it, we can do it.\NI've got an idea that's totally boatless
Dialogue: 0,0:26:33.08,0:26:37.80,Default,,0000,0000,0000,,If we just, aham, If we just\Nget like a rhythm going, y'know?
Dialogue: 0,0:26:37.80,0:26:39.16,Default,,0000,0000,0000,,Like a
Dialogue: 0,0:26:39.16,0:26:43.53,Default,,0000,0000,0000,,Like a: "Here's a story of a\Nbrother by the name of Othello"
Dialogue: 0,0:26:43.53,0:26:46.80,Default,,0000,0000,0000,,"He liked white women,\Nand he liked... green jello"
Dialogue: 0,0:26:46.80,0:26:50.31,Default,,0000,0000,0000,,Oh yeah, yeah\NAnd a punk named Iago
Dialogue: 0,0:26:50.31,0:26:52.67,Default,,0000,0000,0000,,Who made himself a menace,\N'cause he didn't like Othello
Dialogue: 0,0:26:52.67,0:26:56.52,Default,,0000,0000,0000,,The moor of Venice\NAnd Othello got married to Desdemona
Dialogue: 0,0:26:56.52,0:26:58.87,Default,,0000,0000,0000,,He took her for the wars,\Nand left her alone-a
Dialogue: 0,0:26:58.87,0:27:01.56,Default,,0000,0000,0000,,He was a moan-a, a groan-a,\Nhe left her alone-a
Dialogue: 0,0:27:01.56,0:27:04.24,Default,,0000,0000,0000,,He didn't write a letter,\Nand he didn't telephon'er
Dialogue: 0,0:27:06.58,0:27:09.06,Default,,0000,0000,0000,,Desdemona she was faithful,\Nshe was chastity-tight
Dialogue: 0,0:27:09.06,0:27:11.59,Default,,0000,0000,0000,,She was the daughter of a Duke,\Nyeah, she was totally white
Dialogue: 0,0:27:11.59,0:27:13.96,Default,,0000,0000,0000,,And Iago loved Dese\Nlike Adonis loved Venus
Dialogue: 0,0:27:13.96,0:27:17.09,Default,,0000,0000,0000,,And Dese loved Othello\N'cause he had a big... SWORD
Dialogue: 0,0:27:18.68,0:27:20.55,Default,,0000,0000,0000,,Iago, he said,\N"I'm gonna shaft the Moor"
Dialogue: 0,0:27:20.55,0:27:21.97,Default,,0000,0000,0000,,How you gonna do it, tell us!
Dialogue: 0,0:27:21.97,0:27:24.39,Default,,0000,0000,0000,,Well, I know his tragic flaw:\Nhe's too damn jealous
Dialogue: 0,0:27:24.39,0:27:29.70,Default,,0000,0000,0000,,I need a dupe, a dope, a kind of schmo,\Nso he found himself a sucker by the name of Casio
Dialogue: 0,0:27:29.70,0:27:31.81,Default,,0000,0000,0000,,And he plants on him\NDesdemona's handkercheifs
Dialogue: 0,0:27:31.81,0:27:34.82,Default,,0000,0000,0000,,So Othello gets to\Nwondering just maybe if
Dialogue: 0,0:27:34.82,0:27:40.02,Default,,0000,0000,0000,,While he been out fighting, commanding an army,\Nare Dese and Cas playin' hide the salami?
Dialogue: 0,0:27:40.02,0:27:42.26,Default,,0000,0000,0000,,S-s-s-s-sala-salami!
Dialogue: 0,0:27:44.59,0:27:47.30,Default,,0000,0000,0000,,So he comes back home\Nhe's got a pillow in her face
Dialogue: 0,0:27:47.30,0:27:49.58,Default,,0000,0000,0000,,He kills her and soliloquizes\Nabout his disgrace
Dialogue: 0,0:27:49.58,0:27:52.18,Default,,0000,0000,0000,,But there's Amelia at the door,\Nwho we met in Act 4
Dialogue: 0,0:27:52.18,0:27:54.78,Default,,0000,0000,0000,,Who say, "You big dummy,\Nshe weren't no whore!"
Dialogue: 0,0:27:54.78,0:27:57.34,Default,,0000,0000,0000,,She was pure, she was clean,\Nshe was virginal, too
Dialogue: 0,0:27:57.34,0:27:59.94,Default,,0000,0000,0000,,So why'd you have to go,\Nand make her face turn blue?"
Dialogue: 0,0:27:59.94,0:28:01.40,Default,,0000,0000,0000,,It's true! It's you!
Dialogue: 0,0:28:01.40,0:28:05.12,Default,,0000,0000,0000,,Now what'chu gonna do? And Othello say,\N"Damn, this is getting pretty scary"
Dialogue: 0,0:28:05.12,0:28:07.80,Default,,0000,0000,0000,,Pull out his blade,\Nand committed Hari-Kari
Dialogue: 0,0:28:07.80,0:28:11.00,Default,,0000,0000,0000,,Do that funky Moor-thing,\Nwhite boy!
Dialogue: 0,0:28:11.00,0:28:15.14,Default,,0000,0000,0000,,- That is so hot, man\N- Iago got caught, but he probably copped a plea
Dialogue: 0,0:28:15.14,0:28:17.72,Default,,0000,0000,0000,,Lured up his bags and moved to Beverly
Dialogue: 0,0:28:18.70,0:28:22.04,Default,,0000,0000,0000,,Hills, that is. Whoo!
Dialogue: 0,0:28:37.83,0:28:42.36,Default,,0000,0000,0000,,Hey guys, uh, let's lighten up from all the heavy\Ntragedy, and do some of the comedies for a while
Dialogue: 0,0:28:42.36,0:28:44.54,Default,,0000,0000,0000,,- Word. Let's totally\N- Okay, okay
Dialogue: 0,0:28:44.54,0:28:47.15,Default,,0000,0000,0000,,When it came to comedies,\NShakespeare was a genius\N
Dialogue: 0,0:28:47.15,0:28:51.40,Default,,0000,0000,0000,,At borrowing and adapting plot devices\Nfrom different theatrical traditions
Dialogue: 0,0:28:51.40,0:28:55.13,Default,,0000,0000,0000,,This influences include the\NRoman plays of Plautus and Terence
Dialogue: 0,0:28:55.13,0:28:58.32,Default,,0000,0000,0000,,Ovid's "Metamorphoses",\Nwhich are hysterically funny.
Dialogue: 0,0:29:00.22,0:29:03.49,Default,,0000,0000,0000,,As well as the rich Italian\Ntradition of commedia dell'arte
Dialogue: 0,0:29:03.49,0:29:06.03,Default,,0000,0000,0000,,Yeah, basically, Shakespeare\Nstole every comedy he ever wrote
Dialogue: 0,0:29:06.03,0:29:08.57,Default,,0000,0000,0000,,No, no, STOLE is a really strong word\Ndistilled, maybe
Dialogue: 0,0:29:08.57,0:29:13.20,Default,,0000,0000,0000,,Okay he distilled the three or four\Nfunniest comic gimmicks of his time
Dialogue: 0,0:29:13.20,0:29:15.92,Default,,0000,0000,0000,,And then he milked them into 16 plays
Dialogue: 0,0:29:15.92,0:29:18.12,Default,,0000,0000,0000,,You see, basically Shakespeare\Nwas a formula writer
Dialogue: 0,0:29:18.12,0:29:22.04,Default,,0000,0000,0000,,Once he found a device that worked\Nhe used it over and over and over again
Dialogue: 0,0:29:22.04,0:29:24.30,Default,,0000,0000,0000,,So, Mr. Shakespeare,\Nthe question we have is this:
Dialogue: 0,0:29:24.30,0:29:28.47,Default,,0000,0000,0000,,Why did you write 16 comedies,\Nwhen you could've written just one?
Dialogue: 0,0:29:28.47,0:29:33.50,Default,,0000,0000,0000,,Well, in answer to this question, we of the Reduced\NShakespeare Company have taken the liberty of condensing
Dialogue: 0,0:29:33.50,0:29:36.54,Default,,0000,0000,0000,,All 16 of Shakespeare's comedies\Ninto a single play
Dialogue: 0,0:29:36.54,0:29:37.79,Default,,0000,0000,0000,,Which we have entitled:
Dialogue: 0,0:29:37.79,0:29:43.50,Default,,0000,0000,0000,,The comedy of two well-measured gentlemen lost in the\NMerry Wives of Venice on a Midsummer's Twelfth Night in Winter
Dialogue: 0,0:29:44.74,0:29:49.90,Default,,0000,0000,0000,,Or: Cymbeline Taming Pericles, the Merchant in the\NTempest of Love As Much As You Like It For Nothing
Dialogue: 0,0:29:50.46,0:29:53.73,Default,,0000,0000,0000,,Or: Four weddings and a transvestite.
Dialogue: 0,0:30:02.38,0:30:06.43,Default,,0000,0000,0000,,Act I. A Spanish Duke\Nswears an oath of celibacy
Dialogue: 0,0:30:06.43,0:30:10.60,Default,,0000,0000,0000,,And turns the rule of his kingdom over\Nto his sadistic and tyrannical twin brother
Dialogue: 0,0:30:10.60,0:30:12.80,Default,,0000,0000,0000,,He learns some\Nfantastical feats of magic
Dialogue: 0,0:30:12.80,0:30:14.80,Default,,0000,0000,0000,,And sets sail for\Nthe Golden Age of Greece
Dialogue: 0,0:30:14.80,0:30:19.24,Default,,0000,0000,0000,,Along with his daughters, three beautiful\Nand virginal set of identical twins
Dialogue: 0,0:30:19.24,0:30:22.68,Default,,0000,0000,0000,,While rounding the heel of Italy,\Nthe Duke’s ship is caught in a terrible tempest
Dialogue: 0,0:30:22.68,0:30:25.22,Default,,0000,0000,0000,,Which, in its fury, casts\Nthe Duke upon a desert island
Dialogue: 0,0:30:25.22,0:30:27.92,Default,,0000,0000,0000,,Along with the loveliest and\Nmost virginal of his daughters
Dialogue: 0,0:30:27.92,0:30:33.11,Default,,0000,0000,0000,,Who stumbles into a cave, where she is molested\Nby a creature who is either a man, or a fish, or both
Dialogue: 0,0:30:33.100,0:30:38.91,Default,,0000,0000,0000,,Act II. The longlost sons of the Duke's brother,\Nalso coincidentally three sets of identical twins
Dialogue: 0,0:30:38.91,0:30:41.14,Default,,0000,0000,0000,,Have just arrived in Italy
Dialogue: 0,0:30:41.14,0:30:48.07,Default,,0000,0000,0000,,Though still possessed of an inner nobility, they are ragged,\Ndestitute, penniless, flea-infested shadows of the men they once were
Dialogue: 0,0:30:48.07,0:30:51.46,Default,,0000,0000,0000,,And in the utmost extremity are\Nforced to borrow money from an old Jew
Dialogue: 0,0:30:51.46,0:30:55.12,Default,,0000,0000,0000,,Who deceives them into putting down\Ntheir brains as collateral on the loan
Dialogue: 0,0:30:55.12,0:30:58.94,Default,,0000,0000,0000,,Now, the six brothers fall\Nin love with six Italian sisters
Dialogue: 0,0:30:58.94,0:31:02.85,Default,,0000,0000,0000,,Three of whom are contentious,\Nsharp-tongued little shrews
Dialogue: 0,0:31:02.85,0:31:06.19,Default,,0000,0000,0000,,While the other three are\Nsubmissive, airheaded little bimbos
Dialogue: 0,0:31:06.50,0:31:11.15,Default,,0000,0000,0000,,Act III. The ship wrecked, the identical daughters\Nof the Duke wash up on the shores of Italy
Dialogue: 0,0:31:11.15,0:31:16.15,Default,,0000,0000,0000,,Disguise themselves as men, become pages to the\Nshrews and matchmakers to the Duke's brother's sons
Dialogue: 0,0:31:16.15,0:31:20.21,Default,,0000,0000,0000,,They lead all the lovers into a nearby forest,\Nwhere, on a midsummer's night,
Dialogue: 0,0:31:20.21,0:31:25.54,Default,,0000,0000,0000,,A bunch of mischievous fairies squeeze the aphroditic\Njuice of a hermaphroditic flower into the shrews' eyes
Dialogue: 0,0:31:25.54,0:31:30.50,Default,,0000,0000,0000,,Causing them to fall in love with their own pages,\Nwho, in turn, have fallen in love with the Duke's brother's sons
Dialogue: 0,0:31:30.50,0:31:34.29,Default,,0000,0000,0000,,While the queen of the fairies seduces\Na jackass, and they all have an orgy
Dialogue: 0,0:31:34.29,0:31:35.55,Default,,0000,0000,0000,,Act IV.
Dialogue: 0,0:31:35.55,0:31:38.12,Default,,0000,0000,0000,,The elderly fathers of the Italian sisters,\Nfinding their daughters missing
Dialogue: 0,0:31:38.12,0:31:41.45,Default,,0000,0000,0000,,Dispatch messages to the pages telling\Nthem to kill any man in the vicinity
Dialogue: 0,0:31:41.45,0:31:45.74,Default,,0000,0000,0000,,However, unable to find men in the forest,\Nthe faithful messengers, in a final misguided act of loyalty
Dialogue: 0,0:31:45.74,0:31:48.42,Default,,0000,0000,0000,,Deliver the messages to each\Nother and kill themselves
Dialogue: 0,0:31:48.42,0:31:52.34,Default,,0000,0000,0000,,Meanwhile, the fish creature and the Duke\Narrive in the forest disguised as Russians
Dialogue: 0,0:31:52.34,0:31:56.46,Default,,0000,0000,0000,,And, for no apparent reason, perform a\Ntwo-man underwater version of "Uncle Vanya"
Dialogue: 0,0:31:56.46,0:31:59.26,Default,,0000,0000,0000,,Act V. The Duke commands the\Nfairies to right their wrongs
Dialogue: 0,0:31:59.26,0:32:01.92,Default,,0000,0000,0000,,The pages and the bimbos get into\Na knock-down, drag-out fight in the mud
Dialogue: 0,0:32:01.92,0:32:05.01,Default,,0000,0000,0000,,During which the pages' clothes\Nget ripped off, revealing female genitalia
Dialogue: 0,0:32:05.01,0:32:07.03,Default,,0000,0000,0000,,The Duke recognizes his daughters
Dialogue: 0,0:32:09.04,0:32:11.14,Default,,0000,0000,0000,,The Duke's brother's sons\Nrecognize their uncle
Dialogue: 0,0:32:11.14,0:32:13.58,Default,,0000,0000,0000,,One of the shrews is elected\NSenator from New York
Dialogue: 0,0:32:15.72,0:32:17.43,Default,,0000,0000,0000,,And they all get married and go out to dinner
Dialogue: 0,0:32:17.43,0:32:20.02,Default,,0000,0000,0000,,Except for a minor character in the\Nsecond act, who gets eaten by a bear
Dialogue: 0,0:32:20.02,0:32:23.57,Default,,0000,0000,0000,,And the Duke's brother's sons, who,\Nunable to pay back the old Jew, give themselves lobotomies
Dialogue: 0,0:32:23.57,0:32:26.25,Default,,0000,0000,0000,,And they all live happily ever after\NThank you!
