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[Arlene Shechet: Pentimento na papierze]

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[Dieu Donné Paper Studio, 
Nowy Jork]

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[SHECHET] Mam impuls, żeby na drewnie położyć 
cały blok koloru.`

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[ASYSTENT] Taak.

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[SHECHET] To, czego nie widać 
jest czasem o wiele ciekawsze

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niż to, co ludzie chcą widzieć.

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To trochę jak na placu budowy -

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są rzeczy, których nie widać.

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Są kości.

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One mogą być piękne.

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