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Where is home?

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    Where do you come from?
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    It's such a simple question,
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    but these days, of course,
    simple questions
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    bring ever more complicated answers.
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    People are always asking
    me where I come from,
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    and they're expecting me to say India,
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    and they're absolutely right
    insofar as 100 percent
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    of my blood and ancestry
    does come from India.
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    Except, I've never lived
    one day of my life there.
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    I can't speak even one word
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    of its more than 22,000 dialects.
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    So I don't think I've really
    earned the right
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    to call myself an Indian.
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    And if "Where do you come from?"
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    means "Where were you born
    and raised and educated?"
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    then I'm entirely
    of that funny little country
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    known as England,
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    except I left England
    as soon as I completed
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    my undergraduate education,
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    and all the time I was growing up,
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    I was the only kid in all my classes
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    who didn't begin to look
    like the classic English heroes
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    represented in our textbooks.
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    And if "Where do you come from?"
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    means "Where do you pay your taxes?
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    Where do you see your doctor
    and your dentist?"
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    then I'm very much of the United States,
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    and I have been for 48 years now,
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    since I was a really small child.
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    Except, for many of those years,
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    I've had to carry around this
    funny little pink card
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    with green lines running through my face
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    identifying me as a permanent alien.
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    I do actually feel more alien
    the longer I live there.
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    (Laughter)
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    And if "Where do you come from?"
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    means "Which place goes deepest inside you
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    and where do you try
    to spend most of your time?"
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    then I'm Japanese,
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    because I've been living as much as I can
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    for the last 25 years in Japan.
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    Except, all of those years
    I've been there on a tourist visa,
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    and I'm fairly sure not many Japanese
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    would want to consider me one of them.
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    And I say all this just to stress
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    how very old-fashioned and straightforward
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    my background is,
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    because when I go to Hong
    Kong or Sydney or Vancouver,
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    most of the kids I meet
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    are much more international
    and multi-cultured than I am.
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    And they have one home
    associated with their parents,
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    but another associated
    with their partners,
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    a third connected maybe with the place
    where they happen to be,
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    a fourth connected with the place
    they dream of being,
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    and many more besides.
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    And their whole life will be
    spent taking pieces
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    of many different places
    and putting them together
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    into a stained glass whole.
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    Home for them is really
    a work in progress.
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    It's like a project
    on which they're constantly adding
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    upgrades and improvements and corrections.
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    And for more and more of us,
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    home has really less to do
    with a piece of soil
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    than, you could say, with a piece of soul.
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    If somebody suddenly asks
    me, "Where's your home?"
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    I think about my sweetheart
    or my closest friends
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    or the songs that travel with me
    wherever I happen to be.
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    And I'd always felt this way,
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    but it really came home to me, as it were,
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    some years ago when
    I was climbing up the stairs
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    in my parents' house in California,
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    and I looked through the living
    room windows
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    and I saw that we were
    encircled by 70-foot flames,
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    one of those wildfires
    that regularly tear through
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    the hills of California
    and many other such places.
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    And three hours later,
    that fire had reduced
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    my home and every last thing in it
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    except for me to ash.
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    And when I woke up the next morning,
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    I was sleeping on a friend's floor,
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    the only thing I had
    in the world was a toothbrush
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    I had just bought
    from an all-night supermarket.
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    Of course, if anybody asked me then,
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    "Where is your home?"
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    I literally couldn't point
    to any physical construction.
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    My home would have to be whatever
    I carried around inside me.
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    And in so many ways, I think
    this is a terrific liberation.
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    Because when my grandparents were born,
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    they pretty much had their sense of home,
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    their sense of community,
    even their sense of enmity,
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    assigned to them at birth,
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    and didn't have much chance
    of stepping outside of that.
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    And nowadays, at least some of us
    can choose our sense of home,
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    create our sense of community,
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    fashion our sense of self, and in so doing
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    maybe step a little beyond
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    some of the black and white divisions
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    of our grandparents' age.
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    No coincidence that the president
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    of the strongest nation
    on Earth is half-Kenyan,
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    partly raised in Indonesia,
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    has a Chinese-Canadian brother-in-law.
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    The number of people living
    in countries not their own
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    now comes to 220 million,
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    and that's an almost unimaginable number,
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    but it means that if you took
    the whole population of Canada
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    and the whole population of Australia
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    and then the whole population
    of Australia again
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    and the whole population of Canada again
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    and doubled that number,
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    you would still have
    fewer people than belong
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    to this great floating tribe.
