The Selfie and Marshall McLuhan

Paul Levinson, "Light On Light Through" podcast, Episode 93 - http://paullev.libsyn.com/the-selfie-and-marshall-mcluhan .
See, for the things referred to in this episode:

- https://twitter.com/PaulLev/status/452886405262241793 for the picture of McLuhan, Ian McLuhan and him
- http://paullevinson.blogspot.ch/2014/04/tetrad-on-selfie.html for the blogpost about the exchange he had with Ian Bogost about the picture.

See also the http://paullevinson.blogspot.ch/2014/10/photography-flips-into-snapchat.html post where he mentioned this podcast episode.

(Intro jingle)

I'm Paul Levinson

and welcome to Light On Light Through,
episode 93:

The Selfie and Marshall McLuhan.

Well, you might ask how and what did
Marshall McLuhan, who left this earth in 1980,

what did he have to say about the selfie,

which of course didn't even exist until
just a few years ago.

The answer, I think, is very interesting.

One of the real joys about
understanding McLuhan

is how what he wrote in the 50's,
the 60's and the 1970's

so accurately predicted

what our communications and media
are doing today.

And even better than that in some ways,
is the way that some people who have read McLuhan

compound insights, just in their everyday lives,
when they realize that hey, this is something

that McLuhan might have actually been
talking about,

and something that McLuhan's ideas
can help us understand and explain

in hopefully a unique and valuable way.

So, here is one of my favorite examples:

a true story, something that happened
to me about 5 or 6 months ago.

I actually wrote a blog post about it.

Now I'm finally getting around to doing
a podcast episode about this.

I posted a photo on Twitter,
of Marshall McLuhan,

his son Eric McLuhan and me
that was taken in the late 1970's,

when I had organized a conference
at Fairleigh Dickinson University,

which is where I was teaching then:
it's in Teaneck, New Jersey.

The conference was about the Tetrad
or the Laws of the Media.

Now, I'll get back to that in a moment.

But one of the first people
to comment on the photo

was a current media theorist,
by the name of Ian Bogost,

who said: 'Where is the fourth?'

Now, in order to understand why
Ian asked that question,

now, I'll explain to you what the Tetrad or
Laws of the Media are all about.

And they go back to the mid to late 1970s

when Marshall McLuhan began publishing
some short articles and talking about

what he was terming 'the laws of the media',
or 'laws of media'.

And in fact, there were four laws:
hence the word 'tetrad'

which is a way of saying 'four';
a triad is three, a tetrad is four.

And to give you an example,
you could do a tetrad

or apply McLuhan's Laws of Media to radio
and its impact, and how people used it.

And you can begin by looking at the first
consequence or effect of radio.

McLuhan called this first law,
this first law of the Tetrad,

enhancement or amplification.

And what the radio clearly does is
it amplifies or enhances

instant verbal, acoustic communication
across long distances.

The second law has to do with what
the new technology or media replaces

and McLuhan called this obsolescence.

So, you can clearly see that one of the
things that radio obsolesced

was the printed word, in a variety of ways:
say, newspapers.

They used to be the only way
that people received news.

Once radio came along, in the 1920's
and really began expanding in the 1930's,

people increasingly began to get
their news, not just from newspapers,

but from radio reports.

Or consider something
like a sporting event.

That's something where,
up until the introduction of radio,

people had to read about what their favorite
teams did, in the newspaper:

either later in the day, or the next day.

But what radio did is,
it also allowed people to listen to games

as they were actually occurring,
in real time.

The third law, or third part of the tetrad,
gets even more interesting,

because McLuhan said that
every new medium or technology

first of all enhances something,

second of all obsolesces
or eclipses something, something else,

and third of all, retrieves
some kind of communication

which itself had been previously obsolesced.

And so, again clearly, what radio does is
it retrieves the spoken word.

Now the spoken word,
of course, never disappeared.

So it's not as if this retrieval was
digging something up

which had been out of use.

The spoken word continued to be important,
and continues to be important right now.

That's the way it has been
throughout human history.

But there's also no doubt that
what the written word did

is, to some extent in some cases,
take emphasis away from the spoken word.

For example, once upon a time,
the spoken word was

a more important commitment,
in a contractual, legal sense,

than the written word.

But after the printing press,
for a variety of reasons,

the written word became legally much more
binding than the spoken word.

So radio obviously retrieves
the spoken word.