Dialogue: 0,0:32:38.22,0:32:39.99,Default,,0000,0000,0000,,What we would like to\Ndo in this juncture time
Dialogue: 0,0:32:39.99,0:32:42.18,Default,,0000,0000,0000,,Is return quickly to the rest\Nof Shakespeare's tragedies
Dialogue: 0,0:32:42.18,0:32:45.64,Default,,0000,0000,0000,,Because, basically, we found that the\Ncomedies are not as funny as the tragedies
Dialogue: 0,0:32:46.86,0:32:51.81,Default,,0000,0000,0000,,So, we would like to start this section of the show\Nwith Shakespeare's Scottish play, Macbeth
Dialogue: 0,0:32:55.32,0:32:58.76,Default,,0000,0000,0000,,Which you're really not\Nsupposed to talk about in the theatre
Dialogue: 0,0:32:59.25,0:33:00.96,Default,,0000,0000,0000,,Unless you are performing it
Dialogue: 0,0:33:02.00,0:33:05.38,Default,,0000,0000,0000,,Because it's cursed
Dialogue: 0,0:33:08.84,0:33:10.28,Default,,0000,0000,0000,,Uhu, very scary!
Dialogue: 0,0:33:11.85,0:33:16.26,Default,,0000,0000,0000,,Fortunately, our Reduced Shakespeare Company\Nnot only performs an abbreviated version of Macbeth
Dialogue: 0,0:33:18.54,0:33:24.42,Default,,0000,0000,0000,,But, after much thorough research, we\Nare able to do so in perfect Scottish accents
Dialogue: 0,0:33:28.65,0:33:32.39,Default,,0000,0000,0000,,Double, double, toil, and trrrouble
Dialogue: 0,0:33:32.39,0:33:39.07,Default,,0000,0000,0000,,Stay, ye, imperrrfect (Mac)speaker.\N(Mac)tell me (Mac)morrre
Dialogue: 0,0:33:39.07,0:33:43.07,Default,,0000,0000,0000,,Macbeth... Macbeth...
Dialogue: 0,0:33:43.07,0:33:45.73,Default,,0000,0000,0000,,Bewarrre Macduff
Dialogue: 0,0:33:45.73,0:33:48.03,Default,,0000,0000,0000,,No man of woman born\Nshall harm Macbeth
Dialogue: 0,0:33:48.03,0:33:52.16,Default,,0000,0000,0000,,'Till Birnam Wood come to\NDunsmane, don't ye know?
Dialogue: 0,0:33:53.06,0:33:56.94,Default,,0000,0000,0000,,That's dead great. Then (Mac)what\N(Mac)need (mac)I (Mac)fear of Macduff?
Dialogue: 0,0:33:56.94,0:33:58.62,Default,,0000,0000,0000,,See you, Jimmy!
Dialogue: 0,0:33:58.62,0:34:03.03,Default,,0000,0000,0000,,And know that Macduff was from his mother's womb\Nuntimely ripped! What d'ye think about that?
Dialogue: 0,0:34:03.03,0:34:05.29,Default,,0000,0000,0000,,Ooh! That's bloody disgusting!
Dialogue: 0,0:34:05.29,0:34:07.26,Default,,0000,0000,0000,,Lay on, your great\Nhaggis-breath ye'!
Dialogue: 0,0:34:07.26,0:34:11.71,Default,,0000,0000,0000,,Ah, Macbeth! Ye killed my wife, ye murdered\Nmy bairns, ye did a job in my stoup
Dialogue: 0,0:34:11.71,0:34:13.39,Default,,0000,0000,0000,,- Rrr, I didnae\N- Rrr, you did!
Dialogue: 0,0:34:14.10,0:34:15.68,Default,,0000,0000,0000,,- Rrrrrrrrrrrrrrrrrrrrr\N- Rrrrrrrrrrrrrrrrrrrrr
Dialogue: 0,0:34:16.45,0:34:18.21,Default,,0000,0000,0000,,I hadn't throw half of it away!
Dialogue: 0,0:34:26.25,0:34:29.78,Default,,0000,0000,0000,,Behold where stands the\Nusurper's cursed head
Dialogue: 0,0:34:29.78,0:34:32.58,Default,,0000,0000,0000,,Ah, Macbeth! yer arse is oot the windee
Dialogue: 0,0:34:33.47,0:34:36.86,Default,,0000,0000,0000,,And know that never was there\Na story of more blood and death
Dialogue: 0,0:34:36.86,0:34:41.00,Default,,0000,0000,0000,,Than this of Mr. and Mrs. Macbeth\NThank you!
Dialogue: 0,0:34:49.74,0:34:53.86,Default,,0000,0000,0000,,Meanwhile, Julius Caesar\Nwas a much beloved tyrant
Dialogue: 0,0:34:53.86,0:34:55.13,Default,,0000,0000,0000,,All hail Julius Caesar!
Dialogue: 0,0:34:55.13,0:34:56.24,Default,,0000,0000,0000,,Hail, citizens!
Dialogue: 0,0:34:56.24,0:35:00.25,Default,,0000,0000,0000,,- Who was warned by a soothsayer\N- Beware the Ides of March
Dialogue: 0,0:35:02.21,0:35:04.72,Default,,0000,0000,0000,,The great Caesar, however,\Nchose to ignore the warning
Dialogue: 0,0:35:04.72,0:35:06.65,Default,,0000,0000,0000,,What the hell are\Nthe "Ides of March"?
Dialogue: 0,0:35:06.65,0:35:08.53,Default,,0000,0000,0000,,Well, that's the\N15th of March
Dialogue: 0,0:35:08.53,0:35:09.47,Default,,0000,0000,0000,,That's today!
Dialogue: 0,0:35:11.54,0:35:12.92,Default,,0000,0000,0000,,Et tu, Brutus?
Dialogue: 0,0:35:13.90,0:35:16.74,Default,,0000,0000,0000,,Friends, Romans, countrymen!
Dialogue: 0,0:35:16.74,0:35:18.10,Default,,0000,0000,0000,,Lend me your ears!
Dialogue: 0,0:35:18.10,0:35:22.64,Default,,0000,0000,0000,,I come to bury Caeser, so let's bury him,\Nand get on to my play, Antony...
Dialogue: 0,0:35:22.65,0:35:24.05,Default,,0000,0000,0000,,And Cleopatra!
Dialogue: 0,0:35:24.05,0:35:28.42,Default,,0000,0000,0000,,Is this an asp I see before me?\NOh, I'm dying! I've been bit by a snake
Dialogue: 0,0:35:32.80,0:35:35.00,Default,,0000,0000,0000,,It's the venom!\NIt's all over through my blood!
Dialogue: 0,0:35:36.54,0:35:38.31,Default,,0000,0000,0000,,Adam, stop it! Adam...
Dialogue: 0,0:35:38.31,0:35:40.80,Default,,0000,0000,0000,,Poison! Will you come down? What?
Dialogue: 0,0:35:40.80,0:35:44.17,Default,,0000,0000,0000,,You have this really bizarre notion that all\Nof Shakespeare's tragedies' heroines
Dialogue: 0,0:35:44.17,0:35:48.59,Default,,0000,0000,0000,,Wear this really ugly wigs,\Nand vomit on people before they die
Dialogue: 0,0:35:48.59,0:35:50.33,Default,,0000,0000,0000,,- It's an interpretation, man!\N- No!
Dialogue: 0,0:35:51.72,0:35:53.69,Default,,0000,0000,0000,,Barfing on people\Nis not an interpretation!
Dialogue: 0,0:35:53.69,0:35:55.43,Default,,0000,0000,0000,,Just get up here!
Dialogue: 0,0:35:55.43,0:35:56.78,Default,,0000,0000,0000,,He was into it!
Dialogue: 0,0:36:00.44,0:36:04.44,Default,,0000,0000,0000,,Antony and Cleopatra is not\Nsome Alka-Seltzer commercial
Dialogue: 0,0:36:04.44,0:36:09.01,Default,,0000,0000,0000,,It's a romantic thriller about a geopolitical\Npower struggle between Egypt and Rome
Dialogue: 0,0:36:11.68,0:36:13.95,Default,,0000,0000,0000,,Oh, yeah! Like you knew!\NYou like all laughing...
Dialogue: 0,0:36:14.48,0:36:17.33,Default,,0000,0000,0000,,I'm sorry! I apologize!\NI apologize, you know?
Dialogue: 0,0:36:17.33,0:36:21.00,Default,,0000,0000,0000,,If I had known this was Shakespeare's geopolitical play,\NI wouldn't have screwed around with it
Dialogue: 0,0:36:21.00,0:36:23.66,Default,,0000,0000,0000,,because my favorite plays\Nare his geopolitical plays
Dialogue: 0,0:36:23.66,0:36:27.00,Default,,0000,0000,0000,,- Really, really?\N- No, seriously, they're intense, man, like, um...
Dialogue: 0,0:36:27.00,0:36:30.17,Default,,0000,0000,0000,,What was that one he wrote about\Nnuclear energy in the former Soviet Union?
Dialogue: 0,0:36:30.74,0:36:35.59,Default,,0000,0000,0000,,It was way ahead of its time.\NIt was a metaphor... wrapped in an allegory
Dialogue: 0,0:36:35.59,0:36:40.77,Default,,0000,0000,0000,,It was totally intense, man. It was called\N"Chernobyl Kinsmen," and it was all about this...
Dialogue: 0,0:36:40.77,0:36:45.00,Default,,0000,0000,0000,,Adam, Adam, Shakespeare wrote\Na play called "Two Noble Kinsmen"
Dialogue: 0,0:36:45.00,0:36:48.77,Default,,0000,0000,0000,,Not "Chernobyl Kinsmen"!\N"Two Noble Kinsmen"!
Dialogue: 0,0:36:48.77,0:36:50.14,Default,,0000,0000,0000,,- "Cher..."\N- "Two"
Dialogue: 0,0:36:50.14,0:36:51.95,Default,,0000,0000,0000,,- There was definitely a "Cher"!\N- "Two"! "Two"!
Dialogue: 0,0:36:51.95,0:36:56.36,Default,,0000,0000,0000,,- "Two... Noble Kinsmen"!\N- "Cher...", "Cher...", "Cherno..."
Dialogue: 0,0:36:56.36,0:36:58.42,Default,,0000,0000,0000,,What's "Two Noble Kinsmen" about?
Dialogue: 0,0:36:58.42,0:37:00.60,Default,,0000,0000,0000,,"Two Noble Kinsmen" is about a\Ngirl who goes insane with the fear
Dialogue: 0,0:37:00.60,0:37:03.63,Default,,0000,0000,0000,,That her boyfriend is going to be eaten\Nby wolves, and her father, hanged
Dialogue: 0,0:37:05.74,0:37:08.46,Default,,0000,0000,0000,,- And is Boris Yeltsin in it?\N- No, NO!!!
Dialogue: 0,0:37:08.46,0:37:10.86,Default,,0000,0000,0000,,I never heard of that\Nplay before, I'm sorry...
Dialogue: 0,0:37:10.86,0:37:13.88,Default,,0000,0000,0000,,Actually once...\NOh, wait a second...
Dialogue: 0,0:37:13.88,0:37:16.23,Default,,0000,0000,0000,,I should explain to these guys
Dialogue: 0,0:37:16.23,0:37:18.56,Default,,0000,0000,0000,,I'm sorry, ladies and\Ngentlemen, my bad! Listen!
Dialogue: 0,0:37:19.15,0:37:22.83,Default,,0000,0000,0000,,"Two Noble Kinsmen" actually falls in the\Ncategory of Shakespeare's plays
Dialogue: 0,0:37:22.83,0:37:25.53,Default,,0000,0000,0000,,That we scholars refer\Nto as "the apocrypha"
Dialogue: 0,0:37:25.53,0:37:29.08,Default,,0000,0000,0000,,Um, or in some literary circles\N"the obscure plays"
Dialogue: 0,0:37:29.08,0:37:31.41,Default,,0000,0000,0000,,Um, and sometimes\N"the lesser plays"
Dialogue: 0,0:37:31.41,0:37:34.07,Default,,0000,0000,0000,,And, um, and often quite\Nsimply "the bad plays"
Dialogue: 0,0:37:34.07,0:37:38.12,Default,,0000,0000,0000,,But, but the part is not all of\N"the apocrypha" are entirely without merit
Dialogue: 0,0:37:38.12,0:37:41.81,Default,,0000,0000,0000,,In fact, one of them, "Troilus and Cressida",\Nis hardly crap at all
Dialogue: 0,0:37:41.81,0:37:46.52,Default,,0000,0000,0000,,In fact, I discussed "Troilus and Cressida"\Nat some lenght in my new soon-to-be-released book
Dialogue: 0,0:37:46.52,0:37:49.80,Default,,0000,0000,0000,,about Shakespeare entitled\N"I love my Willy"
Dialogue: 0,0:37:52.17,0:37:54.64,Default,,0000,0000,0000,,Which I’d like to whip\Nout for you now, if I could...
Dialogue: 0,0:37:56.16,0:38:00.02,Default,,0000,0000,0000,,What? What? No. No, it's my book
Dialogue: 0,0:38:02.66,0:38:04.45,Default,,0000,0000,0000,,Anyway, I was thinking\Nwhat we could do
Dialogue: 0,0:38:04.45,0:38:08.24,Default,,0000,0000,0000,,Is a quick, sort of improvised version of\NTroilus and Cressida based on this chapter
Dialogue: 0,0:38:08.24,0:38:11.52,Default,,0000,0000,0000,,Yeah, we could do an interpretive\Ndance, performance art version!
Dialogue: 0,0:38:11.52,0:38:14.65,Default,,0000,0000,0000,,Performance art, I love performance art\NIt's so... pretentious!
Dialogue: 0,0:38:16.29,0:38:19.43,Default,,0000,0000,0000,,We could do a piece that uses\Nthe text of Troilus and Cressida
Dialogue: 0,0:38:19.43,0:38:22.68,Default,,0000,0000,0000,,As like a jumping-off point to\Nexplore deeper themes, you know?
Dialogue: 0,0:38:22.68,0:38:26.97,Default,,0000,0000,0000,,Like the transient nature of life, and the mythology\Ninvolved in the arising and dissipation of forms
Dialogue: 0,0:38:26.97,0:38:28.05,Default,,0000,0000,0000,,Yeah, get some props!
Dialogue: 0,0:38:29.18,0:38:32.36,Default,,0000,0000,0000,,Wait, I was thinking we could do just\Na very straightforward scholarly approach
Dialogue: 0,0:38:34.05,0:38:35.93,Default,,0000,0000,0000,,- No, screw that!\N- Let's go ahead!
Dialogue: 0,0:38:35.93,0:38:38.22,Default,,0000,0000,0000,,All right, okay. Let's start.\NUm, Troilus and Cressida
Dialogue: 0,0:38:38.22,0:38:43.38,Default,,0000,0000,0000,,Was written in 1603, published in 1604\NAnd is in the "First Folio"
Dialogue: 0,0:38:43.38,0:38:47.57,Default,,0000,0000,0000,,Although that version is some 166 lines longer than\Nthe version which appears in the "Second Folio"
Dialogue: 0,0:38:47.57,0:38:52.42,Default,,0000,0000,0000,,Which is about 166 lines shorter than the\Nversion which appears in the "First Folio"
Dialogue: 0,0:38:52.42,0:38:58.10,Default,,0000,0000,0000,,Now, they describe the play in the "First Folio"\Nas a "history", but later became known as a "comedy"
Dialogue: 0,0:38:58.10,0:39:01.57,Default,,0000,0000,0000,,And it's now known...
