Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton
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0:13 - 0:17Hi everyone. So, it's been
a good day, right? -
0:17 - 0:20Yeah. So before I start my speech,
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0:20 - 0:22I want everyone in the audience
to keep in mind -
0:22 - 0:25the importance of mentorship.
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0:25 - 0:28So, I'm young, I'm a woman.
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0:28 - 0:31I am from a poor family
with a single mother. -
0:31 - 0:35I am from Dayton, Ohio. I am a filmmaker.
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0:35 - 0:37This is a story of how I became
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0:37 - 0:40a feminist filmmaker in Ohio.
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0:40 - 0:42I would say that a lot of young,
talented people -
0:42 - 0:45have left Ohio for greener pastures.
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0:45 - 0:49I would say that the staying
hasn't been easy. -
0:49 - 0:53It's been cheaper.
I don't regret it. It's possible. -
0:53 - 0:55So, this isn't a total "pull yourself up
-
0:55 - 0:57by your bootstraps" story.
-
0:57 - 0:59I am aware of the privileges
that I do have. -
0:59 - 1:02I grew up poor, but I fit in.
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1:02 - 1:05I'm white. I appear to be
upper-middle class. -
1:05 - 1:10I have my health. So, I want to start
from the beginning. -
1:10 - 1:12I was always a good student.
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1:12 - 1:14A good art student, at least.
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1:14 - 1:17And I was always kind of saved
by my art teachers. -
1:17 - 1:19One teacher in particular, Mrs. Dun,
-
1:19 - 1:22she gave me 5 dollars
in gas money to get home -
1:22 - 1:24from high school one day.
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1:24 - 1:27Mrs. Dun saw me through
my entire college application process. -
1:27 - 1:31She saw something in me
that I wasn't able to see in myself: -
1:31 - 1:33that I was worth something.
-
1:33 - 1:37I didn't always know
that I wanted to be a filmmaker. -
1:37 - 1:39It wasn't until I was
at Wright State University. -
1:39 - 1:41I was sitting in class
with Dr. Charles Derry, -
1:41 - 1:45who's a very revered person
in our film world. -
1:45 - 1:47He was talking in public about things
-
1:47 - 1:50that I'd never heard
talked about in public before. -
1:50 - 1:54He was talking about taboo things,
like death, and sex, -
1:54 - 1:58and being out and gay,
and politics and the war. -
1:58 - 2:00He showed me films where these things
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2:00 - 2:02were the subject matter.
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2:02 - 2:05He showed me that film could be
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2:05 - 2:09an intensely powerful medium.
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2:09 - 2:10So, that was all great.
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2:10 - 2:12I still had a lot of things
to learn, though. -
2:12 - 2:15For example, when I saw
my first film camera, -
2:15 - 2:18the K-3, which is very big, it's bulky,
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2:18 - 2:21it's user-unfriendly, I was terrified.
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2:21 - 2:24And I told my male professor at that time,
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2:24 - 2:26I told him, I was joking, but I said,
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2:26 - 2:28"I can't do this, I'm a girl."
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2:28 - 2:32And he told me, he was joking, sort of,
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2:32 - 2:35but he said, "You know, my daughter
is the same age as you. -
2:35 - 2:36if she were in the room right now,
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2:36 - 2:38she would punch you in the face
for saying that." -
2:38 - 2:40(Laughter)
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2:40 - 2:43So, it was an important moment though,
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2:43 - 2:45because it was the first time
that someone pointed out to me -
2:45 - 2:49that I was sexist, against myself.
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2:49 - 2:51And I thank him for that.
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2:51 - 2:53So, Wright State University
is a competitive school. -
2:53 - 2:56Every year, your class size diminishes.
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2:56 - 3:00So, by my second year,
all of the women had dropped out, -
3:00 - 3:02except for me.
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3:02 - 3:06So, for 4 years, I was the only woman.
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3:06 - 3:09I had to be fine with it.
I had to be better than fine. -
3:09 - 3:11I had to be like really
damn good at everything. -
3:11 - 3:16So, I cut off all my hair,
which was so liberating, -
3:16 - 3:19but it was definitely for survival.
-
3:19 - 3:23In 2008, I was sort of developing
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3:23 - 3:26into a political filmmaker.
