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Inner Worlds, Outer Worlds - Part 1 - Akasha

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    In the beginning was the Logos,
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    the Big Bang, the primordial Om.
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    Big Bang theory says that the physical universe
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    spiraled out of an unimaginably hot and dense
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    single point called a singularity - billions
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    of times smaller than the head of a pin.
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    It does not say why or how. The more mysterious
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    something is, the more we take for granted
    that
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    we understand it.
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    It was thought that eventually gravity would
    either
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    slow the expansion or contract the universe
    in a big
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    crunch. However, images from the Hubble space
    telescope
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    show that the universe's expansion seems to
    be actually
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    accelerating. Expanding faster and faster
    as it grows
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    out of the Big Bang. Somehow, there is more
    mass in the
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    universe than physics predicted. To account
    for the missing mass,
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    physicists now say that the universe consists
    of only 4% atomic matter
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    or what we consider normal matter. 23% of
    the universe is dark matter
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    and 73% is dark energy -what we previously
    though of as empty space.
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    It is like an invisible nervous system that
    runs throughout the universe
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    connecting all things.
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    The ancient Vedic teachers taught Nada Brahma
    -
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    the universe is vibration.
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    The vibratory field is at the root of all
    true spiritual experience
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    and scientific investigation.
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    It is the same field of energy that saints,
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    Buddhas, yogis, mystics, priests, shamans
    and seers have observed
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    by looking within themselves. It has been
    called Akasha, the Primordial Om,
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    Indra's net of jewels, the music of the spheres,
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    and a thousand other names throughout history.
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    It is the common root of all religions,
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    and the link between our inner worlds and
    our outer worlds.
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    In Mahayana Buddhism in the third century
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    they described a cosmology not unlike the
    most advanced
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    physics of modern day.
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    Indra's net of jewels is a metaphor used to
    describe
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    a much older Vedic teaching which illustrates
    the way the fabric of the
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    universe is woven together.
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    Indra, the king of the gods, gave birth to
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    the sun and moves the winds and the waters.
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    Imagine a spider web that extends into all
    dimensions.
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    The web is made up of dew drops
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    and every drop contains the reflection of
    all the other
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    water drops, and in each reflected dew drop
    you will find
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    the reflections of all the other droplets.
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    The entire web, in that reflection and so
    on,
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    to infinity.
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    Indra's web could be described as a holographic
    universe,
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    where even the smallest stream of light
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    contains the complete pattern of the whole.
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    The Serbian-American scientist, Nikola Tesla,
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    is sometimes referred to as the man who invented
    the
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    20th century.
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    Tesla was responsible for discovering alternating
    current
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    electricity and many other creations
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    that are now part of every-day life.
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    Because of his interest in the ancient Vedic
    traditions,
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    Tesla was in a unique position to understand
    science
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    through both an eastern and western model.
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    Like all great scientists, Tesla looked deeply
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    into the mysteries of the outer world,
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    but he also looked deeply within himself.
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    Like the ancient yogis, Tesla used the term
    Akasha
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    to describe the etheric feel that extends
    throughout all things.
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    Tesla studied with Swami Vivekananda, a yogi
    who brought the ancient
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    teachings of India to the West.
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    In the Vedic teachings, Akasha is space itself;
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    the space that the other elements fill,
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    which exists simultaneously with vibration.
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    The two are inseparable. Akasha is yin to
    prana's yang.
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    A modern concept that can help us to conceptualize
    Akasha,
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    or the primary substance, is the idea of fractals.
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    It wasn't until the 1980s that advances in
    computers
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    allowed us to actually visualize and reproduce
    mathematically
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    the patterns in nature.
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    The term fractal was coined in 1980
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    by mathematician Benoit Mandelbrot
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    who studied certain simple mathematic equations
    that,
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    when they are repeated, produce an unending
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    array of changing mathematical or geometrical
    forms
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    within a limited framework.
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    They are limited, but at the same time, infinite.
