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So, as we saw last time, there are three
distinct levels of language.
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Linguistic level, the speech level, and
the conversational level, and all of these
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levels of meaning affect arguments.
So, in the next three lectures, we want to
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work through these levels one by one.
And this lecture is going to deal in
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particular with the linguistic level of
language, which is simply the production
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of a meaningful utterance.
So, in order to form a linguistic act,
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all you have to do is utter a set of words
that are meaningful,
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that fit together according to the
semantics,
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that is, the meanings of particular words,
and the syntax, or the grammar of the
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language in general.
For example, it's easy.
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It's easy is a linguistic act because it's,
is a contraction, you're allowed to
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contract it and is according to the rules
of English, and easy is a word.
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So, it's easy follows the semantics and
the syntax of the language of English.
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That's all there is to it.
Although linguistic acts are really
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simple, they do require some special
components that are worth separating out.
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For example, they require meaningful
words.
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When you simply hum a tune, like
hm-hm-hm-hm-hm-hm-hm-hm, then you're not
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performing a linguistic act because there
are no meaningful words in it.
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But when you sing a song, I love Miranda
and Nicholas too, then you are performing
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a linguistic act because you uttered words
that were meaningful when they were put
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together in that way.
And I've been taking this for granted but
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of course the words you utter have to be
meaningful.
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It's not going to be a linguistic act if
you utter what looks like a sentence,
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namely a set of sounds, that look like
words if they're not really words.
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So, if you say, `Twas brillig and the
slithy toves did gyre and gimble in the
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wabe, and so on from Lewis Carroll's
famous Jabberwocky poem.
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Then, it's not going to be a linguistic
act if those words are not meaningful
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words in any language.
And you can also get nonsense when you
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take words that have meanings, and put
them together in an order that doesn't make
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any sense.
My dog has fleas makes sense, but dog
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fleas my has doesn't make any sense.
So, meaningful words with the wrong
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grammatical structure won't work.
And Noam Chomsky from MIT taught us that
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you can also get nonsense when you take
words that make sense, and you put them
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together with the right grammatical
structure,
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but they still don't fit together, because
of the relation between the meanings.
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His example here was colorless green ideas
sleep furiously.
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What does that mean?
Colorless green ideas sleep furiously?
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Well, colorless makes sense.
Green, that's a word.
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Ideas.
Sleep.
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Furiously. Each of those words makes sense
and they're each in their appropriate
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grammatical role, but altogether it
doesn't make any sense.
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So, there are lots of ways you can get
nonsense in language, and when you do,
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you're not performing a linguistic act.
Now, there's some really fun examples
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where it's not clear whether or not the
utterance is meaningful.
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Some of these examples, among my favorites
are garden path sentences.
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Here's one.
The man who whistles tunes pianos.
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Wait a minute.
What does that mean?
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If you think of it as the man who whistles
tunes as one unit,
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then you don't understand what the word
pianos is doing.
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Because the man who whistles tunes sounds
like a reference to a particular man, and
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pianos is not a verb.
But if you think of it as the man who
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whistles as one unit,
And the second unit is tunes pianos,
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So it's the man who whistles tunes pianos,
Then it makes sense. Because it's the man
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who's whistling also tunes piano.
So, you have to be able to carve the set
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of words up into the right units and see
what grammatical structure they have in
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order to understand the sentence.
Because tunes can either be a verb, which
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tells you what the man is doing to the
pianos, or it can be a noun, which refers
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to the thing that the man is whistling.
And you have to get those grammatical
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categories straight, and the garden path
sentences lead you astray and make you
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think of it in the wrong way.
There'll be some more examples of that in
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the exercises.
But my favorite example of all is Buffalo
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buffalo buffalo.
What does that mean?
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Well, buffalo or American bison,
Okay? But buffalo, the word buffalo in
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English that is, can also be used as a
verb to refer to tricking or fooling
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someone.
So you can have buffalo, American bison,
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buffaloing,
That is tricking or fooling, buffalo,
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American bison.
Buffalo buffalo buffalo.
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This can go even further because there is
a city in New York named Buffalo.
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And, of course, there can be buffalo, that
is American bison, from the city of
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Buffalo, New York and they're called
Buffalo buffalo.
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And, when they trick or fool other American
bison from Buffalo, New York, then you
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have Buffalo buffalo buffalo Buffalo
buffalo, or Buffalo buffalo buffalo
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buffalo buffalo, which doesn't sound like
a meaningful utterance, but it is.
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And you can go even further.
You can actually build it out to eleven
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straight utterances of the word buffalo.
Buffalo buffalo buffalo buffalo
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buffalo buffalo buffalo buffalo buffalo buffalo buffalo.
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Now, tell me what that means.
I'm not going to explain it to you because it
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takes a while to explain it.
But, if you think about it, you might be
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able to figure it out.
And even if you can't figure out eleven
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baffaloes in a row, the point still holds.
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Because the point's just that sometimes, what
doesn't seem meaningful turns out to be
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meaningful.
And if you're careful and charitable,
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and do your best to interpret what it
really means,
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Then you might be able to make sense out
of some utterances that don't seem to make
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sense at first.
And when you can make sense of them, then
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they're linguistic acts.
For now, I don't have time to go into any
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detail on semantics or syntax.
Although, we will discuss some details
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when we discuss vagueness and ambiguity in
the discussion of fallacies later in this
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course.
But, I hope that the linguistic level is
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pretty simple and understandable so we can
go on and look in more detail at the
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speech act level and the conversation act
level.