Capturing memories in video art
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0:01 - 0:03I love to collect things.
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0:03 - 0:05Ever since I was a kid, I've had massive collections
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0:05 - 0:08of random stuff, everything from bizarre hot sauces
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0:08 - 0:11from all around the world to insects
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0:11 - 0:14that I've captured and put in jars.
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0:14 - 0:16Now, it's no secret, because I like collecting things,
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0:16 - 0:18that I love the Natural History Museum
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0:18 - 0:19and the collections of animals
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0:19 - 0:21at the Natural History Museum in dioramas.
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0:21 - 0:23These, to me, are like living sculptures, right,
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0:23 - 0:24that you can go and look at,
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0:24 - 0:26and they memorialize a specific point of time
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0:26 - 0:28in this animal's life.
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0:28 - 0:30So I was thinking about my own life,
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0:30 - 0:31and how I'd like to memorialize my life, you know,
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0:31 - 0:34for the ages, and also — (Laughter) —
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0:34 - 0:37the lives of my friends, but
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0:37 - 0:39the problem with this is that my friends aren't quite keen
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0:39 - 0:43on the idea of me taxidermy-ing them. (Laughter)
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0:43 - 0:45So instead, I turned to video,
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0:45 - 0:48and video is the next best way to preserve and memorialize
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0:48 - 0:50someone and to capture a specific moment in time.
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0:50 - 0:52So what I did was, I filmed six of my friends
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0:52 - 0:55and then, using video mapping and video projection,
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0:55 - 0:57I created a video sculpture, which was these six friends
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0:57 - 1:01projected into jars. (Laughter)
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1:01 - 1:03So now I have this collection of my friends
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1:03 - 1:05I can take around with me whenever I go,
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1:05 - 1:07and this is called Animalia Chordata,
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1:07 - 1:09from the Latin nomenclature for
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1:09 - 1:11human being, classification system.
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1:11 - 1:14So this piece memorializes my friends in these jars,
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1:14 - 1:18and they actually move around. (Laughter)
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1:18 - 1:20So, this is interesting to me,
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1:20 - 1:24but it lacked a certain human element. (Laughter)
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1:24 - 1:26It's a digital sculpture, so I wanted to add
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1:26 - 1:27an interaction system. So what I did was,
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1:27 - 1:29I added a proximity sensor, so that when you get close
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1:29 - 1:31to the people in jars, they react to you in different ways.
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1:31 - 1:33You know, just like people on the street
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1:33 - 1:35when you get too close to them.
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1:35 - 1:38Some people reacted in terror. (Laughter)
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1:38 - 1:40Others reacted in asking you for help,
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1:40 - 1:43and some people hide from you.
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1:43 - 1:45So this was really interesting to me, this idea of
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1:45 - 1:47taking video off the screen and putting it in real life,
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1:47 - 1:49and also adding interactivity to sculpture.
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1:49 - 1:53So over the next year, I documented 40 of my other friends
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1:53 - 1:55and trapped them in jars as well
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1:55 - 1:57and created a piece known as Garden,
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1:57 - 1:59which is literally a garden of humanity.
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1:59 - 2:01But something about the first piece,
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2:01 - 2:03the Animali Chordata piece, kept coming back to me,
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2:03 - 2:05this idea of interaction with art,
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2:05 - 2:07and I really liked the idea of people being able to interact,
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2:07 - 2:10and also being challenged by interacting with art.
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2:10 - 2:12So I wanted to create a new piece that actually
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2:12 - 2:13forced people to come and interact with something,
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2:13 - 2:15and the way I did this was actually by projecting
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2:15 - 2:20a 1950s housewife into a blender. (Laughter)
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2:20 - 2:22This is a piece called Blend, and what it does is
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2:22 - 2:24it actually makes you implicit in the work of art.
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2:24 - 2:26You may never experience the entire thing yourself.
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2:26 - 2:29You can walk away, you can just watch as this character
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2:29 - 2:31stands there in the blender and looks at you,
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2:31 - 2:33or you can actually choose to interact with it.
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2:33 - 2:37So if you do choose to interact with the piece,
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2:37 - 2:39and you press the blender button, it actually sends
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2:39 - 2:43this character into this dizzying disarray of dishevelment.
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2:43 - 2:46By doing that, you are now part of my piece.
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2:46 - 2:48You, like the people that are trapped in my work
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2:48 - 2:52— (Blender noises, laughter) —
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2:52 - 3:00have become part of my work as well. (Laughter)
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3:00 - 3:02(Laughter)
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3:02 - 3:04(Applause)
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3:04 - 3:08But, but this seems a bit unfair, right?
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3:08 - 3:10I put my friends in jars, I put this character,
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3:10 - 3:13this sort of endangered species character in a blender.
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3:13 - 3:15But I'd never done anything about myself.
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3:15 - 3:17I'd never really memorialized myself.
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3:17 - 3:19So I decided to create a piece which is a self-portrait piece.
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3:19 - 3:21This is sort of a self-portrait taxidermy time capsule piece
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3:21 - 3:24called A Point Just Passed,
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3:24 - 3:26in which I project myself on top of a time card punch clock,
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3:26 - 3:28and it's up to you.
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3:28 - 3:30If you want to choose to punch that punch card clock,
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3:30 - 3:32you actually age me.
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3:32 - 3:34So I start as a baby, and then if you punch the clock,
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3:34 - 3:39you'll actually transform the baby into a toddler,
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3:39 - 3:42and then from a toddler I'm transformed into a teenager.
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3:42 - 3:45From a teenager, I'm transformed into my current self.
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3:45 - 3:48From my current self, I'm turned into a middle-aged man,
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3:48 - 3:52and then, from there, into an elderly man.
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3:52 - 3:54And if you punch the punch card clock a hundred times
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3:54 - 3:58in one day, the piece goes black
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3:58 - 4:00and is not to be reset until the next day.
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4:00 - 4:02So, in doing so, you're erasing time.
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4:02 - 4:04You're actually implicit in this work
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4:04 - 4:06and you're erasing my life.
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4:06 - 4:08So I like this about interactive video sculpture,
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4:08 - 4:10that you can actually interact with it,
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4:10 - 4:12that all of you can actually touch an artwork
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4:12 - 4:14and be part of the artwork yourselves,
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4:14 - 4:16and hopefully, one day, I'll have each and every one of you
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4:16 - 4:18trapped in one of my jars. (Laughter)
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4:18 - 4:23Thank you. (Applause)
- Title:
- Capturing memories in video art
- Speaker:
- Gabriel Barcia-Colombo
- Description:
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Using video mapping and projection, artist Gabriel Barcia-Colombo captures and shares his memories and friendships. At TED Fellow Talks, he shows his charming, thoughtful work -- which appears to preserve the people in his life in jars, suitcases, blenders ...
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDTalks
- Duration:
- 04:45
Thu-Huong Ha edited English subtitles for Capturing memories in video art | ||
Morton Bast approved English subtitles for Capturing memories in video art | ||
Morton Bast accepted English subtitles for Capturing memories in video art | ||
Thu-Huong Ha edited English subtitles for Capturing memories in video art | ||
Joseph Geni edited English subtitles for Capturing memories in video art | ||
Joseph Geni edited English subtitles for Capturing memories in video art | ||
Joseph Geni added a translation |