Now, in some ways,
the fourth law of the Tetrad,

or the fourth law in MacLuhan's
Laws of Media

I think is probably
the most interesting and fascinating,

because McLuhan said that eventually,
when a medium is pushed to its limits,

meaning that it can't do any more
as that media,

at that point,
it flips into something else.

And again,
if you look at the history of radio,

what happened with radio eventually?

Well, by the end of the 1940's,
radio flipped into television,

which has a lot of similarities to radio:

it's broadcast, it could be live,

but it's very different from radio,
because you have a visual component.

And in a way, what television does is,
it retrieves the visual component

that radio had formerly obsolesced.

Now, one of the nice things of the Tetrad
is, you can apply it

to many different threads
of media evolution.

And that's something that I've been doing
ever since I first wrote the preface

to the publication of
McLuhan's 'Laws of the Media'

back in 1977, in Etcetera magazine,

and I did that when I was actually
a Ph.D. student at New York University.

But one of the things that
didn't exist back then

was what you're listening to right now:
the podcast.

And so, one of the things that radio
verses into is the podcast.

Like television, the podcast
has similarities with radio.

It's the spoken word, it's sound.

But unlike radio,
anybody can do a podcast.

I'm a professor, I'm an author,

but I certainly have no
radio professional experience.

I've been on a few radio shows: actually,
probably dozens over the years,

but I've never had my own radio show.

I'm not a professional, I'm not considered
a professional in the radio business.

But that doesn't matter,
because anybody can do a podcast.

So, one of the things that radio has
recently flipped into is the podcast.

So, now let's go back to what
Ian Bogost was asking

when I posted this photo of
Marshall McLuhan, Eric McLuhan and me,

taken at the conference
at Fairleigh Dickinson University

where we were considering the Tetrad
and the Laws of Media, back in 1977.

Well, why was Ian Bogost saying
"Where is the fourth?"?

He was talking about
the Tetrad having four parts

and he only saw three people
in the photograph.

So that was a pretty clever question.

But as soon
as I read that question on Twitter,

the answer popped into my head immediately.

The fourth in that photograph is the selfie.

Now, actually, somebody else,
Mary-Lou Bale, one of my students

took that photograph.

But nowadays, you can clearly see that
the photograph has flipped into the selfie.

So let's do a Tetrad for the photograph.

What does it enhance or amplify?

Well, capturing the visual world
as it actually is.

And that clearly points at what
the photograph obsolesces: the painting,

in which what is on the painting
is dependent on the talent of the painter,

in contrast to the photograph, where
the photographer has to have some talent

but the essence of the photograph is just the purely

-- originally, photo-chemical process --
now digital process

in which the light bounces off the real world or
whatever you are taking a photograph of,

and you then have a photograph.

So the painter, the pen-and-ink sketcher,
is obsolesced by the photograph

and by the photographer.

Well, what does the photograph
and the photographer retrieve,

which had been previously lost?

Well, you can look into a pool of water.

And in fact, McLuhan talked about this when he
talked about the Greek myth of Narcisus

who stared at his reflection
in a crystal-clear pool of water.

That's in effect what
a photograph is retrieving,

because that's not an artist's interpretation,
that's an actual reflection of the world.

And so, we get to the end:

What does the photograph, let's even say,
the still photograph,

what does it flip into?

Well, over the years,
it has flipped into many things.

It's flipped into motion pictures,

it's flipped into the Kodak photograph
which could be taken by anyone:

the first photographs were only taken
by professional photographers.

It's flipped into the polaroid,
which is an instant photograph.

And of course, it's flipped very recently
into the photographs

that we all take with our phones.

But I think the selfie most epitomizes what
the photograph has currently flipped into.

Because as we all know, millions of photographs
are now taken by simply pointing

the camera in our smart phone at ourselves.

And so, that's what the photographer,
I think, has flipped into.

Anyway, you can read more about McLuhan
and the Tetrad in many places.

I'll recommend one of my books,

"Digital McLuhan - a Guide to
the Information Millennium"

which I wrote back in 1999.

You'll find a link to that
on the podcast page,

which is lightonlightthrough.com.

And by the way, Light On Light Through
is a term I also got from McLuhan.

So, if you ever have a chance, read not only
my books and other books about McLuhan

but read some of McLuhan's
original works themselves.

Some people find them
a little hard to get into,

but if you give them some time, you'll be
rewarded by a cornucopia of insights

and tools that we can use to help make
sense of our rapidly evolving media age.

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