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Break Out Session — Breaking the Binary—A Symposium on Building Trans : Gender Non Conforming : Non

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    ways to address some of these barriers;
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    just generally, trans leadership and
    recentering trans narratives,
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    so: not tokenizing people;
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    allowing people to have the opportunity
    to both tell their own stories
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    but produce and direct and design
    for their own stories
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    and within that is also not allowing,
    not assuming
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    that a play by a trans playwright
    or a play about a trans experience
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    has to be about people's trauma
    with their gender;
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    that there is much more
    nuance and diversity in experience.
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    Ok. Coming off. That'll be great.
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    The other thing that was talked about
    in terms of institutional is actually
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    (should have been on this one;
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    this is what happens when you try
    and hold and write at the same time)
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    Casting policy:
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    so an example that got brought up
    with Shakespeare Santa Cruz
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    and, like, an intentional effort
    of being, like,
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    we're going to cast fifty
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    -- acknowledging there isn't necessarily,
    like, a policy right now in terms of
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    trans- or gender non-conforming
    or non-binary folks --
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    but a policy that does exist
    is a commitment to cast
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    fifty percent women,
    fifty percent people of color
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    and what we talked about for strategies
    are what are strategies
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    that people are already doing for equity
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    that could be then targeted towards
    or engaged towards other populations.
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    Within that was also training staff
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    to prepare with the co...
    to engage with the content.
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    So, not just the artists
    that are going to be on stage
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    but your marketing folks,
    your box office folks,
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    anybody that's going to have
    to talk about the work
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    or engage with the public about the work.
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    And then another thing
    within the kind of...
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    is engaging trans- arts organizations.
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    So both, like, reaching out
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    in terms of performers
    and designers and directors
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    but also advocating for them
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    so they get the resources they need
    to do their own work.
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    So it's a very...like,
    so it's a reciprocal relationship
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    and not just being, like,
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    "Hey give us your performers
    and we're not going to do anything back"
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    and really developing
    a thriving arts ecosystem
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    that supports more trans- artists.
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    And within that is paying trans actors
    more than you pay non-trans actors.
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    So one of the examples, like,
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    if you have one trans- role
    every four years
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    you can afford to pay somebody
    a little bit more.
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    So that's what we had.
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    Cool.
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    You want help holding your giant whiteboard?
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    One more.
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    You should have a mic over there as well.
    or we can share.
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    So we had thirty minutes to
    have a really complicated conversation
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    and this board sort of reflects
    the journey of that in that space.
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    So we actually are not going to
    go through each of the individual things,
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    and we're going to ask for folks
    to come up here
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    and engage with this, you know,
    as you're in the space today.
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    The main things that Jack and I
    wanted to say
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    -- please feel free to jump in, Jack --
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    errh, you know, we talked...
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    most of this work that we talked about
    is for allies.
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    It's allies -- work that allies need to do.
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    We talked a lot about the internal work
    that we need from leadership
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    and then we talked a lot about
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    more like external, systemic,
    cultural changes as well
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    and a lot of that is represent...
    (blank audio)
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    this is for all the, how, you know,
    (blank audio)
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    to have a lot more time
    to talk about these things
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    and create a plan of action.
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    It was good. It was really good and
    I'm not sure how to summarize.
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    It was good...
    I'm just going to speak from the heart.
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    We need more spaces like this.
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    I've never, like SK said,
    seen so many trans-identified folks
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    in the arts or in theater
    in the room together.
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    That alone...
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    even the way we began was, like,
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    we could spend the whole 30 minutes
    just on the first part of the workshop,
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    which is "Welcome";
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    welcoming each other,
    that we could be in that space.
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    There were so many things
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    that we could have shared
    and needed to
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    and just that alone,
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    that we got to see each other
    and look at each other,
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    and rush, and not have enough time.
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    This messiness is our reality
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    and the very embodied, manifested love
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    that we've all come to share together.
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    So I know that didn't, like,
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    conceptually summarize that but...
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    It needed to be said. Beautiful. Great.
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    So then we have one more share out
    from you all, is that true?
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    Institutional.
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    We can just put it up.
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    Yeah, I think for time reasons.
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    OK.
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    We're putting it up for people to respond.
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    Great, so it's me and Jack.
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    Great.
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    So I think I would love
    to just say thank you all
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    for participating in these conversations
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    and really engaging with this work...
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    super grateful
    for every single person
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    that is in the room
    and is at things.
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    Say that again.
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    Oh, sure.
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    We're about to break out into some...
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    We'll take a half an hour break to
    have some wine and some food
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    and folks that are coming
    just for the staged readings
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    are going to join us as well
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    and it might be a nice time
    just take a breather.
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    I don't know about you all
    but this turtleneck is making me hot.
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    but, Lisa has some you know, programs,
    some evaluations to pass out.
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    If you have a second please fill one out.
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    This is definitely one of
    Cal Shakes civic dialogues,
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    and we're super grateful for their support
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    and with that I just encourage you all
    to keep the conversations going.
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    We have half an hour
    and we'll meet back here at six
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    to see some art
    some really cool art
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    by some trans- playwrights of color
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    and we'll leave it at that.
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    Thanks so much.
    Cheers.
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    If you don't want to put your name on this
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    that's one thing I forgot to say now,
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    but if you can put what city you are from
    that would be super helpful.
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    Shows the people who give us money
    what they paid for.
Title:
Break Out Session — Breaking the Binary—A Symposium on Building Trans : Gender Non Conforming : Non
Description:

