Kabuki: The people's dramatic art - Amanda Mattes
-
0:07 - 0:09Many elements of traditional Japanese culture,
-
0:09 - 0:10such as cuisine
-
0:10 - 0:12and martial arts,
-
0:12 - 0:14are well-known throughout the world.
-
0:14 - 0:16Kabuki, a form of classical theater performance,
-
0:16 - 0:19may not be as well understood in the West
-
0:19 - 0:21but has evolved over 400 years
-
0:21 - 0:25to still maintain influence and popularity to this day.
-
0:25 - 0:26The word Kabuki is derived
-
0:26 - 0:28from the Japanese verb kabuku,
-
0:28 - 0:31meaning out of the ordinary or bizarre.
-
0:31 - 0:34Its history began in early 17th century Kyoto,
-
0:34 - 0:37where a shrine maiden named Izumo no Okuni
-
0:37 - 0:41would use the city's dry Kamo Riverbed as a stage
-
0:41 - 0:43to perform unusual dances for passerby,
-
0:43 - 0:46who found her daring parodies of Buddhist prayers
-
0:46 - 0:48both entertaining and mesmerizing.
-
0:48 - 0:50Soon other troops began performing
-
0:50 - 0:52in the same style,
-
0:52 - 0:53and Kabuki made history
-
0:53 - 0:56as Japan's first dramatic performance form
-
0:56 - 0:57catering to the common people.
-
0:57 - 1:00By relying on makeup, or keshou,
-
1:00 - 1:02and facial expressions instead of masks
-
1:02 - 1:04and focusing on historical events
-
1:04 - 1:07and everyday life rather than folk tales,
-
1:07 - 1:08Kabuki set itself apart
-
1:08 - 1:10from the upper-class dance theater form
-
1:10 - 1:12known as Noh
-
1:12 - 1:14and provided a unique commentary on society
-
1:14 - 1:16during the Edo period.
-
1:16 - 1:19At first, the dance was practiced only by females
-
1:19 - 1:22and commonly referred to as Onna-Kabuki.
-
1:22 - 1:25It soon evolved to an ensemble performance
-
1:25 - 1:27and became a regular attraction at tea houses,
-
1:27 - 1:30drawing audiences from all social classes.
-
1:30 - 1:33At this point, Onna-Kabuki was often risque
-
1:33 - 1:35as geishas performed not only to show off
-
1:35 - 1:37their singing and dancing abilities
-
1:37 - 1:40but also to advertise their bodies to potential clients.
-
1:40 - 1:43A ban by the conservative Tokugawa shogunate
-
1:43 - 1:45in 1629
-
1:45 - 1:48led to the emergence of Wakashu-Kabuki
-
1:48 - 1:50with young boys as actors.
-
1:50 - 1:53But when this was also banned for similar reasons,
-
1:53 - 1:55there was a transition to Yaro-Kabuki,
-
1:55 - 1:56performed by men,
-
1:56 - 1:59necessitating elaborate costumes and makeup
-
1:59 - 2:01for those playing female roles,
-
2:01 - 2:02or onnagata.
-
2:02 - 2:04Attempts by the government to control Kabuki
-
2:04 - 2:06didn't end with bans on the gender
-
2:06 - 2:08or age of performers.
-
2:08 - 2:09The Tokugawa military group,
-
2:09 - 2:11or Bakufu,
-
2:11 - 2:13was fueled by Confucian ideals
-
2:13 - 2:14and often enacted sanctions
-
2:14 - 2:15on costume fabrics,
-
2:15 - 2:17stage weaponry,
-
2:17 - 2:19and the subject matter of the plot.
-
2:19 - 2:20At the same time,
-
2:20 - 2:22Kabuki became closely associated with
-
2:22 - 2:24and influenced by Bunraku,
-
2:24 - 2:26an elaborate form of puppet theater.