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    A fractal is a rough geometric shape
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    that can be split into parts, each of which
    is approximately
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    a reduced sized copy of the whole pattern
    -
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    a property called self similarity.
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    Mandelbrot's fractals have been called
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    the thumbprint of God.
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    You are seeing artwork generated by nature
    itself.
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    If you turn the Mandelbrot figure a certain
    way,
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    it looks sort of like a Hindu deity or a Buddha.
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    This figure has been termed
    the "Buddhabrot" figure.
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    If you look at some forms of ancient art and
    architecture,
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    you will see that humans have long associated
    beauty
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    and the sacred with fractal patterns.
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    Infinitely complex, yet every part contains
    the seed
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    to recreate the whole.
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    Fractals have changed mathematicians' views
    of the universe
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    and how it operates.
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    With each new level of magnification,
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    there are differences from the original.
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    Constant change and transformation occurs
    as we traverse
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    from one level of fractal detail to another.
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    This transformation is the cosmic spiral.
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    The embedded intelligence of the matrix of
    time space.
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    Fractals are inherently chaotic-full of noise
    and order.
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    When our minds recognize or define a pattern,
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    we focus on it as if it is a thing.
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    We try to find the patterns we see as beautiful,
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    but in order to hold the patterns in our minds,
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    we must push away the rest of the fractal.
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    To comprehend a fractal with the senses
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    is to limit its movement.
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    All energy in the universe is neutral,
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    timeless, dimensionless.
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    Our own creativity and capacity for pattern
    recognition
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    is the link between the microcosm and macrocosm.
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    The timeless world of waves and the solid
    world of things.
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    Observation is an act of creation through
    limitations
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    inherent in thinking.
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    We are creating the illusion of solidity,
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    of things by labeling, by naming.
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    The philosopher Kierkegaard said,
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    "If you name me, you negate me."
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    By giving me a name, a label, you negate all
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    the other things I could possibly be.
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    You lock the particle into being a thing
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    by pinning it down, naming it,
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    but at the same time you are creating it,
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    defining it to exist.
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    Creativity is our highest nature.
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    With the creation of things comes time,
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    which is what creates the illusion of solidity.
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    Einstein was the first scientist to realize
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    that what we think of as empty space is not
    nothing,
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    it has properties,
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    and intrinsic to the nature of space
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    is nearly unfathomable amounts of energy.
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    The renowned physicist Richard Feynman once
    said,
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    "there is enough energy in a single cubic
    meter
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    of space to boil all the oceans in the world."
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    Advanced meditators know that in the stillness
    lies
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    the greatest power.
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    The Buddha had yet another term for the primary
    substance;
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    what he termed kalapas, which are like tiny
    particles
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    or wavelets that are arising and passing away
    trillions
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    of times per second. Reality is, in this sense,
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    like a series of frames in a holographic film
    camera
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    moving quickly as to create the illusion of
    continuity.
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    When consciousness becomes perfectly still,
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    the illusion is understood
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    because it is consciousness itself that drives
    the illusion.
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    In the ancient traditions of the East,
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    it has been understood for thousands of years
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    that all is vibration.
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    "Nada Brahma" - the universe is sound.
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    The word "nada" means sound or vibration
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    and "Brahma" is the name for God.
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    Brahma, simultaneously IS the universe and
    IS the creator.
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    The artist and the art are inseparable.
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    In the Upanishads,
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    one of the oldest humans records in ancient
    India,
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    it is said "Brahma the creator, sitting on
    a lotus,
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    opens his eyes and a world comes into being.
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    Brahma closes his eyes,
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    and a world goes out of being."
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    Ancient mystics, yogis and seers
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    have maintained that there is a field
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    at the root level of consciousness.
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    The Akashic field or the Akashic records
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    where all information, all experience past,
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    present and future, exists now and always.
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    It is this field or matrix
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    from which all things arise.
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    From sub-atomic particles, to galaxies,
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    stars, planets and all life.
