0:00:00.155,0:00:01.894 My name is Tom, 0:00:01.918,0:00:05.070 and I've come here today to come clean 0:00:05.094,0:00:08.527 about what I do for money. 0:00:08.551,0:00:12.027 Basically, I use my mouth in strange ways 0:00:12.051,0:00:14.217 in exchange for cash. 0:00:14.241,0:00:15.312 (Laughter) 0:00:15.336,0:00:18.511 I usually do this kind of thing[br]in seedy downtown bars 0:00:18.535,0:00:20.134 and on street corners, 0:00:20.158,0:00:23.230 so this mightn't be[br]the most appropriate setting, 0:00:23.254,0:00:27.063 but I'd like to give you guys[br]a bit of a demonstration 0:00:27.087,0:00:30.210 about what I do. 0:00:33.685,0:00:42.659 (Beatboxing) 0:02:02.108,0:02:05.752 And now, for my next number, 0:02:05.776,0:02:10.286 I'd like to return to the classics. 0:02:10.310,0:02:12.356 (Applause) 0:02:12.380,0:02:14.743 We're going to take it back, 0:02:14.767,0:02:16.876 way back, 0:02:16.900,0:02:19.962 back into time. 0:02:22.155,0:02:30.129 (Beatboxing: "Billie Jean") 0:02:41.987,0:02:45.715 ♫ Billie Jean is not my lover ♫ 0:02:45.739,0:02:50.646 ♫ She's just a girl who claims[br]that I am the one ♫ 0:02:50.670,0:02:54.619 ♫ But the kid is not my son ♫ 0:02:54.643,0:02:59.541 (Applause) All right. 0:03:01.780,0:03:04.459 Wassup. 0:03:04.483,0:03:06.968 Thank you very much, TEDx. 0:03:06.992,0:03:09.498 If you guys haven't[br]figured it out already, 0:03:09.522,0:03:11.719 my name's Tom Thum, and I'm a beatboxer, 0:03:11.743,0:03:14.120 which means all the sounds[br]that you just heard 0:03:14.144,0:03:17.071 were made entirely using just my voice, 0:03:17.095,0:03:19.184 and the only thing was my voice. 0:03:19.208,0:03:21.126 And I can assure you 0:03:21.150,0:03:25.776 there are absolutely no effects 0:03:25.800,0:03:31.147 on this microphone whatsoever. 0:03:31.171,0:03:33.304 And I'm very, very stoked — 0:03:33.328,0:03:34.645 (Applause) 0:03:34.669,0:03:38.399 You guys are just applauding[br]for everything. It's great. 0:03:38.423,0:03:42.807 Look at this, Mom! I made it! 0:03:42.831,0:03:45.883 I'm very, very stoked to be here today, 0:03:45.907,0:03:47.907 representing my kinfolk 0:03:47.931,0:03:51.135 and all those that haven't[br]managed to make a career 0:03:51.159,0:03:54.733 out of an innate ability[br]for inhuman noisemaking. 0:03:54.757,0:03:57.668 Because it is a bit of a niche market, 0:03:57.692,0:04:00.032 and there's not much work going on, 0:04:00.056,0:04:01.518 especially where I'm from. 0:04:01.542,0:04:02.876 You know, I'm from Brisbane, 0:04:02.900,0:04:04.498 which is a great city to live in. 0:04:04.522,0:04:07.381 Yeah! All right! Most of Brisbane's here.[br]That's good. 0:04:07.405,0:04:08.898 (Laughter) 0:04:08.922,0:04:11.259 You know, I'm from Brizzy, 0:04:11.283,0:04:12.966 which is a great city to live in, 0:04:12.990,0:04:14.337 but let's be honest -- 0:04:14.361,0:04:18.202 it's not exactly the cultural[br]hub of the Southern Hemisphere. 0:04:18.226,0:04:21.606 So I do a lot of my work outside Brisbane 0:04:21.630,0:04:23.374 and outside Australia, 0:04:23.398,0:04:26.469 and so the pursuit of this[br]crazy passion of mine 0:04:26.493,0:04:27.839 has enabled me to see 0:04:27.863,0:04:30.391 so many amazing places in the world. 0:04:30.415,0:04:35.734 So I'd like to share with you,[br]if I may, my experiences. 0:04:35.758,0:04:37.652 So ladies and gentlemen, 0:04:37.676,0:04:40.625 I would like to take you on a journey 0:04:40.649,0:04:42.182 throughout the continents 0:04:42.206,0:04:46.359 and throughout sound itself. 