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Upside Down, Left To Right: A Letterpress Film

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    Pull out the one below half way.
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    Then pull out your case
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    far enough
    to reach the back row of boxes.
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    [music box plays]
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    My name is Paul Collier.
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    I'm the Letterpress
    and Typography technician
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    at the University of Plymouth.
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    Letterpress is an old form
    of mass production,
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    an old form of printing,
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    invented around about 1450s
    by Johannes Gutenberg.
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    This workshop tends
    to work in the same way
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    as it did back in that time.
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    So by using these pre-molded,
    reusable letters
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    made of metal and wood,
    moveable type,
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    we can produce words and sentences
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    and paragraphs and pages of text.
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    This is a 500 year old process
    and it moves
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    like a 500 year old process.
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    It requires
    a greater degree of consideration
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    when you're using this,
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    mainly because there are no quick
    highlight and change sizes
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    or typefaces like we can do on the computer.
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    That's where technology
    has really pushed forward,
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    is that we can change things
    in an instant.
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    Here if you setup a paragraph
    or a sentence,
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    if you get it wrong
    or if this--
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    if you haven't planned your way forward
    through that,
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    then you just have to take it all apart
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    and start all over again.
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    [chaotic music plays]
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    Once you're there amongst it really,
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    because I know the layout of the case;
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    I'm familiar with all the letters
    are in the boxes.
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    My mind tends to wander.
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    I'm listening to what students
    are saying in the room.
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    I'm making sure their body language
    is alright;
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    they're not struggling with things
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    and bit by bit I'm putting my letters together
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    and I know
    whats it's going to look like.
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    I have a vision
    of what it's going to come out like.
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    I'm looking forward
    to seeing it basically
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    and getting it finished.
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    But the process is quite therapeutic.
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    You can calmly put this thing together
    piece by piece,
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    It's a very enjoyable process.
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    [music continues]
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    I think Letterpress is going through--
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    we're going through a revival right now.
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    We almost, particularly this country,
    nearly lost the lot
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    and jumped on the Lithography bandwagon
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    and just threw everything else away.
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    The equipment now
    is becoming a highly sort-after now.
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    We're in the process of people wanting
    to have this machinery
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    and get hold of it
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    and that's not easy now
    because its difficult to find.
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    Sometimes even harder are spare parts
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    and bits and pieces like that and
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    It's old school.
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    It's all nuts and bolts
    and highly mechanical
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    and that makes life a little bit easier
    for us really,
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    but there are one or two pieces
    on each bit of kit
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    that are difficult to find.
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    That's just the way it is.
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    [electronic music plays]
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    The quality of image produced
    by Letterpress is quite sort after.
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    The inked in depression
    that is the characteristic mark
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    left in the sheet by the letters
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    is something that people
    don't see very often
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    because the laser print and inkjet
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    don't produce that anymore
    and that's the familiarity.
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    So when they see this,
    it has the wow factor
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    and I always like to see the look
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    when a group of students come in
    for the first time
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    and I'm showing them
    how the room operates and how it functions
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    and how they function in the room.
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    It's very clear
    that they've not seen that before
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    or they really get it.
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    They really get
    what the quality of that is.
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    It's something that you can't really
    reproduce in any other way.
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    It's that first look
    at the quality of the way
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    that the type impresses into the paper,
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    It's very special.
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    The digital age does remove us
    from the tactile work,
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    the more hands on
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    and I think there is a longing in our soul
    to get back to that.
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    Even if we can't
    there is something about these places
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    that people want to occupy and try out.
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    Certainly as an art form,
    it is very appealing,
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    It's very current now,
    whether that will fade...
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    I think it's interesting to note
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    that there are other universities around Europe,
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    who are opening their own Letterpress
    studios as we speak.
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    That really tells a story there I think,
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    that this is here to stay.
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    [upbeat music plays]
Title:
Upside Down, Left To Right: A Letterpress Film
Description:

A short film about letterpress and one of the few remaining movable-type printing workshops in the UK, situated at Plymouth University, featuring Paul Collier. www.plymouth.ac.uk

A film by Danny Cooke www.dannycooke.co.uk
Soundtrack by Tony Higgins www.tonyhiggins.org
(Available to download here: http://goo.gl/exGL1)

Follow us on twitter @dannycooke @junior85

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Video Language:
English

English subtitles

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