-
3:26 - 3:29I was really interested in the Sarah Palin
and Hillary Clinton iconomy -
3:29 - 3:31at that time.
-
3:31 - 3:33It was really interesting to me to see
how the media portrayed them. -
3:33 - 3:37For instance, Sarah Palin was always like
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3:37 - 3:40this pretty, sort of like dumb character,
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3:40 - 3:41and Hilary Clinton was always this like
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3:41 - 3:43shrewd, ugly character,
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3:43 - 3:46and nothing else they did and said
really mattered in the media. -
3:46 - 3:48And that really bothered me.
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3:48 - 3:51I did my first short film, Park,
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3:51 - 3:53which is a coming of age story of a woman
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3:53 - 3:55growing up on a trailer park.
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3:55 - 3:59Park was a huge project at that time.
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3:59 - 4:01It took so much talent.
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4:01 - 4:03A lot of the people who worked on the film
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4:03 - 4:05are now working
in the industry professionally. -
4:05 - 4:07It took 3 years to make.
-
4:07 - 4:10I did it while I was a student.
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4:10 - 4:12The film was mostly
about how a young person -
4:12 - 4:15might become a sex worker.
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4:15 - 4:20Park was successful.
It played at about 9 film festivals, -
4:20 - 4:21one of them being Slamdance.
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4:21 - 4:23And to those of you who aren't familiar
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4:23 - 4:26with the hierarchy of the film festivals,
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4:26 - 4:28Slamdance is a major film festival.
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4:28 - 4:30It happens in Park City, Utah,
-
4:30 - 4:33across the street
from the Sundance Film Festival. -
4:33 - 4:35It's like in response to Sundance.
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4:35 - 4:38It's like the indie of indie film fests.
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4:38 - 4:40(Laughter)
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4:40 - 4:44Yeah. So, my mentor
and a great documentary filmmaker, -
4:44 - 4:47Julia Reichert had said
I had beaten the odds. -
4:47 - 4:49And she was right.
-
4:49 - 4:51But I wouldn't have been able
to beat the odds, -
4:51 - 4:54if it hadn't been
for people like Julia Reichert -
4:54 - 4:57and Steven Bognar.
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4:57 - 4:59They really gave me
an opportunity to hone my skills -
4:59 - 5:01as a filmmaker.
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5:01 - 5:03My apprenticeship with them
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5:03 - 5:06let me see how masters
really do their craft. -
5:06 - 5:08There's no better education than that,
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5:08 - 5:10and I thank them.
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5:10 - 5:12I remember I was shooting on a film
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5:12 - 5:14called Remote Area Medical,
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5:14 - 5:20which is a documentary
about uninsured people -
5:20 - 5:24camping outside a NASCAR stadium overnight,
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5:24 - 5:27to try and get free healthcare
the next day. -
5:27 - 5:29So, I was with Steve and we were
interviewing this woman. -
5:29 - 5:32She had been in line all day.
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5:32 - 5:35She was just in line to get glasses.
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5:35 - 5:38She couldn't see.
She needed glasses to get a job. -
5:38 - 5:41She broke down crying
during the interview. -
5:41 - 5:44And for some reason,
we started the interview above her. -
5:44 - 5:47She was sitting in a chair
and we were shooting down at her. -
5:47 - 5:49And, when she started to cry,
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5:49 - 5:52Steve immediately sank down to one knee,
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5:52 - 5:54and so we could look her in the eye,
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5:54 - 5:58and he finished the interview
on the ground. -
5:58 - 6:01Being able to document
a sensitive moment like that -
6:01 - 6:05is a total privilege,
and deserving of respect. -
6:05 - 6:06And Steve taught me how to be
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6:06 - 6:09an empathetic storyteller.
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6:09 - 6:13As a documentarian,
you're always looking for that line. -
6:13 - 6:16The line of, "Am I portraying this reality
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6:16 - 6:19the way that is like the most objective?"
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6:19 - 6:23And the line of, "I don't want
to exploit my subject." -
6:23 - 6:26It's actually really easy
to exploit someone -
6:26 - 6:27as a media maker.
-
6:27 - 6:29You have the camera,
you have the microphone, -
6:29 - 6:33you have the power over someone.