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    You never see anything in its totality
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    because it is made up of layer upon layer
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    of vibration and it is constantly
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    changing, exchanging information with Akasha.
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    A tree is drinking in the sun, the air,
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    the rain, the Earth.
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    A world of energy moves in and out
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    of this thing we call a tree.
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    When the thinking mind is still,
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    then you see reality as it is.
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    All aspects together.
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    The tree and the sky and the Earth,
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    the rain and the stars are not separate.
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    Life and death, self and other are not separate.
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    Just as the mountain and the valley are inseparable.
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    In the native American
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    and other indigenous traditions
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    it is said that every thing has spirit
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    which is simply another way of saying
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    everything is connected to the one vibratory
    source.
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    There is one consciousness, one field,
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    one force that moves through all.
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    This field is not happening around you,
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    it is happening THROUGH you
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    and happening AS you.
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    You are the "U" (you) in universe.
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    You are the eyes through which creation sees
    itself.
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    When you wake from a dream you realize that
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    everything in the dream was you.
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    You were creating it.
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    So called real life is no different.
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    Every one and every thing is you.
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    The one consciousness looking out of every
    eye,
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    under every rock, within every particle.
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    International researchers at CERN,
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    the European laboratory for particle physics,
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    are searching for this field
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    that extends throughout all things.
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    But instead of looking within,
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    they look to the outer physical world.
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    Researchers at the CERN laboratory in Geneva,
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    Switzerland announced that they had found
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    the Higgs Boson, or the God Particle.
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    The Higgs Boson experiments prove scientifically
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    that an invisible energy field fills the vacuum
    of space.
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    CERN's large hadron collider consists of a
    ring
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    17 miles in circumference, in which two beams
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    of particles race in opposite directions,
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    converging and smashing together at nearly
    the
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    speed of light.
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    Scientists observe what comes out of the
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    violent collisions.
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    The standard model can not account for
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    how particles get their mass.
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    Everything appears to be made of vibration
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    but there is no 'thing' being vibrated.
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    It is as if there has been an invisible dancer,
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    a shadow dancing hidden in the ballet of the
    universe.
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    All the other dancers have always danced
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    around this hidden dancer.
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    We have observed the choreography of
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    the dance, but until now we could not see
    that dancer.
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    The so-called "God Particle",
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    the properties of the base material of the
    universe,
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    the heart of all matter which would account
    for the
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    unexplained mass and energy that drives the
    universe's expansion.
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    But far from explaining the nature of the
    universe,
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    the discovery of the Higgs Boson simply presents
    an
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    even greater mystery, revealing a universe
    that is
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    even more mysterious than we ever imagined.
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    Science is approaching the threshold between
    consciousness
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    and matter.
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    The eye with which we look at the primordial
    field
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    and the eye with which the field looks at
    us
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    are one and the same.
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    The German writer and luminary Wolfgang Von
    Goethe said,
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    "the wave is the primordial phenomenon
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    which gave rise to the world."
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    Cymatics is the study of visible sound.
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    The word cymatic comes from the Greek root
    "cyma"
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    which means wave or vibration.
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    One of the first Western scientists to seriously
    study
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    wave phenomenon was Ernst Chladni,
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    a German musician and physicist,
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    who lived in the eighteenth century.
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    Chladni discovered that when he spread sand
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    on metal plates and then vibrated the plates
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    with a violin bow, the sand arranged itself
    into patterns.
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    Different geometrical forms appeared
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    depending on the vibration produced.
  • 20:38 - 20:40
    Chladni recorded an entire catalogue
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    of these shapes and they are referred to as
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    Chladni Figures.
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    Many of these patterns can be found throughout
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    the natural world. Such as the markings of
    the tortoise
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    or the spot patterns of the leopard.
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    Studying Chladni Patterns or cymatic patterns
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    is one secret way in which high-end guitar,
    violin
  • 21:09 - 21:21
    and other instrument makers determine the
    sound qualities of the instruments they make.