-
2:26 - 2:28Due to these influences,
-
2:28 - 2:30the once spontaneous, one-act dance
-
2:30 - 2:33evolved into a structured, five-act play
-
2:33 - 2:37often based on the tenets of Confucian philosophy.
-
2:37 - 2:41Before 1868, when the Tokugawa shogunate fell
-
2:41 - 2:43and Emperor Meiji was restored to power,
-
2:43 - 2:46Japan had practiced isolation from other countries,
-
2:46 - 2:47or Sakoku.
-
2:47 - 2:49And thus, the development of Kabuki
-
2:49 - 2:51had mostly been shaped by domestic influences.
-
2:51 - 2:53But even before this period,
-
2:53 - 2:56European artists, such as Claude Monet,
-
2:56 - 2:57had become interested in
-
2:57 - 2:59and inspired by Japanese art,
-
2:59 - 3:01such as woodblock prints,
-
3:01 - 3:02as well as live performance.
-
3:02 - 3:05After 1868, others such as Vincent van Gogh
-
3:05 - 3:08and composer Claude Debussy
-
3:08 - 3:11began to incorporate Kabuki influences in their work,
-
3:11 - 3:12while Kabuki itself underwent
-
3:12 - 3:14much change and experimentation
-
3:14 - 3:16to adapt to the new modern era.
-
3:16 - 3:18Like other traditional art forms,
-
3:18 - 3:20Kabuki suffered in popularity
-
3:20 - 3:21in the wake of World War II.
-
3:21 - 3:23But innovation by artists
-
3:23 - 3:25such as director Tetsuji Takechi
-
3:25 - 3:28led to a resurgence shortly after.
-
3:28 - 3:30Indeed, Kabuki was even considered
-
3:30 - 3:31a popular form of entertainment
-
3:31 - 3:34amongst American troops stationed in Japan
-
3:34 - 3:36despite initial U.S. censorship
-
3:36 - 3:38of Japanese traditions.
-
3:38 - 3:39Today, Kabuki still lives on
-
3:39 - 3:42as an integral part of Japan's rich cultural heritage,
-
3:42 - 3:44extending its influence beyond the stage
-
3:44 - 3:45to television,
-
3:45 - 3:46film,
-
3:46 - 3:47and anime.
-
3:47 - 3:49The art form pioneered by Okuni
-
3:49 - 3:51continues to delight audiences
-
3:51 - 3:53with the actors' elaborate makeup,
-
3:53 - 3:56extravagant and delicately embroidered costumes,
-
3:56 - 3:58and the unmistakable melodrama
-
3:58 - 3:59of the stories told on stage.
- Title:
- Kabuki: The people's dramatic art - Amanda Mattes
- Speaker:
- Amanda Mattes
- Description:
-
View full lesson: http://ed.ted.com/lessons/kabuki-the-people-s-dramatic-art-amanda-mattes
The Japanese dance and theater art of kabuki, derived from the word kabuku, meaning "out of the ordinary," can be traced back to the streets of seventeenth-century Kyoto. Kabuki became a dramatic art for the common people, with its use of makeup and facial expressions rather than masks, as well as a playful take on current events. Amanda Mattes tracks the evolution of kabuki and its place in Japan's rich cultural heritage.
Lesson by Amanda Mattes, animation by Tom Gran.
- Video Language:
- English
- Team:
- closed TED
- Project:
- TED-Ed
- Duration:
- 04:16
TED edited English subtitles for Kabuki: The people's dramatic art | ||
TED edited English subtitles for Kabuki: The people's dramatic art | ||
Jessica Ruby approved English subtitles for Kabuki: The people's dramatic art | ||
Jessica Ruby accepted English subtitles for Kabuki: The people's dramatic art | ||
Jessica Ruby edited English subtitles for Kabuki: The people's dramatic art | ||
Jessica Ruby edited English subtitles for Kabuki: The people's dramatic art | ||
Andrea McDonough edited English subtitles for Kabuki: The people's dramatic art |