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只要一小会儿

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请凝神于你的呼吸

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慢慢吸气

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慢慢呼气

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慢慢吸气

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慢慢呼气

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每个人都在重复同样的模式

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想想你的脉搏

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这个跳动深植于我们的生命结构之中

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简单来说，我们是节奏和重复的产物

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这是我们活动的中心

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节奏和重复

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节奏和重复

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吸气

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呼气

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我们每天都从这些节奏和重复中获得快乐

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比如一首歌的节奏

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鼓点

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点头

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或者是重复 的汤罐头

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果园里一排排果树

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花瓣的艺术性

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模式是让人愉悦的

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在语言中，节奏和重复常常被用来

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作为诗歌的构建模块

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这是语言的节奏

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由音节和重音构成

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比如，“So long as men can breathe
or eyes can see”。

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语言的重复有多个层次：

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字母的重复

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“So long lives this
and this gives life to thee”

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音节的重复

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“breathe”、“see”、“thee”

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以及单词的重复

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重复的用途极为广泛

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是诗人们最具可塑性和最可靠的工具之一

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它可以让听者的情绪跌宕起伏

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可以强化或削弱句子

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可以统一或分散观点

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事实上，节奏本身

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就是重音节的重复模式

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节奏是重复的一种形式

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虽然用途多样

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但太多重复会带来负面效果

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想想看，在黑板上写20遍同一个句子

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一遍，一遍，一遍，一遍

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或者孩子大声吵闹要引起母亲的注意

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“妈妈，妈妈，妈咪，妈妈，妈妈”

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这可不是我们心目中的诗歌

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那么，诗歌中的重复到底是什么？为什么它们具有艺术性？

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最常见的重复也许是韵脚

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单词结尾的音节重复

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以莎士比亚为例

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我们经常在句子结尾读到韵脚

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这种重复制造了一种期待

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我们开始仔细聆听这些相似音节的重复

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当我们听见音节、发现模式时，会感到愉悦

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就像在视觉混乱的画幅中找到沃尔多

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我们在纷繁对话中听见了重复

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不过韵脚不必只出现在句末

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请注意有力的“i”音

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"So long lives this 
and this gives life to thee."

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元音的重复发音被称为元韵

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埃米纳姆的《迷失你自己》中也能听到元韵

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注意在每句中间和结尾

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“e”和‘o’音是如何重复的

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“Oh, there goes gravity,

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Oh, there goes rabbit,
he choked,

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he so mad but he won't
give up that easy,

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no, he won't have it,

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he knows his whole back's
to these ropes."

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交替的元韵创造了自身的节奏

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让我们试图用自己的声音去重复它

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类似的，和音是类辅音的重复

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比如“I”和“th”音

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"So long lives this
and this gives life to thee."

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实际上，这类特殊的和音

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出现在单词的开头

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你们可能都听过

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它叫做头韵或前押韵

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最好的例子就是绕口令

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Betty bought some butter 
but the butter was bitter

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so Betty bought some better butter
to make the bitter butter better.

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当我们读到和音时，不管是出现在单词中间或开头

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模式带来的愉悦感很明显。

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虽然绕口令也反映出对诗歌重复的多样性的需求

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但不得不说，在有些人看来

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绕口令是对诗歌的低级模仿，或只是噱头

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因为它们在相同音节上的重复如此强烈

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近似于在黑板上抄写相同句子的重复

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从根本上说，只有诗人才能找到平衡

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学习何时重复

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何时即兴重复

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何时满足人们的期待

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以及何时打破期待

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在这种平衡中，也许只需要记住

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我们都生活在一个极度多样化的世界中

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我们都有自己的呼吸和心跳

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不管身在何方，我们都有自己的重复节奏