Blue | Ep. 1 of 12 | Feat. Julia Stiles | WIGS

"Blue": Episode 1 of 12 -- "Mom": Blue's secret life threatens to collide with her life as a mom when she gets a phone call from her son. Subscribe to WIGS on YouTube today! http://wigs.ly/MlGnh6

Over 18 and logged into YouTube? Click here to watch the "Director's Cut" of Blue -- Episode 1: http://full.sc/M1wwwD

Like us on Facebook: http://wigs.ly/NY4Tlg
Follow us on Twitter: http://bit.ly/SUi368
Explore the world behind WIGS on Pinterest: http://bit.ly/MHaG2Z

About "Blue":
Blue (Julia Stiles) is a mother with a secret life. She'll do anything to keep it from her son (Uriah Shelton). But her past has other plans.

Starring Julia Stiles, Uriah Shelton, David Harbour, and Jeanne Tripplehorn.

Watch the series from the beginning: http://wigs.ly/QKwkD3

About WIGS:
WIGS, the #1 channel for scripted drama on YouTube, brings you high-end, original series, short films, and documentaries, all starring female leads.

Catch new releases every Monday, Wednesday, and Friday at 6am PST / 9am EST!

General Inquiries: [e-mail]

Press: [e-mail]

Episode Credits:

WRITTEN AND DIRECTED BY
Rodrigo Garcia

Julia Stiles as BLUE

David Harbour as COOPER

PRODUCED BY
Effie Brown

EXECUTIVE PRODUCERS
Jon Avnet
Rodrigo Garcia
Jake Avnet

CO-EXECUTIVE PRODUCER
Marsha Oglesby

DIRECTOR OF PHOTOGRAPHY
Nancy Schreiber

PRODUCTION DESIGNER
Bruton Jones

MUSIC BY
Jacob Yoffee

MAIN AND END TITLE MUSIC BY
Thomas Newman

EDITED BY
Pattye Rogers

CASTING DIRECTOR
Rick Pagano

COSTUME DESIGNER
Diah Wymont

UNIT PRODUCTION MANAGER
Nicole Colombie

1ST ASSISTANT DIRECTORS
Michele Panelli-Venetis
Lynn Struiksma

2ND ASSISTANT DIRECTORS
Lynn Struiksma
Kevin Berlandi

KEY SET PAs
Wendy Geary
Nicole Ferris

PRODUCTION ASSISTANTS
Robert Statwick
Nicholas Smith

ART DIRECTOR
Steve Saylor

SET DIRECTOR/BUYER
Michelle Munoz

LEADMAN
Chance Quinn

PROPS
Will Blount

SET DRESSERS
Brenden Salmon
Miranda Cristofani

BUYER
Kris Fuller

SWINGS
Mike A. Luce
James Szeluga

CAMERA OPERATOR
Bonnie Blake

1ST ASSISTANT CAMERA
Joshua Turner

2ND ASSISTANT CAMERA
Justin Gamboa

DITs
Lyndel Crosley
Joe Kocsis

GAFFER
Chris Lewis

BEST BOY ELECTRICS
Rachel L. Watrous
Christopher Bauer

KEY GRIP
Michael "Anamal" Off

BEST BOY GRIPS
Chris Rausch
Oswald Colunga

PREP GRIP
Christopher Bauer

GRIP INTERN
Yong Jim Kim

KEY HAIR STYLIST
Andre DuBois

HAIR STYLIST
Richard De Alba

KEY MAKEUP
Brett Boreman

EXTRAS CASTING
Zachary Foppe

ASSOCIATE PRODUCER
Robert Shapiro

ASSISTANT EDITOR
Lara Ramirez

SCRIPT SUPERVISOR
Ingrid Urich-SasS

SOUND MIXERS
David Parker, C.A.S.
Kevin Compayre

BOOM OPERATORS
Dean R. Thomas
Joshua Mantlo

KEY COSTUMES
Gillian Christie
Jacqueline Schuman

ASSISTANT COSTUME DESIGNER
Christine Jordan

PRODUCTION ACCOUNTANT
Marcia Matthew

ASSISTANT ACCOUNTANT
Jenny Oh

ASSISTANT PRODUCTION COORDINATOR
Caleb Negassa

PRODUCT PLACEMENT
Joy Phillips

PRODUCTION ASSISTANTS
Ryan Latchmansingh
Mark Lyons

CATERING
Alex's Gourmet Catering

CRAFT SERVICE
Antonio "Speedy" Marcos

ASSISTANT TO JON AVNET
Kevin Chalk

ASSISTANT TO RODRIGO GARCIA
Karen Graci

ASSISTANT TO EFFIE BROWN
Harlan Ruud

CASTING ASSISTANT
Cassidy Boyd

MUSIC SUPERVISOR
Andrea von Foerster

POST-PRODUCTION SERVICES
Point 360

RE-RECORDING MIXER
Mitchell Lindskoog

COLORIST
Mark Nakamine

PRODUCTION LEGAL BY
Vince Ravine Law

WIGSCO LLC LEGAL
Tara Kole
Gang, Tyre, Ramer & Brown, Inc.

FOR WIGSCO:
DIRECTOR OF MARKETING
Steve Shin

DEVELOPMENT COORDINATOR
Sarah Stoecker

FOR BROOKLYN FILMS:
EVP, FINANCE
Carol Chacamaty

INTERN
Ed McCarthy