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6:33 - 6:36So, when you have the privilege
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6:36 - 6:38of being able to like, discern a moment,
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6:38 - 6:41is worth documenting
or worth being left alone, -
6:41 - 6:43you have to use that power.
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6:43 - 6:45You know, you may
see something that's interesting, -
6:45 - 6:47or worth documenting,
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6:47 - 6:49but that may be someone else's heartbreak,
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6:49 - 6:51and you have to remember that.
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6:51 - 6:55But the power of media
as a political tool is undeniable. -
6:55 - 6:59So, in 2012, I left Dayton
and moved to Cincinnati, -
6:59 - 7:01with my fellow classmates Erick Stoll
-
7:01 - 7:04and Chase Whiteside,
with New Left Media. -
7:04 - 7:08In 2012, we did
a pre-presidential election series -
7:08 - 7:10for the Internet.
-
7:10 - 7:12I am most proud of my contribution
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7:12 - 7:13to the War on Women's Health,
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7:13 - 7:15piece that we did.
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7:15 - 7:20It's a video of that went viral,
with over 100,000 views. -
7:20 - 7:21It was successful.
-
7:21 - 7:25But, I mean, if you remember
that time at all, -
7:25 - 7:28you know, women's productive health
was like quite a hot topic. -
7:28 - 7:30If you guys can remember like
"binders full of women", -
7:30 - 7:31which I'm sure some of you do,
-
7:31 - 7:34I don't understand
what I'm talking about. -
7:34 - 7:37So, I'm a political person,
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7:37 - 7:40I'm a feminist, I'm not afraid to say it.
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7:40 - 7:43So, that's kind of let me
to where I am now. -
7:43 - 7:47I am the co-founder
of Women Working Collective. -
7:47 - 7:49We're three women.
-
7:49 - 7:50Right now, we're working
on a short film -
7:50 - 7:53called Alternative Auto,
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7:53 - 7:55which is about an auto garage
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7:55 - 7:56in Columbus, Ohio.
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7:56 - 8:00It's run and operated by all women.
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8:00 - 8:02It's one of the only
female run and operated -
8:02 - 8:05auto garages in the world.
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8:05 - 8:08These people, these women are amazing.
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8:08 - 8:10We just wrapped shooting.
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8:10 - 8:13we're really excited about it.
We're editing right now. -
8:13 - 8:15In short, while I was in Dayton,
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8:15 - 8:19I was lucky enough
to be mentored by the best. -
8:19 - 8:20My professors at Wright State,
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8:20 - 8:22all the people who helped me
along the way, -
8:22 - 8:25the women at WISO all contributed
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8:25 - 8:27to me becoming a filmmaker.
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8:27 - 8:30I hope I get to continue to make films.
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8:30 - 8:31I hope to, one day, inspire people
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8:31 - 8:34the way they have inspired me.
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8:34 - 8:37So, to close, for those of you
in the audience, -
8:37 - 8:40I would like for you to think
about someone in your life -
8:40 - 8:42who you can mentor,
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8:42 - 8:46or to think about something
you would like to learn or do, -
8:46 - 8:49and to seek those people out
in our community. -
8:49 - 8:50They're there.
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8:50 - 8:53We're doing a TEDx.
They're there, you know. -
8:53 - 8:55You could really enhance your life.
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8:55 - 9:00You will enhance the life
of others, here in Dayton. -
9:00 - 9:01Thank you.
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9:01 - 9:03(Applause)
- Title:
- Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton
- Description:
-
Liz Cambron is a filmmaker and activist, originally from Dayton. She's been part of many award-winning documentary companies and has produced work for public radio, Planned Parenthood and the successful Internet series New Left Media. She is a co-founder of Women Working Collective and her first short film, PARK, was screened throughout North America and competed at Slamdance 2012. She is committed to making work that is humanist and feminist.
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDxTalks
- Duration:
- 09:15
Leonardo Silva edited English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva edited English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva edited English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva commented on English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva approved English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva edited English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva edited English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton | ||
Leonardo Silva edited English subtitles for Do I Belong Here? - Feminism and Independent Film: Liz Cambron at TEDxDayton |
Leonardo Silva
Great transcript. Good job! There were just a few mishearings and I had to break a few lines that were longer than 42 characters. (See out OTPedia: http://translations.ted.org/wiki/How_to_break_lines). ;)