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    Hans Jenny expanded on Chladni's work in the
    1960's
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    using various fluids and electronic amplification
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    to generate sound frequencies and coined the
    term "cymatics".
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    If you run simple sine waves through a dish
    of water,
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    you can see patterns in the water.
  • 21:43 - 21:45
    Depending on the frequency of the wave,
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    different ripple patterns will appear.
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    The higher the frequency, the more complex
    the pattern.
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    These forms are repeatable, not random.
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    The more you observe,
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    the more you start to see how
    vibration arranges matter into complex forms
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    from simple repeating waves.
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    This water vibration has a pattern similar
    to a sunflower.
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    Simply by changing the sound frequency,
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    we get a different pattern.
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    Water is a very mysterious substance.
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    It is highly impressionable.
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    That is, it can receive and hold onto vibration.
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    Because of its high resonance capacity
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    and sensitivity and an inner readiness to
    resonate,
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    the water responds instantaneously to all
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    types of sonic waves.
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    Vibrating water and earth
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    make up the majority of mass in plants and
    animals.
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    It is easy to observe how simple vibrations
    in water
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    can create recognizable natural patterns
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    but as we add solids and increase the amplitude,
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    things get even more interesting.
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    Adding cornstarch to water,
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    we get more complex phenomena.
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    Perhaps the principles of life itself
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    can be observed as vibrations move the cornstarch
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    blob into what appears to be a moving organism.
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    The animating principle of the universe
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    is described in every major religion
  • 24:18 - 24:20
    using words that reflect the understanding
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    of that time in history.
  • 24:26 - 24:31
    In the language of the Incas,
    the largest empire in pre-Columbian America,
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    the word for "human body" is "alpa camasca"
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    which means literally, "animated earth".
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    In Kaballah, or Jewish Mysticism,
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    they talk about the divine name of God.
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    The name that can not be spoken.
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    It can not be spoken because it is a vibration
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    that is everywhere. It is all words, all matter.
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    Everything is the sacred word.
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    The tetrahedron is the simplest shape
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    that can exist in three dimensions.
  • 25:05 - 25:06
    Something must have at least four points
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    to have physical reality.
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    The triangle structure is nature's only
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    self-stabilizing pattern.
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    In the Old Testament the word "tetragrammaton"
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    was often used to represent a certain manifestation
    of God.
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    It was used when talking about the word of
    God
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    or the special name of God, Logos or primordial
    word.
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    The ancient civilizations knew that at the
    root structure
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    of the universe was the tetrahedral shape.
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    Out of this shape, nature exhibits a fundamental
    drive
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    toward equilibrium; Shiva.
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    While it also has a fundamental drive towards
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    change; Shakti.
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    In the Bible, the gospel of John usually reads,
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    "in the beginning was the word"
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    but in the original text the term used was
  • 26:04 - 26:07
    "Logos".
  • 26:07 - 26:09
    The Greek philosopher Heraclitus,
  • 26:09 - 26:13
    who lived around 500 years before Christ,
  • 26:13 - 26:14
    referred to the Logos as something
  • 26:14 - 26:16
    fundamentally unknowable.
  • 26:16 - 26:22
    The origin of all repetition, pattern and
    form.
  • 26:22 - 26:24
    The Stoic philosophers who followed the teachings
  • 26:24 - 26:27
    of Heraclitus identified the term with
  • 26:27 - 26:36
    the divine animating principle pervading the
    universe.
  • 26:36 - 26:42
    In Sufism the Logos is everywhere and in all
    things.
  • 26:42 - 26:52
    It is THAT out of which the unmanifest becomes
    manifest.
  • 26:52 - 26:57
    In the Hindu tradition Shiva Nataraja literally
    means
  • 26:57 - 26:59
    "lord of the dance".
  • 26:59 - 27:03
    The whole cosmos dances to Shiva's drum.