WIGS Logo Designed by Barbara Brody Avnet

WIGS Productions are filmed under IATSE, WGA, DGA and SAG union contracts.

This Motion Picture, Story, Screenplay, Original Score
© 2012 WIGSCO, LLC

All material is protected by Copyright Laws of the United States and all countries throughout the world. All rights reserved. Country of First Publication: United States of America. WIGSCO, LLC is the author of this motion picture for purposes of copyright and other laws. Any unauthorized exhibition, distribution or copying of this film or any part thereof is an infringement of the relevant copyright and will subject the infringer to severe civil and criminal penalties.The story, all names, characters and incidents portrayed in this production are fictitious. No identification with actual persons, places, buildings, and products is intended or should be inferred.

http://www.youtube.com/user/wigs

That isn't me.
Shit.

Sorry about that.
What's your name?

Blue.

You kiss?
Yeah.

Wow.

Yeah, we kiss.
What's the criteria for kissing?

I mean how do you determine who you're gonna--
I know what criteria means.

There is no set of criteria, it's just instinct.

What do you like?

Oh, shit, I'm sorry. I thought that I turned that off.

I'm such a bad girl. I'll make it up to you.

With a discount?

No.

In kind. In quality.

I just have to make this call. I'll give you the discount. Twenty percent.

Fifty.
Oh, c'mon.

What? Ok then, come on out here. Come on.

Ok, thirty-three percent.

Hey. Hey, you're kidding me here. You can't wait for me to call you back?

Right now? Ok, what's the question?

What are the vectors?

Then, ok, the third variable's gotta be a multiple of pi, otherwise the continuum...

Mhm. Yeah, a derivative, it's called a derivative.

No, that's right, that's right. I'll call you back in an hour.

What was all that stuff about vectors?

That's none of your bee's wax.

It's on my dime. I mean, even at a thirty-three percent discount, it's still my dime.

My son. Homework.

How old is he?
Thirteen.

AP Physics.
Wow.

Shhhh, don't look at that.

What's his name?

Albert Einstein.

Blue, huh?

Did you pick that name on your own?

Oh, so you like to talk?

Yeah. Maybe it's your real name.

Maybe it is.

Oh. Oh God.

Oh.

I knew a Blue once, from Simi valley.

Her real name was Francine.

Cooper.

Nice to see you again, too.

You piece of shit, you think you know me? You don't know shit about me.

I'm going up there next week, I'm going up there for my mom's sixtieth. I haven't been there in, like eleven years.

Well now you've got a story to tell.

What's the story?

Local girl makes good.

Well she's doing better than I am.

Well what do you do for a living?

I don't know yet. I spent some time...

Doing time.

Cooper.

You were just having sex with me, you pig.

At a discount.

Yeah, well, I don't do this full time, so, it's just to make ends meet.

Make ends meet, you make rear ends meet.

You always had that.

You were good with words.

Was I?

What else was I?

You were funny. You were a fast runner.

You did magic tricks.

You were the girl we all wanted to kiss.

Your mother's turning sixty, wow.

My old man, too.

What's up? Well did you try the primary numbers?

Ok, just try--

Josh.

Josh? It's Cooper. I'm a friend of your mom's. Read me the problem.

Well try me. No, we're just friends

Read me the problem, pal.

Yeah, ok. Take a mean of the vectors and then use an algorithm to calculate the acceleration.

Then after you've done that, call me back and I'll talk you through the rest of it.

Yeah, we'll be right here. Ok, get on it then.