Breaking the Binary is a half-day symposium focused on building trans*/ gender-non-conforming/ non-binary inclusive theatre, co-presented by Berkeley Repertory Theatre and California Shakespeare Theater—livestreaming on the global, commons-based peer-produced HowlRound TV network howlround.tv Monday, May 16 at 3pm PDT to 7:30pm PDT (San Francisco) / 5pm CDT to 9:30pm CDT (Chicago) / 6pm EDT to 10:30pm EDT (New York) / 22:00 GMT - 02:30 GMT.

Follow the conversation on social media via the hashtag #breakingthebinary2016 and follow @howlroundtv.

The three-part event consists of a panel, a breakout session, and staged readings of clips from three trans* identified playwrights of color—Ty Defoe, Nick Hadikwa Mwaluko, and Ariel Zetina.

Breaking the Binary was conceived, organized, and will be hosted by Lisa Evans and SK Kerastas who recognize a strong need for education around this issue in our field—even amongst theatre professionals working from a social justice base. This past year alone there were multiple instances of well-intentioned theaters around the county receiving backlash from trans* communities for their handlings of productions with trans* material. Building on a national movement for equity in our work, SK and Lisa want to provide some holistic support to theatre organizations and artists making this kind of work.

The goals of Breaking the Binary are to:

Provide context and dialogue on this issue from a cross-section of perspectives in our field.
Provide resources and support for everyone in the room to make intentional trans* inclusive work.
Showcase trans* identified theatre artists of color.
We are cultivating attendance from large and small bay area theatre organizations, independent artists, trans* identified theatre professionals, theatre administrators of all types, and theatre leaders. The event will livestream through HowlRound and be available for future viewing.

In-person Event Invitation—

Quotes:
“The symposium is a direct response to a need for education around this identity issue in the theatre field on national and local levels,” says Lisa Evans, associate director of artistic engagement for Cal Shakes. “Part of this conversation about inclusivity involves acknowledging our local arts ecosystem here in the Bay Area where there’s a vibrant queer and trans arts community that has been largely separate from the regional theatre. As much as this is an opportunity for theatre organizations to gain skills and have conversations about practices to be more inclusive, it’s also an opportunity to highlight the work of local trans* artists. And to learn from some of the practices that are happening in these Bay Area communities.”

“This work around trans* inclusivity — the conversations, the support, the elevating of artists — sits within a larger context of equity work happening nationally in our field,” says SK Kerastas, Visting Artistic Associate for Berkeley Rep. “We are particularly excited about the livestream because of the open access it creates for this conversation and this information. We hope folks in other cities will be inspired by this work, take action, and build on this momentum.”

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Video Language:
English
Duration:
06:27

Metadata: Geo subtitles

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