1 00:00:07,366 --> 00:00:11,939 How many times does the chorus repeat in your favorite song? 2 00:00:11,939 --> 00:00:16,572 And, take a moment to think, how many times have you listened to it? 3 00:00:16,572 --> 00:00:21,519 Chances are you've heard that chorus repeated dozens, if not hundreds, of times, 4 00:00:21,519 --> 00:00:25,239 and it's not just popular songs in the West that repeat a lot. 5 00:00:25,239 --> 00:00:30,792 Repetition is a feature that music from cultures around the world tends to share. 6 00:00:30,792 --> 00:00:34,455 So, why does music rely so heavily on repetition? 7 00:00:34,455 --> 00:00:39,937 One part of the answer come from what psychologists call the mere-exposure effect. 8 00:00:39,937 --> 00:00:44,084 In short, people tend to prefer things they've been exposed to before. 9 00:00:44,084 --> 00:00:48,135 For example, a song comes on the radio that we don't particularly like, 10 00:00:48,135 --> 00:00:51,421 but then we hear the song at the grocery store, at the movie theater 11 00:00:51,421 --> 00:00:53,606 and again on the street corner. 12 00:00:53,606 --> 00:00:56,311 Soon, we are tapping to the beat, singing the words, 13 00:00:56,311 --> 00:00:58,555 even downloading the track. 14 00:00:58,555 --> 00:01:02,135 This mere-exposure effect doesn't just work for songs. 15 00:01:02,135 --> 00:01:06,164 It also works for everything from shapes to Super Bowl ads. 16 00:01:06,164 --> 00:01:10,016 So, what makes repetition so uniquely prevalent in music? 17 00:01:10,016 --> 00:01:14,505 To investigate, psychologists asked people to listen to musical compositions 18 00:01:14,505 --> 00:01:16,960 that avoided exact repetition. 19 00:01:16,960 --> 00:01:20,281 They heard excerpts from these pieces in either their original form, 20 00:01:20,281 --> 00:01:24,623 or in a version that had been digitally altered to include repetition. 21 00:01:24,623 --> 00:01:26,675 Although the original versions had been composed by 22 00:01:26,675 --> 00:01:29,726 some of the most respected 20th century composers, 23 00:01:29,726 --> 00:01:33,984 and the repetitive versions had been assembled by brute force audio editing, 24 00:01:33,984 --> 00:01:38,647 people rated the repetitive versions as more enjoyable, more interesting 25 00:01:38,647 --> 00:01:43,250 and more likely to have been composed by a human artist. 26 00:01:43,250 --> 00:01:45,718 Musical repetition is deeply compelling. 27 00:01:45,718 --> 00:01:48,894 Think about the Muppets classic, "Mahna Mahna." 28 00:01:48,894 --> 00:01:49,979 If you've heard it before, 29 00:01:49,979 --> 00:01:53,181 it's almost impossible after I sing, "Mahna mahna," 30 00:01:53,181 --> 00:01:56,547 not to respond, "Do doo do do do." 31 00:01:56,547 --> 00:01:58,451 Repetition connects each bit of music 32 00:01:58,451 --> 00:02:02,092 irresistibly to the next bit of music that follows it. 33 00:02:02,092 --> 00:02:06,122 So when you hear a few notes, you're already imagining what's coming next. 34 00:02:06,122 --> 00:02:08,366 Your mind is unconsciously singing along, 35 00:02:08,366 --> 00:02:11,609 and without noticing, you might start humming out loud. 36 00:02:11,609 --> 00:02:15,383 Recent studies have shown that when people hear a segment of music repeated, 37 00:02:15,383 --> 00:02:18,287 they are more likely to move or tap along to it. 38 00:02:18,287 --> 00:02:22,630 Repetition invites us into music as imagined participants, 39 00:02:22,630 --> 00:02:25,081 rather than as passive listeners. 40 00:02:25,081 --> 00:02:26,622 Research has also shown 41 00:02:26,622 --> 00:02:30,410 that listeners shift their attention across musical repetitions, 42 00:02:30,410 --> 00:02:34,136 focusing on different aspects of the sound on each new listen. 43 00:02:34,136 --> 00:02:36,970 You might notice the melody of a phrase the first time, 44 00:02:36,970 --> 00:02:41,971 but when it's repeated, your attention shifts to how the guitarist bends a pitch. 45 00:02:41,971 --> 00:02:46,183 This also occurs in language, with something called semantic satiation. 46 00:02:46,183 --> 00:02:48,984 Repeating a word like atlas ad nauseam 47 00:02:48,984 --> 00:02:52,002 can make you stop thinking about what the word means, 48 00:02:52,002 --> 00:02:57,073 and instead focus on the sounds: the odd way the "L" follows the "T." 49 00:02:57,073 --> 00:03:00,086 In this way, repetition can open up new worlds of sound 50 00:03:00,086 --> 00:03:02,853 not accessible on first hearing. 51 00:03:02,853 --> 00:03:07,203 The "L" following the "T" might not be aesthetically relevant to "atlas," 52 00:03:07,203 --> 00:03:11,492 but the guitarist pitch bending might be of critical expressive importance. 53 00:03:11,492 --> 00:03:13,960 The speech to song illusion captures how simply 54 00:03:13,960 --> 00:03:17,639 repeating a sentence a number of times shifts listeners attention 55 00:03:17,639 --> 00:03:20,690 to the pitch and temporal aspects of the sound, 56 00:03:20,690 --> 00:03:22,371 so that the repeated spoken language 57 00:03:22,371 --> 00:03:26,144 actually begins to sound like it is being sung. 58 00:03:26,144 --> 00:03:29,185 A similar effect happens with random sequences of sound. 59 00:03:29,185 --> 00:03:33,430 People will rate random sequences they've heard on repeated loop 60 00:03:33,430 --> 00:03:37,624 as more musical than a random sequence they've only heard once. 61 00:03:37,624 --> 00:03:41,181 Repetition gives rise to a kind of orientation to sound 62 00:03:41,181 --> 00:03:46,063 that we think of as distinctively musical, where we're listening along with the sound, 63 00:03:46,063 --> 00:03:49,632 engaging imaginatively with the note about to happen. 64 00:03:49,632 --> 00:03:54,150 This mode of listening ties in with our susceptibility to musical ear worms, 65 00:03:54,150 --> 00:03:56,660 where segments of music burrow into our head, 66 00:03:56,660 --> 00:04:00,089 and play again and again, as if stuck on repeat. 67 00:04:00,089 --> 00:04:03,109 Critics are often embarrassed by music's repetitiveness, 68 00:04:03,109 --> 00:04:05,382 finding it childish or regressive, 69 00:04:05,382 --> 00:04:09,752 but repetition, far from an embarrassment, is actually a key feature 70 00:04:09,752 --> 00:04:14,109 that gives rise to the kind of experience we think about as musical.