Dialogue: 0,0:39:19.89,0:39:22.97,Default,,0000,0000,0000,,No, get rid with it!\NGet that out of here!
Dialogue: 0,0:39:22.97,0:39:26.79,Default,,0000,0000,0000,,Get that out of here! What the hell are you..\NGet rid of it! Just go!
Dialogue: 0,0:39:27.75,0:39:32.41,Default,,0000,0000,0000,,Wait, wait, wait, whoa, whoa,\Nwhoa, whoa, wait, wait!
Dialogue: 0,0:39:32.41,0:39:34.81,Default,,0000,0000,0000,,Get a life, ladies and gentlemen!
Dialogue: 0,0:39:34.81,0:39:37.74,Default,,0000,0000,0000,,My book has nothing to do with Godzilla!
Dialogue: 0,0:39:37.74,0:39:40.44,Default,,0000,0000,0000,,Awesome, that's great! But there is\Nanything in the book about the plot?
Dialogue: 0,0:39:40.44,0:39:43.36,Default,,0000,0000,0000,,Of course I cover the plot! What\Nsort of scholar do you think I am?
Dialogue: 0,0:39:43.36,0:39:46.92,Default,,0000,0000,0000,,I cover the plot in-depth in the\Nfootnote here on page 7, all right?
Dialogue: 0,0:39:47.72,0:39:50.81,Default,,0000,0000,0000,,All right, look! "Troilus, youngest\Nson of Priam, King of Troy"
Dialogue: 0,0:39:50.81,0:39:52.82,Default,,0000,0000,0000,,Okay, you'll be Troilus,\Nhe'll be the King of Troy
Dialogue: 0,0:39:52.82,0:39:54.85,Default,,0000,0000,0000,,All right! "loves Cressida"
Dialogue: 0,0:39:55.80,0:39:57.56,Default,,0000,0000,0000,,- I'll get the wig!\N- All right, great!
Dialogue: 0,0:39:58.79,0:40:01.22,Default,,0000,0000,0000,,And has arranged with her\Nuncle Pandarus for a meeting
Dialogue: 0,0:40:01.22,0:40:03.40,Default,,0000,0000,0000,,- Although she feigns indifference\N- Oh, wait a minute...
Dialogue: 0,0:40:03.40,0:40:07.60,Default,,0000,0000,0000,,She is attracted to him. Meanwhile, Agamemnon,\Nthe Greek commander, has surrounded...
Dialogue: 0,0:40:07.60,0:40:10.54,Default,,0000,0000,0000,,Kids hate to study it at\Nschool because it’s so boring
Dialogue: 0,0:40:10.54,0:40:13.84,Default,,0000,0000,0000,,C'mon, as soon as you said\N"Agamemnon", I was asleep, man!
Dialogue: 0,0:40:13.84,0:40:22.08,Default,,0000,0000,0000,,I'm sorry, but we came here to London, I told these guys,\NI said, "I will not do dry, boring, vomitless Shakespeare"
Dialogue: 0,0:40:22.81,0:40:26.11,Default,,0000,0000,0000,,No, that just turns you off. That's what\Nhappened to me when I was a kid in school
Dialogue: 0,0:40:26.11,0:40:27.82,Default,,0000,0000,0000,,And we were supposed to\Nbe studying Shakespeare
Dialogue: 0,0:40:27.82,0:40:31.79,Default,,0000,0000,0000,,It's like I'd be boiling it out of my mind, I'd be\Nlooking out the window, and all the kids playing ball\N
Dialogue: 0,0:40:31.79,0:40:34.93,Default,,0000,0000,0000,,And I'd be sitting myself like,\N"why can't Shakespeare stuff be more like sports?"
Dialogue: 0,0:40:34.93,0:40:39.11,Default,,0000,0000,0000,,That's... that's what I've got!\NThat's what I was thinking...
Dialogue: 0,0:40:39.11,0:40:41.26,Default,,0000,0000,0000,,- You like sports?\N- I did like sports, yes!
Dialogue: 0,0:40:41.26,0:40:42.85,Default,,0000,0000,0000,,And you went to High School?
Dialogue: 0,0:40:42.85,0:40:45.85,Default,,0000,0000,0000,,- Yes, in a matter of fact, I did\N- Okay, well, whatever...
Dialogue: 0,0:40:45.85,0:40:48.75,Default,,0000,0000,0000,,Because, check it out, sports are\Nvisceral, you know? They are engaging
Dialogue: 0,0:40:48.75,0:40:51.51,Default,,0000,0000,0000,,It's like, um, you know, if you\Nlook at Shakespeare's histories
Dialogue: 0,0:40:51.51,0:40:54.61,Default,,0000,0000,0000,,In the histories, the valorous kings\NThey are killing each other off
Dialogue: 0,0:40:54.61,0:40:57.30,Default,,0000,0000,0000,,They are passing the throne\Nfrom one generation to the next
Dialogue: 0,0:40:57.30,0:41:01.84,Default,,0000,0000,0000,,It's exactly like American Football\NOnly with a dude with a crown
Dialogue: 0,0:41:01.84,0:41:03.95,Default,,0000,0000,0000,,You know what? They are kind of similar
Dialogue: 0,0:41:09.37,0:41:13.61,Default,,0000,0000,0000,,25, 42, Richard III,\NHenry VI part I, II, III, hike!
Dialogue: 0,0:41:13.61,0:41:17.23,Default,,0000,0000,0000,,And the crown is snapped to Richard II,\Nthat well spoken 14th century monarch
Dialogue: 0,0:41:17.23,0:41:21.31,Default,,0000,0000,0000,,He’s fading back to pass, looking for an heir downfield,\Nbut there’s a heavy rush from King John
Dialogue: 0,0:41:21.31,0:41:23.36,Default,,0000,0000,0000,,My gross flesh sinks downwards!
Dialogue: 0,0:41:23.36,0:41:25.40,Default,,0000,0000,0000,,The crown is in the air,\Nand Henry VI comes up with it!
Dialogue: 0,0:41:25.40,0:41:26.58,Default,,0000,0000,0000,,Victory is mine!
Dialogue: 0,0:41:26.58,0:41:31.50,Default,,0000,0000,0000,,But he’s immediately hit by King John.\NHe’s cutting Henry VI into three parts
Dialogue: 0,0:41:31.50,0:41:33.64,Default,,0000,0000,0000,,This is going to be be the end of\Nthe War of the Roses Cycle!
Dialogue: 0,0:41:33.64,0:41:35.01,Default,,0000,0000,0000,,King John is in the clear
Dialogue: 0,0:41:35.01,0:41:37.14,Default,,0000,0000,0000,,- My soul hath elbow room\N- He’s in the 35 yard line
Dialogue: 0,0:41:37.14,0:41:39.06,Default,,0000,0000,0000,,The 30, the 25, the 20\NThe 15, the 10...
Dialogue: 0,0:41:39.06,0:41:41.74,Default,,0000,0000,0000,,He is poisoned on the 1 yard line\NHe is out of the game
Dialogue: 0,0:41:41.74,0:41:43.92,Default,,0000,0000,0000,,Replacing him now: number 72, King Lear
Dialogue: 0,0:41:43.92,0:41:47.31,Default,,0000,0000,0000,,Divide my kingdom in 3.\NCordelia, you go along
Dialogue: 0,0:41:47.31,0:41:49.25,Default,,0000,0000,0000,,All right... Whoa, whoa, hold on!
Dialogue: 0,0:41:49.25,0:41:51.09,Default,,0000,0000,0000,,Looks like there is a penalty called
Dialogue: 0,0:41:52.36,0:41:55.08,Default,,0000,0000,0000,,Fictional character on the field,\NLear is disqualified
Dialogue: 0,0:41:57.54,0:42:01.28,Default,,0000,0000,0000,,All right, Lining up now is that father-son\Nteam of Henry IV and Prince Hal
Dialogue: 0,0:42:01.28,0:42:04.18,Default,,0000,0000,0000,,Center snaps to the quarterback.\NQuarterback gives to the hunchback
Dialogue: 0,0:42:04.18,0:42:07.73,Default,,0000,0000,0000,,It looks like that limp is giving\NRichard III trouble again
Dialogue: 0,0:42:07.73,0:42:09.68,Default,,0000,0000,0000,,- A horse, a horse! My kingdom for a horse!\N- There’s a pile-up on the field
Dialogue: 0,0:42:09.68,0:42:13.54,Default,,0000,0000,0000,,Fumble!!! And Henry VIII comes up with it.\NHe’s headed to the goaline
Dialogue: 0,0:42:13.54,0:42:15.64,Default,,0000,0000,0000,,He stops at the 5 to\Nchop off his wife’s head
Dialogue: 0,0:42:15.64,0:42:16.87,Default,,0000,0000,0000,,Who’s your daddy?
Dialogue: 0,0:42:16.87,0:42:19.31,Default,,0000,0000,0000,,Touchdown for the Red Rose! Oh my!
Dialogue: 0,0:42:19.31,0:42:22.67,Default,,0000,0000,0000,,You gotta believe this is the\Nbeginning of a Tudor dynasty!
Dialogue: 0,0:42:22.67,0:42:26.20,Default,,0000,0000,0000,,Henry V, Richard III.\NFellows are dark, and trousers, dirty
Dialogue: 0,0:42:26.20,0:42:28.03,Default,,0000,0000,0000,,Go Fergie!
Dialogue: 0,0:42:37.94,0:42:41.36,Default,,0000,0000,0000,,Can I just... can I borrow your program?\NI'll give it right back, I promise
Dialogue: 0,0:42:41.36,0:42:43.24,Default,,0000,0000,0000,,- I just wanne check the list of plays\N- What are you doing?
Dialogue: 0,0:42:43.24,0:42:45.84,Default,,0000,0000,0000,,I just wanna look at the list of plays\N'Cause I think we might've don'em all already
Dialogue: 0,0:42:45.84,0:42:48.16,Default,,0000,0000,0000,,- Really?\N- Sure, because we just did all the histories, right?
Dialogue: 0,0:42:48.16,0:42:49.48,Default,,0000,0000,0000,,Yeah, and we did all\Nthe comedies all together
Dialogue: 0,0:42:49.48,0:42:51.38,Default,,0000,0000,0000,,Oh good, that just leaves the tragedies
Dialogue: 0,0:42:51.38,0:42:53.04,Default,,0000,0000,0000,,Um, Titus Andronicus I did\Nwith all the blood
Dialogue: 0,0:42:53.04,0:42:56.08,Default,,0000,0000,0000,,Romeo and Juliet, Julius\NCaesar, Troilus and Cressida
Dialogue: 0,0:42:56.08,0:42:59.18,Default,,0000,0000,0000,,- Othello was a rap, King Lear was in the football game\N- Maybe we will let you guys out early tonight
Dialogue: 0,0:42:59.18,0:43:02.38,Default,,0000,0000,0000,,Um, Macbeth, the Scottish play! Yeah!
Dialogue: 0,0:43:02.38,0:43:04.26,Default,,0000,0000,0000,,- Wait, wait. Antony and Cleopatra?\N- We did it!
Dialogue: 0,0:43:04.26,0:43:07.66,Default,,0000,0000,0000,,We did it totally!\NI threw up on that guy in the hat!
Dialogue: 0,0:43:07.66,0:43:11.66,Default,,0000,0000,0000,,Right, that's right!\NTimon of Athens I mentioned
Dialogue: 0,0:43:11.66,0:43:14.78,Default,,0000,0000,0000,,- Coriolanus?\N- Oh, just... let's just skip it!
Dialogue: 0,0:43:14.78,0:43:17.48,Default,,0000,0000,0000,,Why? What...\NWhat's the matter with Coriolanus?
Dialogue: 0,0:43:18.84,0:43:21.13,Default,,0000,0000,0000,,I don't like the "anus" part.\NI just think...
Dialogue: 0,0:43:21.13,0:43:23.86,Default,,0000,0000,0000,,No, I think it's offensive.\NWe have some young children
Dialogue: 0,0:43:23.86,0:43:30.80,Default,,0000,0000,0000,,It's not a clever word... (I'm 13)... I don't care if you're 20!\NI don't wanna hear you using language like that, young man!
Dialogue: 0,0:43:30.80,0:43:33.46,Default,,0000,0000,0000,,Is this your mommy?
Dialogue: 0,0:43:38.56,0:43:40.62,Default,,0000,0000,0000,,Don't give me the evil eye!
Dialogue: 0,0:43:41.62,0:43:44.34,Default,,0000,0000,0000,,Now I know why some animals eat\Ntheir young. You know, I swear to God
Dialogue: 0,0:43:48.10,0:43:52.10,Default,,0000,0000,0000,,I think that kid could kick your ass, so just leave him alone
Dialogue: 0,0:43:52.10,0:43:54.51,Default,,0000,0000,0000,,But I think you are right, we are all...
Dialogue: 0,0:43:55.38,0:43:57.59,Default,,0000,0000,0000,,No, no, no, NO! Look here!
Dialogue: 0,0:43:58.89,0:44:00.48,Default,,0000,0000,0000,,Oh no!
Dialogue: 0,0:44:01.75,0:44:03.11,Default,,0000,0000,0000,,Hamlet!
Dialogue: 0,0:44:03.51,0:44:05.01,Default,,0000,0000,0000,,How... how did we forget Hamlet?
Dialogue: 0,0:44:05.01,0:44:06.84,Default,,0000,0000,0000,,Shakespeare didn't write Hamlet, did he?
Dialogue: 0,0:44:06.84,0:44:08.32,Default,,0000,0000,0000,,- Yes, he did!\N- Of course he did!
Dialogue: 0,0:44:09.21,0:44:10.19,Default,,0000,0000,0000,,He didn't!
Dialogue: 0,0:44:12.40,0:44:13.98,Default,,0000,0000,0000,,It's a Mel Gibson movie!
Dialogue: 0,0:44:13.98,0:44:15.95,Default,,0000,0000,0000,,It's based on the play, anyway...
Dialogue: 0,0:44:15.95,0:44:19.95,Default,,0000,0000,0000,,Well, 36 down, just 1 to go.\NPerhaps the Bard's greatest play, a play of...
Dialogue: 0,0:44:19.95,0:44:22.74,Default,,0000,0000,0000,,I'm sorry, I really don't feel up for it tonight
Dialogue: 0,0:44:22.74,0:44:24.03,Default,,0000,0000,0000,,I don't... I don't...
Dialogue: 0,0:44:24.03,0:44:28.81,Default,,0000,0000,0000,,Hamlet is a very big play, it's got a lot of words,\Nit's got, you know, like ideas and stuff
Dialogue: 0,0:44:28.81,0:44:30.50,Default,,0000,0000,0000,,But don't quit, man!
Dialogue: 0,0:44:30.50,0:44:33.39,Default,,0000,0000,0000,,It's just that football game left me\Nreally emotionally and phisically drained
Dialogue: 0,0:44:33.39,0:44:36.37,Default,,0000,0000,0000,,I just, you know,\NI don't think I could do justice to it!
Dialogue: 0,0:44:36.37,0:44:38.03,Default,,0000,0000,0000,,We don't have to do justice to it!