0:04:46.383,0:04:50.688 We start our journey[br]in the central deserts. 0:04:50.712,0:05:00.662 (Didgeridoo) 0:05:00.686,0:05:04.197 (Airplane) 0:05:04.221,0:05:05.617 India. 0:05:05.641,0:05:19.693 (Beatboxing) 0:05:19.717,0:05:25.063 (Sitar) 0:05:25.087,0:05:26.848 China. 0:05:26.872,0:05:39.690 (Guzheng) 0:05:39.714,0:05:46.489 (Beatboxing) 0:05:46.513,0:05:48.602 Germany. 0:05:48.626,0:06:02.106 (Beatboxing) 0:06:07.077,0:06:08.795 Party, party, yeah. 0:06:08.819,0:06:13.906 (Laughter) 0:06:13.930,0:06:17.363 And before we reach our final destination, 0:06:17.387,0:06:18.966 ladies and gentlemen, 0:06:18.990,0:06:21.300 I would like to share[br]with you some technology 0:06:21.324,0:06:24.563 that I brought all the way[br]from the thriving metropolis of Brisbane. 0:06:24.587,0:06:28.608 These things in front of me[br]here are called Kaoss Pads, 0:06:28.632,0:06:31.636 and they allow me to do a whole[br]lot of different things 0:06:31.660,0:06:33.745 with my voice. 0:06:33.769,0:06:36.243 For example, the one on the left here 0:06:36.267,0:06:38.488 allows me to add 0:06:38.512,0:06:41.585 a little bit of reverb to my sound, 0:06:41.609,0:06:43.224 which gives me that -- 0:06:43.248,0:06:49.456 (Trumpet) -- 0:06:49.480,0:06:51.030 flavor. 0:06:51.054,0:06:52.382 (Laughter) 0:06:52.406,0:06:54.088 And the other ones here, 0:06:54.112,0:06:56.174 I can use them in unison 0:06:56.198,0:06:59.003 to mimic the effect of a drum machine 0:06:59.027,0:07:00.070 or something like that. 0:07:00.094,0:07:02.933 I can sample in my own sounds[br]and I can play it back 0:07:02.957,0:07:07.976 just by hitting the pads here. 0:07:08.000,0:07:21.535 (Noises) 0:07:21.559,0:07:27.605 TEDx. 0:07:27.629,0:07:36.313 (Music) 0:07:45.791,0:07:49.884 (Applause) 0:07:49.908,0:07:54.264 I got way too much time on my hands. 0:07:54.288,0:07:55.622 And last but not least, 0:07:55.646,0:07:58.668 the one on my right here allows me to 0:07:58.692,0:08:02.328 loop loop loop loop loop loop loop loop 0:08:02.352,0:08:04.935 my voice. 0:08:04.959,0:08:08.005 So with all that in mind,[br]ladies and gentlemen, 0:08:08.029,0:08:10.855 I would like to take you on a journey 0:08:10.879,0:08:13.135 to a completely separate part of Earth 0:08:13.159,0:08:15.808 as I transform the Sydney Opera House 0:08:15.832,0:08:20.095 into a smoky downtown jazz bar. 0:08:20.119,0:08:23.914 All right boys, take it away. 0:08:23.938,0:08:28.262 (Music) 0:08:33.482,0:08:35.254 Ladies and gentlemen,[br]I'd like to introduce you 0:08:35.278,0:08:36.850 to a very special friend of mine, 0:08:36.874,0:08:39.028 one of the greatest[br]double bassists I know. 0:08:39.052,0:08:43.582 Mr. Smokey Jefferson, let's take[br]it for a walk. Come on, baby. 0:08:43.606,0:08:49.954 (Music) 0:09:26.946,0:09:28.470 All right, ladies and gentlemen, 0:09:28.494,0:09:30.875 I'd like to introduce you[br]to the star of the show, 0:09:30.899,0:09:33.162 one of the greatest jazz[br]legends of our time. 0:09:33.186,0:09:35.763 Music lovers and jazz lovers alike, 0:09:35.787,0:09:37.946 please give a warm hand of applause 0:09:37.970,0:09:41.705 for the one and only Mr. Peeping Tom.[br]Take it away. 0:09:41.729,0:09:46.163 (Music) 0:09:46.187,0:09:53.291 (Applause) 0:11:02.330,0:11:04.393 Thank you. Thank you very much. 0:11:04.417,0:11:09.494 (Applause)