  • 27:03 - 27:07
    All is imbued or ensouled with the pulsation.
  • 27:07 - 27:10
    Only as long as Shiva is dancing
  • 27:10 - 27:13
    can the world continue to evolve and change,
  • 27:13 - 27:19
    otherwise it collapses back into nothingness.
  • 27:19 - 27:21
    While Shiva is representative of our
  • 27:21 - 27:26
    witnessing consciousness, Shakti is the substance
    or stuff of the world.
  • 27:26 - 27:29
    While Shiva lies in meditation,
  • 27:29 - 27:31
    Shakti tries to move him,
  • 27:31 - 27:34
    to bring him into the dance.
  • 27:34 - 27:36
    Like yin and yang,
  • 27:36 - 27:42
    the dancer and the dance exist as one.
  • 27:42 - 27:47
    Logos also means unconcealed truth.
  • 27:47 - 27:51
    He who knows the Logos, knows the truth.
  • 27:51 - 27:53
    Many layers of concealment exist
  • 27:53 - 27:56
    in the human world as Akasha as been swirled
  • 27:56 - 27:59
    into complex structures
  • 27:59 - 28:01
    concealing the source from itself.
  • 28:01 - 28:04
    Like a divine game of hide and seek,
  • 28:04 - 28:08
    we have been hiding for thousands of years,
  • 28:08 - 28:11
    eventually forgetting about the game completely.
  • 28:11 - 28:17
    We somehow forgot that there is anything to
    find.
  • 28:17 - 28:21
    In Buddhism, one is taught to directly perceive
    the Logos,
  • 28:21 - 28:26
    the field of change or impermanence within
    oneself
  • 28:26 - 28:28
    through meditation.
  • 28:28 - 28:30
    When you observe your inner world,
  • 28:30 - 28:34
    you observe subtler and subtler sensations
    and energies
  • 28:34 - 28:38
    as the mind becomes more concentrated and
    focused.
  • 28:38 - 28:41
    Through the direct realization of "annica"
  • 28:41 - 28:44
    or impermanence at the root level of sensation,
  • 28:44 - 28:50
    one becomes free of attachment to transient
    external forms.
  • 28:50 - 28:53
    Once we realize there is one vibratory field
  • 28:53 - 28:55
    that is the common root of all religions,
  • 28:55 - 29:05
    how can we say "my religion" or "this is my
    primordial Om",
  • 29:05 - 29:20
    "my quantum field"?
  • 29:20 - 29:28
    The true crisis in our world is not social,
  • 29:28 - 29:32
    political or economic.
  • 29:32 - 29:38
    Our crisis is a crisis of consciousness,
    an inability to directly experience our true
  • 29:38 - 29:42
    nature.
  • 29:42 - 29:44
    An inability to recognize this nature in everyone
  • 29:44 - 29:53
    and in all things.
  • 29:53 - 29:56
    In the Buddhist tradition, the "Bodhisattva"
  • 29:56 - 29:59
    is the person with an awakened Buddha nature.
  • 29:59 - 30:03
    A Bodhisattva vows to help to awaken every
    being
  • 30:03 - 30:09
    in the universe, realizing that there is only
    one consciousness.
  • 30:09 - 30:16
    To awaken one's true self one must awaken
    all beings.
  • 30:16 - 30:24
    "There are innumerable sentient beings in
    the universe
  • 30:24 - 30:29
    I vow to help them all to awaken.
  • 30:29 - 30:31
    My imperfections are inexhaustible.
  • 30:31 - 30:34
    I vow to overcome them all.
  • 30:34 - 30:37
    The Dharma is unknowable.
  • 30:37 - 30:41
    I vow to know it.
  • 30:41 - 30:46
    The way of awakening is unattainable.
  • 30:46 -
    I vow to attain it."
Title:
Inner Worlds, Outer Worlds - Part 1 - Akasha
Video Language:
American Sign Language
Duration:
31:01

English subtitles

Revisions