Dialogue: 0,0:44:39.28,0:44:41.30,Default,,0000,0000,0000,,I mean, where have you been?\NWe just have to do it, you know!
Dialogue: 0,0:44:42.78,0:44:44.58,Default,,0000,0000,0000,,- The kid...\N- Don't worry about the kid!
Dialogue: 0,0:44:46.44,0:44:48.36,Default,,0000,0000,0000,,The play is called\N"The Complete Works of William Shakespeare"
Dialogue: 0,0:44:48.36,0:44:50.28,Default,,0000,0000,0000,,Well, let's just change\Nthe name of the play then...
Dialogue: 0,0:44:50.28,0:44:53.94,Default,,0000,0000,0000,,We call: "The Complete Works of Shakespeare...\NExcept Hamlet"
Dialogue: 0,0:44:53.94,0:44:55.14,Default,,0000,0000,0000,,That's ridiculous!
Dialogue: 0,0:44:55.14,0:44:58.18,Default,,0000,0000,0000,,I think they will like to\Nsee Hamlet, won't you?
Dialogue: 0,0:45:02.98,0:45:06.82,Default,,0000,0000,0000,,This is... this is... no...\NOkay... look, okay...
Dialogue: 0,0:45:06.82,0:45:09.28,Default,,0000,0000,0000,,I you want to do it so bad,\Nyou two do it, and I'll watch
Dialogue: 0,0:45:09.28,0:45:11.40,Default,,0000,0000,0000,,What? That doesn't make any sense!
Dialogue: 0,0:45:29.24,0:45:31.13,Default,,0000,0000,0000,,Oh, shoe... look at this shoe!
Dialogue: 0,0:45:31.13,0:45:32.40,Default,,0000,0000,0000,,No, no, no, no....
Dialogue: 0,0:45:32.40,0:45:34.19,Default,,0000,0000,0000,,I've never seen inside it before...
Dialogue: 0,0:45:34.98,0:45:37.28,Default,,0000,0000,0000,,- What? Is it a crime to take somebody's bag?\N- Yes!
Dialogue: 0,0:45:37.28,0:45:39.49,Default,,0000,0000,0000,,Oh, everything I do is wrong!
Dialogue: 0,0:45:39.49,0:45:41.52,Default,,0000,0000,0000,,- What is the matter with you?\N- Why don't you take away my birthday?
Dialogue: 0,0:45:41.52,0:45:45.21,Default,,0000,0000,0000,,- What?\N- It just sucks! This show sucks!
Dialogue: 0,0:45:46.14,0:45:49.62,Default,,0000,0000,0000,,All right! Are you relaxed?\NWe are going to do Hamlet, all right?
Dialogue: 0,0:45:49.62,0:45:53.18,Default,,0000,0000,0000,,Okay, all right!\NSo we will start with the Battle...
Dialogue: 0,0:45:53.18,0:45:54.66,Default,,0000,0000,0000,,Oh, shit! I'm sorry!
Dialogue: 0,0:45:56.08,0:45:57.74,Default,,0000,0000,0000,,Yeah, so there is Bernardo and Horatio
Dialogue: 0,0:45:58.64,0:46:01.47,Default,,0000,0000,0000,,I think it's very sensible for\Nyou to carry those by the way
Dialogue: 0,0:46:09.51,0:46:11.82,Default,,0000,0000,0000,,I'll kill the cameraman, I'll kill him
Dialogue: 0,0:46:11.82,0:46:13.58,Default,,0000,0000,0000,,I don't care, we've got 5\Nother cameramen, I don't care
Dialogue: 0,0:46:34.20,0:46:37.20,Default,,0000,0000,0000,,Austin is usually a lot faster than Adam
Dialogue: 0,0:46:37.82,0:46:40.26,Default,,0000,0000,0000,,I'm sure they will be back in just a minute
Dialogue: 0,0:47:34.86,0:47:43.14,Default,,0000,0000,0000,,Thank you! Thank you! Thank you!
Dialogue: 0,0:48:42.54,0:48:47.72,Default,,0000,0000,0000,,Thank you! Thank you! Thank you!
Dialogue: 0,0:49:07.32,0:49:09.88,Default,,0000,0000,0000,,Tell you what...\Nlet's take an intermission here
Dialogue: 0,0:49:09.88,0:49:13.35,Default,,0000,0000,0000,,Um, go out to the lobby,\Nstretch your legs, have a few drinks
Dialogue: 0,0:49:13.35,0:49:16.54,Default,,0000,0000,0000,,We're always much more talented\Nafter you had a few drinks
Dialogue: 0,0:49:16.54,0:49:21.81,Default,,0000,0000,0000,,I'll need you back here in 15 minutes\NAustin and Adam should be back by then
Dialogue: 0,0:49:21.81,0:49:25.10,Default,,0000,0000,0000,,And we will proceed with\NHamlet, Prince of Denmark
Dialogue: 0,0:49:25.74,0:49:27.22,Default,,0000,0000,0000,,I hope...
Dialogue: 0,0:50:22.19,0:50:24.67,Default,,0000,0000,0000,,Please, don't patronize me!
Dialogue: 0,0:50:25.19,0:50:26.89,Default,,0000,0000,0000,,Austin and Adam aren't back yet!
Dialogue: 0,0:50:27.20,0:50:29.65,Default,,0000,0000,0000,,Well, actually, Austin\Ncalled in the intermission
Dialogue: 0,0:50:29.65,0:50:33.27,Default,,0000,0000,0000,,He said he caught Adam at the\Nairport trying to catch a flight to Rio
Dialogue: 0,0:50:33.27,0:50:38.66,Default,,0000,0000,0000,,And, um, he suggested that, until they get back,\NI go ahead, and cover the sonnets
Dialogue: 0,0:50:42.10,0:50:45.93,Default,,0000,0000,0000,,Shakespeare wrote 154 sonnets
Dialogue: 0,0:50:46.48,0:50:49.56,Default,,0000,0000,0000,,I've reduced the\Nmeltdown onto this card
Dialogue: 0,0:50:49.56,0:50:53.56,Default,,0000,0000,0000,,And, um, what I was thinking we\Ncould do is pass it among the audience
Dialogue: 0,0:50:53.56,0:50:56.97,Default,,0000,0000,0000,,Like, um, say we start\Nhere with you ma'am, right?
Dialogue: 0,0:50:56.97,0:51:02.73,Default,,0000,0000,0000,,I give you the card, you take it, read it,\Nenjoy it, passes to the person next to you
Dialogue: 0,0:51:02.73,0:51:04.00,Default,,0000,0000,0000,,Yeah, yeah, you!
Dialogue: 0,0:51:04.00,0:51:08.75,Default,,0000,0000,0000,,Yeah, and then down on the row like that,\Nand then, if you just pass it behind you
Dialogue: 0,0:51:08.75,0:51:13.03,Default,,0000,0000,0000,,And then just back and forth, and back and forth,\Nand back and forth, and back...
Dialogue: 0,0:51:13.54,0:51:16.86,Default,,0000,0000,0000,,And forth, and back and forth, and back\Nand forth, and back
Dialogue: 0,0:51:16.86,0:51:20.77,Default,,0000,0000,0000,,And, by the time it gets to you,\NAustin and Adam should be here
Dialogue: 0,0:51:20.77,0:51:23.50,Default,,0000,0000,0000,,So, um, Bob, if we can have\Nsome house lights, please
Dialogue: 0,0:51:23.50,0:51:25.93,Default,,0000,0000,0000,,As I say, ma'am, why don't\Nwe start here with you
Dialogue: 0,0:51:25.93,0:51:29.93,Default,,0000,0000,0000,,Just take it, read it,\Nenjoy it, pass it along
Dialogue: 0,0:51:36.37,0:51:39.79,Default,,0000,0000,0000,,Austin and Adam,\Nladies and gentlemen
Dialogue: 0,0:51:49.50,0:51:53.14,Default,,0000,0000,0000,,This is so uncool, you grabbed me\NYou gave me a carpet burn on my arm
Dialogue: 0,0:51:53.14,0:51:54.62,Default,,0000,0000,0000,,You should've come here earlier
Dialogue: 0,0:51:54.62,0:51:55.96,Default,,0000,0000,0000,,I don't wanna do this!
Dialogue: 0,0:51:55.96,0:51:58.48,Default,,0000,0000,0000,,- You alright? You alright?\N- C'mon! C'mon!
Dialogue: 0,0:51:58.48,0:52:02.60,Default,,0000,0000,0000,,Here, here, blow, blow alright?
Dialogue: 0,0:52:03.78,0:52:06.12,Default,,0000,0000,0000,,Just take him back stage\NI'll start here, okay?
Dialogue: 0,0:52:10.20,0:52:14.01,Default,,0000,0000,0000,,Bob, um, can I get some\Nmood lighting, please?
Dialogue: 0,0:52:14.01,0:52:16.81,Default,,0000,0000,0000,,To, um, to help me\Nsort of set the scene
Dialogue: 0,0:52:16.81,0:52:23.08,Default,,0000,0000,0000,,For what is perhaps the greatest play\Never written in the English language
Dialogue: 0,0:52:24.20,0:52:29.92,Default,,0000,0000,0000,,Hamlet, the tragedy of\Nthe prince of Denmark
Dialogue: 0,0:52:29.92,0:52:33.41,Default,,0000,0000,0000,,The place... Denmark!
Dialogue: 0,0:52:34.28,0:52:37.63,Default,,0000,0000,0000,,The time... a very long time ago!
Dialogue: 0,0:52:37.63,0:52:42.26,Default,,0000,0000,0000,,The battlements of Elsinore castle.\NRound about midnight. Two guards enter
Dialogue: 0,0:52:46.32,0:52:49.70,Default,,0000,0000,0000,,(Adam!) I don't wanna do this\Nstupid play, leave me alone!
Dialogue: 0,0:52:49.70,0:52:52.52,Default,,0000,0000,0000,,- Get off!\N- Don't make me...
Dialogue: 0,0:52:52.52,0:52:54.38,Default,,0000,0000,0000,,I told you!
Dialogue: 0,0:53:00.00,0:53:02.05,Default,,0000,0000,0000,,- Who’s there?\N- Nay, answer me. Stand and unfold yourself
Dialogue: 0,0:53:02.05,0:53:04.45,Default,,0000,0000,0000,,- Long live the king\N- Bernardo! (He!)
Dialogue: 0,0:53:05.71,0:53:07.97,Default,,0000,0000,0000,,‘Tis now struck twelve\NGet thee to bed, Horatio
Dialogue: 0,0:53:07.97,0:53:10.01,Default,,0000,0000,0000,,- For this relief, much thanks\N- Well, good night
Dialogue: 0,0:53:10.01,0:53:13.12,Default,,0000,0000,0000,,Peace, break thee off\NLook where it comes!
Dialogue: 0,0:53:17.100,0:53:23.51,Default,,0000,0000,0000,,- Mark it, Horatio. It would be spoke to\N- What art thou? By heaven, I charge thee, speak!
Dialogue: 0,0:53:27.47,0:53:28.66,Default,,0000,0000,0000,,'Tis gone!
Dialogue: 0,0:53:29.35,0:53:31.40,Default,,0000,0000,0000,,It was about to speak\Nwhen the sock crew
Dialogue: 0,0:53:31.57,0:53:33.63,Default,,0000,0000,0000,,Break we our watch up!
Dialogue: 0,0:53:38.95,0:53:42.67,Default,,0000,0000,0000,,And by my advice, let us impart\Nwhat we have seen tonight unto
Dialogue: 0,0:53:42.67,0:53:44.47,Default,,0000,0000,0000,,Hamlet, prince of Denmark!
Dialogue: 0,0:54:02.75,0:54:06.63,Default,,0000,0000,0000,,O that this too, too\Nsolid flesh would melt
Dialogue: 0,0:54:06.63,0:54:08.52,Default,,0000,0000,0000,,Thaw, and resolve\Nitself into a dew
Dialogue: 0,0:54:08.52,0:54:11.65,Default,,0000,0000,0000,,That is should come to\Nthis, but two months dead
Dialogue: 0,0:54:12.56,0:54:14.57,Default,,0000,0000,0000,,So loving to my mother
Dialogue: 0,0:54:15.23,0:54:17.82,Default,,0000,0000,0000,,Frailty, thy name is woman!
Dialogue: 0,0:54:18.75,0:54:20.34,Default,,0000,0000,0000,,Yeah, you!
Dialogue: 0,0:54:21.83,0:54:24.66,Default,,0000,0000,0000,,Married to mine uncle,\Nmy father’s brother
Dialogue: 0,0:54:24.66,0:54:28.86,Default,,0000,0000,0000,,The funeral baked meats did coldly\Nfurnish forth the marriage tables
Dialogue: 0,0:54:28.86,0:54:30.23,Default,,0000,0000,0000,,- My lord!\N- Horatio!
Dialogue: 0,0:54:34.26,0:54:37.01,Default,,0000,0000,0000,,- Methinks I see my father\N- Where, my lord?
Dialogue: 0,0:54:37.01,0:54:40.11,Default,,0000,0000,0000,,- In my mind’s eye, Horatio\N- My lord, I think I saw him yesternight
Dialogue: 0,0:54:40.11,0:54:41.93,Default,,0000,0000,0000,,- Saw who?\N- The king, your father!
Dialogue: 0,0:54:43.70,0:54:46.48,Default,,0000,0000,0000,,- The king, my father? But where was this?\N- Upon the platform where we watched
Dialogue: 0,0:54:46.48,0:54:48.29,Default,,0000,0000,0000,,‘Tis very strange
Dialogue: 0,0:54:50.50,0:54:53.35,Default,,0000,0000,0000,,I will watch tonight\NPerchance ‘twill walk again
Dialogue: 0,0:54:53.35,0:54:57.51,Default,,0000,0000,0000,,All is not well, Horatio.\NWould the night were come
Dialogue: 0,0:54:57.51,0:54:58.74,Default,,0000,0000,0000,,So...
Dialogue: 0,0:55:03.56,0:55:06.26,Default,,0000,0000,0000,,O the wind bites shrewdly. It is very cold!
Dialogue: 0,0:55:06.26,0:55:07.82,Default,,0000,0000,0000,,Look, my lord, it comes!
Dialogue: 0,0:55:07.82,0:55:09.75,Default,,0000,0000,0000,,Angels and ministers\Nof grace defend us
Dialogue: 0,0:55:09.75,0:55:12.41,Default,,0000,0000,0000,,Something is rotten\Nin the state of Denmark
Dialogue: 0,0:55:13.28,0:55:14.57,Default,,0000,0000,0000,,Mark me!
Dialogue: 0,0:55:14.57,0:55:16.35,Default,,0000,0000,0000,,Speak. I am bound to hear!
Dialogue: 0,0:55:16.35,0:55:18.85,Default,,0000,0000,0000,,So art thou to revenge\Nwhen thou shalt hear
Dialogue: 0,0:55:18.85,0:55:25.61,Default,,0000,0000,0000,,If ever thou didst thy dear father love\NRevenge his foul and most unnatural murderer
Dialogue: 0,0:55:25.61,0:55:27.42,Default,,0000,0000,0000,,- Murderer!\N- Murderer!
Dialogue: 0,0:55:27.42,0:55:31.38,Default,,0000,0000,0000,,The serpent that did sting thy\Nfather’s life now wears his crown
Dialogue: 0,0:55:31.38,0:55:33.05,Default,,0000,0000,0000,,- My uncle!\N- His uncle!