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    And the number of us who live outside
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    the old nation-state categories
    is increasing so quickly,
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    by 64 million just in the last 12 years,
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    that soon there will be more
    of us than there are Americans.
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    Already, we represent
    the fifth-largest nation on Earth.
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    And in fact, in Canada's largest
    city, Toronto,
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    the average resident today
    is what used to be called
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    a foreigner, somebody born
    in a very different country.
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    And I've always felt that the beauty
    of being surrounded by the foreign
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    is that it slaps you awake.
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    You can't take anything for granted.
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    Travel, for me, is a little bit
    like being in love,
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    because suddenly all your senses
    are at the setting marked "on."
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    Suddenly you're alert to the secret
    patterns of the world.
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    The real voyage of discovery,
    as Marcel Proust famously said,
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    consists not in seeing new sights,
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    but in looking with new eyes.
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    And of course, once you have new eyes,
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    even the old sights, even your home
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    become something different.
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    Many of the people living
    in countries not their own
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    are refugees who never
    wanted to leave home
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    and ache to go back home.
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    But for the fortunate among us,
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    I think the age of movement brings
    exhilarating new possibilities.
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    Certainly when I'm traveling,
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    especially to the major
    cities of the world,
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    the typical person I meet today
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    will be, let's say, a half-Korean,
    half-German young woman
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    living in Paris.
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    And as soon as she meets a half-Thai,
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    half-Canadian young guy from Edinburgh,
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    she recognizes him as kin.
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    She realizes that she probably
    has much more in common with him
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    than with anybody entirely
    of Korea or entirely of Germany.
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    So they become friends. They fall in love.
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    They move to New York City.
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    (Laughter)
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    Or Edinburgh.
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    And the little girl
    who arises out of their union
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    will of course be not Korean or German
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    or French or Thai or Scotch or Canadian
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    or even American, but a wonderful
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    and constantly evolving
    mix of all those places.
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    And potentially, everything about the way
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    that young woman dreams about the world,
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    writes about the world,
    thinks about the world,
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    could be something different,
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    because it comes out of this
    almost unprecedented
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    blend of cultures.
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    Where you come from now
    is much less important
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    than where you're going.
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    More and more of us
    are rooted in the future
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    or the present tense
    as much as in the past.
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    And home, we know, is not just the place
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    where you happen to be born.
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    It's the place where you become yourself.
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    And yet,
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    there is one great problem with movement,
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    and that is that it's really
    hard to get your bearings
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    when you're in midair.
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    Some years ago, I noticed
    that I had accumulated
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    one million miles
    on United Airlines alone.
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    You all know that crazy system,
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    six days in hell, you get
    the seventh day free.
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    (Laughter)
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    And I began to think that really,
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    movement was only as good
    as the sense of stillness
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    that you could bring to it
    to put it into perspective.
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    And eight months
    after my house burned down,
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    I ran into a friend who taught
    at a local high school,
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    and he said, "I've got
    the perfect place for you."
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    "Really?" I said. I'm
    always a bit skeptical
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    when people say things like that.
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    "No, honestly," he went on,
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    "it's only three hours away by car,
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    and it's not very expensive,
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    and it's probably not like anywhere
    you've stayed before."
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    "Hmm." I was beginning to get
    slightly intrigued. "What is it?"
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    "Well —" Here my friend hemmed and hawed —
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    "Well, actually
    it's a Catholic hermitage."
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    This was the wrong answer.
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    I had spent 15 years in Anglican schools,
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    so I had had enough hymnals
    and crosses to last me a lifetime.
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    Several lifetimes, actually.
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    But my friend assured me
    that he wasn't Catholic,
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    nor were most of his students,
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    but he took his classes
    there every spring.
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    And as he had it,
    even the most restless, distractible,
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    testosterone-addled
    15-year-old Californian boy
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    only had to spend three days in silence
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    and something in him cooled
    down and cleared out.
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    He found himself.
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    And I thought, "Anything
    that works for a 15-year-old boy
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    ought to work for me."
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    So I got in my car,
    and I drove three hours north
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    along the coast,
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    and the roads grew emptier and narrower,
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    and then I turned
    onto an even narrower path,
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    barely paved, that snaked for two miles
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    up to the top of a mountain.