Dialogue: 0,0:55:33.05,0:55:36.67,Default,,0000,0000,0000,,Let not the royal bed of Denmark\Nbecome a couch for incest
Dialogue: 0,0:55:36.67,0:55:38.38,Default,,0000,0000,0000,,- Incest!\N- A couch!
Dialogue: 0,0:55:40.38,0:55:46.79,Default,,0000,0000,0000,,Adieu, Hamlet, adieu!\NRemember me!
Dialogue: 0,0:55:49.50,0:55:51.11,Default,,0000,0000,0000,,- My lord, this is strange!
Dialogue: 0,0:55:51.11,0:55:57.03,Default,,0000,0000,0000,,There are more things in Heaven and Earth,\NHoratio, than are dreamt of in your philosophy
Dialogue: 0,0:55:57.03,0:55:58.67,Default,,0000,0000,0000,,So piss off!
Dialogue: 0,0:55:59.82,0:56:04.64,Default,,0000,0000,0000,,I hereafter shall think meet\Nto put an antic disposition on
Dialogue: 0,0:56:04.64,0:56:11.37,Default,,0000,0000,0000,,The time is out of joint. O cursed\Nspite that ever I was born to exit right
Dialogue: 0,0:56:26.48,0:56:32.11,Default,,0000,0000,0000,,Neither a borrower nor a lender be!
Dialogue: 0,0:56:51.38,0:56:53.22,Default,,0000,0000,0000,,How now, Ophelia. What’s the matter?
Dialogue: 0,0:56:53.22,0:56:57.08,Default,,0000,0000,0000,,My lord, as I was sewing in my closet, lord\NHamlet, with no hat upon his head, pale as his shirt
Dialogue: 0,0:56:57.08,0:57:00.44,Default,,0000,0000,0000,,His knees knocking together, and with a look\NSo piteous in purport as if he had been loosed
Dialogue: 0,0:57:00.44,0:57:03.64,Default,,0000,0000,0000,,Out of hell to speak of horrors,\Nhe comes before me
Dialogue: 0,0:57:15.74,0:57:18.78,Default,,0000,0000,0000,,I'd keep that dress if I were you!
Dialogue: 0,0:57:26.19,0:57:27.91,Default,,0000,0000,0000,,- Mad for thy love?
Dialogue: 0,0:57:32.12,0:57:33.56,Default,,0000,0000,0000,,O my Lord, I know not!
Dialogue: 0,0:57:33.56,0:57:36.93,Default,,0000,0000,0000,,Why, this is the very ecstasy of love.\NI have found the cause of Hamlet’s lunacy
Dialogue: 0,0:57:36.93,0:57:40.25,Default,,0000,0000,0000,,Since brevity is the soul of wit,\NI will be brief: he is mad
Dialogue: 0,0:57:45.38,0:57:47.49,Default,,0000,0000,0000,,How does my good lord Hamlet?
Dialogue: 0,0:57:47.49,0:57:50.09,Default,,0000,0000,0000,,- Well, God mercy!\N- Do you know me, my lord?
Dialogue: 0,0:57:50.09,0:57:54.03,Default,,0000,0000,0000,,- Excellent well. You are a fishmonger\N- What do you read, my lord?
Dialogue: 0,0:57:54.03,0:57:58.13,Default,,0000,0000,0000,,- Word, words, words\N- Though this be madness, yet there’s method in’t
Dialogue: 0,0:57:58.13,0:58:01.78,Default,,0000,0000,0000,,Daddy, the players are here, and they\Nsaid they wanna do a play-within-a-play
Dialogue: 0,0:58:01.78,0:58:04.44,Default,,0000,0000,0000,,So you'd better come see what\Nthey want because they won't talk...
Dialogue: 0,0:58:11.42,0:58:15.17,Default,,0000,0000,0000,,I am but mad north-northwest\NWhen the wind is southerly
Dialogue: 0,0:58:15.17,0:58:17.62,Default,,0000,0000,0000,,I know a hawk from\Na hawk from a handsaw
Dialogue: 0,0:58:18.62,0:58:19.64,Default,,0000,0000,0000,,I don't know...
Dialogue: 0,0:58:21.46,0:58:26.27,Default,,0000,0000,0000,,I’ll have these players play something like\Nthe murder of my father before mine uncle
Dialogue: 0,0:58:26.27,0:58:31.54,Default,,0000,0000,0000,,I’ll observe his looks. If he do\Nbut blench, I will know my course
Dialogue: 0,0:58:31.80,0:58:37.24,Default,,0000,0000,0000,,The play’s the thing wherein\NI’ll catch the conscience of the king!
Dialogue: 0,0:59:12.66,0:59:14.06,Default,,0000,0000,0000,,Shut up, please!
Dialogue: 0,0:59:24.49,0:59:25.55,Default,,0000,0000,0000,,Shut up!
Dialogue: 0,0:59:36.75,0:59:39.85,Default,,0000,0000,0000,,What part of "shut up!"\Ndon't you understand?
Dialogue: 0,0:59:47.04,0:59:49.09,Default,,0000,0000,0000,,To be...
Dialogue: 0,0:59:51.95,0:59:55.23,Default,,0000,0000,0000,,Austin, Austin, you can...\Nturn on the lights for a second!
Dialogue: 0,0:59:55.23,0:59:57.91,Default,,0000,0000,0000,,Did you do the\N"to be or not to be" speech?
Dialogue: 0,0:59:57.91,1:00:00.09,Default,,0000,0000,0000,,Of course I didn't!\NThey are laughing at me!
Dialogue: 0,1:00:00.09,1:00:03.26,Default,,0000,0000,0000,,- They are not laughing at you!\N- They were laughing with you!
Dialogue: 0,1:00:03.26,1:00:07.96,Default,,0000,0000,0000,,No, no! That guy right there!\NIt was that guy right there!
Dialogue: 0,1:00:07.96,1:00:10.94,Default,,0000,0000,0000,,Calm down, man!\NHe's on drugs or something...
Dialogue: 0,1:00:11.63,1:00:15.09,Default,,0000,0000,0000,,- (...) speech!\N- I know, I know, it's a, it's, it's...
Dialogue: 0,1:00:15.09,1:00:17.99,Default,,0000,0000,0000,,I'm sorry about this, everybody!\NI think Austin is really...
Dialogue: 0,1:00:17.99,1:00:23.28,Default,,0000,0000,0000,,You know, he takes this very seriously!\NI think emotionally it's maybe too much for him tonight\N
Dialogue: 0,1:00:23.28,1:00:25.43,Default,,0000,0000,0000,,I think we'll just skip the\N"to be or not to be" speech
Dialogue: 0,1:00:25.43,1:00:27.65,Default,,0000,0000,0000,,I'm sorry if anybody feels...
Dialogue: 0,1:00:27.65,1:00:32.08,Default,,0000,0000,0000,,- Well, that's...\N- You shoulda thought about that before you laughed at him
Dialogue: 0,1:00:32.08,1:00:35.59,Default,,0000,0000,0000,,This is the risk you take at live theatre\NAnything can happen, okay?
Dialogue: 0,1:00:35.59,1:00:39.01,Default,,0000,0000,0000,,You know, like, if this was "Miss Saigon",\NMaybe the helicopter wouldn't come in
Dialogue: 0,1:00:39.77,1:00:43.39,Default,,0000,0000,0000,,It's an overrated speech anyway, Hamlet is\Nsupposed to be thinking about killing his uncle
Dialogue: 0,1:00:43.39,1:00:46.56,Default,,0000,0000,0000,,And, instead, Shakespeare is like\N"I'm contemplating suicide", you know?
Dialogue: 0,1:00:46.56,1:00:49.03,Default,,0000,0000,0000,,We think it just weakens the character
Dialogue: 0,1:00:49.03,1:00:50.93,Default,,0000,0000,0000,,It just makes some wishy washy
Dialogue: 0,1:00:50.93,1:00:52.82,Default,,0000,0000,0000,,Right, so we'll skip to the\Nplay-within-a-play scene
Dialogue: 0,1:00:52.82,1:00:55.82,Default,,0000,0000,0000,,Yeah, pergfect, okay, yeah! What we'll\Ndo is skip to the play-within-a-play scene
Dialogue: 0,1:00:55.82,1:00:57.51,Default,,0000,0000,0000,,You guys do the setting\NI'll give Austin...
Dialogue: 0,1:00:57.51,1:00:59.23,Default,,0000,0000,0000,,Whoa, and the nunnery\Nspeech of Hamlet?
Dialogue: 0,1:00:59.23,1:01:01.43,Default,,0000,0000,0000,,Whoa, that piece of work speech,\NI think we should just cut it
Dialogue: 0,1:01:01.43,1:01:03.22,Default,,0000,0000,0000,,I don't know, it's kind of important!
Dialogue: 0,1:01:08.52,1:01:12.06,Default,,0000,0000,0000,,Okay, there is just this one speech that\Ncomes before the play-within-a-play scene
Dialogue: 0,1:01:12.06,1:01:14.69,Default,,0000,0000,0000,,That just goes:\N"I have of late, but wherefore I know not
Dialogue: 0,1:01:14.69,1:01:19.55,Default,,0000,0000,0000,,Lost all my mirth, forgone all custom of exercise,\Nand indeed it goes so heavily with my disposition
Dialogue: 0,1:01:19.55,1:01:23.35,Default,,0000,0000,0000,,That this goodly frame, the Earth,\Nseems to me a sterile promontory
Dialogue: 0,1:01:23.35,1:01:26.76,Default,,0000,0000,0000,,This most excellent canopy, the air, look\Nyou, this brave o’erhanging firmament
Dialogue: 0,1:01:26.76,1:01:30.01,Default,,0000,0000,0000,,This majestic roof\Nfretted with golden fire
Dialogue: 0,1:01:30.01,1:01:34.18,Default,,0000,0000,0000,,Why it appears to me no other than a\Nfoul and pestilent congregation of vapors
Dialogue: 0,1:01:34.18,1:01:39.55,Default,,0000,0000,0000,,What a piece of work is man;\Nhow noble in reason, how infinite in faculty
Dialogue: 0,1:01:39.55,1:01:42.27,Default,,0000,0000,0000,,In form and moving how\Nexpress and admirable
Dialogue: 0,1:01:42.27,1:01:45.100,Default,,0000,0000,0000,,In action how like an angel\NIn apprehension how like a god
Dialogue: 0,1:01:45.100,1:01:48.48,Default,,0000,0000,0000,,The beauty of the world,\Nthe paragon of animals
Dialogue: 0,1:01:48.48,1:01:55.24,Default,,0000,0000,0000,,Yet to me, what is this quintessence\Nof dust? Man delights not me?
Dialogue: 0,1:01:56.70,1:02:00.12,Default,,0000,0000,0000,,Right, so we'll cut that speech,\Nand go right to the killer
Dialogue: 0,1:02:07.92,1:02:10.15,Default,,0000,0000,0000,,Guys, what about the\N"get thee to a nunnery" scene?
Dialogue: 0,1:02:10.15,1:02:12.31,Default,,0000,0000,0000,,Let's just skip that one
Dialogue: 0,1:02:14.42,1:02:16.89,Default,,0000,0000,0000,,Because "get thee to a nunnery"\Nscene is an Ophelia scene, man!
Dialogue: 0,1:02:16.89,1:02:19.62,Default,,0000,0000,0000,,And Ophelia is a dificult\Nand complex character
Dialogue: 0,1:02:19.62,1:02:24.24,Default,,0000,0000,0000,,No, no, she's not. No, it's,\NOphelia is you in a wig, you know?
Dialogue: 0,1:02:26.25,1:02:28.63,Default,,0000,0000,0000,,Anybody can play Ophelia,\NMy mother could play Ophelia
Dialogue: 0,1:02:28.63,1:02:30.44,Default,,0000,0000,0000,,That lady right there\Ncould play Ophelia
Dialogue: 0,1:02:31.06,1:02:32.96,Default,,0000,0000,0000,,- Well, let's get her!\N- No, no...
Dialogue: 0,1:02:38.50,1:02:39.80,Default,,0000,0000,0000,,Thank you so much!
Dialogue: 0,1:02:44.64,1:02:46.74,Default,,0000,0000,0000,,We are going to perform...
Dialogue: 0,1:02:46.74,1:02:48.40,Default,,0000,0000,0000,,No, no, no, wait.\NWhatcha doin'?
Dialogue: 0,1:02:48.40,1:02:50.02,Default,,0000,0000,0000,,Getting that\Nimpostor out of here!
Dialogue: 0,1:02:50.02,1:02:51.28,Default,,0000,0000,0000,,She's not an imposter!
Dialogue: 0,1:02:53.38,1:02:55.12,Default,,0000,0000,0000,,You can't just throw\Nher back, you know?
Dialogue: 0,1:02:55.12,1:02:57.42,Default,,0000,0000,0000,,- I'll do it!\N- It's too late!
Dialogue: 0,1:02:57.42,1:03:01.25,Default,,0000,0000,0000,,You got her up here, she's wearing\Nthis nice wig, it's gonna be fine! (It's my scene!)
Dialogue: 0,1:03:01.25,1:03:04.67,Default,,0000,0000,0000,,It's my scene! What am I\Nsupposed to do? I'm... I'm like...
Dialogue: 0,1:03:04.67,1:03:06.75,Default,,0000,0000,0000,,Just watch and learn, you know?
Dialogue: 0,1:03:06.75,1:03:09.45,Default,,0000,0000,0000,,I'm watching? I'm learning?\NIs this what I'm supposed to do?
Dialogue: 0,1:03:09.45,1:03:12.02,Default,,0000,0000,0000,,- You had your chance!\N- You come back, take that mic off!
Dialogue: 0,1:03:12.02,1:03:13.64,Default,,0000,0000,0000,,- No, no!\N- This is stupid!
Dialogue: 0,1:03:13.64,1:03:15.34,Default,,0000,0000,0000,,No, it will be fine!\NIt will be great! Just watch!
Dialogue: 0,1:03:15.34,1:03:18.39,Default,,0000,0000,0000,,You're just gonna do the scene with\Nyour new friend, and I'm supposed to...
Dialogue: 0,1:03:18.39,1:03:21.05,Default,,0000,0000,0000,,- You had your chance!\N- We are gonna show you how simple it is, alright?
Dialogue: 0,1:03:21.05,1:03:23.60,Default,,0000,0000,0000,,That's fine, I don't care!\NI think the show sucks anyway!
Dialogue: 0,1:03:23.60,1:03:26.78,Default,,0000,0000,0000,,Oh, c'mon! It's not that big of a...
Dialogue: 0,1:03:26.78,1:03:28.89,Default,,0000,0000,0000,,Thanks for breaking\Nup the group, Yoko!
Dialogue: 0,1:03:31.76,1:03:33.26,Default,,0000,0000,0000,,Bullshit!
Dialogue: 0,1:03:34.46,1:03:38.05,Default,,0000,0000,0000,,I'm very sorry about that! Listen,\Nthank you very much for helping us out!
Dialogue: 0,1:03:38.05,1:03:39.39,Default,,0000,0000,0000,,- I'm sorry, what's your name?\N- Tiffany!
Dialogue: 0,1:03:39.39,1:03:40.53,Default,,0000,0000,0000,,- Tiffany?\N- Tiffany!
Dialogue: 0,1:03:40.53,1:03:42.95,Default,,0000,0000,0000,,That's, um,\Ndo you mind if we call you Bob?
Dialogue: 0,1:03:42.95,1:03:45.23,Default,,0000,0000,0000,,That's just easier for us to remember
Dialogue: 0,1:03:45.23,1:03:50.51,Default,,0000,0000,0000,,Um, anyway, um,\Nthe scene between Ophelia and Hamlet
Dialogue: 0,1:03:50.51,1:03:53.76,Default,,0000,0000,0000,,- It's a very simple scene!\N- It's not a simple scene!
Dialogue: 0,1:03:53.76,1:03:55.68,Default,,0000,0000,0000,,If you're gonna humiliate her,\Nbe honest with her!
Dialogue: 0,1:03:55.68,1:03:56.97,Default,,0000,0000,0000,,We are not gonna humiliate her!
Dialogue: 0,1:03:56.97,1:03:59.03,Default,,0000,0000,0000,,We are not humiliating\Nanybody, you calm down!
Dialogue: 0,1:03:59.03,1:04:01.41,Default,,0000,0000,0000,,You calm down! (You calm down!)\NYou calm down, man!
Dialogue: 0,1:04:01.41,1:04:04.24,Default,,0000,0000,0000,,You know, I'll, I'll hit you so hard,\NI'll kill your whole family, man!
Dialogue: 0,1:04:05.92,1:04:07.90,Default,,0000,0000,0000,,You take your medicine! Okay!
Dialogue: 0,1:04:07.90,1:04:09.100,Default,,0000,0000,0000,,- Uhhhh, get her!\N- Okay!
Dialogue: 0,1:04:12.00,1:04:16.08,Default,,0000,0000,0000,,A little bit of background: Hamlet and Ophelia\Nhave had this relationship together in the past
Dialogue: 0,1:04:16.08,1:04:20.08,Default,,0000,0000,0000,,Yeah, among everything that is going on with his\Nmother, and is uncle, and his father, and...
Dialogue: 0,1:04:20.81,1:04:22.98,Default,,0000,0000,0000,,He doesn't wanna deal\Nwith her anymore, alright?
Dialogue: 0,1:04:22.98,1:04:25.80,Default,,0000,0000,0000,,He gets all worked up, and he\Ntells her to get out of his life!
Dialogue: 0,1:04:25.80,1:04:28.78,Default,,0000,0000,0000,,He says to her:\N"get thee to a nunnery!"
Dialogue: 0,1:04:28.78,1:04:34.10,Default,,0000,0000,0000,,Alright, now, in our version of the scene,\Nall that Ophelia does in response is: she screams!
Dialogue: 0,1:04:34.10,1:04:36.36,Default,,0000,0000,0000,,- That's not all she does!\N- It's all she does!
Dialogue: 0,1:04:36.36,1:04:38.31,Default,,0000,0000,0000,,- There is more to it than that!\N- No, there is not!
Dialogue: 0,1:04:38.31,1:04:41.62,Default,,0000,0000,0000,,Hamlet says "get thee to a nunnery!",\NOphelia screams, okay?
Dialogue: 0,1:04:41.62,1:04:45.74,Default,,0000,0000,0000,,So, let's try that, alright?\NAnd I'll give you a cue, alright?
Dialogue: 0,1:04:47.91,1:04:49.80,Default,,0000,0000,0000,,- Hey, good luck!\N- Hay, Adam!
Dialogue: 0,1:04:49.80,1:04:52.08,Default,,0000,0000,0000,,I didn't touch her,\Nshe hit me with the shoulder!
Dialogue: 0,1:04:52.08,1:04:53.94,Default,,0000,0000,0000,,- Oh, c'mon!\N- She started it, man!
Dialogue: 0,1:04:55.05,1:04:57.66,Default,,0000,0000,0000,,She's provoking me since she\Ncame in here, that's all I'm saying!
Dialogue: 0,1:04:57.66,1:05:00.82,Default,,0000,0000,0000,,- Sit down!\N- Okay, screw over, kid!
Dialogue: 0,1:05:05.49,1:05:09.21,Default,,0000,0000,0000,,Okay, now are you all set?\NAlright, I'll give it to you, I'll, I'm sorry, let me...
Dialogue: 0,1:05:09.21,1:05:11.49,Default,,0000,0000,0000,,Let me just step into\Nthe character here!
Dialogue: 0,1:05:14.84,1:05:16.67,Default,,0000,0000,0000,,Get thee to a nunnery!
Dialogue: 0,1:05:26.93,1:05:29.43,Default,,0000,0000,0000,,No, please, shut up,\Nladies and gentlemen!
Dialogue: 0,1:05:29.43,1:05:31.91,Default,,0000,0000,0000,,- Hey, hey, I thought that was good!\N- Yeah, it was pretty good!
Dialogue: 0,1:05:31.91,1:05:36.00,Default,,0000,0000,0000,,No, it sucked, man!\NEven the frame setting sucked!
Dialogue: 0,1:05:36.00,1:05:43.44,Default,,0000,0000,0000,,I'm sorry I shout at you, I felt threatened 'cause they\Nbrought you up here to do my part, you are not an actress!
Dialogue: 0,1:05:43.44,1:05:47.30,Default,,0000,0000,0000,,- Maybe\N- You think so? (Maybe)
Dialogue: 0,1:05:47.30,1:05:49.15,Default,,0000,0000,0000,,I think not!
Dialogue: 0,1:05:49.15,1:05:55.59,Default,,0000,0000,0000,,No, she showed a lot of heart, a lot of courage - as Shakespeare would say, chutzpah.
Dialogue: 0,1:05:55.59,1:06:00.22,Default,,0000,0000,0000,,No, I think there was something lacking\NThere was no inner life to the character
Dialogue: 0,1:06:00.22,1:06:02.70,Default,,0000,0000,0000,,You know, there is little depth...
Dialogue: 0,1:06:02.70,1:06:04.66,Default,,0000,0000,0000,,No, I know what you mean,\Nthat's actually very good note
Dialogue: 0,1:06:04.66,1:06:08.40,Default,,0000,0000,0000,,- 'Cause, Bob, actors use what they call subtext\N- Yes, or inner module
Dialogue: 0,1:06:08.40,1:06:11.59,Default,,0000,0000,0000,,Exactly, inner module,\Nthat's something you didn't have
Dialogue: 0,1:06:11.59,1:06:15.42,Default,,0000,0000,0000,,And that's why your\Nperformance was just flat
Dialogue: 0,1:06:15.42,1:06:19.44,Default,,0000,0000,0000,,No, but I think she showed promise,\Nand I don't think we should let this go
Dialogue: 0,1:06:19.44,1:06:23.57,Default,,0000,0000,0000,,I think this is like riding a bicycle, you fall off,\Nyou get on a horse, you just keep going, man!
Dialogue: 0,1:06:23.57,1:06:28.75,Default,,0000,0000,0000,,In fact I think we should get everybody involved here\Nfor just a few seconds to workshop this, you know?
Dialogue: 0,1:06:28.75,1:06:34.07,Default,,0000,0000,0000,,Like, um, bring up the house lights I think everybody\Nshould act on what is inside, the feels in his head for Bob
Dialogue: 0,1:06:34.07,1:06:36.29,Default,,0000,0000,0000,,Help her understand\Nthe character like, like...
Dialogue: 0,1:06:36.29,1:06:39.53,Default,,0000,0000,0000,,If we divide everybody into\NOphelia's Ego and Superego!
Dialogue: 0,1:06:39.53,1:06:42.81,Default,,0000,0000,0000,,Oh, yeah, yeah,\Nlike it's a Freudian analysis
Dialogue: 0,1:06:42.81,1:06:44.14,Default,,0000,0000,0000,,With an union undertone (yes, yes!)
Dialogue: 0,1:06:44.14,1:06:49.84,Default,,0000,0000,0000,,An Ego! We need an Ego!\NLet's get an Ego out there!
Dialogue: 0,1:06:57.28,1:06:59.54,Default,,0000,0000,0000,,So, this gentleman is gonna\Nrepresent your Ego!
Dialogue: 0,1:07:00.01,1:07:02.05,Default,,0000,0000,0000,,Oh, this guy can play an Ego!
Dialogue: 0,1:07:02.88,1:07:06.21,Default,,0000,0000,0000,,Very powerful lumberjack-like Ego!
Dialogue: 0,1:07:06.21,1:07:12.28,Default,,0000,0000,0000,,At this point of the play, her Ego has become\Nfrightened, it's flighty, it's an Ego on the run
Dialogue: 0,1:07:12.28,1:07:18.04,Default,,0000,0000,0000,,To symbolize the Ego on the run, why don't we\Nhave Bob here, I'm sorry, mind if I call you Bob?
Dialogue: 0,1:07:18.04,1:07:23.35,Default,,0000,0000,0000,,Why don't we have Bob here symbolize the Ego on\Nthe run by running back and forth across the stage?
Dialogue: 0,1:07:23.35,1:07:26.25,Default,,0000,0000,0000,,Yes, yes, just go...
Dialogue: 0,1:07:33.31,1:07:35.26,Default,,0000,0000,0000,,Such an energy!
Dialogue: 0,1:07:35.26,1:07:37.63,Default,,0000,0000,0000,,We have an Egomaniac here!
Dialogue: 0,1:07:37.63,1:07:41.46,Default,,0000,0000,0000,,Okay, now, if you just\Nhear her subconscious
Dialogue: 0,1:07:41.46,1:07:44.45,Default,,0000,0000,0000,,Why don't we have everyone on\Nthe forth here in this folding chairs
Dialogue: 0,1:07:44.45,1:07:46.42,Default,,0000,0000,0000,,Represent Ophelia's head for us
Dialogue: 0,1:07:46.42,1:07:49.90,Default,,0000,0000,0000,,Now, at this point of the play,\Nher id is confused, is wishy washy
Dialogue: 0,1:07:49.90,1:07:52.65,Default,,0000,0000,0000,,It's a wash in a sea of alternatives
Dialogue: 0,1:07:52.65,1:07:55.30,Default,,0000,0000,0000,,Oh, that was very...\N(Thank you, thank you very much!)
Dialogue: 0,1:07:59.89,1:08:05.97,Default,,0000,0000,0000,,So, to represent this confused id, why don't we have everybody\Non these folding chair put both hands up your heads like this
Dialogue: 0,1:08:07.54,1:08:12.35,Default,,0000,0000,0000,,And we are gonna say this, we are\Ngonna say: "maybe, maybe not"
Dialogue: 0,1:08:12.35,1:08:20.51,Default,,0000,0000,0000,,"Maybe, maybe not", "maybe, maybe not"\N"maybe, maybe not", (okay, good!)
Dialogue: 0,1:08:20.51,1:08:22.54,Default,,0000,0000,0000,,Save it for later, okay!
Dialogue: 0,1:08:23.44,1:08:25.75,Default,,0000,0000,0000,,Alright, you! third line,\Nwhat's your problem?
Dialogue: 0,1:08:26.58,1:08:30.69,Default,,0000,0000,0000,,Everybody is doing a great "maybe,\Nmaybe not", "maybe, maybe not"
Dialogue: 0,1:08:30.69,1:08:32.48,Default,,0000,0000,0000,,He is like this
Dialogue: 0,1:08:34.30,1:08:36.66,Default,,0000,0000,0000,,Does not play well with other children!
Dialogue: 0,1:08:37.40,1:08:39.82,Default,,0000,0000,0000,,You know what that means, don't you, Bob?
Dialogue: 0,1:08:39.82,1:08:43.14,Default,,0000,0000,0000,,That means that you'll\Nhave to do it all by yourself
Dialogue: 0,1:08:45.90,1:08:48.49,Default,,0000,0000,0000,,C'mon, man! Get'em up! Get'em up! Great!
Dialogue: 0,1:08:48.49,1:08:51.70,Default,,0000,0000,0000,,And don't worry about a thing, man!\N'Cause nobody is looking, alright?
Dialogue: 0,1:08:51.70,1:08:55.70,Default,,0000,0000,0000,,Okay, okay, let's hear him:\N"maybe, maybe not"
Dialogue: 0,1:09:06.91,1:09:08.71,Default,,0000,0000,0000,,I feel a lot of love in this room
Dialogue: 0,1:09:08.71,1:09:13.80,Default,,0000,0000,0000,,I don't know, maybe it's just the.. okay So we got the id,\Nwe got the Ego, we got a single misfiring greencell right here\N
Dialogue: 0,1:09:13.80,1:09:17.90,Default,,0000,0000,0000,,It's great to know, why don't we get everybody\Nbehind the seats to be the Superego?
Dialogue: 0,1:09:17.90,1:09:21.10,Default,,0000,0000,0000,,This is the final psychological\Ncomponenet, the Superego
Dialogue: 0,1:09:21.10,1:09:24.58,Default,,0000,0000,0000,,It's like all the struggling voices within\Nyour head telling you what to do
Dialogue: 0,1:09:24.58,1:09:27.22,Default,,0000,0000,0000,,Very powerful voices that\Nare very difficult to shake
Dialogue: 0,1:09:27.22,1:09:30.13,Default,,0000,0000,0000,,Some people never shake them\Nin the whole lifetime, you know?
Dialogue: 0,1:09:30.13,1:09:32.08,Default,,0000,0000,0000,,So, like Catholicism or something
Dialogue: 0,1:09:32.08,1:09:37.79,Default,,0000,0000,0000,,So why don't we, why don't we divide the\NSuperego into three parts to symbolize the complexity
Dialogue: 0,1:09:37.79,1:09:42.55,Default,,0000,0000,0000,,So if we get everyone from where Reed is\Nindicating to my left to be Section A of the Superego
Dialogue: 0,1:09:42.55,1:09:47.36,Default,,0000,0000,0000,,Everybody from Reed to where Austin\Nis indicating to be Section B of the Superego
Dialogue: 0,1:09:47.36,1:09:51.15,Default,,0000,0000,0000,,And everybody from Austin\Nto my right, you're Section C
Dialogue: 0,1:09:51.15,1:09:54.46,Default,,0000,0000,0000,,Yeah, it's not that difficult,\Nis it? You got the idea!
Dialogue: 0,1:09:54.46,1:09:57.70,Default,,0000,0000,0000,,Now, Section A, you're the masculine\Nvoice in Ophelia pyche, alright?
Dialogue: 0,1:09:57.70,1:10:01.42,Default,,0000,0000,0000,,You're like the voice of all men in her\Nlife that have been bossing her around
Dialogue: 0,1:10:01.42,1:10:07.21,Default,,0000,0000,0000,,And, um, we'll use Hamlet's line for this\NI'd like all of you to say "get thee to a nunnery!"
Dialogue: 0,1:10:07.21,1:10:11.04,Default,,0000,0000,0000,,Let's give it a try, Section A:\N"Get thee to a nunnery!"
Dialogue: 0,1:10:11.04,1:10:12.70,Default,,0000,0000,0000,,Section A, that was awful!
Dialogue: 0,1:10:12.70,1:10:19.83,Default,,0000,0000,0000,,Please, people, work with me on this, we wanna make it\Nvery loud, very powerful, very stiking, Section A:
Dialogue: 0,1:10:19.83,1:10:21.92,Default,,0000,0000,0000,,"Get thee to a nunnery!"