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    And when I got out of my car,
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    the air was pulsing.
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    The whole place was absolutely silent,
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    but the silence wasn't
    an absence of noise.
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    It was really a presence of a kind
    of energy or quickening.
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    And at my feet was the great,
    still blue plate
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    of the Pacific Ocean.
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    All around me were 800
    acres of wild dry brush.
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    And I went down to the room
    in which I was to be sleeping.
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    Small but eminently comfortable,
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    it had a bed and a rocking chair
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    and a long desk and even longer
    picture windows
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    looking out on a small,
    private, walled garden,
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    and then 1,200 feet of golden pampas grass
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    running down to the sea.
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    And I sat down, and I began to write,
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    and write, and write,
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    even though I'd gone there
    really to get away from my desk.
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    And by the time I got up,
    four hours had passed.
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    Night had fallen,
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    and I went out under this great
    overturned saltshaker of stars,
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    and I could see the tail lights of cars
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    disappearing around the headlands
    12 miles to the south.
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    And it really seemed
    like my concerns of the previous day
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    vanishing.
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    And the next day, when I woke up
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    in the absence of telephones
    and TVs and laptops,
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    the days seemed to stretch
    for a thousand hours.
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    It was really all the freedom
    I know when I'm traveling,
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    but it also profoundly
    felt like coming home.
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    And I'm not a religious person,
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    so I didn't go to the services.
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    I didn't consult the monks for guidance.
  • 11:32 - 11:34
    I just took walks along the monastery road
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    and sent postcards to loved ones.
  • 11:37 - 11:39
    I looked at the clouds,
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    and I did what is hardest
    of all for me to do usually,
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    which is nothing at all.
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    And I started to go back to this place,
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    and I noticed that I was doing
    my most important work there
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    invisibly just by sitting still,
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    and certainly coming
    to my most critical decisions
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    the way I never could when I was racing
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    from the last email
    to the next appointment.
  • 12:03 - 12:06
    And I began to think that something in me
  • 12:06 - 12:07
    had really been crying out for stillness,
  • 12:08 - 12:09
    but of course I couldn't hear it
  • 12:09 - 12:11
    because I was running around so much.
  • 12:11 - 12:13
    I was like some crazy guy
    who puts on a blindfold
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    and then complains
    that he can't see a thing.
  • 12:17 - 12:19
    And I thought back
    to that wonderful phrase
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    I had learned as a boy from Seneca,
  • 12:22 - 12:25
    in which he says, "That man is poor
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    not who has little but who hankers
    after more."
  • 12:31 - 12:33
    And, of course, I'm not suggesting
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    that anybody here go into a monastery.
  • 12:35 - 12:36
    That's not the point.
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    But I do think
    it's only by stopping movement
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    that you can see where to go.
  • 12:42 - 12:46
    And it's only by stepping
    out of your life and the world
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    that you can see what you
    most deeply care about
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    and find a home.
  • 12:52 - 12:54
    And I've noticed so many people now
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    take conscious measures
    to sit quietly for 30 minutes
  • 12:57 - 12:59
    every morning just collecting themselves
  • 12:59 - 13:02
    in one corner of the room
    without their devices,
  • 13:02 - 13:04
    or go running every evening,
  • 13:04 - 13:06
    or leave their cell phones behind
  • 13:06 - 13:10
    when they go to have a long
    conversation with a friend.
  • 13:10 - 13:13
    Movement is a fantastic privilege,
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    and it allows us to do so
    much that our grandparents
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    could never have dreamed of doing.
  • 13:19 - 13:20
    But movement, ultimately,
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    only has a meaning if you
    have a home to go back to.
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    And home, in the end, is of course
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    not just the place where you sleep.
  • 13:31 - 13:33
    It's the place where you stand.
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    Thank you.
  • 13:35 - 13:41
    (Applause)
Title:
Where is home?
Speaker:
Pico Iyer
Description:

More and more people worldwide are living in countries not considered their own. Writer Pico Iyer -- who himself has three or four “origins” -- meditates on the meaning of home, the joy of traveling and the serenity of standing still.

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Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
14:01
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Thu-Huong Ha edited English subtitles for Where is home?
Thu-Huong Ha edited English subtitles for Where is home?
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