Dialogue: 0,1:10:21.92,1:10:24.29,Default,,0000,0000,0000,,Oh, yeah, that was\Nmuch less totally pathetic!
Dialogue: 0,1:10:24.29,1:10:28.38,Default,,0000,0000,0000,,Okay, now Section B, you're the\Nvoice of Ophelia's libido, okay?
Dialogue: 0,1:10:28.38,1:10:31.34,Default,,0000,0000,0000,,So, this is the part of the psiche\Nthat wants to be attracted to Hamlet
Dialogue: 0,1:10:31.34,1:10:35.53,Default,,0000,0000,0000,,You're saying, "look, do something wth yourself",\N"for God sake, put some makeup or something!"
Dialogue: 0,1:10:35.53,1:10:37.97,Default,,0000,0000,0000,,Just, no offense...
Dialogue: 0,1:10:38.96,1:10:42.09,Default,,0000,0000,0000,,This is straight out of\NShakesperian text, okay?
Dialogue: 0,1:10:42.09,1:10:45.46,Default,,0000,0000,0000,,I'd like all of you to say,\N"Paint an inch thick!"
Dialogue: 0,1:10:45.46,1:10:47.67,Default,,0000,0000,0000,,"Paint an inch thick!"
Dialogue: 0,1:10:50.05,1:10:52.90,Default,,0000,0000,0000,,I think Section A could learn\Nsomething from Section B
Dialogue: 0,1:10:52.90,1:10:54.59,Default,,0000,0000,0000,,Possibly, they're small,\Nbut they're plaque
Dialogue: 0,1:10:54.59,1:11:00.15,Default,,0000,0000,0000,,Now finally, Section C, we saved you for last\Nbecause I think waht we'll do is use Section C\N
Dialogue: 0,1:11:00.15,1:11:04.80,Default,,0000,0000,0000,,To draw this into a modern context because we\Nwanna make Ophelia relevant to women of today
Dialogue: 0,1:11:04.80,1:11:08.19,Default,,0000,0000,0000,,Maybe she wants power,\Nbut she doesn't wanna lose her femininity
Dialogue: 0,1:11:08.19,1:11:11.69,Default,,0000,0000,0000,,She wanna be Corporate Executive,\Nbut, you know, she wants babies at the same time
Dialogue: 0,1:11:11.69,1:11:14.98,Default,,0000,0000,0000,,She is tired of being pushed around by Hamlet,\Nand she wants to assure herself
Dialogue: 0,1:11:14.98,1:11:20.03,Default,,0000,0000,0000,,she feels like saying, “Look, cut the crap, Hamlet,\Nmy biological clock is ticking and I want babies now!"
Dialogue: 0,1:11:20.03,1:11:22.16,Default,,0000,0000,0000,,Whoa, whoa, wait, you know what...
Dialogue: 0,1:11:26.89,1:11:33.93,Default,,0000,0000,0000,,Yeah, we'll have you say, "cut the crap, Hamlet,\Nmy biological clock is ticking and I want babies now!"
Dialogue: 0,1:11:37.66,1:11:39.96,Default,,0000,0000,0000,,Yeah, your mommy\Nwill explain it later, kid!
Dialogue: 0,1:11:41.89,1:11:43.27,Default,,0000,0000,0000,,Biology class
Dialogue: 0,1:11:45.00,1:11:47.20,Default,,0000,0000,0000,,So, let's give it a try,\NSection C:
Dialogue: 0,1:11:47.20,1:11:53.66,Default,,0000,0000,0000,,"Cut the crap, Hamlet, my biological\Nclock is ticking and I want babies now!"
Dialogue: 0,1:12:02.40,1:12:06.12,Default,,0000,0000,0000,,Alright, everybody, what I\Nthink we should do now is
Dialogue: 0,1:12:06.12,1:12:10.34,Default,,0000,0000,0000,,We'll get all the psychological elements\Ninto play simultaneously, right?
Dialogue: 0,1:12:10.34,1:12:16.03,Default,,0000,0000,0000,,id, Ego, Superego, biological clock,\Nand the voices "maybe, maybe not!"
Dialogue: 0,1:12:16.03,1:12:19.49,Default,,0000,0000,0000,,And your job as an actress, Bob,\Nis to take all of this energy in
Dialogue: 0,1:12:19.49,1:12:22.47,Default,,0000,0000,0000,,Synthesize it within your soul, right?
Dialogue: 0,1:12:22.47,1:12:28.13,Default,,0000,0000,0000,,And, at that moment of truth, we'll build everyone\Ninto a might frenzy, then stop everything, all attention is to you
Dialogue: 0,1:12:28.13,1:12:30.06,Default,,0000,0000,0000,,And you let out with that\Nscream that epitomizes Ophelia
Dialogue: 0,1:12:30.06,1:12:31.59,Default,,0000,0000,0000,,No problem!
Dialogue: 0,1:12:34.89,1:12:37.31,Default,,0000,0000,0000,,- Well, we'll see!\N- Oh, she can't wait!
Dialogue: 0,1:12:37.31,1:12:41.31,Default,,0000,0000,0000,,Everybody, let's all,\Nokay, focus, please!
Dialogue: 0,1:12:41.31,1:12:44.92,Default,,0000,0000,0000,,Alright, everyone?\NLet's all take a deep breath together!
Dialogue: 0,1:12:48.92,1:12:50.83,Default,,0000,0000,0000,,Yeah, let it out, kid
Dialogue: 0,1:12:50.83,1:12:53.44,Default,,0000,0000,0000,,He's turning grace, keep an eye on him!
Dialogue: 0,1:12:53.44,1:12:55.49,Default,,0000,0000,0000,,Right, you stand back here!
Dialogue: 0,1:12:55.49,1:12:58.83,Default,,0000,0000,0000,,Right (perfect!), yeah, right there!
Dialogue: 0,1:12:58.83,1:13:02.83,Default,,0000,0000,0000,,Excellent! And remember, no matter\Nwhat happens, act natural!
Dialogue: 0,1:13:05.18,1:13:08.07,Default,,0000,0000,0000,,- Starting with the Ego!\N- The starting line here, Bob!
Dialogue: 0,1:13:08.07,1:13:11.30,Default,,0000,0000,0000,,Alright, here we go!\NOkay, and...
Dialogue: 0,1:13:11.30,1:13:12.59,Default,,0000,0000,0000,,On your marks!
Dialogue: 0,1:13:15.50,1:13:17.94,Default,,0000,0000,0000,,Like a Colts you are, huh?
Dialogue: 0,1:13:17.94,1:13:21.52,Default,,0000,0000,0000,,We are not gonna have to check\Nyou for steroids after this, are we?
Dialogue: 0,1:13:22.49,1:13:26.11,Default,,0000,0000,0000,,I recognize you, you were on the\NEast Germany women's track team
Dialogue: 0,1:13:27.14,1:13:28.98,Default,,0000,0000,0000,,His name was Helga, I swear to God!
Dialogue: 0,1:13:28.98,1:13:31.70,Default,,0000,0000,0000,,Glad to see they finally dropped, alright!
Dialogue: 0,1:13:33.78,1:13:35.70,Default,,0000,0000,0000,,You know what I mean, alright!
Dialogue: 0,1:13:35.70,1:13:42.59,Default,,0000,0000,0000,,Alright? On your mark, set, go!\N"Maybe, maybe not"
Dialogue: 0,1:13:42.59,1:13:43.100,Default,,0000,0000,0000,,Section A
Dialogue: 0,1:13:44.49,1:13:46.35,Default,,0000,0000,0000,,Section B
Dialogue: 0,1:13:47.11,1:13:48.22,Default,,0000,0000,0000,,C
Dialogue: 0,1:14:05.75,1:14:06.92,Default,,0000,0000,0000,,Stop!
Dialogue: 0,1:14:42.03,1:14:46.25,Default,,0000,0000,0000,,It's just that you are beautiful,\Nand erotic, and sensual!
Dialogue: 0,1:14:50.45,1:14:53.17,Default,,0000,0000,0000,,I think we really shared\Nsomething, didn't we?
Dialogue: 0,1:14:53.17,1:14:57.08,Default,,0000,0000,0000,,But back to Hamlet, Act III, Scene II,\Nthe famous “play-within-a-play scene”
Dialogue: 0,1:14:57.08,1:15:01.87,Default,,0000,0000,0000,,In which Hamlet discovers conclusive\Nevidence that his uncle murdered his father
Dialogue: 0,1:15:14.98,1:15:19.09,Default,,0000,0000,0000,,“Speak the speech, I pray you, as I\Npronounced it to you, trippingly on the tongue
Dialogue: 0,1:15:19.09,1:15:24.75,Default,,0000,0000,0000,,Suit the action to the word, the word to the action,\Nand hold, as ‘twere, the mirror up to nature
Dialogue: 0,1:15:24.75,1:15:28.93,Default,,0000,0000,0000,,- Will my lord hear this piece of work?\N- Aye, and the king, too, presently
Dialogue: 0,1:15:34.88,1:15:37.20,Default,,0000,0000,0000,,And now, how does my\Ncousin Hamlet, and my son?
Dialogue: 0,1:15:37.20,1:15:39.18,Default,,0000,0000,0000,,A little more than kin,\Nand less than kind
Dialogue: 0,1:15:39.18,1:15:41.54,Default,,0000,0000,0000,,I have nothing with this answer,\NHamlet; these words are not mine
Dialogue: 0,1:15:41.54,1:15:43.56,Default,,0000,0000,0000,,- My lord, have a seat\N- Alright, I'll seat here
Dialogue: 0,1:15:43.56,1:15:45.20,Default,,0000,0000,0000,,Screw over, kid!\NI'm doing ya'
Dialogue: 0,1:15:45.20,1:15:46.92,Default,,0000,0000,0000,,Hey, good show, huh?
Dialogue: 0,1:15:46.92,1:15:51.04,Default,,0000,0000,0000,,My lord, the Royal Theatre of Denmark is\Nproud to present "The Murder of Gonzago"
Dialogue: 0,1:15:51.04,1:15:52.92,Default,,0000,0000,0000,,Bravo, bravo, yeah, uhu!
Dialogue: 0,1:15:52.92,1:15:55.18,Default,,0000,0000,0000,,Oh, it's a puppet show!\NI love it! I love it!
Dialogue: 0,1:15:55.18,1:15:56.98,Default,,0000,0000,0000,,My lord, Act I
Dialogue: 0,1:16:22.94,1:16:24.47,Default,,0000,0000,0000,,Hubba hubba
Dialogue: 0,1:16:37.01,1:16:40.45,Default,,0000,0000,0000,,Hey, hey, no, no, no. Hey, hey!
Dialogue: 0,1:16:42.84,1:16:46.02,Default,,0000,0000,0000,,Oh, the wheels on the\Nbus go round and round....
Dialogue: 0,1:16:46.64,1:16:48.60,Default,,0000,0000,0000,,Okay, I'm sorry... I didn't...
Dialogue: 0,1:16:50.84,1:16:54.84,Default,,0000,0000,0000,,- How likes my lord the play?\N- The lady doth protest too much, methinks!
Dialogue: 0,1:16:54.84,1:16:57.33,Default,,0000,0000,0000,,Haha, whoa, she protests too much, get it?
Dialogue: 0,1:16:57.33,1:17:00.08,Default,,0000,0000,0000,,Get it? Get it? Whoa. She\Ndoesn't get it. That's okay!
Dialogue: 0,1:17:00.08,1:17:02.55,Default,,0000,0000,0000,,(I'll explain it later)\NMy lord, Act II
Dialogue: 0,1:17:02.55,1:17:03.62,Default,,0000,0000,0000,,Gesundheit!
Dialogue: 0,1:17:29.92,1:17:31.89,Default,,0000,0000,0000,,I’ll take the ghost’s word\Nfor a thousand pound!
Dialogue: 0,1:17:31.89,1:17:33.98,Default,,0000,0000,0000,,My lord, the queen would\Nspeak with you in her closet
Dialogue: 0,1:17:33.98,1:17:38.06,Default,,0000,0000,0000,,- Then will I come to my mother\N- Behind the arras I’ll convey myself to hear the process
Dialogue: 0,1:17:39.62,1:17:44.49,Default,,0000,0000,0000,,- Now, mother, what’s the matter?\N- Hamlet, thou hast thy father much offended
Dialogue: 0,1:17:44.49,1:17:49.06,Default,,0000,0000,0000,,- Mother, you have my father much offended\N- What wilt thou do? Thou wilt not murder me? Help!
Dialogue: 0,1:17:49.06,1:17:51.23,Default,,0000,0000,0000,,Help! Help!
Dialogue: 0,1:17:51.23,1:17:52.60,Default,,0000,0000,0000,,How now? A rat!
Dialogue: 0,1:17:53.48,1:17:57.62,Default,,0000,0000,0000,,Nooooo... noooooo...
Dialogue: 0,1:17:57.62,1:18:00.100,Default,,0000,0000,0000,,It will hurt...
Dialogue: 0,1:18:03.41,1:18:06.56,Default,,0000,0000,0000,,I told you so...
Dialogue: 0,1:18:11.98,1:18:14.05,Default,,0000,0000,0000,,Dead for a ducat, aww
Dialogue: 0,1:18:15.17,1:18:16.64,Default,,0000,0000,0000,,- Where's Polonius?\N- At supper!
Dialogue: 0,1:18:16.64,1:18:20.64,Default,,0000,0000,0000,,- At supper? Where?\N- Not where he eats, but where he is eaten
Dialogue: 0,1:18:20.64,1:18:22.91,Default,,0000,0000,0000,,- O no, it’s Laertes!\N- Son of Polonius
Dialogue: 0,1:18:22.91,1:18:24.75,Default,,0000,0000,0000,,- Brother to Ophelia!\N- And a snappy dresser!
Dialogue: 0,1:18:24.75,1:18:28.63,Default,,0000,0000,0000,,Why, thanks. O, thou vile king!\NGive me my father! How came he dead?
Dialogue: 0,1:18:28.63,1:18:31.07,Default,,0000,0000,0000,,I’ll be revenged for Polonius’s murder!
Dialogue: 0,1:18:36.52,1:18:38.46,Default,,0000,0000,0000,,How now, what noise is this?\N
Dialogue: 0,1:18:42.77,1:18:45.96,Default,,0000,0000,0000,,Dear maid, kind sister, sweet, Ophelia!
Dialogue: 0,1:18:55.35,1:18:57.69,Default,,0000,0000,0000,,I'm mad! I'm out\Nof my tiny little mind!
Dialogue: 0,1:18:57.69,1:19:00.84,Default,,0000,0000,0000,,I'm screwy-louie, I'm...\NSee, this is acting!
Dialogue: 0,1:19:00.84,1:19:04.67,Default,,0000,0000,0000,,Here’s rue for you, here is\Nrosemary for remembrance
Dialogue: 0,1:19:04.67,1:19:09.79,Default,,0000,0000,0000,,and I would have given you violets,\Nbut they withered all when my father died
Dialogue: 0,1:19:11.75,1:19:13.32,Default,,0000,0000,0000,,I’m starting to feel\Na little nauseous here
Dialogue: 0,1:19:16.80,1:19:17.82,Default,,0000,0000,0000,,I'm about to die!
Dialogue: 0,1:19:17.82,1:19:21.82,Default,,0000,0000,0000,,Hamlet comes back. What would I undertake\Nto show myself, my father's son, in deed...
Dialogue: 0,1:19:21.82,1:19:24.21,Default,,0000,0000,0000,,Wait, hold on, Reed, before you\Ngo on to the next scene with Ophelia
Dialogue: 0,1:19:24.21,1:19:25.51,Default,,0000,0000,0000,,There's no more scenes with Ophelia
Dialogue: 0,1:19:25.51,1:19:27.59,Default,,0000,0000,0000,,- C'mon, I'm up for it!\N- No, that's all Shakespeare wrote!
Dialogue: 0,1:19:27.59,1:19:29.61,Default,,0000,0000,0000,,- What happens to her?\N- She drowns!
Dialogue: 0,1:19:31.15,1:19:32.35,Default,,0000,0000,0000,,- Okay, cool!\N- Okay!
Dialogue: 0,1:19:33.71,1:19:37.37,Default,,0000,0000,0000,,To cut his throat in the church;\NI'll do that, and I'll anoint my sword...
Dialogue: 0,1:19:51.06,1:19:54.20,Default,,0000,0000,0000,,I’ll anoint my sword with an unction\Nso mortal that where it draws blood
Dialogue: 0,1:19:54.20,1:19:56.79,Default,,0000,0000,0000,,No cataplasm can save\Nthe thing from this compulsion
Dialogue: 0,1:19:57.62,1:19:59.24,Default,,0000,0000,0000,,I don't know what it means either!
Dialogue: 0,1:20:06.24,1:20:10.24,Default,,0000,0000,0000,,This skull had a tongue in it,\Nand could sing once
Dialogue: 0,1:20:10.24,1:20:14.08,Default,,0000,0000,0000,,but then came the\NNutrisystem Weight Loss Program!
Dialogue: 0,1:20:15.72,1:20:18.53,Default,,0000,0000,0000,,Alas, poor Yorick!\NI knew him!
Dialogue: 0,1:20:19.04,1:20:21.82,Default,,0000,0000,0000,,But soft! Here comes the queen!\NCouch me awhile, and mark!
Dialogue: 0,1:20:21.82,1:20:25.70,Default,,0000,0000,0000,,Lay her in the earth; and from her fair\Nand unpolluted flesh, may violets spring
Dialogue: 0,1:20:25.70,1:20:28.75,Default,,0000,0000,0000,,Sweets to the sweet Ophelia. Farewell!
Dialogue: 0,1:20:28.75,1:20:31.99,Default,,0000,0000,0000,,Hold off the earth awhile, ‘till I have\Ncaught her once more in mine arms
Dialogue: 0,1:20:31.99,1:20:39.04,Default,,0000,0000,0000,,What is he worse grief bears such an emphasis?\NHaya! This is I, Hamlet the great Dane!
Dialogue: 0,1:20:44.20,1:20:47.19,Default,,0000,0000,0000,,I will fight with him until\Nmy eyelids no longer wag
Dialogue: 0,1:20:47.19,1:20:51.42,Default,,0000,0000,0000,,The cat will mew, and the dog will\Nhave his day. Come! Give us the foils!
Dialogue: 0,1:20:51.42,1:20:53.98,Default,,0000,0000,0000,,- Come, one for me!\N- Now be careful. Those are sharp!
Dialogue: 0,1:20:55.08,1:20:56.66,Default,,0000,0000,0000,,- Come, sir!\N- Come, my lord!
Dialogue: 0,1:20:58.18,1:20:59.56,Default,,0000,0000,0000,,Look! Amelia Earhart!
Dialogue: 0,1:20:59.56,1:21:00.72,Default,,0000,0000,0000,,- Where?\N- There!
Dialogue: 0,1:21:00.72,1:21:02.17,Default,,0000,0000,0000,,One! (No!) Judgement?
Dialogue: 0,1:21:02.17,1:21:03.87,Default,,0000,0000,0000,,A hit, a hit; a very palpable hit!
Dialogue: 0,1:21:03.87,1:21:05.74,Default,,0000,0000,0000,,Yeah, Hamlet, drink off this cup!
Dialogue: 0,1:21:06.98,1:21:09.25,Default,,0000,0000,0000,,- Nay!\N- Yeah, Hamlet, drink off this cup!
Dialogue: 0,1:21:09.48,1:21:13.84,Default,,0000,0000,0000,,Nay, set it by awhile, mother!\NFather, uncle, whatever the hell you are...
Dialogue: 0,1:21:15.73,1:21:17.83,Default,,0000,0000,0000,,Come again, Laertes!
Dialogue: 0,1:21:18.98,1:21:21.33,Default,,0000,0000,0000,,- Another hit, what say you?\N- A touch, a touch, I do confess!
Dialogue: 0,1:21:21.33,1:21:23.80,Default,,0000,0000,0000,,- O take this! (No!)\N- The queen carouses to thy fortune, Hamlet
Dialogue: 0,1:21:23.80,1:21:26.21,Default,,0000,0000,0000,,- Madam, do not drink!\N- I will, my lord. I pray you pardon me
Dialogue: 0,1:21:26.21,1:21:27.97,Default,,0000,0000,0000,,It is the poisoned cup! It is too late!
Dialogue: 0,1:21:29.03,1:21:30.60,Default,,0000,0000,0000,,Come again, Laertes!
Dialogue: 0,1:21:30.60,1:21:31.72,Default,,0000,0000,0000,,For the third!
Dialogue: 0,1:21:42.79,1:21:45.58,Default,,0000,0000,0000,,- How fair is the Queen?\N- She swoons to see thee bleed
Dialogue: 0,1:21:45.79,1:21:51.90,Default,,0000,0000,0000,,No. The drink! The drink! I am poisoned!
Dialogue: 0,1:21:54.16,1:21:57.82,Default,,0000,0000,0000,,O villainy! Treachery! Seek it out!
Dialogue: 0,1:21:57.82,1:22:03.22,Default,,0000,0000,0000,,It is here, Hamlet. Here I lie, never to rise again\NI can no more. The king. The king’s to blame
Dialogue: 0,1:22:03.22,1:22:07.21,Default,,0000,0000,0000,,What? The point envenom'd too?\NThen, venom, to thy work!
Dialogue: 0,1:22:07.21,1:22:16.23,Default,,0000,0000,0000,,Here, thou murd'rous, incestuous...\Ncross-dressing Dane: Follow my mother!
Dialogue: 0,1:22:20.64,1:22:25.64,Default,,0000,0000,0000,,Forgive me, Hamlet. I am justly\Nkilled by mine own treachery
Dialogue: 0,1:22:27.88,1:22:34.45,Default,,0000,0000,0000,,Heaven make thee free of it...\NI follow thee!
Dialogue: 0,1:22:35.98,1:22:42.50,Default,,0000,0000,0000,,You that look pale, or tremble at this chance\NThat are but mutes, or audience to this act
Dialogue: 0,1:22:43.09,1:22:48.73,Default,,0000,0000,0000,,If ever thou did’st hold me in thy hearts\NAbsent thee from felicity awhile
Dialogue: 0,1:22:49.79,1:23:01.27,Default,,0000,0000,0000,,And in this harsh world draw thy breath in pain\NTo tell my story... The rest is silence!
Dialogue: 0,1:23:39.29,1:23:43.01,Default,,0000,0000,0000,,Ladies and gentlemen,\Nwe shall have an encore!
Dialogue: 0,1:23:48.07,1:23:49.77,Default,,0000,0000,0000,,Okay, thank you!\NWe got about 3 more minutes
Dialogue: 0,1:23:49.77,1:23:52.23,Default,,0000,0000,0000,,so we are gonna go through Hamlet\None more time very quickly for you
Dialogue: 0,1:23:52.23,1:23:55.46,Default,,0000,0000,0000,,I just need to make one quick announcement\Nbecause we have a few children here tonight
Dialogue: 0,1:23:55.46,1:23:58.35,Default,,0000,0000,0000,,As we go through this, we are\Ngonna be moving very fast this time
Dialogue: 0,1:23:58.35,1:24:01.98,Default,,0000,0000,0000,,Now, there's a lot of sharp swords\Nthat we use, there's falls that we take
Dialogue: 0,1:24:01.98,1:24:05.40,Default,,0000,0000,0000,,There's props that we send flying\Nback and forth, we make it look easy
Dialogue: 0,1:24:05.40,1:24:08.12,Default,,0000,0000,0000,,But it's actually very difficult\Nand very dangerous, so...
Dialogue: 0,1:24:08.12,1:24:13.18,Default,,0000,0000,0000,,As you watch us do it, please, keep in mind\Nthat the 3 of us are trained professionals, okay?
Dialogue: 0,1:24:13.18,1:24:15.58,Default,,0000,0000,0000,,Do not try this at home!
Dialogue: 0,1:24:15.58,1:24:16.100,Default,,0000,0000,0000,,Right, kid?
Dialogue: 0,1:24:17.72,1:24:20.45,Default,,0000,0000,0000,,Yeah, go over to a friend's\Nhouse, it's much safer...
Dialogue: 0,1:24:28.10,1:24:31.84,Default,,0000,0000,0000,,- O that this too too solid flesh would melt\N- My lord, I think I saw your father yesternight
Dialogue: 0,1:24:31.84,1:24:34.09,Default,,0000,0000,0000,,- Would the night were come\N- Mark me!
Dialogue: 0,1:24:34.09,1:24:35.91,Default,,0000,0000,0000,,- Something is rotten in the state of Denmark\N- Revenge my murder
Dialogue: 0,1:24:35.91,1:24:36.87,Default,,0000,0000,0000,,My lord, this is strange
Dialogue: 0,1:24:36.87,1:24:38.85,Default,,0000,0000,0000,,Well, there are more things\Nin heaven and earth, so piss off
Dialogue: 0,1:24:38.85,1:24:40.76,Default,,0000,0000,0000,,To be or not to be, that is the question...
Dialogue: 0,1:24:40.76,1:24:41.99,Default,,0000,0000,0000,,Get thee to a nunnery!
Dialogue: 0,1:24:41.99,1:24:44.12,Default,,0000,0000,0000,,Speak the speech,\Ntrippingly on the tongue
Dialogue: 0,1:24:44.63,1:24:48.55,Default,,0000,0000,0000,,I’ll take the ghost’s word for a thousand\Npound. Now, mother, what’s the matter?
Dialogue: 0,1:24:48.55,1:24:50.07,Default,,0000,0000,0000,,Thou wilt not murder me. Help!
Dialogue: 0,1:24:50.07,1:24:51.83,Default,,0000,0000,0000,,Help! Help!
Dialogue: 0,1:24:51.83,1:24:54.04,Default,,0000,0000,0000,,How now, a rat! Dead for a ducat, dead!
Dialogue: 0,1:24:54.04,1:24:56.25,Default,,0000,0000,0000,,- Now, Hamlet, where’s Polonius?\N- At supper
Dialogue: 0,1:24:56.25,1:24:57.35,Default,,0000,0000,0000,,- Where is my father?\N- Dead!
Dialogue: 0,1:24:58.08,1:24:59.38,Default,,0000,0000,0000,,Sweet Ophelia!
Dialogue: 0,1:24:59.38,1:25:01.78,Default,,0000,0000,0000,,Alas, poor Yorick! But soft,\Nhere comes the Queen
Dialogue: 0,1:25:01.78,1:25:03.58,Default,,0000,0000,0000,,- Lay her in the earth!\N- Sweet to the sweet
Dialogue: 0,1:25:03.58,1:25:06.43,Default,,0000,0000,0000,,- Hold off the earth awhile\N- It is I, Omelet the cheese Danish
Dialogue: 0,1:25:06.43,1:25:08.12,Default,,0000,0000,0000,,- The devil take thy soul!\N- Give us the foils!
Dialogue: 0,1:25:08.12,1:25:10.90,Default,,0000,0000,0000,,- One for me. O! I am slain!\N- O, I am poisoned!
Dialogue: 0,1:25:10.90,1:25:12.35,Default,,0000,0000,0000,,I follow thee. The rest is silence!
Dialogue: 0,1:25:30.32,1:25:34.93,Default,,0000,0000,0000,,Ladies and gentlemen,\Nwe shall do it... faster!
Dialogue: 0,1:25:37.51,1:25:38.95,Default,,0000,0000,0000,,O my brain!
Dialogue: 0,1:26:07.41,1:26:13.43,Default,,0000,0000,0000,,Ladies and gentlemen, you have been a\Nfantastic audience. We shall do it... backwards!
Dialogue: 0,1:26:19.41,1:26:21.18,Default,,0000,0000,0000,,I got caught up in the moment!
Dialogue: 0,1:26:21.55,1:26:23.16,Default,,0000,0000,0000,,How the hell is that gonna work?
Dialogue: 0,1:26:31.56,1:26:32.64,Default,,0000,0000,0000,,This could be you!
Dialogue: 0,1:26:42.12,1:26:46.12,Default,,0000,0000,0000,,Oh, yeah, be sure to listen\Nfor the satanic messages
Dialogue: 0,1:26:49.73,1:26:52.30,Default,,0000,0000,0000,,Silence is rest the. Thee follow I
Dialogue: 0,1:26:52.30,1:26:53.91,Default,,0000,0000,0000,,Frank Sinatra is gone!
Dialogue: 0,1:26:54.52,1:26:55.48,Default,,0000,0000,0000,,Slain am I O!
Dialogue: 0,1:26:56.46,1:26:59.22,Default,,0000,0000,0000,,Foils the us give.\NDane the Hamlet, I is this
Dialogue: 0,1:26:59.22,1:27:01.02,Default,,0000,0000,0000,,- Earth the off hold\N- Sweet the to sweets
Dialogue: 0,1:27:01.02,1:27:04.41,Default,,0000,0000,0000,,- Earth the in her lay\N- Queen the comes here. Yorick poor, alas
Dialogue: 0,1:27:04.41,1:27:05.56,Default,,0000,0000,0000,,Ophelia sweet!
Dialogue: 0,1:27:06.27,1:27:08.51,Default,,0000,0000,0000,,- Father my is where?\N- Dead. Ducat a for dead
Dialogue: 0,1:27:12.42,1:27:15.00,Default,,0000,0000,0000,,Tongue the on trippingly\Nspeech the speak
Dialogue: 0,1:27:15.95,1:27:17.39,Default,,0000,0000,0000,,Nunnery a to thee get!
Dialogue: 0,1:27:17.39,1:27:18.99,Default,,0000,0000,0000,,- Lord my good\N- Be to not or be to
Dialogue: 0,1:27:18.99,1:27:21.44,Default,,0000,0000,0000,,Off piss, Horatio, earth and\Nheaven in things more are there
Dialogue: 0,1:27:21.44,1:27:22.39,Default,,0000,0000,0000,,Strange is this, lord my
Dialogue: 0,1:27:23.46,1:27:25.25,Default,,0000,0000,0000,,Denmark of state the\Nin rotten is something
Dialogue: 0,1:27:25.25,1:27:26.86,Default,,0000,0000,0000,,Yesternight father your\Nsaw I think I, Lord my
Dialogue: 0,1:27:26.86,1:27:29.86,Default,,0000,0000,0000,,Melt would flesh solid\Ntoo too this that O
Dialogue: 0,1:27:29.86,1:27:31.30,Default,,0000,0000,0000,,You thank!
Dialogue: 0,1:27:31.30,1:27:32.64,Default,,0000,0000,0000,,Thank you!